Button hooks were used to fastens buttons on boots and long gloves. It is a tool used for the closing of shoes, gloves or other apparel that uses buttons as fasteners. The steel hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening. This hook is most likely to have been used to do up bootsWomen and young girls generally wore boots that were either front laced or side buttoned, particularly in the period from the 1870s . Buttonhooks were needed to do up the buttons on buttoned boots and were used by poking the metal hook through the buttonhole, grabbing the button and pulling it through the eyelet. This item is an example of a commonly used accessory no longer relevant.A button hook made of metal with a beaten silver handle ornately decorated with scrolls and foliate design. At the top is a small ring on the handle end. This could have been for a lady to attach the item to her chatelaine at her belt, or on a necklace. clothing footwear gaiters boots button-hook

Item/s in collection re B. J. Ruler VX40780 Refer Cat. No 5790 for his service details. Telegrams - Handwritten telegrams on paper with coloured headings. Telegrams sent from overseas. 1.) Colourful banner depicting musicians and singer. Christmas greetings. .2, .3, .4 ) Colourful Banner depicting a man and lady period costumes..1)Heading “ Christmas and New Year Greetings” .2, .3, .4, ) Heading “ Social Telegram”telegrams, letters

These items were hand sewn by Annie Beryl Mathieson, the daughter of Alexander and Elizabeth Mathieson who lived at Naringal. The silk came from China, via family connections. Annie Beryl Mathieson married John Harman in 1939, lived at Macarthur and died there in 1983.These items are retained as mementos of the type of clothing made and worn by women in the early to mid 20th century.1 Cream silk lady's panties with hand embroidery on the lower legs. There is an opening on one side with two buttons .2 Cream silk sleeveless nightgown with hand embroidery at the neck and on the front. There are two ties attached to the sides of the front. vintage women's clothing, silk clothing

This refers to the WW2 service of VX25591 Edward Hildebrandt.This is a small black & white photo. It portrays a couple walking on a footpath arm in arm. The lady is wearing a coat and hat, She is carrying a small bouquet of flowers and a hand bag. The soldier is in an Australian Army uniform wearing a slouch hat.On the rear of the photo, written in ink is " Marjery (Phillips) and Ted Hildebrandt in Swanston St. Melbourne. The year 1942 is written in a different pen.ww2, photo

This riding crop is a short type of whip without a lash, used in horse riding, It would have been used by a rural family in early Orbost.Horses played a vital role in the agricultural history of Orbost. This item is connected to that role.Two whips. .1 is a small leather riding whip with metal casings and small metal horse head at one end. This is a lady's riding crop. .2 is a very long buggy whip with metal casings. Both are hand-made.equestrian whip leather-work

Small, full length portrait of a lady standing beside a table with her right hand resting on the table with a book on it. Her dress is long with the back of the skirt longer than the front. It has wide gathered sleeves with lace on the cuffs.Bent late Batchelder, Centre of Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder

Small, full length portrait of a lady standing next to a pedestal with her right arm resting on it. She is wearing a long, high neck dress with dark coloured buttons down the front and four dark bands around the hemline.T. M. Cleaves, Eaglehawkphotograph, portrait, female, portrait of a lady, t m cleaves

Small, oval head and shoulder portrait of a lady. She is wearing a high neck dress with a brooch at the neck and a long necklace? Her dress has embroidery and flowers? Sewn onto it. She also has a floral head-dress.T. M. Cleaves, Photographer, View Point, Eaglehawk.photograph, portrait, female, portrait of a lady

Small portrait of a lady sitting on a chair. She is holding a book in her hands. She has curls in her hair and is wearing a small hat. Her dress has long sleeves, a high neckline with a collar and a voluminous skirt .F. Dabis, 51, Park Street, Luton.photograph, portrait, female, portrait of a lady

Small portrait of a lady standing beside a chair with her right hand resting on it. She is wearing a long dress with a high neckline and a small white collar. The skirt is very wide at the hemline. She has curls in her hair.photograph, portrait, female, portrait of a lady

Portrait of a Lady. She is standing with her left hand resting on a small piece of furniture. Behind her is a chair. She is wearing a full skirt with a jacket and a hat with a feather. Sepia portrait on a black mount board. No details on photo.photograph, portrait, female, portrait of a lady

Anne Caudle The Lady 1812 - 1865, the wife of one Bendigo's pioneer Medical Practitioners, her life, her community, her family. Soft cover with 154 pages, black & white plus some colour photographs & maps.Betty May Jackmanbook, bendigo, anne caudle, bendigo-history-hospital-anne caudle

Black and white (faded) or sepia photo of tram with driver and conductor standing middle front. The heads of two lady passengers can be seen sitting in the tram above and to the right of the conductors shoulder. Inscription on Reverse: Stamped in black No. 132person, individual, basil miller

Book. ALEC H CHISHOLM COLLECTION. 98 page hardback book of verse by Mary Augusta Poynter (Lady Poynter). Published in 1925 by Fleming H. Revell Co. and printed in the USA. Catalogue sticker ''2087 POY'' on spine.Mary Augusta Poynterbooks, collections, poetry, alec h chisholm collection, mary augusta poynter, poetry

Vincenzo Galea was an Italian POW in Camp 13 Murchison. This portrait of Valma Paterson was painted from a photograph supplied by her father George Paterson, a Hygiene Officer with the Australian Army. Oil Portrait on canvas. Olive green background. A young lady with short dark brown hair. Gold highlights near centre part. Dark brown eyes and red lips. Wearing a light pink top with pleats on shoulders.V Galea 23/11/45camp 13, paterson, valma, george, murchison, vincenzo, galea, portrait

Also enlargement 15x25cmBlack and white photograph of the Warm Holes, from the sand hummocks looking west. The Warm Holes are the remnant of Reeves River, the original waterway from the Gippsland lakes to the natural entrance. Lady with shawl in foreground. Lakes Entrance Victoriatourism, waterways, topography

Four sepia photos of a lady playing a harpsichord outdoors in the garden. She is wearing slacks, jumper, scarf and a large hat. In one photo she is looking at the keyboard and in the other she is looking towards the camera. There are two copies of each.photo, individual, female, peter ellis collection, lady playing harpsichord

Nineteenth century household object employing an Aboriginal shape with art nouveau figurative designDiecast metal plate. Impressed with the figure of a naked figure with a wand in his or her hand touching the nose of a head (the moon?), causing it to sneeze. Lady lying on a bed of flowers. Three stoppers on the reverse to hold the plate above the surface.metal dish, art nouveau - australia

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Apart from its association in documenting the Surrey Hills Golf Club which has long disappeared, this image documents the landscape in the pre-urban era.Black and white photo of a scene at Surrey Hills Golf Club. There is a water hazard in the foreground with a lady on her knees trying to retrieve a ball from the water's edge. Three lads, one on a horse, are watching, as are 3 males to the right."In water" in the bottom right of the photo. Caption: "Captain Fred Andrew watches his partner's misfortunes during a game at Surrey Hills in 1895."sports grounds, surrey hills golf club, riversdale golf club

The heavy quality of the cloth in this lady's night gown suggests it may have been made for use as a shroud. It has been, and still is, a common practice to bury a woman in a night gown. This item has no known local provenance but is retained because of its interpretive character and use in displays.This is a night gown made of white, heavy cloth with hand crocheted cuffs, collar and front panel. It has long sleeves and is gathered on the shoulders and the bodice. There is one mother of pearl button on the front of the bodice. shrouds, women's vintage clothing

Photographs taken by Gary Field. Lady in photos is Gary's mother. She planted Angophora trees near corner of Daffyd Street and Appley Avenue. (Information supplies by John Eddy).Four black & white photographs of panoramic views from and of Daffyd Street, Red Rocks in 1963, looking north with French Island and the Peninsula on the horizon, view of houses and caravans in Daffyd Street and showing local scrub and housing.daffyd street red rocks, red rocks phillip island, houses 1960's, gary field

The move to build the Mechanics Institute was started in 1883 and the foundation stone was laid by Lady Janet Clarke in 1885. The Shire of Bulla took it over in 1922 to be remodelled as the Soldier's Memorial Hall.A black and white photograph of the Sunbury Mechanics Institute in Stawell Street, Sunbury. The building complete with portico sits behind a picket fence with pine trees at the front and side.memorial hall, clarke, janet (lady), william (sir), mechanics institute, shire of bulla, stawell street, sunbury, soldier's memorial hall, foundation stones, george evans collection

Hardcover in sleeve. Fawn coloured dust cover with Black and white photograph. Title in gold lettering . Author’s name in black text. Hard cover is navy blue. Inside front and back covers are printed with black and white and some sepia photographs. Text of the book is 660 pages followed with appendixes and index. 732 pages in total. non-fictionBiography of Alfred Deakin.warrnambool, alfred deakin, deakin university, j a la nauze 1974, prime minister deakin

This book was used as a visitors' book prior to the official opening of the Healesville Sanctuary. This first entry was 6 March 1934 and the last 18 March 1959.A very early Visitors' Book for Sir Colin MacKenzie Sanctuary. Black hardcovers with gold leaf printed label. Cloth bound. End papers in marble effect.Names of the Sir Colin MacKenzie Sanctuary Committee on title page. Includes signatures of Sir Colin MacKenzie and Lady Winifred MacKenzie, Julian Huxley, Keith and Elizabeth Murdoch, 1956 Olympic teams etc. visitors, committee-of-management, healesville-shire-council, colin-mackenzie-sanctuary-committee

F. D. Linacre Trophy Donor: David Linacre Deed of Gift: No The trophy was originally donated in 1971 for a Combined Division Winter Series. It was later changed to a mid-distance race on PHD handicap, sailed on the day following the start of the Lady Nelson and the Sir Thomas Lipton races which start on the Friday evening. In season 2009/10 it was once again changed and now starts with the Lady Nelson and Sir Thomas Lipton but continues to be a mid-distance race on PHD handicap. First Winner: Loki, David Linacre 1971 linacre, combined division, phd

Items donated by Mr A Murdoch relating to Phillip Island Auto Racing Club.Five items relating to the Phillip island Auto Racing Club. 336-01 - Subscription Receipt for A Murdoch Esq. Church Street, Cowes. Dated 18/11/53 £10.0.0 Signed by R Morgan. 336-02 - Foundation Member Pass - "This pass admits member and one lady, not transferable. All passes are renewed annually. Valid until June 30th, 1956. 336-03 - Foundation Member Pass valid to June 30, 1957. 336-04 & 05 - Two Admission Tickets for the PIARC. One is stamped "lady" piarc admission ticket, piarc membership pass, a murdoch

This photograph is a snapshot of how the Celia Little Room was used in the late 1950s, and the people who visited the Mission to Seafarers Melbourne at the time.The Mission to Seafarers Melbourne is a place of respite for visiting seafarers since 1917. The image shows a particular point in history in the Celia Little Room at the Mission, where the services provided to seafarers are being used.The image depicts a group of people in the foreground of the Celia Little Room at Mission to Seafarers Melbourne. A Priest is sitting to the left of a table with a number of tea cups and saucers. There is a man sitting in the middle with his arms crossed with his elbows on the table. A lady sits to the right of the table and she is holding a cup and saucer. Another man is sitting between the lady and the man with his arms crossed, he is bald. There are two men in the background who appear to be reading, one man is partially blocked from view by the man at the table with his arms crossed. The walls are timber lined.The reverse side of the photograph in the top right corner is an "O" with what appears to be a "9" in the middle of the "O". table, tea, reverend, reading, mission-to-seafarers-melbourne, celia-little-room, priest, wains-coting, flinders-street