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RMIT Design Archives
Posters, Post Christmas Mail Now For Overseas
In the days before television advertising and the WWW, commercial artists such as John Whittenbury designed posters, railway billboards and trade exhibitions advertising products and services to the masses. Whittenbury’s series of quirky Christmas mail posters for the Post Masters General Office, now known as Australia Post, were displayed in post offices across Australia. He had a wealth of experience in the field, having worked as an illustrator, graphic designer, cartoonist, and mechanical draftsman for the RAAF in Laverton and then Victoria Barracks, and also taking out a qualification in Advertising Art from RMIT in 1961, prior to joining the PMG. Ann Carew, 2017 australia post, christmas, rmit design archives -
RMIT Design Archives
Posters, Architecture as Idea: Constructions by 26 Melbourne Architects, 1984
Architecture as Idea was curated by recent RMIT graduates Dale Jones-Evans, Randall Marsh and Roger Wood who had founded Built Moderne in 1983. The exhibition challenged the way architectural exhibitions could be. Rather than exhibiting representations of architecture (drawings, models, photographs) the curators invited their 26 exhibitors (25 men and 1 woman, Jennifer Hocking) to build an object expressive of their idea of architecture. Exhibition posterarchitecture, design -
Queen Victoria Women's Centre
Press Release, Return of the Goddess and installation by Ruth Lyon at the Queen Victoria WOmen's Centre, 16/12/1996-31/03/1997, 12 December 1996
... melbourne art exhibitions historic buildings woman professionals A4 ...A4 paper. 1 page.Cream coloured. Black ink. QVWC original logo in top right corner.art exhibitions, historic buildings, woman professionals -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Phillips, 26/01/1981 12:00:00 AM
Yields information about one of the two visits to Melbourne for the Australia Day Parade of one of the Museum's trams.Black and White photograph of BTM No.27 operating in Flinders St. near intersection with Exhibition St. Melbourne during Australia Day 1981, 26/1/1981 - see March 1981 issue of Fares Please!. Carolyn Dean driver. Photo John Phillips. Tram has destination of "Mt Pleasant" and an auxiliary board "East Melbourne". In the background is the Gas and Fuel buildings and the Forum Theatre. See Reg Item 3085 for another photo of the tram in Flinders St. trams, tramways, btps, flinders st, australia day, tram 27 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Rudd, c1890
Black and white print from the State Library of Victoria, June 1999 of a horse tram crossing the intersection of Sturt and Lydiard Street Ballarat c1890. Tram is travelling east to Grenville St. on the south side of Sturt St. (wrong side these days). Has the Ballarat Post Office building in the background with buildings on the north east side of Sturt St. as well. Has a number of horse drawn cabs in photo and women in white clothing holding umbrellas over their head indicating a hot day. In the right hand side of the photo is the statue of poet Robert Burns. Has number "530" in the bottom left hand corner of photograph. State Library Multimedia Source Catalogue gives the photographer as Charles Rudd, 1849 to 1901, date of photo 1889-1891. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. State Library Permission required to reproduce the photo.On rear in pencil in bottom left hand corner "Copy of H39358/10" and in centre along bottom edge "Reproduction Rights Reserved - Copied by State Library of Victoria".trams, tramways, sturt st, lydiard st, horse trams, post office, two way traffic -
Ballarat Tramway Museum
Photograph - B&W print of donated negative, Ron E. Fluck, 23/06/1962 12:00:00 AM
Black and white print of a donated negative. Print made 8/1998. Photo of SEC tram no. 31 in Main St, Ballarat East, with destination of "Gardens via Drummond St." Tram has been fitted with dash canopy lighting, but not the large white strip under the lighting. Has small triangles on the panels. Also has a small ad for White Horse whisky. Shows buildings on either side of Main St. and the Caltex service station in the background on Main Road and Bridge St. Photo taken 23-6-1962. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. High Res scan of negative added 17/1/2019.tramways, trams, main st, 31, ballarat, tram 31 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Aug. 1984
Colour slide - white / yellow cardboard mount, Kodacolor (Kodachrome) slide, of Z3's 208 (Route 95, showing Exhibition) and 225 showing (Route 96, East Brunswick), at the Bourke St. terminus with the Spencer St. Railway station building in the background and the Greyhound building on the right side. 225 has been painted green, while 208 is in the original orange colour scheme. Date on cardboard mount by Kodak is August 1984. Has an Australia Post van by the side of 225.tramways, trams, bourke st, melbourne, spencer st., tram 225, tram 208 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Dave Macartney, 23/12/1967 12:00:00 AM
Black and white photograph of SEC Trams 26 and 28 in the City Loop on 23.12.1967 in the evening. Both trams have their lights on. Two motor cars parked with parking meters. In rear are the buildings on the south side of Sturt St to the west of Grenville St. Buildings in view are "Edments Hartleys", "Gear Chemist" and "Patersons". Photo by Dave Macartney - 23/12/1967. Copy1 - Photocopy made 4/1999 for display purposes. Copy 2 - made by enlarging photo to an approx. A4 print by colour photocopying and laminated for display purposes. Made July 2000 for the Trams at Night exhibition in the depot. Made by W.Doubleday. Has four Velcro dots on rear. Overall size 203H x 268W. Stored in same box at rear of large photos area in an A4 plastic folder.trams, tramways, sturt st, city loop, night photo, tram 26, tram 28 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, R.G. Vanselow, 30/08/1968 12:00:00 AM
Black and white photograph of SEC No. 32 and two other single truckers at the City Centre in Sturt St, on the north side. Photographed by R.G. Vanselow at 11.05pm on 30/8/1968. The three crew members (drivers) are standing by the tram stop pole while an Inspector walks towards them. Photo has the SEC building in the background. Tram 32 has a Wilkinson Sword razor blade roof ad. The 2nd tram has a roof ad for Myers Pixietown. Tram 32 showing destination of "Victoria St." Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06 1380 Copy 2 - made by enlarging photo to an approx. A4 print by colour photocopying and laminated for display purposes. Made July 2000 for the Trams at Night exhibition in the depot. Made by W.Doubleday. Has four Velcro dots on rear. Overall size 210H x 272W. Stored in same box at rear of large photos area in an A4 plastic folder.On rear in pencil "Approx. 11.05pm, Fri 30 August 1968 / City Centre, Sturt St, / Ballarat" and in bottom right hand corner, in ink "With Compliments / R.G." and stamped in black ink "Vanselow".trams, tramways, city centre, sturt st, night photo, tram 32 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Jim Seletto, 1960's
Yields information about the interior of the Ballarat tram depot and the various arrangements.Black and white photograph of SEC trams Nos 13, 33 and 35 inside the depot at night during 197 0. Tram 13 on No. 1 road, showing "Depot via Drummond Nth", 33 on 2 road showing "Gardens via Sturt St. W" and No. 35 on 3 road, showing "Special". Tram 35 has a SEC briquettes advertisement. Shows the depot structure. Photograph by Jim Seletto. Shows how "Road 1" was marked on the building along with arrow. Copy 1 - Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06 Copy 2 - made by enlarging photo to an approx. A4 print by colour photocopying and laminated for display purposes. Made July 2000 for the Trams at Night exhibition in the depot. Made by W.Doubleday. Has four Velcro dots on rear. Overall size 208H x 274W. Stored in same box at rear of large photos area in an A4 plastic folder. Copy 3 - added 13/4/2009.In black ink "Ballarat Depot (Night) 1970" and in a purple ink stamp Photograph by J. Seletto". Also "DJM" on back of print in pencil. along with pencil notes "Photo (23) and Reduce to 7 1/8 x 5 1/8" Copy 3 - in top left hand corner "38)", in centre in ink "Photo by Jim Seletto, early 1960's" and in bottom right hand corner "James Seletto and William Scott" address label.trams, tramways, depot, night photo, tram 13, tram 33, tram 35 -
Ballarat Tramway Museum
Negative, Geoff Grant, 16/06/1955 12:00:00 AM
Negatives No. N301 and colour print made by colour laser printer (stored in folder ) of a Bourke St Bus stopped at Exhibition St. stop, looking east along Bourke on 16/6/1955. Photo by Geoff Grant. Has the Melbourne Hotel, the Salvation Army City Temple and the J & J Building (Mickey Powell Dancing). Parliament House in the background. Negative scanned hi res and imaged updated 20/5/2020.trams, tramways, melbourne, bourke st., buses, exhibition st. -
Ballarat Tramway Museum
Negative, Geoff Grant, 16/06/1955 12:00:00 AM
Negative No. N302 and black and white print made by a laser printer (stored in folder ) of Bourke St Bus No. 499 stopped at Exhibition St. stop, looking east along Bourke on 16/6/1955. Photo by Geoff Grant. Has the Melbourne Hotel and the J & J Building (Mickey Powell Dancing) in the background Negative scanned hi res and imaged updated 20/5/2020.trams, tramways, melbourne, bourke st., buses, exhibition st., tram bus 499 -
Ballarat Tramway Museum
Negative, Geoff Grant, 16/06/1955 12:00:00 AM
Negative No. N305 and black and white print made by a laser printer (stored in folder ) of a Bourke St Bus loading passengers at the Exhibition St. stop in Bourke St. on the north side. Tyes home furnishers building in background, along with a many pedestrians. Negative scanned hi res and imaged updated 20/5/2020. Note the bus has a Port Melbourne depot run numbertrams, tramways, melbourne, bourke st., buses, exhibition st., port melbourne -
Ballarat Tramway Museum
Negative, Geoff Grant, 19/06/1955 12:00:00 AM
Negative No. N326 and black and white print made by a laser printer (stored in folder ) of view looking along the new track in Nicholson St. Fitzroy, with W6 988 in background by the Exhibition Crossover. Photo shows nature of track construction at this portion of the future East Brunswick, Blyth St. line, an air compressor and the wood/metal barriers to protect roadworks in use at the time. Buildings along the east side of Nicholson St. in background, cable winding house at Gertrude St. can just be seen. Date of photo 19/6/1955. Negative scanned hi res and imaged updated 21/5/2020.trams, tramways, melbourne, nicholson st., east brunswick, track construction., tram w6 988 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 24/05/1974 12:00:00 AM
Black and white (6 prints), digital prints, of Jelbart Engine Display, Sturt and Doveton Streets, 24/5/1924 with Harry Davies building in background, along with an ESCo tram and other street furniture. Many people in the photograph. Donated by Colin Homes 27/3/2011. Colin notes no King George V statue (1936) See the June 2010 issue of Fares Please! for an article written by Colin Holmes on Jelbart and the Ballarat roller.trams, tramways, jelbart, sturt st, exhibitions, esco -
Bendigo Historical Society Inc.
Document - BENDIGO HISTORY PERFORMING ARTS & THEATRE, 2000
Theatre History of Bendigo Paper presented by Fred Page of the Cinema and Theatre Historical Society during the Performers and Palaces Exhibition at Bendigo Bank Theatre on Friday November 24, 2000. Thanks to Bendigo Regional Archive Centre (BRAC). Reference to the building of the Lyceum theatre on the site of the Bendigo Advertiser, Pall Mall.Included is a negative of the Princess Theatre in View Street.bendigo, history, theatre history -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: RSL DIGGERS CARNIVAL, Friday 3rd December
Green flyer advertising the R.S.L. (Bendigo Sub-Branch) Diggers Carnival Grand Exhibition of Flowers held on the night of Friday, December 3rd, (no year printed). There were 14 competitive Sections for flowers. Prizes are detailed. At the end is mentioned a cookery competition.Cambridge Press Print, Bendigo.event, social, exhibition of flowers, r.s.l. bendigo collection - rsl diggers carnival grand exhibition of flowers, bendigo horticultural society, relief patriotic fund, club building fund, cambridge press print -
Ballarat Tramway Museum
Award - Bill Kingsley Award, Bill Kingsley Award for Achievement 2023
Award of achievement for Ballarat Tramway Museum's interpretive centre presented at the Conference of Tramway Museums Australasia in New Zealand 2023.Demonstrates the recognition of the work done by the 2023 Ballarat Tramway Museum team in the creation of the museums exhibitions. Clear perspex, multi-faceted, four-sided, free standing award with inscription.Logo - COTMA Conference of Tramway Museums of Australasia Bill Kingsley Award for Achievement 2023 Ballarat Tramway Museum for Building a new Museum Interpretive Centre Further Logos: BRILL, BI, BT.H, OB, GEballarat tramways, btm, awards, bill kingsley award -
Bendigo Historical Society Inc.
Photograph - Glass Slide Photos of Bendigo, Early 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo -
Bendigo Historical Society Inc.
Photograph - Glass Slide Photos of Bendigo Cinema Advertising, Early 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Bendigo Historical Society Inc.
Slide - Glass Slide Photos of Bendigo Cinema Advertising, Mid 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Bendigo Historical Society Inc.
Slide - Glass Slide Photos of Bendigo Cinema Advertising, Mid 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Bendigo Historical Society Inc.
Memorabilia - Alexandra Fountain Souvenir Plate
Alexandra Fountain is a fountain in the Australian city of Bendigo, Victoria. It is regarded as one of the city's most prominent landmarks and monuments The fountain is located in Bendigo's Charing Cross area at the intersection of View Street and Pall Mall. Charing Cross effectively stands at the centre of the city and is one of Bendigo's busiest and most prominent intersections. The fountain stands opposite the main entrance of Rosalind Park. Alexandra Fountain was funded from the proceeds of the Bendigo Juvenile Industrial Exhibition (1879), a £500 gift from George Lansell and a further £700 from the Sandhurst City Council (now the City of Greater Bendigo). The fountain was designed by William Vahland (1828–1915), a local architect responsible for some of the city's most prominent buildings. The fountain was named in honour of Alexandra, Princess of Wales. Its grand opening on 5 July 1881 was attended by her sons Prince Albert and Prince George.White shallow bowl with transfer of Alexandra Fountain in centreMade in Japanalexandra fountain, bendigo landmarks -
Bendigo Historical Society Inc.
Booklet - Glittering Gullies
1. Dorothy Dempsey was a student of Arthur Thomas Woodward (see No.2). She was considered a "promising artist" who exhibited in Bendigo and Melbourne in the late 1930's - early 1940's. The Bendigo Art Gallery has one of her paintings. 2. Arthur Thomas Woodward (1865, Birmingham, England- 12/2/1943 Bendigo) Studied and taught art in England, Paris and Antwerp before coming to Victoria in 1889. Whilst briefly the Art Director of the Sale School of Art, he married Emma Jane Stokes in 1892. He then became the Head of the Art Department at the Bendigo School of Mines, where he remained until his retirement in 1921. He was responsible for the art division of the Victorian Gold Jubilee Exhibition. and was heavily involved in the establishment of the Bendigo Art Gallery. He lived at "The Roselands", View Street, where he also conducted private art lessons after his retirement.Beige soft cover booklet of 32 pages. Titled 'Glittering Gullies' a compilation of 15 B&W sketches by Dorothy Dempsey of mining scenes and buildings. Inside is a loose card of a handwritten invitation to the announcement of the publication of 'Glittering Gullies.' Dorothy Dempsey was a student of Arthur T Woodward, Bendigo. mining gullies, bendigo -
Kew Historical Society Inc
Document - Invitation to the Opening of the Parliament of the Commonwealth by His Royal Highness the Duke of York and Cornwall, Tom Carrington, 1901
... royal exhibition building -- melbourne (vic)... exhibition building -- melbourne (vic) james maitland campbell Front ...The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell -
Kew Historical Society Inc
Photograph, J F C Farquhar, Wellington Street From High Street, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph - Historical exhibition at the Festival of Kew, 1976
... ). kew historical society - exhibitions "Buildings / Houses ...The Kew Festival was initiated in 1974 by Cr Gerry Petrie. At each festival, members of the Society would display items, typically from the collection. Typically, exhibitions were themed. While they were mostly held at what was to become known as the Phyllis Hore Room of the Kew Library, some exhibitions were held in the Kew Civic Offices or Kew Civic Hall (from1987 Kew Library).Illustrations of buildings, people and early days in Kew attached to a display board, viewed by a members and visitors. The section Houses for Sale includes photos on the back of real estate plans in the collection, proving that they were held by the Society before 1976."Buildings / Houses for Sale / People / Early Days"kew historical society - exhibitions -
Kew Historical Society Inc
Document, Kew Historical Society Collection : Preservation Needs Assessment, 2021
Following a Significance Assessment, in 2020, Kew Historical Society received a Community Heritage Grant from the National Library of Australia for a Preservation Needs Assessment, prepared by Grimwade Conservation Services (GCS). The purpose of the assessment was to consider the physical condition of the collection, the suitability of the current housing and storage facilities and to make recommendations for the development of a conservation program.Illustrated 87-page Final Report by Vanessa Kowalski (Grimwade Conservation Services), including - Executive Summary / p5. Key recommendations / p7. Policies and Procedures / p9. Collection / p11. Building (Repository Structure) / p25. Environment / p33. Storage / p41. Display/Exhibitions / p54. Housekeeping / p58. Visitor Impact / p51. Disaster Preparedness / p63. Training Needs/Skills Assessment / p65. Action Plan / p67. Authorship / p71. References / p73. Appendices / p75. non-fictionFollowing a Significance Assessment, in 2020, Kew Historical Society received a Community Heritage Grant from the National Library of Australia for a Preservation Needs Assessment, prepared by Grimwade Conservation Services (GCS). The purpose of the assessment was to consider the physical condition of the collection, the suitability of the current housing and storage facilities and to make recommendations for the development of a conservation program.preservation needs assessments, kew historical society -- collections, kew historical society - conservation, community heritage grants -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.2 No.6 : November 1980
Kew Voluntary Helpers Building Project Opportunity Shop [Kew Elderly Citizens; Hamer Court] / p1. Kew Philharmonic Society / p2. Kew City Bowmen / p2. Kew Women's Amateur Athletic Club / p2. What's doing in Kew for November / p2. Art, Craft & Home Produce Market [Kew High School] / p3. Fete [St Paul's Church] / p3. 100 years of bowling [Kew Bowling Club] / p3. A famous farm in Kew [William Wade; Belford Farm] / Elizabeth Mackie p3. Scrabble [Kew Scrabble Club] / p3. Primary School Fete [Kew Primary School] / p4. Invitation to an exhibition / p4. Council News [Report on the Development of Hay's Paddock by Landscape Architectural Consultants - Gerner, Sanderson, Faggetter Cheesman; Kew Traffic School] / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionKew Voluntary Helpers Building Project Opportunity Shop [Kew Elderly Citizens; Hamer Court] / p1. Kew Philharmonic Society / p2. Kew City Bowmen / p2. Kew Women's Amateur Athletic Club / p2. What's doing in Kew for November / p2. Art, Craft & Home Produce Market [Kew High School] / p3. Fete [St Paul's Church] / p3. 100 years of bowling [Kew Bowling Club] / p3. A famous farm in Kew [William Wade; Belford Farm] / Elizabeth Mackie p3. Scrabble [Kew Scrabble Club] / p3. Primary School Fete [Kew Primary School] / p4. Invitation to an exhibition / p4. Council News [Report on the Development of Hay's Paddock by Landscape Architectural Consultants - Gerner, Sanderson, Faggetter Cheesman; Kew Traffic School] / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Kew Historical Society Inc
Book, Addresses to HRH The Duke of York and His Excellency the Governor General The Earl of Hopetoun from the Municipalities of Victoria, 1901
... Parliament which took place at the Exhibition Building in Carlton ...Book titled 'Addresses to His Royal Highness the Duke of Cornwall and York and to His Excellency the Governor-General From The Municipalities of Victoria', published by the Municipal Association of Victoria to commemorate the inauguration of the Commonwealth of Australia in 1901. It was printed by McCarron, Bird & Co in Melbourne. The addresses were made on the occasion of the Duke & Duchess of Cornwall & York's visit to Melbourne in May 1901; they were in the city for the opening of Federal Parliament which took place at the Exhibition Building in Carlton Gardens on 9 May 1901.Book, bound in red leather-look fabric. The book features facsimiles of the addresses made to the Duke and Governor-General, signatures of mayors, councillors and town clerks, views of municipal buildings, and the replies sent by the Duke and Governor-General.non-fictionBook titled 'Addresses to His Royal Highness the Duke of Cornwall and York and to His Excellency the Governor-General From The Municipalities of Victoria', published by the Municipal Association of Victoria to commemorate the inauguration of the Commonwealth of Australia in 1901. It was printed by McCarron, Bird & Co in Melbourne. The addresses were made on the occasion of the Duke & Duchess of Cornwall & York's visit to Melbourne in May 1901; they were in the city for the opening of Federal Parliament which took place at the Exhibition Building in Carlton Gardens on 9 May 1901.australian federation, 1901, councillors, mayors, politics, royal tours, royalty: british