Elizabeth Hogan married Gus Gervasoni. They had one son, John Hogan Gervasoni.Black and white photo Elizabeth Gervasoni outside who home in Raglan Street Daylesford after snow fall. elizabeth gervasoni, daylesford, snow

A school reader with a cardboard cover bound on the spine with two staples. The front cover has a silhouette picture in purple, green and cream of a boy with a dog and a little girl pushing a pram. There are 72 pages with illustrations and text throughout.non-fictionThe reader was the second in the series commenced in 1951 and was the official reading text for Grade 1 in all Victorian schools. This series of texts replaced an earlier set of Victorian Readers that were used in schools from 1924. The were all produced and published by the Victorian Education Department and were gradually phased out in the 1980s when different methods of teaching reading were introduced.victorian education department, school readers, playmates

Done by Leonhard Adam, internee in Tatura. Sydney Harbour from Cremoyne Point NSW.leonhard adam, sydney harbour, cremoyne point nsw

British - used in Malaya & BorneoOil the joints, CC128equipment/gear, ballarat rsl, ballarat

Cardboard discharge certificateShutt. S. 22404584. Group no 50:17

336 pages containing black and white prints plus appropriate narrative

Three sepia photographs of girls from the Chisholm street girls Hostel. Group photograph of all residents, three girls in front of hostel for girls sign and girls walking past hostel for girls sign. 1940, featuring Olga Rouvrat, Jean Kennedy, Priscilla Reid.

Information sheet photocopies of the proposition for the Girls Hostel from the Wangaratta High School Magazine and a typed sheet commemorating the Girls Hostel.

A vinyl record that hasn't been played. From the label it appears to be an interview with Miss Saide Parker. She may be a junior legatee and the recording is to promote Legacy's work with the children of the deceased ex-servicemen. The record has two tracks. One is 6 mins 16 secs and the other is 9 minutes.An audio recording about Legacy.A vinyl record in a brown paper cover which is torn, dog eared, brown coloured stains.Paper cover, Orhoacoustic, 5 points on the value of an orthacoustic recording. Instructions for protection of disc when not playing. Name and address of manufacturer. Disc, side 1 AW 19703A. Side 2 19703B Engraved on disc side1 AW 12/19703A, Legacy Talks. Engraved on disc side 2 AW12/19703B Legacy Talk. Chinagraph penciling, T_3 2/8/52, 3Piil Side 1 AW 19703 A. Legacy Talks Miss Saide Parker. Talk 1 6m. 16s. Talk 2 9m. 00s Legacy Talks Col. E.O. Milne D.S.O., O.B.E.,V.D. Talk 3. 5 m. 06s, Talk4. 9m. 07s. Label, Radiola.legacy promotion, junior legatee

Yields information about Geelong trams in the late 1940's on the Chilwell - East - West lines.Black and White photograph of Geelong No. 8 as altered for one man operation. Photo taken at the East terminus. Tram has destination of East on side indicator and Chilwell on the front. Photo by Keith Kings 2/51.On the rear in ink. " Geelong No. 8 as altered for one man operation. East terminus 2/51". Keith Kings stamp and number E(7)(3) in top right hand corner.trams, tramways, geelong, east, chilwell, tram 8

Newsprint Contract between Messrs. Bowaters Sales Company Limited London and The Bendigo Advertiser Newspapers. Contract is for 10 years to purchase 280 long tons of newsprint per annum. Tan Foolscap folder and 3 pages of typewritten contract. Page three has a 6d Revenue Postage stamp attached. This entire item is held together by a pink ribbon through two punched Holes.bendigo advertiser, bowaters, newspapers

Document, ledger, Bert Graham Collection, Bendigo East Progress Carpet Bowls Association, minutes of the meetings of the club.bendigo, clubs, bendigo east progress carpet bowls

Lists the work carried out by the SEC on tram No. 23. Includes notes on the tram itself, body, brake gear, electrical, and truck. Demonstrates the SECV practice of maintaining records for the work on the tramcars in Ballarat.Foolscap ruled sheet with stamp tram car number and work category, typed or handwritten entries.tramways, tramcars, ballarat, sec, tramcar maintenance, records, tram 23

An original newspaper cutting from The Illustrated London News 04 Sep 1852 regarding the steam-packet Cleopatra leaving London for Port Phillip and Sydney.Realism, historical, etchingsAn original newspaper cutting from The Illustrated London News 04 Sep 1852 regarding the steam-packet Cleopatra leaving London for Port Phillip and Sydney.On the reverse - [NIL] 1852, steam-packet ship, cleopatra, iron-screw steam-ship

An original newspaper cutting from The Illustrated London News 04 Sep 1852 regarding the steam-packet Cleopatra leaving London for Port Phillip and Sydney.Realism, historical, etchingsAn original newspaper cutting from The Illustrated London News 04 Dec 1852 regarding the steam-packet ADELAIDE leaving London for Port Phillip and Sydney.On the reverse - [NIL] 1852, steam-packet ship, iron-screw steam-ship, ss adelaide

An original newspaper cutting from The Illustrated London News 28 August 1852 regarding the steam-packet Great Britain leaving London for Port Phillip and Sydney.Realism, historical, etchings1. An original newspaper cutting from The Illustrated London News 28 Aug 1852 regarding the steam-packet GREAT BRITAIN leaving London for Port Phillip and Sydney. 2. Geelong Advertiser LTTE 09 Sep 1986 from the Alsop Family re SS Great Britain 3. Photocopy of an article from the 'Coastal Pilot' 1968 re the hand-over of a painting of the SS Great Britain to the QHS. 4. Cut-out from The Echo 20 Sep 1988 re SS Great BritainOn the reverse - [NIL] 1852, steam-packet ship, iron-screw steam-ship, ss great britain

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Pale brown and white lapin fur collar with mallet shaped endsfurs, costume accessories, lapin - rabbit skins

A wooden racquet with concave throat, white-painted stem and throat, red-painted lower head, plastic whipping and collars, and black leather handle grip. Decal across base of head and throat, on both sides, features the inscription: JC HIGGINS/MOHAWK. Behind the model name is the image of an arrow head. Decal inscription along left side of stem: WRIGHT & DITSON/MADE IN U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Leather, Adhesive tape, Paint, Plastic, Clothtennis

A wooden racquet with white and red-painted stem, white throat and lower head, plastic whipping and collars, and brown leather handle grip. Decal across base of head and throat, on both sides, features the inscription: JC HIGGINS/DORIS HART/MODEL. Also featured on throat is a red love-heart design. Machine stitched inscription across cloth butt cover: MADE/IN/U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Leather, Adhesive tape, Paint, Plastic, Clothtennis

A wooden racquet painted white on shoulders and throat, with red leather handle grip, end wrap and butt cover. Decal inscription across base of head on obverse: DEMON. Below on throat is a coat-of-arms, with a banner device below with inscription: SLAZENGERS. LONDON. Along stem on reverse is a sticker containing address details of former owners. Materials: Wood, Paint, Leather, Ink, Adhesive tape, Nylon, Ribbon, Metal, Glue, Lacquertennis

A Wright & Ditson 'Mercer Beasley Signature Model' tennis racquet. Lower head painted white, throat painted black. Leather and braiding reinforcements around shoulders and around base of throat. Racquet model name, manufacturer name and words 'FIBRE/SEALED/THROAT' printed across throat on obverse and reverse. Manufacturer trademark printed on shaft on reverse and obverse. Handle spiral-wrapped with leather grip, with plastic tape sealing top of grip. Leather end wrap. White butt cloth featuring manufacturer initials. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis