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Federation University Historical Collection
Photograph - Black and White, Scott's, Alex Wright?, circa 1930
Alex Wright travelled to England in 1930 and was known as the Prince of Mimic although his stage name was Navarre. He died in an air raid in the Hippodrome Birmingham in 1940. Alex was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a standing man, leaning his elbow onto his leg which is resting on a fence rail. He is dressed in shirt, trousers and braces. In the background is a grassy paddock. He is most probably Alex Wright.Printed on back - Printed at Scott's, Veloxalex wright. frank wright, navarre, smeaton, ballarat -
Federation University Historical Collection
Photograph - Black and White, Scott's, Alex Wright?, circa 1930
Alex Wright travelled to England in 1930 and was known as the Prince of Mimic although his stage name was Navarre. He died in an air raid in the Hippodrome Birmingham in 1940. Alex was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in shirt, trousers and braces, holding a hat. He is standing beside a fence with a rocky, scrubby hillside pictured behind. The man is most probably Alex Wright.Printed of back - Printed at Scott's, Veloxalex wright. frank wright, navarre, smeaton, ballarat -
Rutherglen Historical Society
Image, Rutherglen, Victoria, c1890
Silhouetted against the skyline, left of centre is the water tower. Right of centre is the rooftop of the Star Hotel Coloured postcard photograph showing a view of Rutherglen from across Lake King.Printed in space for stamp: "Printed in Germany"rutherglen, water tower, star hotel, lake king -
Orbost & District Historical Society
plastic bag, 1990s
This bag was used in the vegetable growing industry in East Gippsland. Agriculture in East Gippsland is of vital importance to the economy of the region.A clear plastic bag with round air holes. Print is black and there is a logo, a small circle with the letters V and P on a green background.in black print - "SNOW PEAS VILENZA PRODUCE / FARMING EAST GIPPSLAND 2 kg / 9 ANSWERS ROAD, WAIREWA, VICTORIA, 3887" There are phone numbers and an email address.agriculture-east-gippsland snow-peas wairewa-east-gippsland -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Post WW1
Black / white photo of Sir Carl Herman JESS.on LHS. Life history in black / white print on white background on RHS. Both mounted on green backgorund with gold painted wooden frame, glass front, fawn cardboard backing. White sticker with black print front bottom RHS, bottom front & bottom back LHS: “73”framed, jess, passchendaele barracks trust -
Bendigo Historical Society Inc.
Book - RHODA'S REWARD OR IF WISHES WERE HORSES, 16/01/1887
Red hardcovered book in Black print with green leaves and flowers on the cover and spine. Inside the front cover hand written in blue ink is 'Presented to Elizabeth J Hall By The Primitive Methodist Sabbath School, Eaglehawk, Ellaishall Rec. dated 16/01/1887Emma Marshall. Printed by Cassell & Company, Ltd, Paris, London, New York and Melbourne 1886books, fiction, young adult, emma marshall, elizabeth hall, sabbath school eaglehawk, ellaishall rec. -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, Reinthal & Newman, Jesus Chrisus, after 1874
Picture is a print of an original drawing that appears to have been created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner). The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The picture is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Max.Picture; print of a drawing. Representation of Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, drawn in 1874 by 19th century artist Gab. Max (Gabriel Max). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has 2 small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire but this has been replaced. Part of the St Nicholas Seamen's Church CollectionFRONT: Top left :1874” Top rignt “GAB MAX” Hand written script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Bendigo Military Museum
Flyer - LEAFLET WW2, Mother's Day Service, C.1941 - 45
HewstonDouble page leaflet printed in black with illustration in purple / pink / green on front of sweet peas & label. Contains order of service for a Mother's Day Commemoration during WWII.Printed front cover top: “Mother's Day Service 13th General Hospital Chapel New Guinea” Bottom: “Mother's Day Greetings”documents - programmes, military history, chapel, mothers, new guinea -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Framed portrait of Sir James Young Simpson
This print of Sir James Young Simpson (1811-1870) was given to the College by Robyn Adams, the daughter of the late obstetrician Gordan Findlay. The portrait was gifted to Dr Findlay when he stated his obstetrical practice in Wellington in 1945. The portrait was then passed to Robyn’s late husband, dermatologist Dr John Adams FRACP FACD, and hung on the wall of his dermatology practice in Wellington until 2014. Sir James Young Simpson was a significant figure in the field of obstetrics. Admitted to the University of Edinburgh at the age of fourteen, he was responsible for introducing the use of chloroform for safe analgesia in childbirth, as well as for the development of an ‘air extractor’ (the forerunner to the modern vacuum extractor) and the creation of obstetric forceps with both long and short handles. Significantly, Simpson’s long handled forceps also became the prototype for many subsequent British designs.Charcoal print in an oval shaped wooden frame. Print features a head and shoulders portrait image of a man, pictured slightly side on with his eyes looking to the left of the viewer. The main is wearing a coat, waistcoat, and a shirt buttoned up to the collar, and has dark coloured hair reaching to his shoulders.anaesthesia -
Federation University Historical Collection
Container - Artists' Book, Re_Designed / Solid, Liquid Gas, 2000
Promotional catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2000. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs. The clear polypropylene pack is printed in yellow and a clear varnish. The original (1997) works are offset printed in black and silver, the overprint (2000) works are in full, four process colour. CD Rom printed two colours (yellow and very dark teal) single sided. Refer item 29168.1 for screen captures from this CD Rom. Third year, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating class promotional pack. Students responded to the concept of "past, present and future". These new works (year 2000) were then overprinted onto unbound sheets of the 1997 graduating student project "Silver Screen" to create entirely different pieces to "challenge the conventional boundaries of the printed image" and elicit "environmental awareness". As such, each pack contained different combinations of original (silver and black) and overprint (full colour) designs. "Re-designed" (2000) overprinted works by Belinda Janetski, Ben Sanders, Angelina Teo, Selina Shillito, Justin Weyers, Andrew Strack, Debbie Ferris, Yuri Tanabe, Nandor Rakosi, Jason Grace, Wes Prendergast, Michael Fennelly, Brett van Lieshout, Derek Fong, Abby Vanstan, Vince Luc, Lynette Heenan, Van Sanders, Sam Harmer. Original (1997) "Silver Screen" works created by Ben Mangan, Russell Kerr, Luke Keys, Travis Prices, Karen Grinter, Rosie Busuttil, Peter Horvat, Felix Lee, Karl Chandler, Matt Bowman, Adam Laszczuk, Narelle Pietsch, Natasha Pietsch, Jenny Tyquin. Back cover lists sponsors. Custom designed plastic pack containing 20 sheets of recycled printed and overprinted student works, plus a CD Rom. The contents are representative of multiple variations across packs.university of ballarat, federation university, graphic design, multimedia, belinda janetski, ben sanders, angelina teo, selina shillito, justin weyers, andrew strack, debbie ferris, yuri tanabe, nandor rakosi, jason grace, wes prendergast, michael fennelly, brett van lieshout, derek fong, abby vanstan, vince luc, lynette heenan, van sanders, sam harmer -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Contract prints Grain Conveyor Belt, c. 1964
Port of Portland Authority ArchivesFront: '23-9-64 97 23-9-64 98 23-9-64 99 23-9-64 93 23-9-64 94' beneath 5 of the prints in white Back: '97' in pencilport of portland archives -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, David Endacott, 14/08/1971 12:00:00 AM
Black and white photograph and negative of an inbound single truck tram in Sturt St. just to the west of Dawson St. Photo taken from the central median strip, has the shops on the north side of Sturt St. in the photograph - such as Gear Chemist. Photo taken 14 August 1971. The Alexandra Bandstand in the foreground. Original print by David Endacott, duplicate print (1270A) by John Phillips 12/1999. Large copy print added 5/2001. Original neg scanned at hi res and updated 11/5/2020. Original neg scanned at hi res and updated 11/5/2020.On original print "Last week of full tram service before phasing out / from Cnr Sturt & Dawson Sts. / Aug 1971" in pencil.trams, tramways, ballarat, sturt st, dawson st., alexandra bandstand -
Melbourne Tram Museum
Ephemera - Tickets - Victorian Railways Sandringham to Beumaris Motor Coach, Victorian Railways (VR), mid 1950s
Tickets printed and issued by the Victorian Railways for the Sandringham to Beaumaris motor coach (bus) service, following the closure of the tramway to Black Rock in 1956. All tickets numbered for accounting purposes.Yields information about the VR Ticketting System for its Tramways and motor coach services.Set of 7 Victorian Railways Sandringham to Beumaris Motor Coach ticket blocks. Printed on white sheets, stapled at the top with a large staple onto a cardboard backing strip. Each value in green ink with black print information. Each block has the ticket number printed on the stub of the ticket that remained with the block when torn off. Were printed in blocks of 200. 1 - 2d - Nos. 051601 to 051788 - cardboard backing strip, front and some rear tickets removed 2 - 2 1/2d - Nos. 012801 012993 - series A - Child - cardboard backing strip, front and some rear tickets removed 3 - 2 1/2d - Nos. 012801 012999 - series B - Child - front ticket removed 4 - 3d - Nos. 134403 to 134589 - front and rear tickets removed 5 - 4d - Nos 232201 to 232392 - cardboard backing strip, front and some rear tickets removed 6 - 5d - Nos 104801 to 104994 - front and rear tickets removed. 7 - 6d - Nos 134201 to 134393 - cardboard backing strip, front and some rear tickets removedtickets, vr, vr trams, victorian railways, fares, sandringham, black rock tramway, beaumaris -
Kew Historical Society Inc
Photograph, Beachside Study, 1900-1920
The print image was taken from a glass negative in the collection which is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. A beachside study, ca. 1900-ca. 1920. An unknown couple pose in a beachside setting for the photographer. The man sits in a deck chair while the woman stands at his side. Some degradation of the original glass negative is apparent in the print that has been taken from it. glass negatives -
National Wool Museum
Ephemera - The Victoria Rug, Albion Mills, Albion Woollen Mills Co. Pty Ltd
Product label in tones of cream, red and maroon showing printed text and a graphic of a woman, lion and shield. front: [printed] THE VICTORIA RUG / ALBION MILLS GEELONG / SUPER ALL WOOL / MANUFACTURED BY THE / ALBION WOOLLEN MILLS CO. / PTY. LTD. / GEELONG, VICTORIA / NO. / SIZE, 72 X 60 / WEIGHT LBS.albion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Adam Lindsay Gordon, Australian Poet, Souvenir from Adam Lindsay Gordon's Cottage, Unknown
This leaflet gives a chronology of Gordon's life and a photograph of him. And printed on the other side, besides the aerial view of the cottage is a paragraph about the two years he spent in the cottage, 1867-1868 three short extracts of his poetry.Documents available and newspaper extracts make it clear that some Ballarat Citizens were proud of their city's association with this poet. 1 yellow leaflet printed on both sides in blue, with a photo of Gordon on the right side of p.1 and an aerial view of the Cottage off-centre on p.2. Originally folded twice.Noneadam lindsay gordon, adam lindsay gordon cottage, john garner, doctor, ballarat botanic gardens, craig's hotel, australian poet, friends of ballarat botanical gardens, john garner collection, poet, gardens, ballarat -
National Wool Museum
Booklet - Albany Knitting, Albanella Crochet, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a pink short sleeved jumper with a cat on her lap.front: [printed] PRICE / 3d. / ALBANY / Knitting / Albanella Crochet / BUST 32-36 inches / 4-5 ozsknitting, pattern, fashion, knitwear, albany woollen mills -
Federation University Art Collection
Work on paper - Printmaking, 'Flowers and Leaves' by Nyuwara Tapaya, 1996
Nyuwara Tapaya (5 August 1971-c2005) Born Ernabella, South Australia Pitjantjatjara speaker Nyuwara Tapaya had distinguished career in print media and textiles (batik). She trained at Ernabella Arts and studied dye technique in Indonesia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph print. If you can provide information on this artist or artwork please use the comment box below.Edition 11/17art, artwork, nyuwara tapaya, printmaking, ernabella -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document, leaflet Box Cottage Museum, Bambra Press Ltd, 2019
Reprint 2019 by Bambra Press Ltd; Original Print 2016 This Leaflet / Brochure was compiled by City of Moorabbin Historical Society members Carol Poole, Joan Moore, Fran Bader for distribution to visitors, schools, libraries and local community to promote knowledge of Box Cottage Museum and the early settlement in the Moorabbin area. Glen Eira City Council Community Grant 2016 was obtained to finance printing by MKR Printing Ltd. Carnegie. Topics Box Cottage Museum, City of Moorabbin Historical Society, 1918 Chinese silk wedding dress, contact details, map, Box Family, Rietman Family, Land tenure records, Henry Dendy Special Survey 1841Reprint 2019, Original print 2016 Leaflet/Brochure compiled by CMHS members for distribution to visitors, schools, local community to promote knowledge of Box Cottage Museum and early settlement in the Moorabbin area1 x A4 glossy, colour, printed on both sides with photographsPage 1 BOX COTTAGE MUSEUM Page 2 William & Elizabeth Box, Land, August Rietman & Familycity of moorabbin, brighton, dendy henry, box william, box elizabeth, rietman august, rietman frieda, box cottage museum ormond, box alonzo, glen eira city council, city of moorabbin historical society, ormond, bentleigh, cheltenham, bambra press ltd port melbourne, -
Trafalgar Holden Museum
Container - wooden box without lid, Ca 1900
Shipping container for packages of Harness dressingImported and sold by Holden and FrostSmall wooden box without lid, with inscriptions of contents printed on outerOn all sides, Every owner of harnesses should use Frank Millers Harness Dressing manufactured by Frank Miller AND sONS On all sides is printed ," Every Owner of Harnesses should use Frank Millers Harness Dressing. Manufactured by Frank Miller and Sons, New York." box, unlidded, printed -
Whitehorse Historical Society Inc.
Photograph, Heatherdale Reserve, 2000
Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Heatherdale Reserve - Whitehorse side of Heatherdale Road - Features view of Heatherdale Bowls Club with flower garden. Located between Purches Street and Heatherdale Road to south of Panel street.heatherdale bowls club, heatherdale road vermont, heatherdale reserve -
Ambulance Victoria Museum
Chart, medical, blood circulation and heart, J. Teck
Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing the upper part of the human body, with skeleton, organs and blood circulation. The chart is attached to two wooden batons with small metal tacks. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. There are two screwed metal eyelets attached to the upper baton used for hanging the chart. A short length of red cotton tape is attached to the mid point of the upper baton with a metal tack and is used for securing the chart when it is rolled up. There is the remnant of a printed paper label adhered on the reverse side of the chart at the top edge, but unable to read the writing.The artists name (J. Teck) is printed at the bottom LHS of the chart . The logo of the St John's Ambulance Association is printed on the RHS of the lower edge of the chart, along with the words 'St JOHN'S GATE, LONDON, E.C.1'medical chart, blood circulation -
The Beechworth Burke Museum
Postcard
Printed in the late 1880s, the postcard features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. Accompanying this image are a pair of black calf boots. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. Charles and Lavinia performed in Australia in August 1870. The duo were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. They performed at three evening events and two matinees in Beechworth during this time. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The postcard is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. It also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time.Black and white rectangular postcard printed on card.Obverse: A pair of General Tom Thumb's boots presented to / the town of Beechworth, where he and three other / dwarfs gave 3 night & 2 matinee performances 1870 / General Tom Thumb toured Europe as the star of / Barnum's famous circus giving impersonation acts / He was a great favourite of Queen Victoria / He was then 34 years old and 31 inches high / His wife was 34 inches / Reverse: 3706 / POST / CARD / KODA / CORRESPONDENCE / ADDRESS ONLY / KODAK / KODAK / A02450 /entertainment album, general tom thumb, charles sherwood stratton, lavinia stratton, circus, p.t. barnum, barnum and bailey circus, arts, performance, recreation, entertainment -
Ballarat Tramway Museum
Postcard, "Shoppee and Alexandra Squares Ballarat Vic.", c1904
Printed colour postcard from top of the Town Hall, looking northwest with Snows building in the foreground looking west. Has a horse tram travelling up to Lydiard St. on the south side of Sturt St. Has the buildings on north side of Sturt St. in the view, including the central median reserve before the trees had grown. Titled "Shoppee and Alexandra Squares, Ballarat Vic." along the bottom edge. On the bottom of the postcard is a one line hand written message, ink fading, very hard to read. On rear of postcard is the address to a Mr Frank Tucker, Glencairn, Park Avenue, Harrogate, England. Has two Victorian stamps, half penny (green) and one penny (red) stamps. Has been postmarked, "Ballarat East 16.11.04". See images .1 and .2. Two copies held - on the second copy, the address details have been crossed out and the stamp removed. Yields information about central Ballarat in the horse tram days.Postcard - printed colour, divided back, used.trams, tramways, horse trams, sturt st, postcards, snows, tram 3 -
Melbourne Tram Museum
Ephemera - Metcard - generic, Metlink, 2008-2010
Set of five generic Metcards with the Metcard logo and transport Mode icons. Has the contact details and the Metlink logo on the front of the ticket. Items 1 to 4 have a statement promoting the use of Metcards and printed in blue face colour 1 - 2 hour concession - used 2-7-10 2 - first copy no details, 2nd copy 2-hour concession - 2-8-10 3 - unused 4 - 2 x 2 hour concession - used 7-2009 and 9-9-2010 5 - 2 x Value Metcard, printed with a purple face, barcodes on rear - used 10-08 to 12-08 and 2nd copy 4-12-08 to 2-2-09Demonstrates one of many different types of Metcards issued during the period of used in Melbourne from 1996 to 2013Set of five generic Metcard tickets - printed on light card with a magnetic stripe. Has the ticket number and contact details, Metcard and Metlink logo on the front of the card.trams, tramways, tickets, metcard, metlink -
The Beechworth Burke Museum
Photograph, c1900
This photograph shows a group of workmen outside the Loch Street Printing Office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. Initially based on Ford Street, the Loch Street office opened in 1893, after printing facilities were updated. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. He appears in this photo alongside twenty of his staff and is the man standing directly in front of the doorway. When it launched, the paper’s goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conversates and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period.Rectangular black and white photo printed on photographic material, unmounted. Obverse: Ovens and Murray/ Printing Office Reverse: Ovens and Murray Advertiser Staff 7721/ Beechworth/ BMM 79.15ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, r warren, loch street, 1890s, 1890s beechworth -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Container - Griffiths Tea Canister, 1900-1940
In 1873 James Griffiths migrated to Melbourne in order to start a tea Business. James lived in the Dandenongs at The Basin where he experimented with growing tea. Griffiths made tin canisters in the 2lbs size for their tea with common kitchen consumables listed on the front . The tins, when emptied, became useful kitchen canisters and helped promote the brand. Example of the names include Flour, Rice, Sugar, Sago, Candied Peel, Tapioca, Spices, Starch, Biscuits, Currants, Barley, String and of course Tea .Food storage rectangular tin, with a hinged lid. The outside is printed in cream and red with the name 'Griffith's Teas' and the word 'SAGO'. The text is set against a cream panel which is bordered with a decorative border of Australian native flora. The whole is set against a dark green background.On each other side of the tin is a different native Australian flower. The lid is impressed with a flannel flower.Printed on the front 'SAGO', also printed on the front and repeated on the top 'USE / GRIFFITHS' Teas / SYDNEY / MELBOURNE. ADELAIDE. BRISBANE'. On the front is the image of a train signal with the words 'SIGNAL / TRADE MARK'tea, james griffiths, canisters, city of moorabbin, cheltenham, melbourne, moorabbin, grocery stores, kitchen equipment -
Bendigo Military Museum
Print - PRINT, FRAMED, 1991
Fred Cordingly lived at Maiden Gully via Bendigo, Vic. Print from original painting by Lois Molina of Bendigo. Presented to BILL THOMASON for finding details of service with SAC.Coloured print of man enlisted in South African constabulary, khaki uniform, slouch hat, rifle & horse (in background) sitting on wooden log, pale yellow/white background in glass frame & gold coloured frame, 4 sided. With many thanks for your kind assistance. L Molina.prints, framed, south africa -
The Beechworth Burke Museum
Photograph
Taken between 1928 and 1930, depicted is the Bethanga Bridge under construction. The Bridge was completed in 1930 and was built to assist residents of the Bethanga district to travel to Albury. Other bridges would become submerged by the backed-up water of the Murray and Mitta Rivers so the Bethanga bridge was built two miles above the Mitta Weir. The Bethanga Bridge was built north of the future Hume Dam which would be completed in 1936. At 2430 feet long, Bethanga Bridge was the longest road bridge in Australia at the time of its completion. The Bridge is 20 feet wide and made up of nine 270 feet long spans. Materials used include ten tons of paint for the steel works; 1600 tons of steel; 900 tons of timber for the decking; and reinforced concrete for the piers. The tender for the construction was awarded to C. Ruwolt Pty. Ltd., engineers who were located on Victoria Street, West Richmond. The contract was awarded for £71,890. It was predicted between 250 and 300 men would find employment on the project. The news was well received by trade unions at the time as there had been a drop in available engineering work.This photograph is historically significant as it depicts the progress of the Bethanga Bridge construction, which was important infrastructure for the area. It is also a good example of methods used in the area to assist in travel over the river prior to the construction of the Hume Dam.Black and white rectangular photo printed on matte photographic paper.Reverse: 1997 3186 / 84-19-3 / This is the bridge. / It is not yet open to traffic / yet. will not be completed / until May next / It is a wonderful bridge the / pillars are 100 feet high. / KODAK PRINT Envelope Obverse: Peterson PHOTO / Hume Weir Envelope Reverse: BMM 84-20-1,2+3. bethanga bridge, lake hume, hume dam, hume weir, murray river, bridge, bethanga, albury -
Warrnambool and District Historical Society Inc.
Dish, Warrnambool Botanic Gardens, C early to mid 20th century
The Rotunda in the Warrnambool Botanic gardens was constructed in 1913 at a cost of 297 pounds. It is situated toward the central eastern side of the gardens and is visible from many viewpoints in the gardens. The building is octagonal in shape with a steeply pitched tiled roof with the bandstand open area elevated to approximately 3 metres. The gardens designed by William Guilfoyle, commenced in 1866 have been a popular meeting place as well as entertainment and social community events. This dish would have been a souvenir or memento. A common souvenir type object .Small white china dish with square baseand fluted sides and lined edge.Transfer print of the rotunda at the Warrnambool Botanic gardens in black. fine black line around edge of dish.Botanic Gardens Warrnambool in black text below print on front of dish, made in Cechoslov 12 below crown with RKG inside the crown.warrnambool, warrnambool gardens rotunda, warrnambool botanic gardens