To use this foundation mould, melted beeswax was poured , the lid was placed on top, and the wax allowed to cool. The mould was then separated, and the beeswax foundation sheet taken out. Once placed in a hive, bees used the honeycomb impression created by the mould to draw out honey comb cells to store honey and polen. This mould was used by Bill Voigt, a beekeeping friend of the Robinson family. It was donated by Wilma, Val and Richard Voigt.This is antique equipment used by known beekeepers. Rectangular box with base and no lid. Constructed from wood, joined with metal nails in the corners. Inside box is a metal mould base with hexagonal imprint and metal mould lid with hexagonal imprint.antique, old, wax, foundation, mould, beechworth honey, voigt, robinson

‘Eignbrook’ at 10 Pembroke Street was built 1904. Until the 1950s this area was the highest spot in the metropolitan area and ships in the Bay could be seen from ground level and views extended almost 360 degrees. A number of homes of this Edwardian period had viewing towers, the one in the photo being that of ‘Maroondah’ at 12 Pembroke Street. Photo taken by W V Hill. Courtesy: Mr William (Bill) Dempsey. Original sepia photograph of a weatherboard home in the Queen Anne style. It has a steep pitched iron roof. It has a woven wire fence across the front of the property and decorative gates. Mounted on white cardboard photo taped on 2 corners.Back of photo is inscribed “Hills, 10 Pembroke St, Surrey Hills”. Card has written underneath the photo, “10 Pembroke St, Home of Hills family, built 1904”pembroke street, house names, surrey hills, hills family, 'maroondah', 'eignbrook', (mr) w v hill, (mr) william (bill) dempsey, journalist, queen anne style, (mrs) annie hill

Photograph of the group of past Presidents in 2010. There is usually a Presidents luncheon every year and a group photo is taken. In 2010 the past presidents were listed on a photocopy of the photo, from left in this photo are; Bill Rogers, Geoff Swan, Ray Ward, Eric Baker, David Millie, Tom Butcher, Graeme Standish, David Carter, Ron Foskett, Colin Bannister, Graham Riches and Rob Allison in the wheelchair.A record of the past presidents gathering together each year.Colour photo x 2 of a group of former Legacy Presidents in 2010 and an A4 photocopy with names noted on it.past presidents, presidents lunch

A group of widows at Legacy House doing seated exercises, being taught by Instructor Bill Stevens who ran the classes for many years. These photos were published in the Answer in 1996 and they were in a scrapbook of photos spanning 1983 to 1991. Similar to photos 00619 and 00620 which show exercise classes in 2004. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House.A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo x 3 of Legacy widows doing exercises at Legacy House.White paper label with black type 'Weekly swimming and keep fit classes are popular with Legacy ladies'. widows, exercise classes, activities

This item contributes to an understanding of those involved in war in Vietnam. Bill McMahon (Left) served with 1st Communications Zone Postal Unit 1969-70.National Serviceman Graeme Owens (Centre) served in Royal Australian Army Ordnance Corps 1968-69. Ray Harvey (Right) served with the Royal Australian Army Medical Corps 1968-69. This game of Australian rules was played in Saigon in July 1969.Sepia photo of three Australian soldiers in football shorts and singlets and two Vietnamese soldiers in uniform with an aussie rules football. On the back of the photo it is stamped: Australian Army/Public Relations/Picture/Com.69.443 VN with details of who/where of the game -see image 2corp graeme owens, capt bill mcmahon, vietnamese soliders, afl football, vietnam, ray harvey

The Red-Necked Grebe is a medium sized bird with a long neck and pointed bill. During the non-breeding months, this bird has grey, white and brown plumage. During the breeding seasons, the Red-necked Grebe has a rusty red coloured fore-neck and breast with a black bill and white cheeks. This species can be located in freshwater lakes of the northern hemisphere. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Red-Necked Grebe of medium size stylised in a standing position with the face positioned forward. The bird stands on a wooden pedestal with two tags around its legs. One tag is paper and documents cataloguing information and the second is metal and lists the number 4403. This Red-Necked Grebe has pale feathers of white, grey and browns typical of this species in the non-breeding months. The face is positioned towards the front and the small eyes are made from dark glass.On metal tag 4403. On paper tag "32. Red-Necked Grebe.Catalogue, page, 43"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red-necked grebe

The Red-Necked Grebe is a medium sized bird with a long neck and pointed bill. During the non-breeding months, this bird has grey, white and brown plumage. During the breeding seasons, the Red-necked Grebe has a rusty red coloured fore-neck and breast with a black bill and white cheeks. This species can be located in freshwater lakes of the northern hemisphere. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Red-Necked Grebe of medium size stylised in a standing position with the face positioned forward. The bird stands on a wooden pedestal with two tags around its legs. One tag is paper and documents cataloguing information and the second is metal and lists the number 4492. This Red-Necked Grebe has pale feathers of white, grey and browns typical of this species in the non-breeding months. The face is positioned towards the front and the small eyes are made from dark glass.Paper tag: 32a Red-necked Grebe Catalogue, Page, 43. Metal tag: 4492taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red-necked grebe

Black and white photograph mounted on light brown frame. 8 Police Officers in 1920s uniform pose in uniforms with helmets. Standfing in a terrace with an open brick building with windows and a set of stairs on the background. Amongst them is William Arthur Poulter.Handwritten: BILL POULTER // 3RD FROM RIGHT Handwritten: The M.C.G. Gang // Collingwood - 93 PTS V Melbourne - 43 PTS // 21.8.26 Stamp: PHOTOGRAPH TAKEN // AT YOUR OWN HOME // P. J. DWYER // Onr. Harding & Salisbury Sts. // COBURG // PHOTOGRAPHS COPIED // AND ENLARGEDpoulter, william, william arthur poulter, victoria police museum, dwyer, p. j., police officers

Black and white photograph (2 copies)Typed below one photograph: "The last remaining naturally grown gum tree on the Maroondah Highway between Ringwood and the city before it was cut down from out the front of Bill Patterson Motors in 1959. Was a yellow box tree 60 feet high and 75 years old."

Herbert (Bert) Hulm was gassed during World War One. He served with the 46 Battalion. His niece remembered he was always laboured in his breathing. Emily Lenehan married Bert HulmColour photograph of the headstone of Emily and Bert Hulm in the Tower Hill Cemetery.5110 Corporal H. Hulm 46 Battalion 4th December 1967 age 76 Beloved husband of Emily, Loved father of Chriss, Pauline and Bill Also his beloved wife Emily I. Hulm Died 12th Jan. 1970 aged 82 years R.I.P.tower hill cemetery, h. hulm, bert hulm, emily hulm, world war one, emily lenehan, headstone

The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking forwards in a raised position. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the right leg.Swing tag: 143a / unnamed / catalogue page 59 Metal tag: A4439 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl

The Purple Swamphen can be readily located across eastern and northern Australia. They reside in areas with water including ponds, lakes, storm water drains, wetlands, swamps and marshes. These birds can often seen in urban locations including parks or along roadsides after a period of rainfall. Due to their adaptability, these birds often change environments. Purple Swamphens are omnivores and eat a wide variety of plants and animals. They live in large family groups and lay an average of five eggs which are the shared responsibility of both parents and occasionally the responsibility of young from a previous brood who may also assist caring for the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Purple Swamphen which is styalised standing on a wooden platform and has a paper identification tag tied to its upper left leg. The Purple Swamphen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird

Shrapnel and Semaphore. My grandfather's diary of Gallipoli is an amazing story of courage, faith and service. It provides a graphic account of the horrors of the fateful ANZAC landing and of the courageous attempt to take the peninsula against impossible odds.Soft cardboard cover, purple print on beige background on front, spine & back beige print on dark brown background. Sepia photo of 3 men in uniform on front. Sepia portrait photo on back (New Zealand uniform). 60 pages, cut plain paper, illustrated with black & white photos. Biography & diary of Walter EDMUND (Bill) LEADLEY Reg No 6/1122 Lance Corporal 1st Battalion, 2nd Corps, Canterbury Regiment of New Zealand.books, military, nz, shrapnel

One of a collection of three Ventnor State School student photographs.Ventnor State School No. 3895. School Student Photograph 1941. Back Row L-R: Mr Patrick Healy, Harry Harris, Alberta Harris, Alice Clark, Una Coels, Joan Hunter, Shirley Hunter, Ken Clark. Middle Row L-R: Bill Trew, Ruth Harris, Cefn Price, Adele Justice, Beryl Hunter, Isobel Justice. Front Row L-R: Peter Justice, Sylvie Trew, Adele Jenner, Audrey Harris.ventnor state school phillip island, school student photo, alice robinson (nee clark)

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Cowes Premiership Football Team of 1919. Back row: Dad Pretty, H T West, J Anderson, N McLardy, A McLardy, A P Smith, W McLardy, E Jenner, G Jenner, C Leeson. Middle row: Arthur Leeson, Harmon West, H Gulliver, A Brown, F Hatfield, W McFee, C Campbell. Front row: Fred Jenner, Leo Turnlivan, Bill Smith, Norman Leeson, Bert Smith, Fred Richardson.local history, photography, photographs, cowes football team 1919, black & white photograph, cowes football club, cowes football team premiers 1919, john jenner, bryant west

Bendigo Advertiser ''The way we were'' from 2002. Who's on first: Provincial's under-17 baseball team 1954. The team won the lightning premiership in 1953 as well as the premiership proper in 1953 and 1954. Standing from left: coach Jack Griffiths, Wal Boyd, Dennis Mc Intyre, Alan Broadbent, Mal Dillon, Fred Hunt and Joe Connors. Seated: captain Frank Griffiths, Ken Firth, Dennis Heritage and Bill Gilmore. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2002. School sports: the Bendigo Senior Secondary College athletes of 'Z' team in 1926. Bruce Tuff, ? Serpell, Allan Heightmann, Heinz Tonn, Tom Northway, Bert Mayberry, Keith Owen, Bruce Sayer, John Rutherford, Howard Jasper, Ern Niemann, Theo Moss, Maurie Hocking, Barney Spruhan, bill Smith, Max McCallum and Reg Schleiger. The clip is in a folder. The date on this photo should read 1936 not 1926.newspaper, bendigo advertiser, the way we were

Book. ALEC H CHISHOLM COLLECTION. 107 page paperback of Place Names in Victoria and Tasmania by A. E. Martin. [2 copies, (a) and (b)]. Published in 1944 BT NSW Bookstall Co Pty Ltd, Sydney and printed by NSW Printing Co. Catalogue stickers ''2225.1 MAR'' and ''2225.2 MAR'' on front covers. Handwritten in ink on a separate piece of paper inside front cover of copy (a) ''This book was prepared by me and trust it will prove of value to you. Bill Burrell''A. E. Martinbooks, collections, place names, alec h chisholm collection, a.e.martin, place names, victoria, tasmania, bill burrell

Black and white photograph. 3 rows of cricketers. Brick wall at back, corrugated water tank at left. 16 men, seated at far left, male holding a cricket ball. 2nd. from front male wearing cricket pads and wicket keeping gloves. Some men wearing whites, some men wearing hats and ties. On the back in ball point pen, ' Mandurang Circket Club 1923 ' Bill Drechsler' ' Jim Charleworth' Cr. Les Nankervis'organization, club/society, mandurang cricket club

Postcard - Souvenir of Bendigo - Black and white. 15 assorted pictures of Bendigo. Card addressed to Master J.Devlin, Mine Road, Korumburra. Written 'Dear Cobber Jack, we have not wrote for a long time. How is all the family getting on. Where is bill brown now and would you send me billie maroners adress if you know it remember me to all the old mates. I remain your old mate. Willie White, writ street, Back.place, bendigo, picturesque views of bendigo., bendigo views.

Newspaper clipping, Bendigo Advertiser 19.10.1970. . Image shows six men, members of the Rotary Club of Bendigo South standing at the foot of the Nell Gwynne Poppet head. Men in image are: Professor Lewis ( lecturer in architecture, Melbourne University) , Don Allen, Albert Richardson, Vic Wodetski, Bill Rodd and Jack Bright. 'Caption reads: Professor Lewis is keen to see Bendigo do something about restoring the surface workings of a goldmine to working condition as a tourist attraction.'bendigo, mining, minimg museum

Bendigo Advertiser "The way we were" from Friday, November 28, 2003. Boy scouts: the Fifth Bendigo Boy Scouts in 1944. Back row from left: Bob Charlto, Bill Clemens, Ian McClelland, Peter Lunt, John Read, John Goyne, Graeme Lowther, Brian Dellar, Austin Phillips, Malcom Bush. Front row: Doug Nuttall, Bruce Amstrong, Ian Hamilton, Paul Lowther, John Giovanetti, Ian Smith and Kingsley Green.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Monday, August 2, 2004. Rochester's pride: the Rochester Country week cricket team, 1952. Back row: Vic Spiers (manager), Greg Francis, Doug Collins, Frank Collins, Jack Neilsen, Mac Hay and Rex Turner. Front row: Brian Florence, Norm Ryan, Bill Connell, Jack Anderson (captain), Vin Burke and Leo Francis. The photo was taken at Western Oval (now Whitten Oval) in Footscray.newspaper, bendigo advertiser, the way we were

Copy of a poscard photo of the Long Gully State School 3rd Grade 1921. A boy in the centre of the front row is holding a blackboard with Long Gully 2120 3rd Grade 1921 written on it. Written on the back is: 2120 Long Gully State School 3rd Grade 1921. 2nd R. Bill Rowe 7 Johnnie Rawe. F.R. Far Right Pierce Phillips. Front Row 2120. 13 Girls 19 Boys Long Gully School 3 Grade 1021.bendigo, history, long gully history group, the long gully history group - long gully state school 3 grade 1921, bill rowe, johnnie rawe, pierce phillips

Coloured photo of Workers on Open Day 2001 in Local History Room: L-R Front Row: Gordon Keene, Barbara McColl, Joan Henwood: 2nd Row: Elizabeth Ligeti, Judith Fry, Barbara Keene, Barbara Gardiner, Margaret Skey, Frances Warren, Valda Arrowsmith: 3rd Row: Ivan Holt, June Venouras, Magdalena Bognor, Back Row: Geoff Saunders, Bill Gray, Peter Simmenauer, Robert Smith, Barbara Rogalski (Background: Liz Ogden).mccoll, barbara, henwood, joan, keene, gordon, ligeti, elizabeth, fry, judith, gardiner, skey, margaret, warren, frances, arrowsmith, valda, holt, ivan, bognor, magdalena, gray, bill, simmenauer, peter, smith, robert, rogalski, ogden, liz, nunawading & district historical society, heritage festival 2001, ventouras june, saunders, geoff