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Bendigo Historical Society Inc.
Slide - PETER ELLIS COLLECTION: SLIDE, May 1970 - Jan 1972
Coloured slide transparency. Image is a portrait shot of a male head and shoulders. He has a moustache and is wearing a light coloured top with a V neck. There are red and grey stripes around the neck. The words Peter Ellis are handwritten along the right hand border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF BARBARA FULTON, 1955
Black and white head and shoulders photo of Barbara Fulton. She is wearing a sports blazer and blouse. On the front of the photo is written: 1955 Barbara Fulton Junior Womens 110yds B/K 2nd Vic Countrys. On the back of the photo is written: Swimming Champ.recreations, sports, swimming -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF ALAN MCCONNELL, 1958-1961
Black and white head and shoulders photo of Alan McConnell. Written on the front of the photo: 1958-59 Alan McConnell Vic Country Diving Champs 3rd 1956-57 1961 Country Diving 1st. Written on back of photo: Diving & Club Champrecreations, sports, swimming -
National Vietnam Veterans Museum (NVVM)
Artwork, other - Painting, on velvet
Round black velvet disc with caricature-style image of a soldier in US Army battle dress with a rifle over his left shoulder painted on it . Flags of America, Vietnam and Korea are in the background. He is holding a road sign. "Toby" on his right pocket.On helmet: FAID-V ( written in pen) . On road sign: HQ69th Sig B.N. VIETNAM printed in white on top of disc.plaque, america, craft, art, souvenir, us soldier -
Hume City Civic Collection
Photograph, Late 19th century
It is a portrait of a person assumed to be a distant relative of the Evans family. The photo has been handed down through four generations to the donor, Jane Ireland.A framed copy of an oval type photograph of a lady. The frame is made up of a brown stained timber on the outside with a gold surround in the middle and a red velvet inner surround. The head and shoulders portrait shows a lady dressed according to the fashion of the late Victorian era.evans, anne, holden, anne, emu bottom homestead, settlers, george evans collection -
Hume City Civic Collection
Clothing - Dress, Inmate's
Inmate's dress in off-white canvas (?) with narrow red stripes. Back opening from neck to thigh with six pairs of eyelet holes (unhemmed). Reinforcing panel at front neck. Shoulder and side seams French stitched. Bodice and skirt pleated into waistband.costume, sunbury asylum, george evans collection -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Silk Nightgown Matches Bed Jacket No 2148. Full length sleeves and neck line. Edged with blanket stitch square neck. Openings on shoulder. Insertion work on front and back bodice. Embroidery on sleeves and bodice. Cream Ribbon Slotted at waistline.stawell clothing material -
Yarrawonga and Mulwala Pioneer Museum
Clothing - Evening gown, 1960's
Worn at Wilby and balls in the districtBurgundy Georgette full skirt lined with taffeta,high waist under bust,edged Round neck and under bust with gold braid oversewn with white sequins. There are two long ties at back extending from shoulder them line. Back zippefLabel on bodice Dorolyn Melbourne, size W. Drycleaning only -
Whitehorse Historical Society Inc.
Clothing - Red Cross Apron, Unknown
Use by the Mitcham branch of the Australian Red CrossAistralian Red CrossApron - Over shoulder front and back|White apron with red cross on back and front; and in centre with 'Australian Red Cross' written below in black At bottom is red oblong space with 'Emergency Service' written on.|Apron has white binding with white ties.as abovecostume, female uniform, civilian -
Hellenic Museum
Juglet, 1800 – 1450 BCE
Cypriot White Painted Ware from Middle/Late Cypriot Bronze AgeConical neck with bands, broad band over shoulder with frieze of stripes and dotted circles to handle (missing), a broad band below the body, with cross-hatched panels alternating with panels of dotted circles, triglyph between three bands below to small foot. cypriot -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: ROSS KURTZ, September, 1981
Black and white head and shoulder photo of Ross Kurtz playing a flute. He is wearing a check shirt, waistcoat and a large brimmed hat. Typed on a sticker on the back is: Kurtz, Ross. Mudgee. Sep 1981. Also written is Ross Kurtz, Mudgee 9.81.photo, individual, ross kurtz, peter ellis collection, ross kurtz -
Bendigo Historical Society Inc.
Book - German Bible
There was a large influx of German miners to the Bendigo gold fields and they mainly focussed on deep quartz mining. German enclaves existed at Diamond Hill, New Chum Gully, Victoria Hill, Ironbark and in the Whipstick area. The first Lutheran Church was built in 1865 and there were also two German schools. Small bible with hard cover, possibly bakelite/plastic. The cover has an image of Jesus with and angel above each of his shoulders and plants at the bottom of the image. Pages of bible have gold edging. There is a metal clasp to lock. The back is plain and a creamy color.german, bible, religion -
Tennis Australia
Racquet, Circa 1950
A fibreglass tennis racquet, with solid throat and handle wrapped with perforated Balmforth leather grip. Head is flat top shape and slightly warped. Plastic string anchors at shoulders. Cloth butt cap. Materials: Adhesive tape, Fibreglass, Vinyl, Cloth, Leathertennis -
Tennis Australia
Racquet, Circa 1920
An Alsace Sports tennis racquet with string whipping around shoulders and a cross-hatched handle. Model name features on throat on obverse. Company trademark on reverse, and on butt cover. Materials: Wood, Nylon, String, Ink, Glue, Lacquer, Metal, Leather, Clothtennis -
Tennis Australia
Racquet, Circa 1975
A Slazenger Royal Cup, wood/fibre composite squash racquet, with string whipping around shoulders, and cotton handle grip still sealed in original plastic wrap. Materials: Wood, Fibre, Ink, Cotton, Nylon, Plastic, String, Adhesive tape, Bambootennis -
Tennis Australia
Racquet, Circa 1977
A Dunlop Club, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip, still sealed in original plastic wrap. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastic, Lacquer, Gluetennis -
Tennis Australia
Racquet, Circa 1948
A J.C. Higgins badminton racquet, with blue/white plastic ribbon whipping around shoulders and shaft, and brown cloth handle grip. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Plastic, Ink, Enamel, Cloth tape, Leather, Paper, Stringtennis -
Tennis Australia
Racquet, Circa 1969
A Tony Roche World Ace tennis racquet, with fibre cross laminations across throat and shoulders, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Adhesive tape, Stringtennis -
Kew Historical Society Inc
Clothing - Black satin and lace capelet, c.1900
Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Osbourne, W H Robinson, C 1910
Framed black and white head and shoulder portrait of Councillor Osbourne with hand coloured and drawn detail. Left facing profile with walrus moustache. Cut oval brown mount decorated with text ornate border. Hand written title top and lower centre.Presented to Strathfieldsaye Shire Council / W.H. Robinson / Photo / Bendigo / J.H.E Gribbs / by / Cr Fred Osborne / President 1909-10shire of strathfieldsaye, president of strathfieldsaye shire, councillor fred osborne, strathfieldsaye shire council -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Thomas Somerville, W H Robinson
The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in KenningtonFramed black and white head and shoulder portrait of Councillor Somerville with hand drawn detail. Profile slightly to left, face has full beard. Cut oval brown mount decorated with text and scrolls. Hand written title top and lower centre.Presented to / Strathfieldsaye / Shire Council / W. H. Robinson / Photo / Bendigo / by / Cr Thomas Somerville / President 1892 - 3. 1901.2. 1910.11 strathfieldsaye shire council, councillor somerville, president of strathfieldsaye shire -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Michael Condon, W H Robinson
The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in KenningtonFramed black and white head and shoulder portrait of Councillor Condon with hand coloured and drawn detail. Profile slightly to left. No facial hair. Cut oval brown mount decorated with text, scrolls and flowers. Hand written title top and lower centre.Strathfieldsaye / Shire / Council / W. H. Robinson / Photo / Bendigo / JMB Gribble / Presented by / Cr Michael Condon / President 1889 - 90. 1895-6. 1904 - 5strathfieldsaye shire council, president of strathfieldsaye shire, councillor condon -
Beechworth RSL Sub-Branch
Brassard DPCU
This brassard was worn by the military services in Somalia or East Timor. This DPCU fabric was commonly known as the hearts and bunnies design. Polyester Cotton brassard in Disruptive Pattern Camouflage Uniform (DPCU) fabric. Sewn on the main body of the brassard is a woven patch with the Australian flag. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and elastic strip around the arm. brassard, hearts and bunnies, somalia, dpcu -
Beechworth RSL Sub-Branch
Uniform - Brassard, Medic
Polyester cotton brassard in Disruptive Pattern Camouflage Uniform (DPCU) fabric. Sewn on the main body of the brassard is a woven medic patch. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and a velcro straps wraps around the arm. brassard, medic, dpcu -
Woodend RSL
Battle Dress jacket, 1969
This battle dress jacket is dated 1969 (manufacturing date). It was issued to the “Prince of Wales’s Light Horse’ Regiment however the date of issue is unknown. A Prince of Wales Light Horse unit was based in Kyneton, a neighboring town to Woodend. This jacket likely originated from the Kyneton area. The jacket type was still in use during the Vietnam war in which the Regiment participated. Considering the condition of the item, it is highly likely the jacket has not seen active serviceThis battle dress jacket is represenative of a stamdard issue Army uniform. it is also in very good condition.Khaki, wool jacket. Prince of Wale's light horse embroidered on a yellow flash, stitched on both shoulders. Cropped style with two pockets on front, four khaki buttons and waist belt. Two epaulets and a manufacturer's label on inside left hand side. battle dress, jacket, trouser, neck tie, lanyard, khaki, wool, fabric, uniform -
Linton and District Historical Society Inc
Photograph, George Bennett and Jim Ching
Sepia photograph of a young man with moustache, wearing suit, fob watch and broad brimmed hat standing with right arm at hip, left arm draped over shoulder of second young man with moustache, wearing suit and hat, seated with hands on lap.george bennett, jim ching, surman collection -
Linton and District Historical Society Inc
Photograph, Richards and Co, Ballarat, Ethel Bersey - wedding photograph
Ethel Bersey and James Wishart married in 1910. Note: The inscription on the back of this photo incorrectly identifies it as "Mrs Costello". (Flossie Bersey's aunt, Emily Bersey, married Michael Costello in 1877, before Ethel Bersey was born.)Oval black and white head and shoulders photograph of a young woman in light coloured clothing, who is wearing a large and decorative hat. This photograph is a companion to Registration no. 057. It appears to have been cropped from the wedding photo of Ethel Bersey and James Wishart.ethel wishart nee bersey -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: FLORAL DRESS
Pink, purple, green and grey floral patterned dress. Rayon fabric with smooth surface. Sleeveless bodice with wide shoulder straps. The shoulder straps widen from 6cm at the front across the shoulders to attach at either side of centre at 14cm. Back of the bodice is made of four straight pieces from waist to above bust line. The front of the bodice is made from three pieces with centre piece dipping. Narrow at front because gathered in to U shape at centre front at waist. Across the bust line are two pieces of fabric with horizontal folds to create fullness. The pieces are joined at centre front with a decorative knot of fabric. The bodice and shoulder straps are lined with cream coloured net. Two darts at front and two at back from waist. The full length skirt is made from two pieces at the front and the back is made from four pieces. Back of the bodice inverted at skirt. Back opening at centre back with 26cm metal zipper. Hook and eye above zipper. On either side of centre back are two folded pieces of gathered fabric attached at waistline to create the effect of a large bow with tails. Attached at the waist on each hip are two padded sections of fabric 39cm x 10cm, gathered at waist.costume, female daywear, dress -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1820
This dress, which was made around 1820, was passed down through five generations of a single family before its donation to Brighton Historical Society in 2007. It originally belonged to a great-grandmother of Margaret Reynolds (1881-1958) of Hertfordshire, England, who herself came into possession of the dress around the early twentieth century. Having no daughters of her own, in 1945 the 64-year-old Margaret sent the dress as a Christmas gift to her niece, Margaret Willoughby Reynolds (1907-1996). In the letter accompanying the parcel, donated to the Society with the dress, the elder Margaret writes that she loves the dress very much but has now outgrown it. She makes reference to her own mother Mary Reynolds (nee Lloyd)'s pleasure at seeing the dress worn, indicating that it may originally have belonged to one of Mary's grandparents. She had two requests of her niece: first, that the younger Margaret wear the dress on Christmas Eve as a treat for her Mary (the letter includes styling advice on how the dress should be worn and accessorised), and second, that she one day pass the dress on to her own daughter or niece. In March 1968, the younger Margaret gifted the dress to her Australian-born niece, Dorothy May England (nee Reynolds, 1924-2013), along with a letter of her own. Dorothy, a Bayside resident, donated the dress and both letters to the Society in 2007. The letters paint a picture of the significance of the dress within the Reynolds family and its journey from England to Australia.A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.day dress, 1820s, migration, dorothy may england, margaret willoughby reynolds, margaret reynolds -
Bendigo Military Museum
Book - FRENCH CONVERSATION, 1895
The book contains verse in both French and British. The name in black handwriting. Joseph Akeroyd had previous Military service before enlisting in the AIF. Enlisted 11.5.1916 age 33 years 5 months in C Company 38th Bn with the rank of Capt. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 27.2.1917 multiple wounds listed. At various times in his records as : GSW face, chin, eye, Right arm, shoulder, fractured Tibia, left leg etc. RTA 21.7.1917, discharged from the AIF 5.2.1917 medically unfit.Book multi coloured hard cover red leather spine binder with 244 pages.Inside on 3rd page, “J Akeroyd Capt 38th Battalion 10th Inf Brigade AIF"books, french, 38th bn, passchendaele barracks trust