ORIGINAL BLACK & WHITE PHOTOGRAPH OF J. B. CAMPBELL. NO2290 14TH BATTALIONKODAK POSTCARD J.B. CAMPBELL NO 2290 14TH BATTALION JOHN CAMPBELLlocal history, photography, photographs, military

Three colour photographs Central Park Gardens Easter 1988Coloured photos of Central Park Gardens, one of No.1 Grandstand and the other two photos of the fountain in Central Park.Inscriptions on fountain postcards Easter flowers, Central Park Easter 1988stawell

Huttley - Martin FamilyB/W Landscape: At Central PARK. Students dancing the May Poe watched by crowd. 1 Pole for Girls 1 Pole for Boys, in sailor suitsPostcard Correspondence Address only Kodak Madge and ray Huttley Stawell huttley, martin

ORIGINAL BLACK & WHITE PHOTOGRAPH OF R. HULL. FEATURED ARE THE ARMY CAP, AUSTRALIA BADGE ON CAP AND COAT LAPELS AND POCKETS, ALSO SHOULDER RIBBONS.HORNBY POSTCARD. TO UNCLE JIM & AUNTIE ELLEN MARCH 4TH. 1916.local history, photography, photographs, military

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

Greeting cards sent during WW1 - 1917, 1918. Owned and sent by R.T. Mitchell to his daughter Anne.Three silk embroidered postcards, sent from France during World War 1, from R.J. Mitchell to his daughter Anne. There are also two black and white postcards.1. Handwritten in grey pencil on the back of the Forget-Me-not card: 31/5/1917 'Dear Anne I got a letter from you a few days ago and am glad to know you are well and got plenty of work to do. How is school getting on, do you still want to be a teacher well if you do mind you are a good one. Your loving fatherr. 2. X-mas wishes: France 5th 1918. Dear Annie Received your birthday thank you very much How are you getting on with your scholarship. Hope you have a very happy christmas Lots of love your affe father R.J.Mitchell 3. handwritten in grey pencil on the back of the Happy Christmas card 'Somewhere in Belgium Oct 15th, 1917 Dear Anne Received your letter of July 3rd. Am sorry pearl has ben so bad, hope she is alright again now. Well I am keeping quite well we are having plenty of rain although it is fine today. Hope you have a veery merry Christmas Loads of love Your affec father R J Mitchell'. 4. Carte Postale - Postcard 5/1918postcards, greeting cards

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Colour photo of Marine Parade from the Pier, Worthing Addressed to Mr & Mrs H. G. Littler (?), 32 Brunel St, Mornington, Dunedin, New Zealand Message dated 6/6/61to Mum & Dad from Popspostcard, collector, alice mcgregor

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400 Colour photo of the City Hall, Montreal, Canada. kground Addressed to Miss A. Stapleton, Arcade, Bendigo, Victoria, Australia Sender - Edythe Andrews, 184 Hutchison St, Montreal, Quebec, Canada Date stamp Aug 30, 1905 postcard, collector, alice mcgregor

One of series of photographs taken of military uniforms of World War 1, from the collection of the Australian War Memorial.Colour postcardAustralian War memorial - Series 2world war 1, military uniforms

The view is looking southeast from near Eltham Road (present-day Sherbourne Road) across Bolton and Bridge streets towards the village of Little Eltham running down the main road (Maria Street) . On the immediate right is Mrs Mary Jane Smart's family home located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). An original early settler's cottage, it was built by Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. Visible at the top left are Watson's (two-storey) Eltham Hotel at the corner of Pitt Street and Maria Street and the Evelyn Hotel directly opposite.Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows St Margarets N end Shows Wesleyan Church Small Bank Double Storey on Hotel's south end Pearsons house Note roof structure Surface damage to lower left corner1910, bridge street, cba bank, church, clark bros. photo, early settlers, eltham, eltham hotel, evelyn hotel, fountain of friendship hotel, greensborough, mary jane smart (nee bailey), pearson house, pre 1900, road no 1, smart family home, smart home, st margarets, watsons hotel, wesleyan church

William Jarrold's cottage on left was used by the Police 1858-1860. The Court house and Police precinct (upper right) were opened in 1859-1860 Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April 1957 (513/387) records his occupation as "X Photographer".Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows Telegraph poles show one wire No 1918 Avenue of Honour trees c.1907 Jarrolds house No shop at White Cloud on fence line Police Residence has extensions Chimney on wash house Office Brickwork on stables Lock-up, entry and window end Light lamp - cnr Dalton and Maria streets Surface damage to lower left cornermain road, eltham, maria street, dalton street, william jarrold, jarrold cottage, police residence, courthouse, j.h. clark photo

This is one of the very few surviving pieces of correspondence between Bob and his wife, Madge. Bob destroyed the bulk of such correspondence between the pair, although some of Bob's typed letter/stories that Bob sent to Madge survived, pasted into a large hard-backed journal, and later passed on to grand-daughter, Margaret Davey. The Registry Office marriage was a secret business. Perhaps an Irish nationalist, Madge's father, Andrew McLaughlin, had absolutely forbidden any of his daughters to marry a soldier. The Snapes were taken by surprise too and Madge wore the wedding ring on a string about her neck. Bob wrote to Madge McLaughlin c/- her parents's home in at 22 Hull Street, Richmond (near West Richmond Railway Station).Picture Postcard.snape collection

Images of Luna Park, Pier, Sea Baths, Sunday market. Postcard colour luna park, st kilda pier, st kilda sea baths, st kilda market

Images of Acland St, Luna Park, Harbour and Cake Shops. Postcard colour Melbourne St Kilda Australia Nucolorvue Australian National Souvenir Company 2006luna park, acland street, st kilda pier

St kilda beach small crowd of children and donkeyscolour postcardDonkeys on the Sand, St Kilda, Printed in Germany

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Photograph postcardMiddle row, 4th from left school photo; postcard; west sydney; australia; suburbia; grade 3

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photographic postcardme, front row 4th from left Olive Smithsuburbia; west sydney; australia; 1930's; school photo

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Photographic postcardwest sydney; australia; suburbia; primary school; children; school photo; grade 2

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photographic postcardme 1943 Boomerang photo service 27 piccadilly arcade 220 Pitt stportrait; woman; australia; west sydney

Taken from the east, includes the old cafe and bar from the hotel.Past view of the main street, showing former businesses.Copy of postcardpeterborough 3270, peterborough hotel, seagull cafe

Historic view of the river with old bridge in the backgroundSignificant as it shows the old Peterborough bridge, moored boats in the foreground and shoreline of the estuary at the time.Photograph of a postcardCurdies River, Peterborough Vicpeterborough 3270, curdies river, peterborough old bridge, vintage postcards, great ocean road, bridges

Postcards and photographs

"Within six years of its first land sales in 1852, founder members had challenged council over horticultural decisions and Ballarat's main thoroughfare contained fences squares, trees and flower beds. The major works that projected the Garden City image were the street plantings, parks and botanical gardens ..." Reference: Michael Taffe, Growing a garden City: Ballarat Horticultural Society 1859-2009, BHS Publishing, 2014, p. 10.This postcard shows how the botanical gardens in Ballarat, famous for being a Garden City.Coloured postcard Forest Scene, Botanical Gardens, Ballarat printed in red at bottom of card. Elaine 30-11-08 handwritten in black ink underneath.botanical gardens, ballarat, forest scene, gardens, botanical,

Silk postcard.From George. Silk embroidered "To my mother"

.1-.9 - Black and white photographs taken at the 100 Year Anniversary of Clunes .10 Postcard of Fraser Street, Clunes .11 Postcard of R.C. Church, Clunes .12 Postcard of the Club Hotel, Clunes .13 Postcard of the Post Office & Town Hall, Clunes .14 Postcard of the Town Hallclunes 100th anniversary, street parade

For details refer Cat No. 9947P on "Mathew Rumbelow" VX78073. Album contains some postcards and photos of 2/7th Field Regiment in Middle East and the Islands.Brown leather bound and tied with string, photo album. Fourteen pages of various photos of the 2/7th Field Regiment in the Middle East and Pacific. Photos stuck on brown cardboard sheets with white tissue paper in between. Some photos have come loose. Each is labelled in white writing. On front of Album is a 3D image of Rachels Tomb in Jerusalem. Also contains some colour postcards.Each photo in Album labelled.2/7th field regiment, mathew rumbelow, photo album

The postcards were inherited by Alice Robinson, nee Giles-Clark, daughter of Phyllis Matthews, granddaughter of Henry and Evelyn Matthews. [William's adopted parents] They lived at Mona Vale, Cowes. Alice's son, Neil Robinson and daughter in law, Maggie Geddes, did the research to give them some context. They had to guess or deduce the order of them as most are undated. William Gothorp W H C C Company, 37 Battalion No. 3306.HistoricalA4 spiral bound booklet containing photocopied pages with black & white photos, text, records, newspaper cuttings and postcards sent from William Gothorp, fighting in WW1, back to family in Phillip Island.army ww1, ww1 phillip island soldiers, william gothorp, alice robinson (nee clark), neil robinson, spanish infuenza, london, carisbrooke guesthouse