Tatura Tree Group, Alan Brown surveying seedlings, c1990s. Alan Brown is a retired manager of Rosella.tatura, locals, tree group, brown a, rosella, costume, male, rural, industry, horticulture

Remains of barbed wire at Camp 3.Colour photograph on foam showing some barbed wire and cactus near some trees at Camp 3.internment camp 3

Shows the remains of the children's sand pit which was built at Camp 3. Colour photograph on foam backing, of cement remains of a structure foundation with tree right behind and one in distance.camp 3, children's sand pit

Dr Frederich Kaempfe, a Chemist, was interned in Camp 3. He was captured in Iran on 15/09/1941 and transferred on the Rangitiki to Loveday South Australia. Transferred to Tatura in Feb 1945 and released to Sydney on 20 July 1946.Pastel drawing of a large gum tree surrounded by smaller gum tress in an undulating paddock.Blue hills in the background. F. Kaempte 1945camp 3, tatura, painting, gum tree, pastel, art work, kaempfe, chemist

Flathead square copper nails probably used either for building timber boats or for killing tree stumps.1. None 2. Several line marks on each of 4 sides near topnails, copper

WW2 internment camp 3 Templer families. Back row (left to right standing): Wilhelm Baumert, Kurt Beilharz, Fritz Beilharz, Edmund Beilharz, Helmut Beilharz and Friedrich Beilharz. Front row (sitting): Emma Baumert, Elise Baumert, Anna Beilharz and Helga Beilharz.Sepia photograph of a group of men and women, some sitting, some standing. Trees in background and hut to the right.825internment camp, internees, camp 3b, templer society, baumert family, beilharz family, wilhelm baumert, kurt beilharz, fritz beilharz, edmund beilharz, helmut beilharz, friedrich beilharz, emma baumert, elise baumert, anna beilharz, helga beilharz

The 20 photographs were taken of a number of archaeological sites in Sunbury of sacred sites and aboriginal rings. The photographs were included in a study of these sites which was published by the Shire of Bulla in the early 1990's.A view of Aboriginal Ring Site near Rupertswood. The country is undulating with trees in the middle distance and the ring in the foreground.aboriginal ring sites, george evans collection

This is a photograph of the site and the remains of the Lochton flour mill which was situated on a horse shoe bend along Deep Creek at Bulla. Captain William Morrison Hunter took up land along Deep Creek and built his home in 1850.He opened the flour mill in 1856, which was worked by a number of millers until it ceased operations in 1961.Flour milling was one of the early industries carried out in the Sunbury and Bulla district. The mills were established along Jacksons Creek in Sunbury and Deep Creek in Bulla.A coloured photograph of a tree lined horseshoe bend in a river with the remains of a bluestone building in the bottom RH corner.lochton flour mill, bulla, flour mills, captain william morrison hunter

Black and white photograph. A female student, H. Mactier, with a pruning a fruit tree with a pruning saw in the Orchard.On reverse, "Miss Mactier." h. mactier, pruning saw, students working outside, orchard, pruning, publicity

Note by T.H. Kneen 4 March 1992 , "Appears to be a class under instruction rather than a public pruning demonstration. Numbers are small and many are using secateurs. E.B. Littlejohn identifies the group as the Youth Employment Scheme which funded E.B.L.'s appointment to Burnley. "The Leader" ceased publication on 26 June 1957." Also see B91.168, B91.170. All the students are male. Black and white photograph. Groups of men pruning 2 fruit trees in the Orchard with the demonstrator standing on a ladder.pruning, secateurs, youth employment scheme, students outside class, male students, orchard, perc trevaskis

Note by T.H. Kneen 1 September 1992, "I think the spray operator is a student Rod Cantrill (1953) & the spray plant was a stationary unit reticulated through the orchard." and on 8 September 1992, "Note also irrigation spray lines at rear."Black and white photograph. Student spraying fruit trees in the Orchard with a hose. Irrigation spraying equipment in the background.spray operator, students, rod cantrill, orchard, stationary spray plant, student working outside, irrigation

Possibly from J.L. Provan's photograph collection. Note by T.H. Kneen 8 April 1992, "View is from Botany room entry, east of main entry to Pavilion."Black and white photograph. View from corner of the Pavilion towards the Summer House. Tree in blossom in the foreground.j.l. provan, botany room, pavilion, garden view, summer house, shelter shed, blossom tree

NEWLYN RESERVOIR - WATER SUPPLY TO CLUNES TOWNSHIPSEPIA PHOTOGRAPH OF NEWLYN RESERVOIR SHOWING SMALL BRIDGE - TWO BUILDINGS AND PINE AND POPLAR TREES SURROUNDS.SHIRE OF TALBOT AND CLUNESlocal history, photography, photographs, water supply

Rural City of Wangaratta Collection, Wangaratta Art Prize 1990.An oil landscape of gums and grass trees painted with a colour palette of green, yellow, brown, blue, and grey.E. MICHEL 90/ (bottom right corner) GRAND WINNER 1990/ ELLEN MICHEL/ 'Summer In The Warbys'/ (plaque mounted on frame)wangaratta art gallery, ellen michel, landscape, painting, warby ranges

I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile

B/W photograph of Stawell Brownies with fairy wings amongst tree saplings in front of wooden fence

Stawell Football Club Team c 1907 in front of grandstand Central Park Stawell. The gentleman on the extreme left (standing apart) E. Walker (Illawarra), Bill Walker's father. This photograph a copy original loaned by W. Walker.Black & white photograph of a football team. Backrow standing, front row kneeling. A background of trees and grandstand.stawell sport

Panorama of Stawell from Big Hill Murray Views No. 25. The Grampians from Lookout Post 1939Photo taken from the Grampians Lookout, Stawell. Showing The Grampians in the distance and trees filling most of the foreground.Murray View No. 25. The Grampians from Lookout, Stawell. Vic.stawell, panorama