Hardcover, A5Size book. Tan cover with gold writing 147 pagesAuthors - Harry H Laidlaw - Assistant professor of Entomology and assistant Apiculturist in the Experiment Station,University of California at Davis J E Eckett - Professor of Entomology and Apiculturist in the Experiment Station, University of California at Davis. Dedication - The Authors respecfully dedicate this book to those who have advanced the knowledge of the fundamentals underlying the production of good Queens

White certificate with a green section at the top and a round green Duke of Edinburgh symbol in the top right. Maroon and green text reads:Wangaratta High School has been licensed to operate The Duke of Edinburgh's Award in Australia 1st January 2011 to 31st December 2011 "HOWEVER FINE THE IDEA, HOWEVER GOOD THE PLAN, THE SUCCESS OF THE PROGRAM DEPENDS ON THOSE WHOM THE OPERATION IS ENTRUSTED." Mr Graeme Kent Chief Executive Officer The duke of Edinburgh's Award Victoria

These cards have been sent to Jim ( otherwise unidentified) by his cousin Will Harper from South Africa in 1917. William Thomas Harper from Byaduk, Victoria was with the 8th Battalion in World War One leaving Melbourne In February in 1917. He was killed in May 1918 at the age of 22 and was buried in Bailleul France.These cards are are a poignant reminder of Private William Harper killed in World War One. He came from Byaduk in the Western District.. .1 A postcard with a photograph in brown and green tonings of the Black Watch Pipers playing to the captors of Longueval On the back is pencil writing and black printing. .2 A coloured postcard of a bay and settlement in South Africa . It has handwritten material on the back in ink. .1 October/ 16/ 17 I'm not a smoker yet Jim but seeing these pretty cards thought I would send them on to you. I've seen some of these places myself. Merry Xmas Jim Your aff. cousin Will .2 Cape Town Dear Jim just a few lines to let you know I'm having a good time looking around this sphere. Today me and a cobber went on top of Table Mountain looking for wild beasts but couldn't find any. We have been here a good few days now and get leave to go about . It's a great place this for scenery but not for food or nice girls, all black nearly. Yours sincerely Bill Harper private william harper, byaduk

This is a ticket for a complimentary concert to the Victorian soprano, Miss Mollie Hayres, in the Warrnambool Town Hall in 1926. Inez Mary (Mollie) Hayres (1897-1980) was born in Port Fairy and received her early musical training from the Good Samaritan Sisters in Port Fairy. She received local funding to enable her to study at the Melbourne Conservatorium of Music under Madame Weiderman and toured the Western District in 1926, supported by the pianist May Broderick and the violinist Cecil Parkes, in a series of complimentary concerts to give her funding to study in Europe. She became a well-known singer and singing teacher in Melbourne, featuring in radio programs and concerts. This ticket is of interest as a memento of Mollie Hayres, a noted singer in Victoria in the first half of the 20th century.This is a small white card with black edging and printing. Grand Complimentary Concert to Miss Mollie Hayresmollie hayres soprano, good samaritan sisters port fairy

Vol. 8, No. 5, Summer Edition 2003-04 CONTENTS Clive Dickson talks to Steffie Wallace 3 Les Barnes - Bird Man by Elizabeth Gooding 6 The DVA Theatre Company 8 Fiona Sievers at Menzies Theatre 9 Odette Kelada at la Mama 10 Poetry News and Reviews 12 Vale Neil Douglas 16 Long Ride to Benares - Julian Chapple 18 Sarah Hammond on Leanne Mooney 19 Corrina Tauschke on Kathe Kollwitz 21 Visualising Pure Realms 23 Poem 24 CD Reviews 25 Artin' About 27 Wining & Dining 30 Listings 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, neil douglas, steffie wallace, clive dickson, bundoora homestead, sushi wushi eltham, les barnes, elizabeth gooding, dva thearte company, odette kelada, eltham fullife pharmacy, eltham wiregrass gallery, john jenkins, poetry, montsalvat, julian chapple, sarah hammond, leanne mooney, eltham gourmet poultry & game, dynamic vegies, corrina tauschke, potters, nerina lascelles, warrandyte cafe, bulleen art & garden centre, hurstbridge galleries, il primo restaurant carlton, leigh conkie, alan marshall short story award, ruth anderson, sylvia halpern, gus mclaren, northcote pottery, st andrews hotel, thompsons amcal pharmacy, bendigo bank, hurstbridge & districts community bank branch, mia mia gallery and cafe

"As the train on its journey from Melbourne to Healesville crosses the Yarra-flats, many glimpses are caught of the Yarra, sometimes between large belts of gumtrees, and splashing over boulders with is bosum covered with bubbles, dancing with sunlight, and racing each other until lost in the dark shadows of the wattles. Another turn catches it in a sombre mood, stealing slowly beneath some rustic bridge, whereon stands a patient fisherman waiting for a fish, which if the bait be correct, comes pretty frequently. Our illustration depicts one of these pretty nooks, and a very good idea is given of our picturesque river before it is polluted and turned into a sewer at Prince's Bridge."This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 35mm Negativesepp, shire of eltham pioneers photograph collection, yarra glen, steels creek, cave hill

This jacket appears to be part of the uniform, connected to Warrnambool through its sleeve labels, and to the sea, through its anchor and chain buttons. It may have been worn in the merchant navy by a senior seaman, due to the good quality of fabric and the double-breasted design, or to life saving at sea, such as a member of the Life Saving Rescue Crew, or even a Harbour Master. This jacket has been used for display on the ketch 'Reginald M', built in 1922 in South Australia and spending the final years of its life at Flagstaff Hill Maritime Village from 1975-2016. The vessel spent much of its working life as a coastal trader along the south-eastern coast of Australia.This maritime jacket is significant for its connection with Warrnambool and to maritime service. Its high quality wool suggests that it was made for a senior ranking person. This jacket could have been used by a seaman in the merchant navy, which provided the essential service of transportation of goods and passengers between the ports of south-eastern Australia, including the Port of Warrnambool.Uniform jacket or coat, maritime. Heavy duty navy-coloured woollen jacket lined with light-weight woollen lining coloured blue with thin white stripe. Double-breasted front with eight buttons with the motif of anchor and chain. Two waist pockets on the outside, two breast pockets on the inside, closed with composition buttons on the lap, plus one spare button. Dark felt fabric labels were stitched to each sleeve just below the shoulder, with gold embroidered letters. Embroidered sleeve labels "WARRNAMBOOL" Embossed on eight buttons, symbol [chain joined to top of anchor and entwined around it, with text on anchor's crossbar]flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, meritime uniform, men's jacket, woollen jacket, double-breasted jacket, merchant navy, maritime uniform jacket, anchor and chain buttons

Methodist societies and churches issued quarterly tickets (or class tickets or love feast tickets) as a way to identify members of good standing in the society or church. Tickets also became a way of offering admission to the love feast, or Agape, which was a service around a shared meal, but distinct from the Lord’s Supper. Quarterly tickets typically included the member’s name, the minister’s name, the date, as well as a Scriptural text. The practice of issuing quarterly tickets began in the mid-eighteenth century with John Wesley and continued in many Methodist organizations throughout the nineteenth century. Issuing tickets fell out of practice in the early twentieth century. https://findingaids.library.emory.edu/documents/P-MSS441/printable/Printed envelope containing a Quarterly Ticket for March 1930. The card has the donor's name written on it together with the month and year."Doris Wise" "March 1930"northcote methodist circuit, methodist quarterly tickets

Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

humber 1 ton trucks were a good substitute for armoured personnel carriers and enabled training in the APC role.The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Three black and white photographs of Humber 1 ton trucks of 8/13 Victorian Mounted Rifles with camouflage covering during exercises at Puckapunyal c. 1964

Postcard - , looking towards the East, Grenville St and Mount Warrenheip. Shows two trams westbound and has the 1907-built tramway shelter in the view. Shows Alfred Hall, exhibition buildings, and very good details of buildings in Grenville St. Title of the card in red ink "View from Town Hall, Ballarat" in the top left-hand corner. On the rear of the card, has the stamp of Ken Magor. It is the divided back type, with words "Post Card", and a location for the stamp. It is "Printed in Great Britain" and published by "The Valentine & Sons, Publishing Co. Ltd. Melbourne" on the right-hand side. See item 8985 for the same image but without a decorative border.Yields information about Sturt St Ballarat and demonstrates Australian colour photo postcards with a decorative border.Colour postcard of Sturt St taken from the Town Hall towerHas in pencil $6.50 along top edge on rear.trams, tramways, postcards, sturt st, ballarat, grenville st, town hall

This book is a replica of a booklet printed in the United Kingdom. In 1848, when it was published in London as a guide to prospective emigrants, 23,904 people left the United Kingdom for the Australian colonies and New Zealand. In 1847, with the failure of potato crops threatening famine in Ireland and growing political unrest at home, the British Government had once again encouraged emigration by offering free passage to candidates of 'good character'. Immigration, particularly by the labouring classes, was intended to relieve both the overburdened Mother Country and the colonies which had acute labour shortages. The booklet gives some history of each colony as well as the sale of lands, mines and mining, produce, the price of living, wages and, generally, the situation. The emigrant's friend, or authentic guide to South Australia including Sydney: Port Phillip, or Australia Felix: Western Australia, or Swan River Colony: New South Wales: Van Dieman's Land: and New Zealand. Reprint. Reader's Digest Services Pty Limited; Surrey Hills (NSW); 1974. 40 p. Soft cover. australia; colonies; settlement; nsw; port phillip; western australia; south australia; van dieman's land; new zealand; emigration; immigration;

The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A known list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the Kew Light Opera Company for a performance of Leslie Stuart's light musical comedy - Florodora. Performances were held in the Kew Recreation Hall on 27, 28, 29 September and 1 October 1952. This was the first production by the company. No. 816kew light opera company, performing arts, florodora (musical), theatre groups (kew), kew recreation hall

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A known list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country GirlThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued for a celebratory variety performance. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild.kew light opera company, performing arts, theatre groups (kew)

Falls Creek was selected as the venue for the 1994 Kinetix Australian Junior Championships in Cross Country Skiing in 1994. The event was held on the 2nd and 3rd of September. It was attended by over 100 skiers from Victoria, New South Wales, ACT and the United States. Several local skiers performed well, reinforcing North East Victoria as a force in cross country skiing. Nearly 30 teams competed in the Australian Interstate Junior Relay Championships in the final event. To top the events off a huge snowball fight broke out between skiers and officials, showing good fun could be had between rival teams. The event was organised by the Birkebeiner Nordic Ski Club.This article is significant because it records the holding of a major event at Falls Creek.An article covering pages 11 and 12 of "The Hydro Courier" containing images and text. It was published on September 13, 1994 and the images were taken by Falls Creek Photo Service.junior cross country 1994, falls creek events, hydro courier, summit masters, birkebeiner nordic ski club

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian World War 1 uniform and slouch hat. He was given the name Digger. The term "digger" was military slang for Australian and New Zealand soldiers. It became closely linked with the principles of mateship during World War I. This Digger bear reminds us of the endurance, courage, ingenuity, good humour, hardiness, and resourcefulness the ANZAC forces showed during the Gallipoli campaign and other WW1 campaigns. This was a special edition of the bears. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a World War 1 uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

Further information on the unidentified object has not been available during preparation of this report, but it may be a buoy light, or perhaps even a solar powered rotating light made by Pharos Marine, New Zealand. Portable beacon lights were made with a plastic lens and an aluminium base and it is known that one of these was installed in the Gabo Island Lighthouse in February 1992. It was replaced in May 2006 and the lights are now no longer used within the AMSA network. The unidentified item, which can be described as a white painted conical object, appears to be associated with signalling, but more information is needed to confirm this. These items of equipment are presumed to relate to core lightstation functions and look to be in good condition. They have at least second level significance for their probable provenance and association with the theme of visual signalling and the use of navigation equipment for maintaining safe routes for shipping.Beacon and unidentified object (GILS 0095) The portable beacon is a small rotating light containing a lens and prism. The other item can be described as a white painted conical object.

Meantime back at Camoola "Top Or Nothing" Price, known to stockmen as "Old Stop At Nothing", and his shifty ex-jockey clerk Billy Matthews, have been stunned by the Victorian customs duty of 30 shillings per head on cattle, and 50 shillings per head on horses, suddenly promulgated just prior to a very important sale. Caught with a lot of cattle he cannot unload, and a property sale that has gone astray, Price accepts offers for both from O'Day, who thus sets himself up cheaply with a good holding that runs down Barmagulla's back boundary to the Murray River at the point where he often swims across.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 12des martin, many a mile, ringer's river, northeast victoria stories

A certificate that was given by Melbourne Legacy to Junior Legatees. This was presented to Ronald Edison Harding on the 1st August 1941 and signed by the President Stanley Parkes. A good representation of the process of membership and importance given to being part of Junior Legacy, Melbourne. Text on the certificate: 'During the Great War many men offered themselves for Service in the Forces of the Empire. To assist the children of those who fell, or who have died since, the Melbourne Legacy Club was formed. The Children of deceased sailors and soldiers constitute the Junior Legacy Club.' Also: that the recipient 'had been accepted into membership of the Junior Legacy Club, Melbourne and has undertaken to accept its obligations.'A record of the formalisation process of Junior Legacy membershipPrinted certificate for membership in Junior Legacy Melbourne, this one was presented to Ronald Eidson Harding in 1941.Typed is the recipients name Ronald Edison Harding and the date 1st August 1941. Ink signature of Stanley Parkes.junior legatee, membership

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of the troops marching past the steps of the Shrine while school children watch. It is a good view of the Melbourne skyline in the background. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1971.Photo is stamped '23 April 1971 in blue ink. Handwritten 'You are here' with an arrow and star, in blue pen.anzac commemoration for students, wreath laying ceremony

Contents: • How We Remember by Jim Connor • Our Next Meeting – Our Christmas Function, 7.30pm Wednesday 14th December 2022 • Victorian Collections Cataloguing Award, Volunteer-run organisations • Eltham – The DIY Years by Diana Bassett-Smith • Eltham Railway Line (The Argus, December 12, 1911) • Railway Trestle Bridge, Eltham (EDHS Newsletter November 1978) • Court Jottings; “A Good Carver” (The Advertiser, Friday, July 8, 1932) • Eltham Races (The Argus, December 15, 1855) • Horse Racing in Eltham • Eltham Cemetery Stories by Liz Pidgeon o Harriet Agrita Falkiner, 1848-1923, Eltham Pioneer The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds