Yields information about the vicinity of the Sturt St city loop and the buildings on the south side of Sturt St.Black and White photograph mounted on heavy cardboard backing. Photo of Ballarat No. 14 and possibly No. 12 in the City Loop, Sturt St., near Grenville St. Ballarat. no. 14 showing "CITY". On left is Gas and Fuel Corporation of Victoria building, Patersons, T&G Life Assurance and other buildings on the south side of Sturt St. Taken by John Phillips late 1960's or early 1970's. Has 4 Velcro black squares on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. Second copy added - 8/11/2005 to box 01-01-70.trams, tramways, city loop, sturt st., tram 14

The medal was won by George Glencairn Lorimer for best Highland dress at Highland Gathering 1860, BuninyongThis image illustrates the strong connections early settlers maintained with their home countriesA black and white photograph of a Highland Gathering medal featuring a warrior in highland dress"Highland Society Instituted 1857highland gathering, highland society medal, scottish culture

The medal was won by George Glencairn Lorimer for best Highland dress at Highland Gathering 1860, BuninyongThis image illustrates the strong connections early settlers maintained with their home countriesA black and white photograph of a Highland Gathering medal featuring the winner's details"1st Prize for Costume to G. G. Lorimer Buninyong Jan. 4th 1860highland gathering, highland society medal, scottish culture

History of Saint Margaret's Church Eltham beginnings to 1888. Throughout this foundation period the community grew in numbers and influence within the developing district of Eltham. The minister's and lay readers appointed to Saint Margaret's are indentified and their contribution discussed. The significant events of the establishment of a temporary chuch and then a permanent church, the opening and closing of a denominational school, the construction of a parsonage, libraries and Sunday school are all examined. The key to the success of this faith community during its foundation years was the initiative and resourcefulness of its laypersons. - back cover. The early beginnings of the church included congregations at St Helena, Greensborough and Diamond Creek. People described in the book are listed as subjects in this description. The author Geoff Sandy mentions the following in the acknolwedgements on page iii: "Harry Gilham and Russell Yeoman of the Eltham District Historical Society willingly assisted me with locating records and images relevant to the scopeof this book".The first in a three volume set capturing a comprehensive rich history of the church and importantly its community for the first time.This volume discusses the pioneers of the Etham district who contributed not only to the foundation of the church but its wider thriving community and adds to the records of what we know about the early history.367 pages : colour illustrations ; 25 cm.[written inside front cover] Donated to the Eltham and District Historical Society on the occasion of the launch of "A History of Saint Margaret's Church Eltham" - 23 February 2014, Geoffrey A Sandysaint margaret's anglican church eltham, eltham, st helena church, dixon bertram, robert mackie, josiah hollis, andrew brown, arthur joseph pickering, john boyle gason, thomas cooper searle, henry dendy, william bravery andrew, charles symons wingrove, patrick alfred armstrong, patrick armstrong, john pearson, thomas hunniford, john gardner, thomas batt, isaac hill, william austin page, richard warren, john lindsay beale, henry stooke, john beale, charles hamilton, edwin willis maygar, william frederick ford, isaac briggs, david george clark, richard lowman, walter wippell, george knapman, benjamin oliver wallis, benjamin o. wallis, benjamin wallis, andrew logan, james rossiter, james thomas foster gilding, charles mash maplestone, george bird, george bird (1845-1921), charles hobart, e m bill, j c cole, william morris, francis flintoff, church of england, st margaret's anglican church, st margaret's anglican church eltham, st margaret's church, st margaret's church eltham, st margaret's church of england eltham, st margarets, st margarets anglican church, george stebbing, george stebbing builder

Gulline Brothers was a general store in Bacchus Marsh located in Grant Street, on the corner of Grant Street and Sydney Street. The store was originally opened by John Jory in about 1890. At that time it was advertised as being located on Maddingley Road. It was later taken over by Horace Hussey and William Grant Morton trading as Hussey and Morton, and later solely as Morton's. In the early 1920s it was sold to the Gulline Brothers and traded under this name for many years. The building has had multiple uses and occupants since the Gulline Brothers ran their business there. The building is still standing today (2024) and is shared by three different businesses.An image of a significant late nineteenth century commercial building which still survives in Bacchus Marsh.Black and white photographic printroads and streets bacchus marsh vic., maddingley road bacchus marsh vic., grant street bacchus marsh vic., shops bacchus marsh vic., gulline brothers general store bacchus marsh vic., general stores bacchus marsh vic.

This postcard folder is one of three in a set of postcards that were published in Victoria, Australia, and collected together. The Valentine Publishing Co. Pty. Ltd. produced this folder. Valentine and Sons was a printing and photography business based in Dundee, Scotland, and in Canada. In the early 1900s, at the height of the postcard craze, the firm published large numbers of postcards in the U.K., Canada, U.S., Australia and South Africa. From around 1900 or earlier, the firm bought many lithographic images for its postcards from local and national photographers who sold publishing rights to Valentines, and the business was famous for publishing photographs of popular sites worldwide. Postcard titles in this folder include many of those in the Rose postcard folders plus the following titles that are not duplicated. . Municipal Buildings and Post Office . Soldiers’ Memorial . Hopkins River . The Cliffs at Shelly Beach . The Road to Sandy Beach . The Breakwater and Pier This Valentine postcard folder was produced in Australia. It includes pictures from the early-to-mid 20th century. It is one of three in a set, with images of the same locations as other images in our collection but at different periods in time. Each postcard records a moment in history and is significant as a way to compare and show the changes in the local environment and community, building a story of the local history. The images record changes in the coastline, land, bay, buildings and other structures, roads, transportation and even the fashions of the times.Postcard folder, Valentine Publishing, cream cover. One of a set of three displaying images of Warrnambool and district around the mid-20th century. Print on the front and back covers is in brown ink. The front has an image of two laughing kookaburras on a branch, three address lines and an outline for a postage stamp. The back cover has the publisher’s details and a line for a return address. The cover opens like a book, and then the double-sided, Z-folded page of photographs drops downward. Titles are printed below each of the fifteen black and white photographs inside. The folder is secured on the back cover by placing a tab into a slot. The folder was produced by The Valentine Publishing Co. Pty. Ltd. Melbourne“WARRNAMBOOL / PHOTOGRAPHIC SOUVENIR” Symbol: [Two facing kookaburras standing on a branch with beaks open] “Published by The Valentine Publishing Co. Pty. Ltd. Melbourne” flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards, concertina fold, z fold, shipwrecked coast, maritime museum, souvenir, warrnambool local scenes, photography, local history, tourism, photographs, visitors, travel, scenes, mid-20th century, 1940s, 1950s, z-fold, 1880s, collection, correspondence, valentine publishing co. pty. ltd melbourne, valentine publishing co. pty. ltd sydney, municipal buildings and post office, soldiers’ memorial, hopkins river, the cliffs at shelly beach, the road to sandy beach, the breakwater and pier

The image was taken of Women's Auxiliary group gathered on the lawns of Rupertswood Mansion some time between 1914 and 1918. The women's group organised various events to aid the war effort and were often invited to the mansion.During war time many community groups were formed to raise funds which supported the war effort in a variety of ways.A non-digital copy of an old sepia photograph of a group of women sitting on the lawn outside a large mansion. An early car is parked on the pathway to the left of the image and the driver is standing next to it.women's auxiliary, rupertswood mansion, world war 1

An early theatre in Ballarat.Image of the Theatre Royal in Ballarat by Francoise Cogne. francois cogne, ballarat, theatre royal, performing arts

Front and back covers of "Pauline paper patterns number 5116". This pattern is for a ladies' dress and 'bolero' jacket, drawing on front and instructions on back cover.An example of early 20th century clothing and sewing patternsDigital copy of front and back covers of dressmaking pattern.dressmaking patterns, patterns, dresses, clothing

1 handwritten copy, 1 typed copy with corrections and locality map and 1typed copy of the locality, early history revival period, prominence, dividends and gold production. Handwritten copy images 3509.8a,8b,8c Typed copy images 3509.8d,8e,8f,8gmine, gold, central nell gwynne mine, central nell gwynne mine, locality of the central nell gwynne mine, mines dept booklet 'bendigo goldfield' g. brown 1936

2 typed carbon copies of locality, plant, early history, revival period, dividends and gold production of the Central Nell Gwynne. 1st copy images 3509.6a,6b,6c, 2nd copy images 3509.6d,6e,6f,mine, gold, central nell gwynne, central nell gwynne, description of the central nell gwynne

In July 1840, Glenfine, consisting of 31,440 acres, was acquired by Thomas Downie. In March 1842 the 'Right of Run' was taken up by Thomas Chirnside who with an imported stallion 'Delapre' ran a horse stud. He apparently lived here for ten years and employed a gardener with a wife and five children from Hobart, Tasmania. Only some blocks of stone and a few trees remain of their homestead. In 1853 the property was transferred to Dr. John Chirnside, an elder brother of Thomas Chirnside. In 1857, William Rowe of Naringal purchased Glenfiine where he and his family lived until 1904 when it was bought by Richard Howell's estate. It was then 39,000 acres. The present house was built by the Rowes in 1872 of bluestone quarried on the property with a cement render overall. The architect was H.R. Casselli. Gold was found on the property and by 1898 the township of Hollybush was first reported, situated at either side of the front entrance, on the Cressy Road. The land for the township was given by William Rowe. In 1911 R.C. Howell, son of Richard Howell, became the owner, followed by his son in 1960. By 1990 Hollybush had a population of 426 persons. All of the early history of Glenfine, documents etc., were destroyed when Naringal homestead was burnt down in 1944. Glenfine was classified by the National Trust in 1974 and is on the Heritage Commission Register. Mounted black and white image of a large group of men and boys in front of a weatherboard shearing shed. The men are each holding a pair of hand shears. One young man is kneeling on top of a wool bale. A small blue biro 'x' identifies W. Todd. Glenfine was a pastoral station, and the original homestead still stands.shearing sheds, shearers, rural activity, william todd, glenfine pastoral station, thomas chirnside, thomas downie, richard howell, william thomas rowe

Given to the Presbyterian Women's Missionary Union. Accompanying paper has a translation: "From Il Sin Girls' School, Tongnai, Korea - the students' association, the graduates' association, the parents' association and all supporters of the Tongnai district. In the early summer (May or June) 1940, to the P.W.M.U. in commemoration of its educational work.Black wood box with four doors which are inlayed with mother of pearl. The central doors have images of rural Korea and the left and right have script.presbyterian women's missionary union, is sin girls' school, tongnai korea

Wodonga Poultry Suppliers was established in the late 1940s by Albert (Bert) Elkington in partnership with his father-in-law Artie Phillips and Aubrey Gilbert. From the beginning they had an eye on the export market. Artie (Arthur) Phillips sold Bert and Aubrey the land and became the third partner. In 1945 Aubrey and Bert each gained a repatriation loan and scored £500. They cleared the land, made the bricks by hand, built freezers and killing pens and started killing and selling to the local trade. By 1947 they had completed the first large freezer, packing room and killing sheds all to the specifications of the Department of Primary Industry. They gained an export licence and began exports to England under the brand name “Donga”. By 1950, 120,000 poultry and 50,000 pairs of rabbits annually left the Athol St, Wodonga premises for overseas markets. Unfortunately the business was adversely impacted by the English wharf strike, with large stock losses and changes to the English poultry trade. Wodonga Poultry Suppliers made changes to the plant to cater for meat export to the ready markets of England, Greece, the Persian Gulf and Japan. By the 1962, Wodonga Poultry Suppliers were exporting poultry, rabbits, hares, lamb, mutton, pie offal and quarter beef to the UK, mutton to Greece and veal sides to Bahrain. The business had outgrown the original works in Athol St and larger and improved facilities were needed. Donga Meats Pty Ltd was set up in October 1963. In 1967 Bert Elkington sold his share of the company to Consolidated Meat Holdings and came back for a time as a stock controller. He passed away in Wodonga in 1993. These images are significant because they document an early major export industry established in Wodonga, Victoria. A collection of images documenting production at the Wodonga Poultry Suppliers premises in the late 1940s.wodonga poultry suppliers, early wodonga businesses, bert elkington

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of a Vietnamese 'street wise boy' has his early morning wash in a fountain in central Saigon. These children were cheeky, fearless, peddled drugs and were very adept at lifting wallets out of pockets and particularly Seiko watches of unsuspecting servicemen arms.photograph, vietnamese children, gibbons collection catalogue, saigon, denis gibbons

This is a photograph of some of the buildings at the Sunbury Asylum. There are three women dressed in nurses uniforms of the early 1900s. A tramline which carried goods around the complex is visible in the image. A black and white photograph of a group of brick buildings with a view of the slate roofs, chimneys and high picket fences. Unmounted.sunbury asylum, nurses, fences, uniforms, george evans collection

WOODEN FRAMED, BLACK AND WHITE IMAGE OF HUGH BELL SPARKON REVERSE, HANDWRITTEN IN BLUE BIRO ON BROWN PAPER: GRANDFATHER SPARK, AGE UNKNOWN C.H. SPARK, BELONGS TO E. H. MCKENZIE (OTHER WRITINGS NOT SHOWN DUE TO PRIVACY)spark family, early clunes citizens

[1] Three Bears Porridge Flaked Oatmeal Bag: This textile bag originates from Canadian Cereal Mills Ltd., which marketed "Three Bears" flaked oatmeal. Popular in the early 1900s to mid-century, this product combined functional packaging with a child-friendly incentive — a cut-out cloth doll. The practice of printing toys, games, or clothing patterns on flour or oat sacks was a common marketing strategy, encouraging reuse and appealing to families during times when thrift and creativity were essential, especially during the Depression and wartime years. The Three Bears brand played off the enduring popularity of children’s nursery tales, while the doll encouraged children (and parents) to reuse packaging creatively. This object captures a unique intersection of food marketing, household resourcefulness, and early 20th-century domestic life. [2] Mammy Self-Raising Flour Bag: This item is a mid-20th-century Australian flour bag, branded “Mammy Oven Puff”, produced by A. Mammy Products Pty Ltd in West Footscray, Victoria. The use of the name "Mammy" and the caricatured illustration draws on a now widely recognised and offensive racial stereotype originating from American minstrel culture, commonly used in product branding in the early-to-mid 20th century. While the bag reflects a specific period in Australian domestic and commercial packaging history, it also exemplifies racially insensitive advertising that would be considered inappropriate and harmful by today’s standards. Such items are preserved today in museum collections to help document past social attitudes, consumer culture, and the evolution of racial representation in advertising. [3] Bandung Blue Triangle Brand Flour Bag: This bag represents a mid-20th-century Australian flour export product, particularly aimed at international markets such as Indonesia (as indicated by "Bandung"). The “Blue Triangle Brand” was likely a registered trademark used by a Melbourne-based flour mill engaged in both local and overseas trade. The use of durable cloth bags for bulk flour was common prior to the widespread adoption of paper and plastic packaging. These bags were often reused domestically for household textiles, clothing patterns, or storage. The export reference (Bandung) underscores Australia's historical agricultural trade ties with Southeast Asia, especially in wheat and flour exports. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.[1] Three Bears Porridge Flaked Oatmeal Bag: A vintage cloth oatmeal bag printed with black ink on both sides. One side is branded with "Three Bears Porridge – Flaked Oatmeal", showing an image of three bears behind a gate, referencing the well-known “Goldilocks and the Three Bears” fairytale. The opposite side features a printed cut-out doll design, showing a young girl with curly hair holding a bouquet of flowers, intended to be sewn into a stuffed toy. Instructions note that the reverse side (the doll’s back) could be obtained from a second bag. The design combines product branding with a promotional activity for children, typical of early- to mid-20th-century grocery packaging aimed at reuse. [2] Mammy Self-Raising Flour Bag: A small vintage cloth flour bag with printed branding in faded red, blue, and black inks. The front of the bag features a central image of a caricatured smiling African American woman wearing a headscarf. The text is unevenly faded but legible in parts. The bag has a rectangular shape with an open top edge and signs of previous use, including creasing and some fraying at the corners. [3] Bandung Blue Triangle Brand Flour Bag: A large, rectangular vintage cloth flour bag made of cream-coloured calico or cotton. The front of the bag is printed in bold blue ink with branding and export information. It prominently features a large triangular logo reading “Blue Triangle Brand” and numerous lines of text in block and stylised fonts. The bag is open at the top with frayed edges, suggesting it was once machine-stitched shut and later opened.[1] Three Bears Porridge Flaked Oatmeal Bag: Front side (branding side): "THREE BEARS Porridge – FLAKED OATMEAL" "7 Lbs. Net." “Packed and guaranteed by Canadian Cereal Mills Ltd., Toronto” Reverse side (doll pattern): "This is the Front for Three Bears Cut-out Doll" "In order to complete this Doll it will be necessary to obtain the Back Design from another Bag of Three Bears Rolled Oats or Oatmeal." [2] Mammy Self-Raising Flour Bag: Main product name: “MAMMY OVEN PUFF SELF-RAISING FLOUR” Additional text: “The Only Creamed Flour” “Prepared with phosphate aerator” “A. MAMMY PRODUCTS PTY. LTD., Sunshine Rd., West Footscray. Phone: FW 7321” “7 LBS. NET” (near top edge, very faded) [3] Bandung Blue Triangle Brand Flour Bag: The bag is printed with the following: “10270” “G.W.C | H.L” “BANDUNG” “BEST AUSTRALIAN” “BLUE TRIANGLE BRAND” (inside the triangle logo) “GROWER & GRINDERS” (curved around the logo) “Patent Roller” “MELBOURNE” “FLOUR” “50 LBS. GROSS WHEN PACKED” These inscriptions indicate that this flour bag was manufactured in Melbourne, Australia, and was likely exported to Bandung, Indonesia.farm equipment, flour, milling, oats

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. This card is one of two cards which directly connects the album with an Emerald resident. The writer, O E Cowper was the wife of Percy Cowper who was the Emerald Postmaster 1929-1947. The couple appear to have been on a short holiday in the city. The postcard appears to have been written to an Emerald resident, Elsie, who had a brother, Les. It refers to a shop or perhaps a shopping expedition in local town, Belgrave, which was relevant to Elsie.This postcard in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Post Card of Flinders Street, Melbourne c1940s. Black and white photographic image.On front at bottom of image: 'THE ROSE SERIES P.210 FLINDERS STREET, MELBOURNE, VIC. / COPYRIGHT' Back of image: Handwritten message 'Dear Elsie We are having a nice holiday / Hope to be home on / Wednesday mornings / bus Have you heard from Stan? / & how did the shop in Belgrave go / on Saturday. Regards, to Mother Les / & Bill Yours O E Cowper' Baack of image: Printed 'Published by the Rose Stereograph (?) / Armadale Victoria'postcard album, 1940s, flinders street, rose series postcards, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. This card is one of two cards which directly connects the album with an Emerald resident. The writer, O E Cowper was the wife of Percy Cowper who was the Emerald Postmaster 1929-1947. The couple appear to have been on a short holiday in the city. The postcard message refers to an Emerald resident, Mr Legge.This postcard in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Post Card of Swanston Street, Melbourne c1930s. Black and white photographic image.On front at bottom of image: 'SWANSTON STREET, MELBOURNE, VIC. / SOUTHERN CROSS SERIES P3276' Back of image: Handwritten message 'Dear Elsie / We are having a nice holiday but I feel / pretty tired today. Too much walking yes- / terday & a North Wind. We went to / see Mr Legge in the Hospital the / other day as we were passing there. / How are the Chooks? How is Quilthy getting / on? She didn't try to follow us. / Regards to Mum, Mrs Fielder & [?]Sheila / Yours as ever O E Cowperpostcard album, swanston street, 1940s, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Religion played a significant part in daily life at the time.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts the scene of Mark 10: 13-16 from the bible, where Christ meetings a group of children.On front, printed under image: 'Christ Blessing Little Children / St. Mark 10: 13-16' On back, printed above line: 'Christ Blessing Little Children' On back, printed below line: 'THEY brought young children to / Jesus, that He should touch them: / and His disciples rebuked those that / brought them. / But when Jesus saw it, He was much / displeased, and said unto them, "Suffer / the little children to come unto me, and / forbid them not; for of such is the / kingdom of God. Verily I say unto you, / Whosoever shall not receive the kingdom / of God as a little child, he shall not enter / therein." / And He took them up in His arms, / put His hands on them, and blessed / them. / So that day the mother helped the / disciples to learn about Jesus. The dis- / ciples thought the children would be a / trouble, but the mothers knew that Jesus / loved the little and helpless ones, and / would bless them, for one day He had / said, " All who seek to enter the kingdom / of heaven must become like little chil- / dren." So they were not afraid to draw / near.'postcard, 1900s, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts a man and a woman leaning together for a kiss. It is a print of the painting 'Undue Haste' by Harrison Fisher.On front, under image: 'UNDUE HASTE' On front, bottom right corner: '© REINTHAL & NEWMAN, PUBS., N.Y.' On back, left vertical: 'No. 193 / Entered Stationers Hall, London' On back, left top: 'THIS SPACE MAY BE USED FOR CORRESPONDENCE' On back, right corner: 'STAMP HERE / PRINTED IN AMERICA' postcard, 1900s, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard is a scan of an image of a baby in a frilly white dress.On back, printed: 'POST CARD Write here for Inland Postage only / The Address to be written here'postcard, 1900s, "green postcard album"

This postcard is part of a selection of re-enactment photos of Ned Kelly's life. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A postcard depicting outlaw Ned Kelly and his gang forcing railway workers to destroy the railway track.Front, bottom of image: 'Pulling up the line at Glenrowan' Back, top: 'POST CARD'postcard, photography, 1900s, ned kelly, "green postcard album"

This postcard is part of a selection of re-enactment photos of Ned Kelly's life. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A postcard depicting the siege of outlaw Ned Kelly at the Glenrowan Hotel.Front, bottom of image: 'The Police surrounding Glenrowan Hotel' Front, part of image: 'THE / GLENROWAN / HOTEL' Back, top: 'POST CARD'postcard, photography, 1900s, ned kelly, "green postcard album"

This postcard is part of a selection of re-enactment photos of Ned Kelly's life. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A postcard depicting Ned Kelly's brother, Dan Kelly, and their fellow outlaw Joe Byrne.Front, bottom left of image: 'Dan Kelly & Joe Byrne' Back, top: 'POST CARD'postcard, photography, 1900s, ned kelly, "green postcard album"

This postcard is part of a selection of re-enactment photos of Ned Kelly's life. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A postcard depicting outlaw Ned Kelly shooting at Constable Fitzpatrick.Front, bottom right of image: 'Ned Kelly shoots Fitzpatrick' Back, top: 'POST CARD'postcard, photography, 1900s, ned kelly, "green postcard album"

This postcard is part of a selection of re-enactment photos of Ned Kelly's life. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A postcard depicting the arrest of outlaw Ned Kelly.Front, bottom of image: 'Capture of Ned Kelly' Back, top: 'POST CARD'postcard, photography, 1900s, ned kelly, "green postcard album"

These postcards depict a selection of re-enactment photos of Ned Kelly. Ned Kelly was an infamous outlaw in the late 19th-century whose image lives on in Australian legend.These postcards are in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. A collection of postcards depicting the crimes and arrest of Ned Kelly.Postcard 1: 'Ned Kelly shoots Fitzpatrick' Postcard 2: 'Pulling up the line at Glenrowan' Postcard 3: 'The Police surrounding Glenrowan Hotel' Postcard 4: 'Capture of Ned Kelly' Postcard 5: 'Dan Kelly & Joe Byrne'postcard, photography, 1900s, ned kelly, "green postcard album"