Black and white aerial photograph of a ship at sea, mounted and framed in a wooden frame.MV Kooligacontainers, australia, container ships, mcilwraith and mcewan, mv kooliga

Black and white aerial photograph of a ship at sea, mounted and framed in a wooden frame.MV Meringacontainers, australia, container ships, mcilwraith and mcewan, mv meringa

Black and white aerial photograph of a ship at sea, mounted and framed in a wooden frame.MV Manooracontainers, australia, container ships, mcilwraith and mcewan, mv manoora

Black and white aerial photograph of a ship at sea, mounted and framed in a wooden frame.MV Wollongongcontainers, australia, container ships, mcilwraith and mcewan, mv wollongong

Black and white aerial photograph of a ship at sea, mounted and framed in a wooden frame.MV Woomeracontainers, australia, container ships, mcilwraith and mcewan, mv woomera

Photograph shows a group of people and several cars at the Kangaroo Ground store.Framed black and white photograph, in timber frame, under glass with brown mount.kangaroo ground

The Royal British Legion is a Charity providing support to members of the British Armed Forces and their Families. The Legion was formed on 15 May 1921 and combined four organizations that had been raised after WW1 into one, The Royal British Legion. There is a branch of The Royal British Legion in Melbourne and meets Monthly.This is an original item as presented to the Geelong RSL President.A framed Motto of the Royal British Legion, timber frame, silver coloured photograph.The Royal British Legion, Service Not Self, Teign Mouth Devon. Presented to Geelong RSL by Gordon Randell, Newquay Royal British Legion, Cornwall, UK, Presidentroyal, british, legion

The Bow Saw is considered by many to be the most satisfactory saw for cutting shapes since the narrow blade negotiates curves easily, and is held in tension. Both the handle and knob (at the other end of the blade) can be turned so that a cut can be made more or less parallel to the required cut. Obviously the blade must be free of twist when in use. It is available with blade lengths of 25 to 40 cm (10 to 16 in). Generally both hands grips the one handle, hence the bulbous shape with narrow neck, but when thick wood has to be sawn it is helpful to have a person at each side, both sides of the wood having been marked. In this way it is much easier to keep the cut square to the sides of the timber. The rivets holding the blade to the handle can be withdrawn so that the saw can be used for an internal cut, the blade being threaded through a hole drilled through the timber.A vintage bow saw used in cabinet work by a cabinet maker in the mid to later part of the 19th century probably made in England.Bow saw wooden frame and handles. Twine attached to upper section of frame.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bow saw, carpenders tools, cabinet makers tools, wood working, wood saw

This photo taken in 1917 was 5 years before Edith Sarah Pickford (1909 - 1967) of ''Yeoville" Clunes married Henry Smerdon [Harry] Holmes of "Sauchieburn" Ascot in 1922. At the time it was fun, fashionable and symbolic to have photo portraits taken in a clown outfit: Pierrot (Boy) with black skull caps and Columbine (Girl) with pointed hats. Pierrot, the famous character from the Italian commedia dell'arte, was portrayed by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one's true feelings or opinions. Edith was the second youngest child, and only daughter, of John and Bessie (Robbins) Pickford, Clunes farmers. Edith’s brother, Arthur Pickford rode in the Charge of the Battle of Beersheba, a precursor to capturing Gaza in WW1. The matter of who rode in the charge at Beersheba on 31 October 1917 continues to exercise the minds of many. The charge is embedded in the Australian ethos along with Gallipoli and the Kokoda Track. [ Source: Edith's granddaughter, Jane Dyer 2024]Black and white photograph in rectangular frame with stand. Back of frame padded velvet"Sincerely yours - Edith"edith pickford, edith holmes, chatham-holmes collection, pickford collection, pierrot and columbine, portrait photograph, ww1

Reproduction done for Port of Echuca c.1980 heritage project. Henry Hopwood who founded Echuca in 1853, made the following charges for the use of his punt across the Murray River utiliising his own tokens. Charges - one penny for 2 sheep, six pence for 1 cow or head of cattle, ninepende for 1 horse, 18 pence for 1 horseman, "footmen" were free. 2 reproduction Hopwood Pennies, in frame with gold surrounds, pennies in centre of frameInscription BRIDGE HOTEL 1858 on one penny shows scene of Bridge Hotel and the other has inscripition HOPWOODS PUNT ECHUCA 1857 One Penny and scene of same.

Framed copies of handwritten situation reports torn from a notebook. In a black frame.Illegibleframed document, situation reports

Framed colour Photograph in a black frame of laundry hanging on lines outside hutsphotograph, barracks, huts

Part of collection of items related to the late Senator J.F. Guthrie, breeder of Corriedales. Senator James Francis Guthrie (1872-1958) was the founder and first president of the Australian Corriedale Sheepbreeders' Association in 1914 and was involved in the wool industry all his life. He worked for Dalgety's and was managing director of the Guthrie Corriedale Stud. He was a Senator for Victoria between 1920-38 and wrote a number of books about the Australian wool industry.Part of collection of items related to the late Senator J.F. Guthrie, breeder of Corriedales.Sepia photograph of horse and buggy and two gentlemen, framed in thin wooden frame.guthrie, senator james francis c.b.e. gilligan, mrs marguerite

The information sheet describes the departure of H.M.A.S Sydney from Alexandria Harbour bound for it's home Port, Sydney, Australia on 1st July 1936. Sailors with rifles and bayonets formed a guard of honour, while the ships band played "Rule Britannia'.Framed information sheet on H.M.A.S Sydney from 1936. Black and Gold frame.

Framed photograph of Andrew Bishop VX37033. Photograph in sepia- frame of dark timber.

White notepaper with handwritten reference in black pen, framed in a red wooden frame

The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. The regiment took pride in their inauspicious number and adopted the nickname 'the Devil's Own' and wore a black ostrich plume in their hats. The regiment also obtained an unofficial badge featuring a dancing devil. A rare example of a plume worn in military headdress in World War One. It is well provenanced. in good condition and complete.Framed set of ostrich plumes in light black wooden frame with glass front."Original issue plumes as issued to 13 Light Horse Regt prior to the introduction of Emu plumes. Presented by 13 ALH (AIF) Assn"13th light horse, military, light horse, wwi

1929 Richmond £500 Trotting Cup, Won by Direct Home, Owner P Weaver, Trainer and driver W McKayLarge rectangular colour harness racing photo finish framed in wooden frame.Richmond 24/9/1928 / £ 500 Trotting Cup / Won by "Direct Home" / Owner P. Weaver Trainer and Driver W. McKay / Distance (?) Time 3 min 321/2 sec.trotting, richmond, direct home, p weaver, bill mckay, 1929, harness racing, wj mckay

Is one of 4 certificates framed together in a frame 55cm W x 55cm H belonging to Bdr. Joesph Moore.Photocopy of original certificate of despatchThe War of 1914-1918/ Australian Imperial Force/ 1272 Gnr. (A.Bomdr.) J. Moore, 51st By Field Artilery./ was mentioned in a despatch from/Field Marshal Sir Douglas Haig. KT., G.C.B., G.C.V.O., K.C.J.E./ dated 7th April 1918/ for gallant and distinguished services in the Field/ I have it in Command from the King to record His Majesty's/ high aprreciation of the services rendered. (indecipherable signature)/ Secretary of State for War.1918, moore, joseph, world, war, 1, despatch, field, marsh, sir, douglas, haig, ioffice, 1914 1918

Private David J.V. Jamieson, No.3875, 5th Battalion AIF, Killed in Action 25 July 1916.Certificate - sepia toned illustrated certificate with small inset sepia toned portrait photograph of a soldier in uniform from the Borough of Eaglehawk. Black print on paper. Frame - timber, brown stain, decorative edge, glass front, backing paper and cardboard.Handwritten on certificate in black ink "No 3875 - Pte David J.V. Jamieson - 5th Batt A.I.F./Killed in Action 25 July 1916 - "Dated 20 August 1920". Adhesive label back of frame - "Courtesy: Aylene Kirkwood OAM/ 40 Napier Street, Eaglehawk/ 8-8-2022.framed items, certificate, ww1

A mangle or wringer is a mechanical laundry aid consisting of two rollers in a sturdy frame, connected by cogs and, in its home version, powered by a hand crank or electrically. A household mangle/wringer could be attached to a bench for easier use. The washing process itself involved lifting the items from the cold soak and wringing or mangling each item before transferring them, with more soap flakes, into the copper for boiling. Items that remained soiled, even after an overnight soak, were rubbed on a scrubbing board before being transferred to the copper. The clothes mangle would be used to squeeze out all the excess water. Clothes would then be hung out to dry on a clothes line, or laid over a clothes-horse next to the kitchen or living room fire. This one was owned by the mother of Bob Clarke, an Orbost resident.This item is an example of the typical laundry equipment used by families in the Orbost district in the early 20th century.Clothes mangle [wringer] which has a wooden and metal turning handle. It has a ratchet and 2 tap screws for pressure. It has of two rollers in a frame, connected by cogs and is powered by a hand crank.On top - "No. Hardwood Rolls 124" Front - "Household Clothes Mangle Steel ball bearings The American Wringer Company New York USA"laundry wringer mangle

A flight of two Australian Hercules transport aircraft flying over Sydney.R.A.A.F Hercules transport over Sydney. A flight of two Planes.On front of picture is a title "R.A.A.F. Hercules transports over Sydney." Photographer : Bruce Adamsaustralian hercules transport aircraft flying over sydney.

Luna Eclipse, Luna Park, St Kilda, Melbournecolour postcard, unmounted, good conditionMatt Irwin picture card. Luna eclipse, Luna Park, St Kilda, Melbourne

Mrs Shortland was an early Secretary of the Society.Two thick wooden pieces with three rubber legs. Press attached in the middle. Bottom bar with two attached screws which slot into the chrome bar on the top piece of wood. Trade mark of white bakelite.Beaucaire| Made in England|Picture of a Dandy inscription your best in mens wear $5costume accessories, male

The clear, green tinged bottle with lip, collar and high shoulder, has raised embossed information on the body indicating that this is an Irish whiskey bottle from Mitchell & Co., of Belfast. It formerly had a cork stopper. The Kiewa Valley Historical Society has one of the same bottles in its collection and estimates its date of manufacture to be the 1890s.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Clear green glass bottle, narrow neck, rounded shoulders of body of bottle."Irish Whiskey / Mitchell & Co of Belfast Ltd" Trade mark picture of crown on front.

Owner unknown. The entrenching tool was a standard issue to Infantry men during World War Two. Then entrenching tool cover held the helve of the tool on the outside and the tool was held on the inside. Soldiers regularly carried other items in the entrenching tool cover, for example shoe polish, rifle pull-throughs, shaving kit. The personal entrenching tool allowed soldiers to dig shell scrapes and holes when larger picks and shovels were either not appropriate or unavailable. The pattern of the entrenching tool cover was known as 37.The entrenching tool was a standard issue item to Infantrymen in World War 2. The entrenching tool cover allowed for the storage of the tool on the inside and the helve on the outside. The 37 pattern used for this entrenching tool cover had a number of improvements from the previous pattern, including versatility of position when carrying on webbing. The 37 pattern was used by UK and Commonwealth Forces.Kidney shaped webbing bag. Twigg buckles to allow for attachment to webbing. A longer strap and buckle on the front side to allow for the holding of the helve of the entrenching tool.D (broad arrow) D indicating Department of Defence RMB 1945 Picture of Crown?world war 2, entrenching tool cover

The waterbody was the site of a quarry that existed between Grovedale Road and James Street, Surrey Hills on land owned by J B Maling (senior). Clay from it was used to make bricks for local houses. The quarry became a hazard and after several drownings was filled in. The Grovedale Park now occupies the site. Muriel Hedwig Lucy Pornitz, also known as Muriel Pornett, lived locally. She was born in Melbourne in 1894 and studied at the South Australian School of Arts & Crafts in 1911 under James Ashton and Fred Britton, and at the Australian School of Etching in Sydney. She was also an illustrator and cartoonist. She died in 1982.A small oil painting on canvas board in a dark wood frame of a water body with a clay bank behind and 2 trees above the bank. Lower front right hand corner: "AUST. M P 1927" On the rear upper edge, in ink on badly degraded brown paper backing: " "The Old Quarry" Surrey Hills, Melb." / [Second line of writing is illegible.] A label is stuck to the middle section of the paper backing. It indicates that the painting was framed by Toska Art Studio (N. Cl Colliver, Proprietor) of wyndham Street, Shepparton. Lower rear edge, in ink on badly degraded brown paper backing: "by / Muriel ...... / "Darnok", / 22 Grovedale Rd / Surrey Hills, Melb" painting, grovedale road quarry, quarry, grovedale road park, john butler maling (snr), surrey hills, muriel pornitz, muriel pornett

CEMA Art collectionThe painting depicts a blue stone building with green door. On either side of the door is a window and there is a chimney at either end of the roof. The side of the house closest to the viewer is overgrown with vegetation which extends up to and covers the chimney. To the right of the building is a green fence with a leaf-less tree behind. To the left of the building is a smaller green fence with several green trees behind. The work has a plain wooden frame with a mount and glass.Front: Gardens Cottage Portland 1857 Ruth Denny 1967 (black, handwritten) Back: Sticker: DEANS MU 8291 FOR FRAMING 346 LT. COLLINS ST., MELB. NO. 20438 Yellow sticker: 3033portland, female artist, female, women, botanic gardens, curator's cottage