Clear port glass, engraved with Florence Nightingale lamp, Queens Crown and writing.1980 - 1990 Royal Australian Nursing Corps Assn - Pro Humanitate. Commemorating a decade of comradeship and service.souvenir, wine glass

metal canister with valve, black body and white top, OXYGEN stencilled on both sidesS.G&C LTD/ WP 1980 PS/ Hot/ PS1 1062/ OXYGEN/ CTCO/ 855536/ SCLport melbourne authority (pma)

These photographs were taken at the 1980 annual Orbost Show. The first photograph is of Mr Frank Rourke congratulating Combienbar rider, Gavin Chester, East Gippsland Olympian ( a member of the 1980 Australian team which did not compete in Moscow). He won the title of Champion Show Jumper riding his mount "Blue Trick" on Monday March 10 1980. The second photograph shows Mr Frank Rourke placing the winning ribbon around the neck of Gavin Chester's winning mount, "Blue Trick" The third photograph is the winner of the coveted R.L.Fisher Memorial Plate won by Eric Musgrave being congratulated by Mr Frank Rourke. Frank Rourke was the Gippsland and Northern manager. G. & N. sponsored the event which carried a prize of $500. On the left in this photograph is Mr J. Horstman, ring four judge.This is a pictorial record of a significant event in Orbost. This item is also associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history.Three black / white photographs of a rider on horseback receiving congratulations. There are details on labels on the back of each photograph.orbost-show equestrian chester-gavin musgrave-eric show-jumping

Colour print of W3 class tram 661 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Tram 671 is in the shadows. Photographer unknown.Yields information about BTPS W3 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, wendouree parade, w3 class, tram 661

Two Honda CB900F motorcycles being ridden along a winding country road. Registration numbers LY-134 and LY-125. Circa 1980police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; honda motorcycle

Colour photograph, laminated. On bottom of image: ' Ken Bice trucking from chute at No. 1 level, (60m) Wattle Gully Gold Mine, 1980'mining, underground equipment, wattle gully gold mine

Industry"Brim Brim" Simpson St. Buninyong, laurel hedge on left, box hedge around lawn and birches on right, garden rejuvenated 1980'sbuninyong, brim brim, warrington rogers

This fold out series of black and white images shows scenes of Bacchus Marsh in the late 1930s or during the 1940s. The date of the set of images is not stated but it shows the Bacchus Marsh Swimming Pool constructed in 1938. The general purpose of the images to promote tourism suggests the collection may date from the post war period of the late 1940s or early 1950s when petrol rationing and other wartime restrictions were being discontinued. The eight scenes are: Railway Station Bacchus Marsh; Bacchus Marsh Post Office; Main Street Bacchus Marsh; The Avenue Bacchus Marsh; Maddingley Bridge; Swimming Pool Bacchus Marsh; Rustic Bridge Maddingley Park; View Across Maddingley Flats. The cover illustration of the fold out envelope shows a happy family in a new model car. The message of the image clearly being to encourage people to travel by motor car to places like Bacchus Marsh for recreation and to engage in the general pastime of tourism.One set of 8 fold out black and white photos showing various scenes of Bacchus, with a cover illustration of a family traveling in a motor car. Measurements: 112 x 90 mm folded; 112 x 750 mm unfoldedSouthern Series Registeredbacchus marsh history, bacchus marsh views, bacchus marsh postcards

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of VicRail Comeng Suburban train in orange livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted orange and black paint infilling the detail. Possibly made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum mid 1980's.tramways, trams, badges, lapel badge, btm, railways

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.With the black lace evening dress (2917.0093.1) there is also a matching lace square with long lace ties (2017.0093.2) that might have been used as a mantilla or as a shawl. The outfit was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, shawls, lace, doris bennet (nee willmott)

Photograph taken of members/patrons playing Two Up at Wangaratta RSL on ANZAC Day in the 1980's. Present include Rob Parkinson, "Rooster" Graham Gayles, Daryl and Graham Everitt.Brown timber frame containing black and white photograph of group of men playing Two Up.two-up, wangaratta rsl, 2up

The former Scots Presbyterian Church in Adelaide Street Ringwood was demolished c.1980 to make way for the Eastland carpark. The Pulpit and windows were moved to the Uniting Church in Station Street, Ringwood.Colour photograph of the exterior of the Ringwood Uniting (formerly Scots Presbyterian) Church, located in Adelaide St. Ringwood. The manse can be seen next door to the church.ringwood, presbyterian, uniting, eastland

Map No. 11 dated on rear as 1980 - Includes description of tram and bus routes, private bus routes. Has contact details for bookings and lost property etc and how to use the map. Yields information about Melbourne public transport services in 1980Fold out map (27 sections 9 across x 3 deep), "Public Transport Map", coloured of Melbourne's Tram and Bus routes, route numbers, rail lines, detailed for the central part of Melbourne and the outer Metropolitan services.tramways, melbourne, tram services, bus services, railways, maps

Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill

E560 N24 Jan 1980 A43 Cover of mole pit near big box tree in 39 Burlock Avenue backyard Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.

1980's Cream blouse. Zebra and giraffe printed in black on cotton. Black trim down each side and across middle. Prints of Zebras and giraffe on front of blouse and back. Two black buttons close back of neck opening, which is round. Extended shoulder lines. Slit up on each side of garment a base.MAYEELOKcostume, female

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of Victorian Railways Red Tait Suburban train in orange livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted red and black paint infilling the detail. Possibly made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum mid 1980's.tramways, trams, badges, lapel badge, btm, railways

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the red brick walls, recessed balconies and ornamental rendered and painted architectural features of a section of the Cotham Road facade of the Kew Post Office. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the red brick walls, recessed balconies and ornamental rendered and painted architectural features of a section of the Cotham Road facade of the Kew Post Office. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the plain red brick walls and simple sash windows used in the rear section the Kew Post Office, facing Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the secondary entrance, red brick walls, recessed balconies and painted and rendered architectural features of the Kew Post Office, facing Cotham Road. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival

Colour photograph print with rounded corners of TMSV horse tram No. 253 operating at the South Melbourne Football ground loop, possibly during Feb. 1980. See also Reg Item 1526 for a newspaper photograph. Shows the detail of the tram and people boarding it. Photographer unknown. Printed on Kodak Paper with date April 80 printed on the back.trams, tramways, south melbourne football ground, south melbourne loop, tmsv, horse trams, tram 253

Set of six tickets issued by the TMSV for the operation of the horse tram on 1 and 2/11/1980, as part of the Prahran Festival. Has an advert for National Mutual Permanent building society of the rear and the details of the TMSV's Bylands site. Green - child - 2601 and 2602 Yellow adult - 00009 and 00010 Pink adult - 4009 blue adult - 006009trams, tramways, prahran, tmsv, horse tram, chapel st, tram 1015

Colour postcard divided back - Biscay Greetings, series of featuring Princes Bridge from Batman Ave with the Arts Centre in the background. Image contained within a decorative oval. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid to late 1980's. Card No. BG216trams, tramways, princes bridge

Duplicated foolscap 4 sheets, stapled in the top left hand corner titled "Questions that could be asked at the final examination", provides 42 Questions and Answers. Used when Carolyn was training as a conductor at Malvern Depot in 1980. 237.1 - ditto, but provides 37 questions and answers. Used by Lindsay Rickard - Brunswick depot late 1970's?trams, tramways, tickets, mmtb, conductors, training

Chris Albers served in Cambodia, with the UN Forces late 90's Glass case rectangle, Land Rover UN markings, Figurines UN Military, plastic foliage.UN cambodia, un forces,

Chris Albers served in Cambodia, with the UN Forces late 90's Russian AK-47 bayonet and scabbard cross mounted with metal wires in stained light walnut colour wooden glass fronted display case. Leather strap and buckle attached to mounting end of bayonet. Nylon hanging cord for wooden case stapled to back of wooden case. Black masking tape covering mounting wires on back of wooden case. White label with barcode on rear of case.Russian AK-47 bayonet and Scabbard. 0040 Memory Frame 10" XS with barcode on white label.cambodia, un forces, ak-47, bayonet, scabbard