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Federation University Historical Collection
Photograph - black and white, Frank Wright, mid 1900s
Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a light jacket and trousers, carrying a brief case. He is standing at the entrance of building with a wide doorway which has an ornate carving over the door frame. A light and dark chequer board tiled floor can be seen inside. Thick vine covers the outer wall above the door. The man is Frank Wright.frank wright, composer, adjudicator, musician -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1988 copy
Items made by prisoners from wood scrounged from wood heap. Photographed at Exhibition of Camp Memorabilia displayed at Templer Home for Aged, Bayswater, Victoria, in 1981.Colour photograph of wooden items - platters with pennies in centre, bowls, globe (partly obscured), eggs, buckle, egg cups on tray, mortar and pestle, pipe and ash tray. Negative no: 0temple society, woodcrafts, pow, camp 3, internment camps -
Warrnambool and District Historical Society Inc.
Artefact, Shillelagh, Early 20th century
This walking stick or club is of a heavy quality and could be classified as an Irish shillelagh, although it lacks the heavy curved knob at the top that characterizes the shillelagh. It does not seem typical of the walking sticks used in Australia in the late 19th and early 20th centuries although it appears to date from those times. It may have come from an overseas country.This walking stick has no known local provenance but it is an interesting item and is kept as a curio from the past.This is a piece of black wood (blackthorn?) shaped from a gnarled and knotted piece of wood to make a rough, curved shape. The shaft is rounded at the top and tapering to a smaller round shape at the bottom. The top has a brass-coloured metal band.walking sticks, household items, warrnambool -
Flagstaff Hill Maritime Museum and Village
Snatch Block
Snatch Block, 1 sheave wood block with hook and locking mechanism. New metal screw fitted at centre of block. Remnants of green, red and orange paint on wood. Imprints of letters and numbers along hook and at its base.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Tatura Irrigation & Wartime Camps Museum
Swagger Stick, 1944-45
Made by a German POW about 1944-45 and given to WO11 R. E. O'Hara. R. E. O'Hara, father of the donor, was a WO11 in the POW camp. He left Tatura at the end of the war when he was posted to Manus Island for the war crimes trials against the Japanese. He continued in the Army until 1952. WO11 R. E. O'Hara VX5293. His rank on discharge was WO1 Light coloured wooden swagger stick with large knob on one end which depicts a sphere in dark coloured wood inlaid at regular intervals with a light coloured wood. The top of the knob is covered by a brass crown (badge of rank).wo11 r. e. o'hara., swagger stick -
Whitehorse Historical Society Inc.
Document - Correspondence, Roads, 1/06/1932
Correspondence between Maddock, Jamieson & Lonie, solicitors for Mr L. H. Wood and the Shire of Blackburn and Mitcham re purchase of an easement over Wood Street for public use and liability for costs of road construction, Feb - June 1932.wood, l.h., maddocks, jamieson & lonie solicitors, shire of blackburn and mitcham, road construction and maintenance, wood street, nunawading -
Tennis Australia
Racquet, Circa 1965
Multi-part object of 15 identical racquets (parts are numbered from 2008.970.1 to 2008.970.15). Each racquet is: a Paramount 'Speed King Masters Model' racquet with no net and bare wood handle. Materials: Wood, Paint, String, Leathertennis -
Ballarat RSL Sub-Branch Inc.
Victory Medal
This object relates to John William WOOD. He was born on 23/11/1892 in Ararat, VIC. John William served in the AIF (2177) enlisting on, 15/05/1916 in Ballarat, VIC before being discharged from duties with the 39th BATTN as a Army Non-Commissioned Private (PTE) on 24/12/1917. John William WOOD was not a prisoner of war. His next of kin is William Bloomfield WOOD (Father). John Wood was awarded the British War Medaland the, Victory Medal.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
British War Medal 1914-20
This object relates to John William WOOD. He was born on 23/11/1892 in Ararat, VIC. John William served in the AIF (2177) enlisting on, 15/05/1916 in Ballarat, VIC before being discharged from duties with the 39th BATTN as a Army Non-Commissioned Private (PTE) on 24/12/1917. John William WOOD was not a prisoner of war. His next of kin is William Bloomfield WOOD (Father). John Wood was awarded the British War Medaland the, Victory Medal.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Soldier's Pay Book
This object relates to John William WOOD. He was born on 23/11/1892 in Ararat, VIC. John William served in the AIF (2177) enlisting on, 15/05/1916 in Ballarat, VIC before being discharged from duties with the 39th BATTN as a Army Non-Commissioned Private (PTE) on 24/12/1917. John William WOOD was not a prisoner of war. His next of kin is William Bloomfield WOOD (Father). John Wood was awarded the British War Medaland the, Victory Medal.first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Service Records
This object relates to John William WOOD. He was born on 23/11/1892 in Ararat, VIC. John William served in the AIF (2177) enlisting on, 15/05/1916 in Ballarat, VIC before being discharged from duties with the 39th BATTN as a Army Non-Commissioned Private (PTE) on 24/12/1917. John William WOOD was not a prisoner of war. His next of kin is William Bloomfield WOOD (Father). John Wood was awarded the British War Medaland the, Victory Medal.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat -
Orbost & District Historical Society
darning mushroom, 1950's
The darning mushroom would have been an essential tool in an era when women were constantly repairing worn socks.Before the common use of synthetic materials, socks and other items of clothing were in constant need of repair. Darning would have been considered a necessary skill for girls and young women, part of their education as future wives and mothers. The mushroom was used to make repairs to clothing and bed linen.This darning tool was an essential item in 19th and early 20th century household as self-reliant women often had to make and repair all their clothing.A mushroom-shaped piece of smooth wood used to stretch and support material being darned.darning-mushroom needlework handicraft domestic -
Flagstaff Hill Maritime Museum and Village
Washing Machine and Wringer
Washing machine wood & metal with wringer or mangle. Painted rust and black [number not found]flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washing machine, wringer, mangle, laundry, housework, domestic, cleaning -
Kiewa Valley Historical Society
Boot Last
Higginson family are farmers in the Kiewa Valley.Wooden base block with metal shoe last attached by fastening into a hole made in the wood.shoes, boots, bootmaker, cobbler, leather work, farm equipment, higginson family -
Ballarat Clarendon College
Trophy, College Cup 1912
Returned to College by its owner Roy Kyle in 1994. Roy was the the oldest 'Old Collegian and youngest surviving Gallipoli veteran. Roy passed away 9th October 1996. The College Cup was awarded to the competitor who won all three 120, 250 and 440 yard races. For more information about the College Cup see Ring-A-Roo December 1993.Significant indication of the place of athletics within the school program in the late 1800's.Large two-handled silver rose bowl with wire flower support on wood standInscription on cup face: COLLEGE CUP / 1912 / Won by / R KYLE Inscription on cup verso: BALLARAT COLLEGE / Minervan albert-roy-kyle, college-cup, 1912, world-war-1, w-w-1, ballarat-college, -
Ballarat Clarendon College
Trophy, Old Collegians Cup 1887
Charles Walker, Son of Samuel Walker, 112 Lyons St S; Prev S School 33 Upper VI Class entered Ballarat College in 1885, peer year 1889. He was awared the Old Collegians Cup in 1887. The cup was returned to the school in 1985 by Mrs Hilda Rehfisch. The Old Collegians Cup was an athletic award and highly prestigious. For more information about the Old Collegians Cup see Ring-A-Roo December 1993.A prestigious award given to athletic champions and indication of the significant place of athletics within the school program in the late 1800's.Medium ornate engraved silver cup with two handles and a lid on painted wood standInscription on cup face: OLD COLLEGIANS CUP / GIFT OF THE COLLEGE COMt / WON BY / C Walker Inscription on cup verso: BALLARAT / Minervan / COLLEGE charles-walker, ballarat-college, silver-cup, 1887, old-collegians-cup, athletics, -
Ballarat Clarendon College
Honour board, Ballarat and Clarendon College School Captains
Honour boards instituted by the newly amalgamated Ballarat & Clarendon College in 1974 to honour the student/s elected as school captains. First board 1974 - 1999. Second board 2000 - 2011. In 2012 the school undertook a major project and created three new boards. One board honours Ballarat College Dux (1868 - 1973) and School Captains (1914 - 1973); another board honours Clarendon Presbyterian Ladies' College Dux and Head Prefect (1919 - 1973). These boards resemble the 1950 re-creation. A third board, replacing item 000084 was instituted in 2012 to honour Ballarat Clarendon College Dux and School Captains (1974 - ) . Two mahogany stained wood boards with two relief boards each and gold lettering. ballarat-and-clarendon-college, honour-board, school-captains, -
Lara RSL Sub Branch
Photograph, Lara RSL Sub Branch - ANZAC Day 1990
Colour photo in frame Plastic Gold coloured frame, Glass Front and Wood back Lara RSL Sub Branch - ANZAC Day 1990 List of names attached -
Bendigo Military Museum
Plaque - PLAQUE, 2/24 AUSTRALIAN INFANTRY BATTALION
Presented to Bendigo & District Servicemen's Club by Major W. F. R. BUDGE"Plaque - wood with metal centre. Round centre has red and blue woding and picture."2/24 AUSTRALIAN INFANTRY BATTALION" "TOBRUK. THE SILENT. TEL EL EISA. EL ALAMEIN, LAE - NADZAB, WAREO, TARAKAN." "1 HOLD FAST". plaque, aif, 2/24 -
Bendigo Military Museum
Plaque - PLAQUE, THIRTY NINERS ASSOCIATION
Plaque - wood, metal. Insignia in red, cream, blue in the centre. Kings Crown on the top.Donated to The Servicemen's Club by Jack Clarke, VX63087 2/7 Batt.plaque, thirty niners assoc -
Federation University Historical Collection
Object, Electric Bell
Electric bell used for a door or telephone. Bell has a backing of wood and the electrical components.electric bell, bell, doorbell, telephone bell -
Bendigo Military Museum
Souvenir - VASE VIETNAM, C.1962 - 73
Vase, wooden. Appears to be turned wood covered with black laquer and mother of pearl inserts.souvenirs, vietnam, ornaments - vases -
Wycheproof & District Historical Society Inc.
Wooden Paperweight
It's believed that this artefact has been in the Wycheproof Court House soon after the Opening on September 24,1890.This paperweight is of Historical and Social significance being in the Wycheproof Court House c.1890.Cedar paperweight with wooden handle set into wooden base. Object - all brownish wood.artefact, paperweight -
Wycheproof & District Historical Society Inc.
Roll Of Honour WW11, Presbyterian Church, Karyrie, Circa 1946
Karyrie is a rural location in Buloke Shire, Victoria.One of a few Historical remaining items from the hamlet of Karyrie, Victoria. Fifteen men listed- returnees WW11. Silver inscriptions on metal attached to varnished wood.A THANKSGIVING TO GOD /FROM THIS CONGREGATION /FOR THE SAFE RETURN OF OUR MEN WHO FOUGHT / IN WORLD WAR11 1939-45 . J. Lee; I.Kerr ; A.McDougall ; R. Gaylor; A.Gaylor; J. Tierney; W.A. Allan ; A.L. Allan; A.N. Allan; R.W.Allan; R.W.Allan; J.A. Allan ; R.E. Allan; D.McQuinn ; Rev. A.Boag ww11; enlisted; presbyterian church; roll of honour; karyrie ; returnees. -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Pike
Guidon of the 4th Australian Light Horse Regiment flown at ceremonial parade at Beersheba, Israel, on 31 Oct 2017, to commemorate the centenary of the Light Horse charge . The guidon has since been laid up in the Shrine of Remembrance, Melbourne.Refer historical noteGuidon pike, black painted wood with brass fittings, in two sections screwed together. -
Phillip Island and District Historical Society Inc.
Photograph
This photograph was taken by the Herald & Weekly Times and donated to Audrey McFee. Chicory was first grown on Phillip Island in 1870. It was used in coffee essence and for medicinal purposes.Wood being loaded on to the trolley before being taken to the furnace. Jimmy McFee on the job.local history, photography, photographs, slides, film, chicory industry, black & white photograph, audrey mcfee, chicory, phillip island -
Greensborough Historical Society
Domestic object - Bellows, [Bellows]
Hand made bellows, probably for domestic use; for making a draught for a burning fire. Hand bellows: wood and leather case, brass nozzle, upholstery pins and leatherette tapebellows, hand bellows -
Mission to Seafarers Victoria
Painting, Ian Parry, Night Time at North Wharf, 1990
Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings -
Phillip Island and District Historical Society Inc.
Photograph, 1976
As "Innishowen" was demolished in 1976 this photograph must have been taken around this time. The owner was G Gliddon whose family bought it in 1911.Coloured photograph of rubble from demolition of "Innishowen" house in 1976. Wood and concrete visible.local history, photographs, buildings - historical, coloured photograph, john cook, innishowen, ventnor, phillip island