In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

A coffee-coloured lace bertha collar which is wide, round, flat collar designed to accent a woman's shoulders. It has a long history stretching back to Victorian fashion. It can be worn as an accessory to a dress or a top, and it is sometimes removable like a shawl.lace accessories collar bertha

Light blue hard cover, loosely bound with a shoe lace. Subjects include RAAF administration, RAAF law, RAAF organisation, discipline, physical training, & defence training. Includes conditions of service for WAAF diagrams on operation of various small arms.books - eduction/air force/manuals, administration,

Emily Anderson, daughter of Robert Anderson Jnr., aged approximately 4 - 6 years. Subject used in an advertisement for his bicycle business.Emily Anderson in lace frock, half prone on a chaise lounge. Advertisement for Melba Cycle Works, 132 Lt. Collins Street, Melbourne, Robert Anderson jnr business. Below Photograph the words "This is Miss Anderson - not Bob!" Emily was Robert's daughter.Melba Cycle Works, 132 Lt Collins St. This is Miss Anderson - not Bob!local history, photography, photographs, slides, film, documents, commercial, emily anderson, daughter of robert anderson jnr, black & white photograph, mrs emma anderson jacobs

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Brown lace evening gown (possibly belonging to Miss Crosbie). Sleeveless, buttoned opening at back. Long skirt with numerous darts for fullness. Matching bolero jacket (3794.2) and likely to have been worn with brown satin heels (3800.1 and 3800.2).clothing, womens clothing, costume, evening wear, graham collection

Hickory wood is hard and heavy. Owned and used by Wally Deans.Used by SECV employee, Wally Deans who worked on the Kiewa Hydro Electric Scheme.Wooden skis made of hickory wood with metal binding and leather straps. Cane stocks with wide baskets. Ski boots are black, lace up with a steel plate screwed onto the front of the sole. The boots are in a steel hanging device for storage and transportation. Skis: "S.E.C. -3" inscribed on side. "66 / Hickory / 1742" on front of ski. Binding: 'Northland'. "Kanadar". Steel Carrier: "Tyrol / Can.Pat.1962 / U.S.Pat. 3074085 / Made in Canada"wally deans, ski equipment, skis, ski boots, ski stocks

This item is hand made possible by a mother for her daughters. It is hand and machine stitched. This style of aprons / pinafore is attached to the two brown dresses that are also in the collection. This item is very significant for the following reasons. Historic and social - it shows what little girls wore during the early 1900's of the Kiewa Valley. It also shows fashion of the times and how these styles of aprons were made. All which is valuable for research on these topics. There are only a few of these aprons in the collection of the KVSH, and therefore would be very rare. The condition is good enough to display, therefore it has good interpretive capacity.Girls apron or pinafore. White linen with crocheted lace around the edge which is continuous around the skirt, sleeve and neck. The shoulders flaps appears that they should be pinned to the dress beneath, and pinned together at the back of the waist. The apron is manual machine stitchedclothing, girls, children, pinafore, apron, kiewa-valley, alpine-shire

black and white photograph on grey board. Oval shaped image with embossed surround. Two young girls sitting on couch. Pale dresses with frills, lace, sashes, dark socks and boots. Older girl with bow in hair. Melba MELBOURNE on front'Melba/Melbourne ' embossed on front bottom leftperson, family, two babies

Memorial card - black board with gold printing, cameo portrait of elderly lady, with bonnet, lace collar. Gold inscription and verse. 'Dearly loved mother of John and William Richardson, and Ellen M. Nettle. Died at Daylesford, January 26, 1900.the Art Engraving, 11 Elizabeth St., Melbourne.person, individual, female

Small antique German porcelain doll from the late 1800's with porcelain face & hands, body of leather. Dressed in a cotton floral print frock with lace collar, blue waistband, undergarments include, pantaloons, petticoat, stockings, shoes of leather.AM.4/0.DEP.3200toys, dolls, porcelain

Textiles, brown cream lace tablecloth. Machine made. Large flower in centre 67 cm diameter, Floral patterns in corners and along sides. Two opposite sides have scalloped edges. Other two sides have straight sides.textiles, domestic, lace tablecloth

Clothing. Pink satin woman's panties with gussett and straight legs trimmed with 4cm coffee coloured lace. 15 cm opening with placket on LHS fastened with two X 1 cm white plastic buttons. Turned over hem on waistband.Tag on inside seam, ''BURCHARD LINGERIE'' ''IRON WHILE DAMP USING WARM IRON'' ''MADE FROM CELANESE TRADE MARK''.costume, female underwear, woman's pink satin panties

Small Pale green Silk Apron (France) Trimmed around the edge with cream lace. 5 Tucks in centre trimmed with posies of shaded pink roses made of silk ribbon. Leaves Embroidered in Green. Mrs Doris Ferguson Ligar Street.stawell clothing material

Belonged to Skey Margaret, donorSquare ecru coloured pot pourri sachet. Centre is a square pocket containing pot - pourri and has floral spray of green leaves and red and cream flowers hand painted on it. Wild Strawberry is also printed on it. Edging is of ecru Nottingham LaceHand painted pot - pourri drawer sachet, Made in Englandhandcrafts, hand painted, lacemaking

Donated by donor, by an elderly friend who had been given the item. Donor had had the item for 20 years.Camisole, white cotton square neck, short sleeve, shaped to the waist. Neck trimmed with broderie anglaise lace, threaded with pink ribbon. Yoke opening 12cm down the front with three pearl buttons to a 64cm waist band and 8cm peplum.costume, female underwear