artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A Bartlett Bros Sandhurst sepia sitting studio photo of Kenneth Cyril Abbott in a striped frilled smock with bows at shoulders. aged 9 months.In gold on reverse is written ' born August 90, taken May 91, aged 9 months.bartlett bros., k.c abbott

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Sepia photo postcard showing Xavier College quadrangle and side of main hall."Reg. No. KH-395 Opened 1878. Xavier College! Donated by Mr. L. Bennett, 1980". xavier college _ kew, schools - kew, postcards

This set of magazines is a vital tool for those researching the early days and later development of ATCV and CVA. It was modelled loosely on the magazine "Conserver" of the British Trust for Conservation Volunteers (BTCV). Issues become more sophisticated in format over time and each includes news, project reports, lists of upcoming projects, and stories. The editor for 62 issues was Mr Alf Bailey (staff 1987-current (2010)who edited the Conservator from Mar 1987 to mid-2006.Alf was a former high school principal and set a high standard. Since 2006 a more compact and economical newsletter "Conservation Volunteer" has been mailed to CVA and CVNZ members and is also downloadable from the CVA website.This set of magazines is significant because it is the most comprehensive record of all aspects of the establishment, growth, expansion, and nature of ATCV/CVA and its activities. It reveals the change from a local charity to a nation-wide corporate structure engaging thousands of volunteers tackling hundreds of projects a year in Australia and New Zealand in the present day.This was the final issue of a magazine produced by ATCV/CVA from 1982-2006 (c. 90 issues). This issue was a high quality, profusely illustrated colour magazine, representing a quantum leap in professionalism from the earliest photocopied editions. magazine, conservator, conservation, volunteer, promotion, alf, bailey

Heavy, metal, machine with hinged top. Base plate: IBM/Typeno 7500 / 240v 4.3A 500(?) system / No 22539DZ 90 / Made in Germany. Rubber pads at each end and on base. Electric power cable not incuded.IBMibm, electric date stamper

Tom Skals ran Skals Motors in Main Street Greensborough until it was demolished in 1980 to make way for new development and the widening of Main Street.Photograph and information on Skals Motors and the family's history in the area.Yellowed original news clipping. Text and photograph of Tom and Greg Skals at Skals Motors.skals, skals motors, tom skals, greg skals, main street, greensborough

This article reports the results of the 1980 elimination final in which Greensborough Reserves won against North Heidelberg. Includes other match results for the day.Photocopy of news clipping.greensborough football club

Used as a tourist souvenir of Orbost. Possibly made and distributed via the Slab Hut (Orbost Visitor Information Centre) in 1980's/1990's.The souvenir is an important component of the tourist experience with most tourists bringing back mementos and souvenirs as evidence. Fridge magnets are popular as souvenir and promotional items because they are relatively cheap to manufacture and very portable for tourists. This item is an example of a typical souvenir of Orbost.A rectangular shaped flat fridge magnet with a colour photograph of the Orbost War Memorial and the words " ORBOST VIC" on one side. The reverse is a grey/ black flat surface."ORBOST VIC"souvenir frig-magnet

Used as a tourist souvenir of Orbost. Possibly made and distributed via the Slab Hut (Orbost Visitor Information Centre) in 1980's/1990's.The souvenir is an important component of the tourist experience with most tourists bringing back mementos and souvenirs as evidence. Fridge magnets are popular as souvenir and promotional items because they are relatively cheap to manufacture and very portable for tourists. This item is an example of a typical souvenir of Orbost. A small flat rectangular fridge magnet with a colour photograph of the Slab Hut (Orbost Visitor Information Centre) on one side. The other side is grey/black, At the top of the coloured side is "SLAB HUT" and below is "ORBOST VICTORIA made in Australia".souvenir-orbost fridge-magnet

Students and staff playing netball, c. 1980-1982. Photographs are stuck into a photo album. Please contact [email protected] to request access to this record.1980s, sport

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette loose-fitted evening capelet, decorated with a wide border of silvred sequins. Sequins are also used in the body of the cape, either individually or in circles. The capelet was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her granddaughter. women's clothing, evening wear, evening dresses, capes, susan barnett, doris bennett (nee wilmott)

Cyril Henry Woodford Kett FBOA FSMC (1890-1971) was one of the five people who signed the Memorandum and Articles of Association of the Australian College of Optometry in 1939. He was a councillor of the College from 1940 to 1970 and First Vice President 1944 to 1947. He was made an honorary life member of the College in 1954. He donated numerous items of historical interest to the College that provided the foundation of the Museum which now bears his name. It was painted by another optometrist, John Nathan.This painting is significant to the College as it is one of only ten portraits in oils of individuals who have been leaders in the development of the College.This framed oil painting shows Mr Cyril Henry Woodford Kett FBOA FSMC (1890-1971),Councillor and Vice President of the Australian College of Optometry, an important figure in Optometry in Victoria. It was painted in 1980 by another optometrist, John Nathan,and is signed by the artist at lower right corner: 'John Nathan'.Signed by artist at lower right corner: 'John Nathan'. Plaque on frame reads:'Cyril H W Kett FBOA(Hons) FSMC FVOA c1890-1970/ Councillor of the College 1940-1970/ Vice President 1940-42, 1944-47, 1948-50, 1954-70/ Chairman of Council 1944-1947/ One of the five signatories to the original Memorandum of Association of the Victorian College of Optometry'.optometry, painting, oil painting, portrait, cyril h w kett

1980's 'Sportscraft' Brown jacket with white rayon spots. Jacket has short sleeves, round neck, centre closing with four pearl buttons and is lined with brown rayon. Two false slit pockets, above lower edge forming vest shape. Jacket has shoulder pads.'Sportscraft'costume, female

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the central pediment, clock and chimneys of the Kew Post Office on the corner of High Street and Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the ornamental stucco treatment of a window of the Kew Post Office on the corner of High Street and Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

Instruction or policy document - printed in green ink on yellow A4 paper titled "South Melbourne Depot Policy", advising of the dos and don'ts work practices, stemming from the Award, Depot Resolutions, Association Branch policy. Very detailed. mid 1980's, refers to a depot resolution of 1984.trams, tramways, south melbourne depot, unions, personnel

Accident reports prepared at the conductor's Training School during July 1980 to show trainees the forms and how they were to be filled in. "Collisions - Trams" - 4 pages - sample where a tram has hit a car doing a right hand turn. Have been photocopied onto foolscap sized sheetstrams, tramways, mmtb, accidents, training, operations, instructions, forms

Portrait of I. Humphries Mayor 1989-90stawell government

Colour photograph.Annotated on back [1980 Sir Rupert Hamer (then Premier of Vic) looking south from near top of Rockbeare Park Hill] L to R Sir Rupert Hamer, Bruce Skeggs, Michael Oxer

2 copies Green Paper cover with black print. Stapled Australian Coat of Arms above Print "Australian Natives Association" "Centenary History of A.N.A Stawell Branch (Branch No.10) at bottom right (1980 1 copy has Morris Robson handwritten on topstawell

Colour print of W4 class tram 671 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Photographer unknown.Yields information about BTPS W4 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, tram 671, w4 class, wendouree parade