William Abraham Quick (1820 - 1915). Born in the U.K. Methodist minister at Liskeard Cornwall, Tiverton Devon. In 1843 went to Sierra Leone. Upon returning to the UK was stationed at Bridport, South Shields, Glasgow. Arrived in Australia in 1856. Stationed in N.S.W. then at St. Kilda, Ballarat East, Richmond. President of the Australasian Conference 1866. President of Horton College at Ross, Tasmania. Founder and President of the Council of Queen's College, University of Melbourne. Died at Brighton 12 November 1915.B & W printed etching of the Rev. William Abrahm Quick in three quarter profile."Revd Willam A. Quick President of the Australasian Conference 1866"william abraham quick, wesleyan, methodist, minister, horton college, queen's college, liskeard, tiverton, sierra leone, bridgport, south shields, glasgow, st. kilda, ballarat east, richmond, brighton, president of conference

Called "Klimt Print #2". Winning quilt in the 2017 Expressions Wool Quilt Prize Statement: "Every finger print is unique just as the art of Gustav Klimt is unique leaving an imprint for us which only he could leave." Art Quilt Australia 2017, held at the Queen Victoria Art Gallery (Royal Park location) Launceston, Tasmania, includes the 2017 winners of the prestigious Expressions Wool Quilt Prize (sponsored by the National Wool Museum) and the OZQN Award of ExcellenceWhole cloth painted quilt, hand wool embroidery, wool thread and metallic thread quilting.Klimt Print #2 Sue Reid

A series of photographs showing a street parade, it may be an early Begonia Festival Parade. Because of the bunting, Union Jacks, and crowns, it may be dated to 1954 when Queen Elizabeth II visited Ballarat at the time of the Begonia Festival. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. brass band, parade, sturt street, royal visits, ballarat

These brooches were made by Hans Beck, a German Templer who was born and lived in Palestine. When WWII broke out, he was sent to Australia on the "Queen Elizabeth" in 1941 and interned in Tatura Camp 3. His wife and children were left behind in Palestine. His daughter Ingrid said that although they were behind barbed wire, they were safe. Hans worked as a manufacturing jeweler in Sydney after his release from Internment. He sent for his family on 1947. A 1 x wooden triangular shape with a small four petal flower made of tiny white shells. A metal stick pin is attached to the back. B 1 x wooden heart shape. Two flowers on stems made from small pink shells. Each flower has five petals. A group of four tiny white shells sit between the flowers. A vase is carved into the bottom of the heart. A small safety pin in attached to the back. C 1 x wooden oval shape. Group of three pink shell flowers on green stems. Two flowers have six petals and a centre made from shells. The centre flower has only one petal. A bow of tiny white shells at the base of the brooch. Small safety pin attached to back. D 1 x wooden round shape. A cluster of shells in a floral pattern. A small bright red shell in the centre of cluster. Pin on the back is broken. E&F 2 x wooden round shape. A cluster of small shells in a floral pattern. One dark wood, one lighter coloured wood. handmade, brooch, shell, beck, queen elizabeth, templer

Photo shows the T&G building in Geelong on the corner of Ryrie and Moorabool streets with the Father and Son clock striking the hour. See reference for the details of the building and clock. On the rear is a letter dated 16-7-1936 written to Charles and his brother Michael by their mother noting the clock. In the bottom right hand corner is Birney 15. Note the tramway information sign on the pole on the left hand side of the card. Published by Valentine Publishing Co of Queen St Melbourne No 2114Yields information about the Geelong T&G building and the general street scene.Postcard - Black and white of the T&G Building in Geelong. Has be used for a letter.tramways, trams, geelong, t&g building, clocks, valentine

The National Bank of Australasia was formed in 1857. It began commercial operations in Queen Street, Melbourne in 1858. The Bank’s first branch in Kew opened at 87 High Street in 1885. A second building, on the corner of Walpole and Brougham Streets, designed by Inskip & Robertson, replaced the first branch in 1888. The second building remains, albeit in a somewhat altered state. In 1977, the President of the Kew Historical Society received two historic ‘Signature Books’ from the Kew branch of the National Bank of Australia.Press photograph, from the Whitehorse Standard, of the handover of two Signature Books by the manager of the National Bank of Australia, Mr Bendixer, to Marshall Slattery (centre) and Gordon Greer (right) of Kew Historical Society."1977 / PRESIDENT OF KEW HISTORICAL SOCIETY, CENTRE, RECEIVING 2 SIGNATURE BOOKS DONATED TO THE SOCIETY BY THE KEW BRANCH OF THE NATIONAL BANK / CENTRE PRESIDENT KHS MR SLATTERY, ON HIS LEFT MR BENDIXER MANAGER, RIGHT MR G GREER MEMBER KHSnational bank of australasia, national bank of australia, bank signature books -- kew (vic.)

The National Bank of Australasia was formed in 1857. It began commercial operations in Queen Street, Melbourne in 1858. The Bank’s first branch in Kew opened at 87 High Street in 1885. A second building, on the corner of Walpole and Brougham Streets, designed by Inskip & Robertson, replaced the first branch in 1888. The second building remains, albeit in a somewhat altered state. In 1977, the President of the Kew Historical Society received two historic ‘Signature Books’ from the Kew branch of the National Bank of Australia.Important and unique record of names, occupations, addresses and signatures of customers of the branch. A number of signatures belong to individuals of statewide significance. Other information such as customer occupations may be unique.Ledger containing information about customers of the National Bank of Australasia's Kew Branch for the years 1884-1894. The ledger (L8091) was purchased on 29/5/84 from Sands & McDougall, Manufacturing Stationers, 46&48 Collins Street West, Melbourne. The pages of the ledger have printed columns including: No. | Date | Name and Description (to be clearly written off by a member of the bank) | Signature | Initials of Bank Officer. As used, the pages are organised alphabetically by customer name. On each page, sequential numbering extends across the years 1884-1894. Additional pieces of advice from customers are clipped through the page over the customer's signature. Spine - "SIGNATURE BOOK" Inside front cover: Stationers labelnational bank of australasia -- kew (vic.), signature books, banks -- kew (vic.), gordon greer, mr bendixon, marshall slattery, manuscripts, financial records, bank records, national bank of australia

The National Bank of Australasia was formed in 1857. It began commercial operations in Queen Street, Melbourne in 1858. The Bank’s first branch in Kew opened at 87 High Street in 1885. A second building, on the corner of Walpole and Brougham Streets, designed by Inskip & Robertson, replaced the first branch in 1888. The second building remains, albeit in a somewhat altered state. In 1977, the President of the Kew Historical Society received two historic ‘Signature Books’ from the Kew branch of the National Bank of Australia.Important and unique record of names, occupations, addresses and signatures of customers of the branch. A number of signatures belong to individuals of statewide significance. Other information such as customer occupations may be unique.Ledger containing information about customers of the National Bank of Australasia's Kew Branch for the years 1894-1922. The ledger (N9457) was purchased on 9/12/85 from Sands & McDougall, Manufacturing Stationers, 46&48 Collins Street West, Melbourne. The front pages of the ledger have lines and lists of names and customer numbers. Subsequent sections are organised alphabetically by customer name. Columns on these pages include data arranged by: No. | Date | Name and Description (to be clearly written off by a member of the bank) | Signature | Initials of Bank Officer. On each page, sequential numbering extends across the years 1894-1922. Additional pieces of advice from customers are clipped through the page over the customer's signature. Spine - "SIGNATURE BOOK / N.B.OF A." Inside front cover: Stationers labelnational bank of australasia -- kew (vic.), signature books, banks -- kew (vic.), gordon greer, mr bendixon, marshall slattery, manuscripts, financial records, bank records, national bank of australia

A hand muff belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn dark blue silk velvet muff, circa late 1800s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.st ninians, george ward cole, muff, late 1800s, brighton, margaret morrison ward cole

A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole

A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton

A cloak believed to have been worn by Captain George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A cream, green, brown and red striped cotton evening cloak with a brown silk velvet collar from the 1880s. The cloak features a double tiered velvet capelet with high standing collar that meets in the centre front, fastening with three hook and eye closures and finishing just below the shoulder line. At the centre front throat is an additional piece of lined cloak fabric which may have attached across the throat, purpose unknown. The lining of the throat and collar of the capelet appears to be a replacement with a darker red silk. The original red silk lining features through out the remainder of the garment. Inside the front left breast, the lining features two pockets; inside the right breast, the lining features a single pocket. The lining also features a waist tie to secure the cloak to the body. The cloak is approximately mid calf to ankle length. st ninians, george ward cole, brighton, 1880s

A photo of children at Harelands in the 1960s in the dining room doing their homework, helped by Legatees. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed.A record of the residence called Harelands.Black and white photo of children and two legatees in the Harelands dining room.Handwritten caption: 'Homework in the dining room after dinner. One of the men is Legatee Mellor. The boy in the front table is Harold King.'harelands, residences

A photo of a junior legatees in elaborate ballgowns and old fashioned outfits, and wigs dancing on stage at the Annual Demonstration. Central characters appear to be a queen and a girl in a tutu as part of a dramatic dance routine. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally of the Annual Demonstration. Year unknown.A record of a way Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatees in ball gowns dancing on stage at Melbourne Town Hall.Stamped "Leslie Thomspon / 8 Keystone Cres / East Kew WL 3078" in purple ink. Handwritten 'Legacy P2' in blue pen.junior legatee, annual demonstration

Empire Day had been initiated following the death of Queen Victoria and was held throughout the Empire from 1901-58. The main day of celebration was on 24 May, the date of Queen Victoria’s birthday. The Balwyn fundraising button was created for an appeal three days before the official date. Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930sPatriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.An Empire Day fundraising button from 1921. The white enamelled button depicts in the centre an image of the Balwyn War Memorial in Beckett Park surmounted by a red ensign."Balwyn Empire Day Celebrations, Appeal for the Blind, May 21st 1921"patriotic buttons, empire day, balwyn war memorial - beckett park

Black and white photograph mounted on bege frame. Depicts about 100 men sitting on large room with printed carpet. They all wear suits and are posing for photograph, men sitting on the front have big mustaches and are smoking cigars. Some of them wear Freemansonry waistcoast chain.E. Brick // 48 Queen St // Melbourne (printed on front of frame in bottom right) Smoke night given at Sargeants Cafe // to New South Wales Police band on Thursday evening // 21 of November 1912 (handwritten on top centre of the back of frame) 84 68 (top left) AP 95 (top right) P 92 (bottom left) victoria police museum, police officers, police academy, police force, freemasonry, masons, free masons, sargeants cafe, brick, e, new south wales police

Large book with buildings and country side of Clunes 1971 on front and back cover.120 pagesnon-fictionkenneth jack, lou klepac, etching, printmaking, ben crosskell, harold freeman oam, jack courier, foreword, introduction by lou klepac, my early printmaking days - kenneth jack, exhibitions, bibliography, catalogue raisonne, lithographs, linocuts, serigraphs, stencils, engravings, david jack

This goblet was gifted to the Faculty by Professor John Norman (UK) during the Combined Scientific Meeting (CSM) organized by Hong Kong College of Anesthesiologists (HKCA) with ANZCA, held in May 2001, Hong Kong. The goblet is a unique design by the Australian - born artist Stuart Devlin AO, CMG. Devlin is considered to be a significant contemporary gold and silversmith, having become well known as a London Designer in the '70s and '80s. His achievements include the Royal Warrant of Appointment as Goldsmith and Jeweller to the Queen of England granted in 1982.Hand made gold gilded sterling silver goblet. The stem is designed in a rope like twist holding up a simple tempered cup. The hallmarks are punched on the outside of the cup.[hallmarks] SD / lion passant / lion's head / Sprofessor norman, john, combined scientific meeting, csm, devlin, stuart

Invitation to two Anzac ceremonies at St Kilda in 1955: a talk by Lt Gen Sir Horace Robertson and the screening of two films ('The Queen's Colours' and 'Jungle Patrol') in St Kilda Town Hall on 24 April 1955; and a ceremony at the St Kilda Cenotaph on 25 April 1955. Lt Gen Sir Horace Robertson (29 October 1894 – 28 April 1960) had recently retired after a 43 year career in the Australian Army, during which he served in both World Wars and the Korean war.White card printed in black on one side, including City of St Kilda logoanzac day, lt gen sir horace robertson, film - the queen's colours, film - jungle patrol

Rev. Dr. William Morley (1842-1926) was born in Notting-Hampshire, England where he received early ministerial training. He was twenty when he arrived in New Zealand, where he was twice President of the Methodist Conference and then President of the General Conference. In 1902 he was called to Australia to take up the position of managing treasurer of the Supernumerary Minister's Fund. In 1891, Morley was a member of the second Methodist Ecumenical Conference at Washington and President of Queen's College Council 1909 - 1925. He died in Kew, Victoria.Matt, sepia, three quarter studio portrait of Rev. W. Morley on card.Rev. W. Morley D.D.morley, w. d. d., wesleyan, new zealand, methodist conference, general conference, queen's college, supernumerary minister's fund

When the Balinese King of West Lombok was defeated by the Dutch in November 1894, after nearly two and a half centuries of Balinese rule, a collection of beautifully illustrated lontar leaves was found, among other documents, in the palace library at Cakranegara, capital of the Balinese Kingdom in Lombok. This collection was published in a book called ‘Dampati Lalangon’ meaning “The delight of the spouses”. It is a rare example of a lontar, containing illustrations but no text. It is an allegorical story about a royal couple, the queen representing the godess of wisdom, Saraswati. The illustrations are of a mystical and erotic naturePaperback brown covered book containing eleven plates. Each plate covers 2 pages across and depicts 6 pages of illustrated lontar leaves. Lontar is a type of palm-leaf manuscript from Indonesia. The contents of this book show a rare example of a lontar, containing etched illustrations but no text. The title and preface of this book are in Dutch language.Front cover and title page have the insciptions: Koninklijk Bataviaasch Genootschap van Kunsten en Wetenschappen -Dampati Lalangon - 11 platen naar Balische lontar-illustraties. Tweede uitgave van het "Darmo Lelangon" (1912) There is a circular stamp with the words "Batavia's Genootschap" above a stylized tree and rural scene below which are the words "opgerrgt 24 priz 1778"

Digitial image of a Valentine & Sons postcard titled "Lower Sturt St Ballarat" with tram No. 28 on the south side of Lydiard St, in Sturt St. Photo has Robbie Burns statue, Mechanics Institute, Unicorn Hotel and Bucks Head Hotel at the bottom end Sturt St. Advertisements for Suttons very prominent. Wal's album notes date the photograph about 1934. Published by Valentines Publishing Co. Queen St Melbourne. For rear of postcard - see image i2 snd item 8984 for the actual postcard. Yields information the appearance of Sturt St at Lydiard St about 1934.Digital image from the Wal Jack Ballarat Album of a Valentines Postcard No. 1568, trams, tramways, sturt st, lydiard st, tram 28

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Meerschaum pipe, with fitted brown leather case. The stem of the pipe is shaped like an arm with a carved hand supporting the bowl. The pipe is believed to belong to Joseph Wing (1812-95) or John Wing (1841-1914). The pipe has been passed down through the Wing, McDonald and French families.wing family, pipes, meerschaum

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Gift of Anna French, 2022Frankston country road. Oil on composite board by Hubert Charles McDonald.Reverse: "HC McDonald / Frankston"artworks, frankston, hubert c mcdonald

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Souvenir metal hat pin, commemorating the visit of the 'Great White Fleet' to Australia in 1908. Text with British and American flags"1908 / Australian Souvenir"great white fleet, souvenir hat pins