Showing 5196 items
matching art - australia
-
National Wool Museum
Book, His Majesty's Spanish Flock
... , 1964. Merino sheep - history Logo Merino: sheep in Australian ..."His Majesty's Spanish Flock" by H.B Carter, 1964.merino sheep - history, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Book, Flocks and Fleeces
... : sheep in Australian art and design - Exhibition (29/07/2000 - 04 ..."Flocks and Fleeces: being a concise history of the sheep and its wool in all countries, with a special chapter on the frozen mutton industry" by E. Herbert Fison; 1894sheep - diseases sheep breeding shearing sheep dipping, mutton, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), sheep - diseases, sheep breeding, shearing, sheep dipping -
National Wool Museum
Label, Blanket
... - 30/04/2000) Logo Merino: sheep in Australian art and design ...Rug label produced by the RSS Mill in Geelong for the Blamey rug.Rug label from the RSS Mill's Blamey rug.THE GEELONG R.S.&S. WOOLLEN MILLS / PURE / WOOL / THE / T.A. Blamey / RUGworld war i textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), blamey, lt gen. sir thomas albert gbe, kcb, cmg, dso, world war i, textile mills -
National Wool Museum
Label, Blanket
... /2000 - 30/04/2000) Logo Merino: sheep in Australian art ...Blanket label from the RSS Mill, Geelong for a Retsol rug.Retsol rug label from the RSS mill.THE GEELONG R.S.&S. WOOLLEN MILLS / PURE / WOOL / RETSOL RUGStextile mills, returned soldiers and sailors mill, retsol rugs, label, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Label, Blanket
... /2000 - 30/04/2000) Logo Merino: sheep in Australian art ...Blanket label from the RSS Mill, Geelong for a Retsol rug.Retsol rug label from the RSS mill.THE GEELONG R.S.&S. WOOLLEN MILLS / PURE / WOOL / RETSOL RUGStextile mills, returned soldiers and sailors mill, retsol rugs, label, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Quilt, Interweave One
'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include: quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition and was later purchased for $2000. It was catalogue entry no. 21.Quilt, "Interweave 1" by Judy Turner.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001), turner, ms judy, quilting, handicrafts -
Koorie Heritage Trust
Booklet, Albert, Trish, Stories through art, 2009
... -- 21st century. | Art Aboriginal Australian -- 21st century ...11 Indigenous artists discuss their work and motivation.32 P; plates; photographs; ill.11 Indigenous artists discuss their work and motivation.artists, aboriginal australian -- 21st century. | art, aboriginal australian -- 21st century. | australian -
Koorie Heritage Trust
Book, Bourke, Colin, Before the invasion, Aboriginal life to 1788, 1980
Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...112 p. : ill. ; 21 x 23 cm.Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...1. aborigines, australian -- social life and customs. schools - project referencers. i. johnson, colin, joint author. ii. white, isobel m., joint author. iii. title -
Koorie Heritage Trust
Journal - Serials, Beier, Ulli et al, Long water - Aboriginal Art & Literature 1988, 1988
... Australian Art and literature. 119 P.; ports; notes; ill.; 24 cm ...119 P.; ports; notes; ill.; 24 cm.collections - aboriginal, australian, art and literature. -
Koorie Heritage Trust
Journal - Serials, Britton, Stephanie, Art Link : Contemporary Australian Aboriginal Art, 1990
... Federation Square, Melbourne melbourne Art-Aborignal Australian ...Includes:Traditions in EvolutionLegal and LobbyAppropriation: a fine line. Lin Onus.Aboriginal Copyright Cases. Martin Hardie.What is Comalco up to? Report from Arukun. Peter SuttonAt Last!! The arts & crafts industry review! And what did it achieve? Tim Rowse.Working in IsolationPerforming ArtsMediaVisual Arts Projects / OpinionsArtist ProfilesLin Onus Michael EatherMural at Port Lincoln. Kerry Giles, Melanie Howard talk to Felicity Wright.Kurwingie. (Kerry Giles)Peter Dabah Vincent MegawRobert Campbell Jnr.Milton Budge Leone StanfordBluey Roberts Noris IoannouTatipai Barsa and Zane Saunders Anna Eglitis.Les Griggs Megan GriggsJudy Watson Margariet BonninShane Pickett Alta WinmarWanjidari Libby MorganEllen JoseDonna Leslie Natalie GreenwoodGordon Bennett Anne KirkerMaree Clarke Natalie GreenwoodSeminar series at Power Institute Bronwyn BancroftGayle Maddigan Natalile GreenwoodNarragunawali in Canberra Sylvia KleinertSally MorganDesign in the Commercial AreaOrganisations120 p.; ill.; 28 cm.Includes:Traditions in EvolutionLegal and LobbyAppropriation: a fine line. Lin Onus.Aboriginal Copyright Cases. Martin Hardie.What is Comalco up to? Report from Arukun. Peter SuttonAt Last!! The arts & crafts industry review! And what did it achieve? Tim Rowse.Working in IsolationPerforming ArtsMediaVisual Arts Projects / OpinionsArtist ProfilesLin Onus Michael EatherMural at Port Lincoln. Kerry Giles, Melanie Howard talk to Felicity Wright.Kurwingie. (Kerry Giles)Peter Dabah Vincent MegawRobert Campbell Jnr.Milton Budge Leone StanfordBluey Roberts Noris IoannouTatipai Barsa and Zane Saunders Anna Eglitis.Les Griggs Megan GriggsJudy Watson Margariet BonninShane Pickett Alta WinmarWanjidari Libby MorganEllen JoseDonna Leslie Natalie GreenwoodGordon Bennett Anne KirkerMaree Clarke Natalie GreenwoodSeminar series at Power Institute Bronwyn BancroftGayle Maddigan Natalile GreenwoodNarragunawali in Canberra Sylvia KleinertSally MorganDesign in the Commercial AreaOrganisationsart-aborignal, australian-contemporary -
Koorie Heritage Trust
Book, Bellear, Lisa, Central Business Dreaming, 2008
... Arts Program. | Art Aboriginal Australian -- Victoria ...In recognition of Indigenous culture, we (The City of Melbourne) have initiated and supported the only dedicated local government indigenous arts funding program in Victoria.3-138 P.; ports.; index; facs.In recognition of Indigenous culture, we (The City of Melbourne) have initiated and supported the only dedicated local government indigenous arts funding program in Victoria.melbourne (vic). indigenous arts program. | art, aboriginal australian -- victoria -- melbourne. | art, aboriginal australian. | -
Koorie Heritage Trust
Document - Printed Sheets, Barrett, Charles, Blackfellows of Australia, 1936
Covers a wide range of aboriginal tribes and areas dealing with customs and art work beliefs and history. Some early plates curtesy of the Melbourne Museum.44p.; facsimiles; figs.; 30 cm.Covers a wide range of aboriginal tribes and areas dealing with customs and art work beliefs and history. Some early plates curtesy of the Melbourne Museum.aborigines-social life and customs., aborigines-victoria, murray river tribes-social life and customs. -
Koorie Heritage Trust
Book, Black, Lindsay, Aboriginal Art Galleries of Western New South Wales : part 3, 1943
Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.76 p. : ill., 2 maps; references; 22 cm.Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.aboriginal art -- visual arts - general -- rock engraving -- rock painting. -
Koorie Heritage Trust
Book, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 08. 1-2 1984, 1984
This volume of 'Australian History' is devoted to studies of the south-eastern corner of the Australian continent. The papers arose from a series of meetings convened with Professer R. W. Dixon in 1981. They involved scholars from the disciplines listed, all concerned with the south-east. A series of articles by leading writers on Aboriginal History.237 P.; ill,; figs.; tables; notes; reviews; 24 cm.This volume of 'Australian History' is devoted to studies of the south-eastern corner of the Australian continent. The papers arose from a series of meetings convened with Professer R. W. Dixon in 1981. They involved scholars from the disciplines listed, all concerned with the south-east. A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | settlement and contacts - colonisation - 1788-1850 | race relations - violent - massacres, murders, poisonings etc. - to 1900 | sex relations | indigenous knowledge - world view | language - personal names | language - semantics | social identity | language - sociolinguistics | government policy - state and territory - new south wales | socioeconomic conditions - living conditions | language - linguistics - language classification | language - vocabulary - word lists | language - linguistics | geography - territories and boundaries | art - rock art - painting | art - production - materials / techniques | art - art motifs | -
Koorie Heritage Trust
Book, Abdulla, Ian W, Tucker, 1994
... . | Aboriginal Australians in art -- Juvenile literature. | Painting ...Ian's narrative paintings recall the stories of his youth with refreshing simplicity, while their rich textures and brilliant colours evoke a deep love for a time and a place that are never very far from his imagination.He has mounted seven solo shows and fifteen joint exhibitions and represented in many galleries throughout Australia, including the National Gallery.38 unnumbered pages colour illustrations, map ; 26 x 31 cm.Ian's narrative paintings recall the stories of his youth with refreshing simplicity, while their rich textures and brilliant colours evoke a deep love for a time and a place that are never very far from his imagination.He has mounted seven solo shows and fifteen joint exhibitions and represented in many galleries throughout Australia, including the National Gallery.abdulla, ian w., 1947-2011 -- childhood and youth. | aboriginal australians -- murray river region (n.s.w.-s.a.) -- food -- juvenile literature. | aboriginal australians -- south australia -- food -- juvenile literature. | aboriginal australians, in art -- juvenile literature. | painting, australian -- south australia -- aboriginal artists -- juvenile literature. | wild foods -- murray river region (n.s.w.-s.a.) -- juvenile literature. | wild foods -- south australia -- juvenile literature. -
Koorie Heritage Trust
Book, Abdulla, Ian W, As I grew older : the life and times of a Nunga growing up along the River Murray, 1993
... literature. | Aboriginal Australians in art -- Juvenile literature ...As I Grew Older affirms the culture of rural Aborigines who, despite being dispossessed, have been determined to stay onb their own land. The painting of Ian Abdulla offer us a window on to the life of an Aboriginal Family on the Murray River in the mid-twentieth century.40 unnumbered pages : colour illustrations, 1 colour map ; 26 x 31 cm.As I Grew Older affirms the culture of rural Aborigines who, despite being dispossessed, have been determined to stay onb their own land. The painting of Ian Abdulla offer us a window on to the life of an Aboriginal Family on the Murray River in the mid-twentieth century.abdulla, ian w., 1947-2011. | aboriginal australians -- murray river region (n.s.w.-s.a.) -- biography. | aboriginal australians -- south australia -- juvenile literature. | aboriginal australians, in art -- juvenile literature. | painting, aboriginal australian -- south australia -- juvenile literature. | murray river region (n.s.w.-s.a.) -- biography. | australian -
Koorie Heritage Trust
Book, Basedow, Herbert, The Australian Aboriginal, 1925
Contents: Introduction to an Australian Tribe; Racial characteristics; The breast and abdomen; The face and its skeleton; The mouth; The skull and brain; Colour of Aboriginal's skin; The hair; Likely origin of the Australian Aboriginal; An Aboriginal's Birth; Childhood; The Day's March; Camp life; Hunting; Vegetable Diet; Beverages; Pitjuri; Navigation; Duels; Warfare; Spears; Spear-Throwers; Burial and mourning customs; Tribal organizations; Tribal administration; Initiation; Religious ideas; Aboriginal art; Stone implements; Music and dance; Language.xx, 422 p., 55 leaves of plates : ill., map, ports. ; 22 cm.Contents: Introduction to an Australian Tribe; Racial characteristics; The breast and abdomen; The face and its skeleton; The mouth; The skull and brain; Colour of Aboriginal's skin; The hair; Likely origin of the Australian Aboriginal; An Aboriginal's Birth; Childhood; The Day's March; Camp life; Hunting; Vegetable Diet; Beverages; Pitjuri; Navigation; Duels; Warfare; Spears; Spear-Throwers; Burial and mourning customs; Tribal organizations; Tribal administration; Initiation; Religious ideas; Aboriginal art; Stone implements; Music and dance; Language.human biology -- physiology -- reproduction -- social organisation -- life cycle -- birth -- childhood -- religion and magic -- ritual -- initiation -- mortuary -- politics, tribal law and social control -- arts -- performing arts -- music -- dance -- language and communication -- economics and material culture -- economic life -- division of labour -- subsistence -- hunting -- gathering-- weapons -- spears -- spearthrowers -- tools -- stone -- -
Koorie Heritage Trust
Book, Sabbioni, Jennifer, Indigenous Australian voices : a reader, 1998
... collections. | Aboriginal Australians in art. | An impressive ...An impressive collection of the poetry, artwork, and prose of thirty-six contemporary Aboriginal and Torres Strait Islander writers and artists. . . . The world views and the expression of the contributors are compelling. . . . It is an exploration of Ôthe dreamingÕ that organizes the text, in the sense that individual and kinship relationships to the origin stories of ÔdreamtimeÕ inform both a resistance to the genocidal heritage of Australian colonization as well as a unique focus for indigenous identity.xxxi, 310 p. : ill., map ; 24 cm. An impressive collection of the poetry, artwork, and prose of thirty-six contemporary Aboriginal and Torres Strait Islander writers and artists. . . . The world views and the expression of the contributors are compelling. . . . It is an exploration of Ôthe dreamingÕ that organizes the text, in the sense that individual and kinship relationships to the origin stories of ÔdreamtimeÕ inform both a resistance to the genocidal heritage of Australian colonization as well as a unique focus for indigenous identity.australian literature -- aboriginal australian authors. | aboriginal australians -- literary collections. | aboriginal australians, in art. | -
Koorie Heritage Trust
Book, Berzins, Baiba, The coming of the strangers : life in Australia 1788-1822, 1988
Contents: The coming of The Strangers; The environment & its shapers; The Governors & Their Circle; Staying & leaving ; The Lot of Women; Australia & the World; Australia in 1822.Blurb: The Coming of The Strangers challenges our ideas about the European settlement of Australia. Through a selection of the many document, painting and engravings held in the Mitchell and Dixon collections of the State Library of New South Wales, a picture of life in Australia is reconstructed - spanning the arrival of the First Fleet in 1788 to 1822 when the first generation of white Australians had accepted the continent as their home.Those who left no written records: the Aboriginal people; white women and convicts, have been brought to the foreground to give a balanced perspective of history during the earliest decades of European habitation in Australia.The Coming of The Strangers accompanies a major exhibition being held at the State Library of New South Wales during 1988. In co-ordinating both this book and the exhibition, the Mitchell Librarian, Baiba Berzins brings to public view many letters, journals and works of art that have not been published or displayed for over a century.144 p. : ill. (some col.), facsims., ports. ; 27 cm.Contents: The coming of The Strangers; The environment & its shapers; The Governors & Their Circle; Staying & leaving ; The Lot of Women; Australia & the World; Australia in 1822.Blurb: The Coming of The Strangers challenges our ideas about the European settlement of Australia. Through a selection of the many document, painting and engravings held in the Mitchell and Dixon collections of the State Library of New South Wales, a picture of life in Australia is reconstructed - spanning the arrival of the First Fleet in 1788 to 1822 when the first generation of white Australians had accepted the continent as their home.Those who left no written records: the Aboriginal people; white women and convicts, have been brought to the foreground to give a balanced perspective of history during the earliest decades of European habitation in Australia.The Coming of The Strangers accompanies a major exhibition being held at the State Library of New South Wales during 1988. In co-ordinating both this book and the exhibition, the Mitchell Librarian, Baiba Berzins brings to public view many letters, journals and works of art that have not been published or displayed for over a century.australia -- history -- 1788-1851 -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 03. 1-2 1979, 1979
A series of articles on Aboriginal History by well-known historians.166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang | -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 05. 1-2 1981, 1981
Articles on various aspects of Australian History articles.178 p.; ill.; tables; footnotes; bibs.; maps; 25 cm.Articles on various aspects of Australian History articles.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | settlement and contacts - chinese | language - change | mining industry - gold | settlement and contacts - afghans | animals - mammals - camels | race relations - racism - stereotyping | language - texts and translations - aboriginal to non-aboriginal language | art - drawing | art - artists | settlement and contacts - macassans and indonesians | language - kriol | language - linguistics - language classification | language - semantics | settlement and contacts - explorers | -
National Wool Museum
Trophy
... : sheep in australian art and design - exhibition (29/07/2000 - 04 ...This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania -
National Wool Museum
Quilt, Sure as night follows day
The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
National Wool Museum
Certificate, Centennial Exhibition Certificate of Merit
Gold medal certificate presented to Collins Bros Mill Pty Ltd for the best grouped exhibit at the South Australian Centennial Exhibition, 1936.CENTENNIAL EXHIBITION / Gold Medal / Certificate of Merit / AWARDED TO / Collins Bros Pty Limited / FOR / Attractive Stiff Grouped Exhibit / from an Exhibition point of view / [signature] PRESIDENT / [signature] SECRETARY / ART / INDUSTRY / TO CELEBRATE / THE HUNDREDTH ANNIVERSARY / OF THE / FOUNDATION OF SOUTH AUSTRALIA. / SOUTH AUSTRALIAN CHAMBER OF MANUFACTURERS INCORPORATED / 1836 / 1936 / Albert V. Adlam From- / ROBT. R. STANESBY / THE PICTURE FRAM MAKER, / MOUNT CUTTER, &c. / FREE LIBRARY BUILDINGS, / Moorabool St., Geelongtextile mills history, south australian chamber of manufacturers incorporated collins bros mill pty ltd, textile mills - history -
National Wool Museum
Photograph, Special Stud Polwarth Ram
... Dowling Cumming and Company Logo Merino: sheep in Australian art ...Photo depicts a special stud Polwarth ram, owned by Dowling, Cumming & Co. of Jellalabad, Victoria.Photograph - "Special Stud Polwarth Ram"SPECIAL STUD POLWARTH RAM / The Property of Dowling, Cumming & Co, Jellalabad, Darlington, Victoria Hait photo SYDNEYpolwarth sheep, dowling, cumming and company, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), jellalabad -
National Wool Museum
Photograph, Special Stud Ram 9.1
... in Australian art and design - Exhibition (29/07/2000 - 04/02/2001 ...The ram depicted in this photograph is an Austin-Wanganella ram and is the sire of the 11 rams featured in the photograph "The Australian Eleven" (the original of which is still with the Austin family). Ram 9.1 was sold for a record price in the 1930s (ref. personal communication: Mr Andrew Austin, 18-10-2000).Photograph - "Special Stud Ram 9.1"SPECIAL STUD RAM 9.1 / Bred by Austin Wanganella Co Ltd / which was sold to Roy McCaughey Esq for 5000 gns. HALL & Co / Photo.austin wanganella co. ltd mccaughey, mr roy, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Print
... . Sheep - art Logo Merino: sheep in Australian art and design ...Print depicts Jesus in his metaphorical role as a 'shepherd' of 'sheep'. Common type of Catholic devotional picture.Print - "Christ with Sheep"Giovannisheep - art, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Rocking Ram
... at the National Wool Museum. Logo Merino: sheep in Australian art ...This toy was made by Gepetto - The Art of Toys (a local Geelong toymaker) for the "Logo Merino" exhibition at the National Wool Museum.Rocking ram - small Rocking ram, small - detailJuly 2000 / Custom made for / National Wool Museum / by GEPETTOlogo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Petrol Bowser, Golden Fleece petrol bowser with ram and hose
... Merino: sheep in Australian art and design - Exhibition (29/07 ...The Golden Fleece Petroleum Company was established by H.C. Sleigh in 1913 importing petroleum from California, and was acquired by Caltex in 1981. The Golden Fleece ram trademark was created in 1951 when Golden Fleece petroleum became a single-brand service. The Golden Fleece ram was based on an actual prize winning merino ram named 'David of Dalkeith' from Boonoke Stud, run by the Falkiner family. Single brand service stations did not appear until the 1950s, and distinctive trademarks and logos were used to differentiate and promote the brands. This bowser is a fully restored example of a 'Wayne' model (a typical bowser from the 1950s).Image of Golden Fleece bowser installed in Logo Merino exhibition at the National Wool Museum. Information and pictures from various websites re: Golden Fleece. Golden Fleece and Caltex information from the Caltex website.SUPER / Wayne / GOLDEN FLEECE / ACTIV-8 / Contains / LEAD / TETRA-ETHYL / To be used as motor / fuel only and not for / other purposes. Avoid spilling. Wayne / DOLLARS CENTS / GALLONS / AT / CENTS PER GALLON THIS GLASS / MUST BE FULL / BEFORE AND AFTER / DELIVERY Wayne / GOLDEN FLEECE / ACTIV-8 / Contains / Lead / TETRA-ETHYL / To be used as motor / fuel only and not for / other purposes. Avoid spilling.h.c. sleigh pty ltd golden fleece petroleum company, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001) -
National Wool Museum
Rocking Ram
... in Australian art and design - Exhibition (29/07/2000 - 04/02/2001) July ...This ram is one of two, especially made for the National Wool Museum's exhibition, "Logo Merino", by Gepetto - The Art of Toys (a local, Geelong toymaker).Rocking ram, large Rocking ram, large - detailJuly 2000 / Custom made for / National Wool Museum / by GEPETTOlogo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)