NVS series Morris Commercial chassis, built in MFB workshops, early 1950's. First enclosed cabin vehicle used by MFB. Fitted with 250 gallon per minute pump.First enclosed cabin vehicle used by MFB.NVS series Morris Commercial chassis, built in MFB workshops, early 1950's. First enclosed cabin vehicle used by MFB. Fitted with 250 gallon per minute pump.Registration number LHW 102, "Car 43".car, fire, morris, commercial, hose, carriage, pumper, 43, truck, 1950

DC Voltmeter 0-150 volt, analogue display on semi-circular scale. Scale wndow protected wit hinged black metal lid. Lacquered wood case. Leather carry strap on right hand side. Two terminal posts on bottom end. Trade Mark "Megger" Serial Number 117729scientific instrument, voltmeter, evershed and vignoles

This item was used at the Ballarat School of Mines.It had applications in teaching physics and chemistry - obtaining information about the atomic structure of the light-emitting substance.Spectrometer in wooden case. An optical instrument that employs a monochromatic light source, a prism (missing) and viewing lenses.Serial number: 1667 Manufacturer's and Supplier's namesscientific instrument, ballarat school of mines, labororatory, physics, optical measurement, chemistry, structure of substance

Used in the Physics laboratory for calculating/confirming relative density, or specific gravity, of given metal samples.10 x 2.5 cm metal cubes of differing types of metal, for measuring specific gravity of different metals. Contained in a white cardboard box.Number on each designating the material made frommetal cubes, specific gravity, scientific instrument, ferrous cubes, brass, copper, steel, lead

The C-130 Hercules during the Vietnam War performed airlifts, airdrops for which is was designed. C-130 could disgorge large quantities of cargo and supplies on pallets, either by parachute from altitude or simply pulled out the back dropped with the help of drag chutes and buzz job heights. The Fuselage is the only part of the C130A Hercules that is on display. The number, 14 is located above the nose cone.c-130 hercules, c-130 hercules forward fuselage, military transport

Black vinyl zip up case with red lining and white lettering inside (cordless).Phllishave by Philips J.S. 38985 (navy number)razor case, mcgurry wj

Churchill Island Heritage Farm has a large photograph collection.Colour photograph of three people standing either side of an easel with two landscape paintings of Churchill Island with other paintings in the background.MPAINT Catalogue number written on reverse in pencil churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing the Churchill Island shoreline at low tide, with a line of stones and exposed mudflats.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing a piece of farm machinery on Churchill Island with a pasture and a stand of trees in the background.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing a closed white wooden gate flanked by large pine trees and a line of smaller trees in the background.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing fallen moonah tree trunks in front of a stand of treesCatalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing the treeline by the shore on Churchill IslandCatalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing a group of large pine trees surrounding a pasture. Squat plank benches line the open field.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing the north west corner of Amess House with a view of the drawing room, the sundial, and trees.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing Rogers Cottage taken from the south.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing Amess BarnCatalogue number written on reverse in pen/pencilchurchill island, landscape, amess

Phonograph record with red "Capitol" label, with "His Master's Voice" cover. Side A: Adios, Side B: La Cumparista. Played by Les Baxter and his Orchestra.Reference number CP104 MX 45241 - 68951

Flame resistant khaki jacket with six six various US and Australian badges including name 'virtue' used by dust off medicVirtue. Stock number: 8415 935 4898flight jacket, 'virtue'

Ticket to a smoke night and presentation by the Mayor of St Kilda to former St Kilda Councillor Joseph Levi, held at St Kilda Town Hall on 13 November 1935. Joseph Levi (25 December 1856 - 25 October 1944) was, among his many civic and philanthropic activities, a St Kilda Councillor from 1922 to 1931, including a term as Mayor in 1924-25.Pale aqua coloured card printed in blueNumber stamp bottom left hand cornercity of st kilda, joseph levi, st kilda mayoral function

Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 6 sketches. 1 - Cloudy sky, with hut and tree to the right and a truck front right; 2 - a guard tower on left hand side, 4 water tanks in Centre and a cloud to the right. front shows some rocks; 3 - Cloudy sky, 2 big trees (one on left and one on right), 3 bare trees in Centre. Across the front are 4 sheep and 4 four posts; 4 - 1 horse in foreground the 3 in back ground with trees in background; 5 - two children picking vegetables with a small hut to the right and a fence in front of 2 trees; 6 - 5 men working in a garden, 1 with wheelbarrow.the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers

Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 5 sketches (all have 1943 above them): 1 - 3 men with part of hut on left hand side and huts behind. Poles with wire in front of huts; 2 - 5 guards marching with rifles with a big tree to the right of the photo and a fence with 4 posts in front; 3 - part of a hut showing an open door and open window; 4 - wild flowers from in camp; 8 people standing behind a bonfire holding signs. the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers

A family group of the three families. Templer Society. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach.Black and white photograph of the Froschle, Beilharz and Bulach family. 3 men in suits and hats, 3 teenage girls and young boy standing, 3 wives seated and one young boy and youngest seated on mothers lap in front of washing line and hut.the number 213 on stand left hand front internee children, camp 3, froschle family, bulach family, templer society, fritz bulach, annelise bulach, eleonore ehnis, hermann beilharz, fridhelm bulach, irene beilharz, friedrich froschle, gunda froschle, ernstine beilharz, rudiger froschle, heinz bulach, anne bulach

Article by Neville Gruzman, UNSW, "Architects of destruction". ATELIER is perhaps a UNSW student newsletter. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded. Foolscap, 5 pagesName and phone number in handwriting on reverse p5.sydney opera house, utzon, sydney opera house project, walsh st library

The photograph was taken at the official opening of the Melbourne Airport at Tullamarine. The Prime Minister of the day, the Hon. John Gorton was the official guest at the opening.A black and white photograph of the Prime Minister, Hon. John Gorton standing on a dais and addressing a gathering of people. 11 people are in the official party seated, in the background. A floral arrangement has been placed across the front of the dais.Other number written on the back: 122AJ/70airports, melbourne airport, tullamarine, gorton, john. sir., commonwealth of australia, department of civil aviation: printing and publication centre, george evans collection

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape