Area in photo is known as the Grand Canyon and forms part of the Wonderland /Pinnacle walk. This photo is typical of those taken by the Victorian Railways for tourism.Photo shows 2 women and a child seated on rocks and looking up at camera. they are the middle of a large rocky canyon. An iron ladder and railing can be seen through bushland in background.scenery, wonderland range

In this photograph are : L -R Margory Smith, Margaret Vincent, Michael Pardew, Rob Young and George Thomas. Orbost Apex Club donated $1,800 to the Orbost Continuing Care Appeal (now Lochiel House). The money had been raised at a successful New Year's Eve Ball. Margory Smith and Margaret Vincent, Acting President, were the O.C.C.A representatives. Michael Pardew was the co-ordinator of the New Year's Eve Ball, Rob Young was the Apex President and George Thomas was the Apex Social Director. Apex clubs were made up of volunteers who "raise awareness about social justice issues, assist the needy in a practical way and contribute resources to causes" (ref Apex website) The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area.A black / white photograph of two women and three men standing in front of a wall. The men are wearing wearing long - sleeved tops with a triangular shaped logo at the top left shoulder,on back -a list of namesorbost-clubs apex-club-orbost service-club

From a Camel to the Moon, an anthology for the International Year of Older Persons, published by the National Council of Women of Australia Inc.ltd 1999, 159 pages in soft cover with black and white photographs.books, collections, essays

Newspaper, Bendigo Weekly edition Friday April 24 2015. Front page two women dressed in WW1 nurse's uniforms. Anzac stories on pages 6, 7 and 9.event, war, bendigo weekly anzac edition, anzac, world war 1, bendigo weekly, nurse

Annual Report of the 3CV Women's Tennis Association 1949? Handwritten in blue ink. Two lined pages. Treasurer's Report dated 31st August 1949 on typed foolscap sheet.clubs and associations, sport

3 CV Women's Tennis Association Report Sheet. Club No. 1 Ironbark . Secretary's signature : Dev. Date Feb 27th. 16 members present, 10 members absent.clubs and associations, sport

Black and white photograph of an industrial kitchen, There are nine women working at various locations. There are high windows visible on two sides of the kitchen. This is the kitchen associated with the dining room (entry 11000.139)organization, business, hanro, hanro, handschin and ronus, industrial kitchen, clothing manufacture

A box with a picture of kittens on the front containing magazine and newspaper cuttings on animals and birds. Sources include, 'Woman's Day with Woman,' 'Sun,' 'Australian Women's Weekly,' 'Pix,' 'Walkabout' and 'Listener-In.'lydia chancellor, collection, animals, birds, cats, dogs, ephemera

Series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis.05 - Jubilee hall people in 1930's. Large group of women and children outside hall.families, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis, jubilee hall

The Ithacan Philanthropic Society Executive Committee 1991. Pictured L-R: Back row - Dennis Katsamas, George Coutsouvelis, Anthony Drakopoulos, John Tscoucalas, Christos Lourantos. Front row - Antoni Razos, Maria Dellas, Sia Andrews (President), Helen Vlass, Nick LourantosAlthough women played a very active role in the organisation of social functions and fund raising activities, they were not eligible to become full members until 1985 after which they could also be elected to the executive committee. Prior to this there was a Ladies' Committee formed in 1944 which organised social events. Sia Andrews, Maria Dellas and Helen Vlass were the first women to be elected to the executive committee in 1985. In 1991, in the Society's 75th year, Sia Andrews became the first female president. A coloured photograph of the executive committee of the Ithacan Philanthropic Society photographed standing in front of an honour board. Five men are standing behind three women and two men who are seated.

A black and white photo postcard of the Wellington choir, there are nine sited women and ten standing men. On the back the words Wellington choir. No names or date. There are three photos all the same.performing arts, music, wellington choir

Business & Professional Women's Club - Bendigo. Life Member's Certificate presented to Miss Lillian M. Prout in recognition of services rendered to the above club. Dated 11th July, 1962.organization, business, bendigo professional women club

Photograph. Sepia toned photograph of the Hanro Staff consisting of 11 Women in the Bendigo Gardens, with the law courts seen in the background, markings on rear of photo read 'Think Hanro Staff'.organization, business, hanro knitting mills, hanro

Clothing. Women's wrist length white cotton gloves. Two rows of decorative stitching around the wrist in scalloped pattern plus one vertical row of stitching on the back of the glove.Tag inside left glove, ''Cotton Simplex Size 7'' ''EMPIRE MADE''costume accessories, female, women's wrist length white cotton gloves

1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. Camp theatre productions. Wilhelm Fugman, producer. Colour photograph of poster in theatre folder.Colour poster of a man and women dressed in old time clothes. The man is bent over the hand of the lady and appears to be kissing it. Name of play and dates of play on left hand side.camp theatre productions, wilhelm tell, shakespear productions in camps

The Goetzelmann, Eiermann, Kirsch and Winkler families were interned in Camp 3 during WW2. Photograph taken 4 December 1943. Back row (left to right standing): Leonhard Goetzelmann, Linus Eiermann and Karl Kirsch; Front row: Line Goetzelmann, Anna Eiermann, Marianne Kirsch, Babette Kirsch, Karl Heinz Kirsch, Erika Goetzelmann, Dietrich Winkler, Hedwig Kirsch, Adelhaid Kirsch and Gerhard Kirsch. Black and white photograph of a 3 men standing, 3 women sitting with child on one ladies lap and 6 children standing in front of a hut, camp 3. Photograph is laminated.kirsch family, internment camp 3, goetzelmann, eiermann family, winkler family

This photograph was taken on 10 March 1945 of a group of German internees in Camp 3. Back row left to right standing: Grete Renz, Walter Rubitschung, Hermann Schneller, Walter Klink junior, Gisela Rubitschung, Paul Rubitschung. Front row sitting: Ruth Stoll, Hildur Fuchs and Lotte Mueller. Foam backed copy of photograph in file.Black and white photograph of a group of 6 people standing and 3 women sitting. Shrubs directly behind them, a hut to the left and to the right. Tree just in front of the hut on right.847grete renz, walter rubitschung, hermann schneller, walter klink junior, gisela rubitschung, paul rubitschung, ruth stoll, hildur fuchs, lotte mueller

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Black and white photograph, mounted on decorative paper, with a separate paper caption, both mounted on light cardboard. Photograph is of a group of women, one seated beside a piano, the remainder standing.Caption: "Rutherglen CWA Choir | Aylene Baker, Jenny Neal, Mrs Schlink, Beryl Pollock, ?, Margaret Florence | Peggy Chambers, Thelma Dart, Marie Terrill, Nell Jasper, Joan Killeen, | ?, Mavis Boyd, Flo Iggsten, | Pianist - Florrie Parlett""rutherglen cwa choir | aylene baker, jenny neal, mrs schlink, beryl pollock, ?, margaret florence | peggy chambers, thelma dart, marie terrill, nell jasper, joan killeen, | ?, mavis boyd, flo iggsten, | pianist - florrie parlett", cwa choir, choirs, aylene baker, jenny neal, schlink, beryl pollock, margaret florence, peggy chambers, thelma dart, marie terrill, nell jasper, joan killeen, mavis boyd, florence iggsten, florrie parlett

Probably taken at the opening ceremonies for the school, which were held on 3rd February 1909.Black and white photograph on a post card, with brown border, showing the Rutherglen State School with a large group of people in front of it. Women are in long dresses and large hats of the 1890-1910.rutherglen state school, murray street

Black and white photograph of the Till family home in Whitehorse Road, Mitcham. Three women standing near right side of the house are Alison Till, Amy Cook and Evelyn Till.cook, amy, till, evelyn, alison bertha

Black and white photograph of Geoff Peck, son of Tally Ho orchardist, Ronald Peck. Two women in the photograph most likely to be his wife and mother. See also ND5539peck, geoff, ronald, orchardists, fruit industry, tally ho

Small format black and white postcard showing a distant view of tramway bridge at Lakes Bunga, Victoria. Two women in foreground, image taken from Bunga Haven guesthouse.bridges, timber industry, waterways