RMS Queen Elizabeth that sailed primarily on the North Atlantic Ocean from 1939 to 1968 for the Cunard Line , later owned by the Queen Corpration and then the Seawise University. Queen Elizabeth was a slightly larger ship (than the Queen Mary) , the largest passenger liner ever built at that time and for 56 years thereafter. She also has the distinction of being the largest-ever riveted ship by gross tonnage. She first entered service in February 1940 as a troopship in World War II, and it was not until October 1946 that she served in her intended role as an ocean liner. With the decline in popularity of the transatlantic route, both ships were replaced by the smaller. Queen Elizabeth was sold to a succession of buyers, and finally was sold to Hong Kong businessman of the Orient Overseas line in 1970. In 1972, whilst she was undergoing refurbishment in Hong Kong harbour, fire broke out aboard under unexplained circumstances, and the ship was capsized by the water used to fight the fire.Marine artLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with two funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hanging cord missing . Remnant Brown paper backing.at lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v.wright

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 25 of Photograph Album - four black and white photographs of St Stephen's Presbyterian Church, with two photographs in landscape mode across the top showing information about who designed the building in one and showing the church name and year founded in the other; and two in portrait mode in the bottom section showing 2 different heavy wooden doors.Hand written: 25 [bottom left]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, presbyterian church, architects, red brick, doors, memorials

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "A view near Ballarat." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A few trees at bottom right-hand and a couple of houses in the background. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "A view near Ballarat" phone 36420. Address: 14 Barkly Terrace, Bendigo. In red chalk within a circle No. 22. norman penrose, artist, teacher, ballarat

Small black and white photograph showing the outside of Rob Shaw stationery store, there are 3 men and two boys standing at the front looking at the camera another man as his back to the photographer and is looking at the shop window. On the back R, Dermer Smith late of Melbourne and Sydney, landscape and architectural photographer, Royal Duke Hotel, Bull Street Sandhurst.business, retail, rob shaw

A small black and white photograph of Edgar Shapland. Edgar was a relative of Elma Winslade Wells. Edgar is shown looking left wearing a white shirt and a light coloured jacket buttoned up. He has fair hair parted in the middle. On the back the logo of Henry Goodman, portrait & landscape photographer, 1&6 Fort Hill, Margate, established 1858.person, individual, edgar shapland

"A landmark history of Indigenous Australia which accompanies a major nine part Australian television series. It combines the most rigorous academic research with capitvating contemporary story-telling. Richly illustrated book that includes images of the landscape, evocative ninteenth-century photography and Aboriginal art. Written by Australia's leading Indigenous historian and public intellectuals"--Provided by publisher.maps, document reproductions, b&w illustrations, colour illustrations, colour photographs, b&w photographscolonisation, race relations, australian aboriginal history, pictorial histories

Original menu for farewell dinner for Captain MacInnes. tan piece of paper. landscape, folded in half. Front cover has a colour drawing of a ship, flying the medical red cross emblem. Under this is hand writing in black ink and the medical insignia of a snake and wand and wreath. Inside on right page, in black ink, handwritten is the menu. Back page, in black in is the signature of people whom attended the function. Farewell Dinner to Captain A MacInnes, D Company 17th Garrison Battalioncaptain macinnes, alan macinnes, d company 17th garrison battalion, internment camps ww2, medical officer camp 4 tatura

Book - 48 pages+ card cover + jacket, perfect bound, landscape format, "Trams and streetscapes Metropolitan Melbourne 1950s - 1960s", edited by Emile Badawy and John Sargent, published December 2002, featuring photos by Keith Atkinson, Graham Evans, Noel Reed and Jim Seletto. See Reg Item 4264 for the first in the series published Apr 2002.trams, tramways, melbourne, work trams, mmtb

Garden beds just planted. Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 89.Administration Building soon after completion. The garden beds have been laid out but no planting has been done. The photograph has been taken from the east. The College flag is flying. Caption from Winzenried, "Green Grows Our Garden," p. 89 reads, "A landscaping challenge. Stark outlines of the building are gradually softened by foliage."administration building, green grows our garden, a.p. winzenried, landscaping, flag, emily gibson beds

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

Metal stencils were predominately used in the late 1800s to mark wool bales with sheep station identifiers. This stencil is a good example of the types of hand-marking that took place in the industrial landscape of Echuca, where bales were transported from nearby stations to places around Australia using the barge system that the Port has captured in its exhibition precinct to date.This item is in excellent condition and adds to the interpretative capacity of the Port Echuca collection. Small rectangular flat metal stencil with letters XBRED cut out.XBRED port of echuca, stencil

The Ballarat School of Mines Botanical Gardens was established in 1872. It was used to grow plants for the Materia Medica classesTwo views of the Ballarat School of Mines Botanical Garden.ballarat school of mines, botanical gardens, ballarat school of mines botanical gardens, materia medica, sytem garden, parks and gardens, landscape

When visitors approach the main office of Galen Catholic College for the first time, they get to enjoy our picturesque garden. In this series of photos, the rose garden is featured.galen catholic college, galen college, garden, landscape, school grounds & buildings, gardener, 2015

Born: Mt Torrens, South Australia, Australia 1872; Died: 1947ImpressionismLedger Gift, 1988Figure in blue dress lying on grass under trees reading. Gold painted frame.Recto: Signed "M.Tuck" in brown paint l.r.c of composition; Not dated; Not titledlandscape, figure, reading, trees, blossom, spring, australian art

Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismGift of anonymous donor, in memory of Mr and Mrs R. R Webster, 1981Seascape with buildings, trees and hills. Stained timber frame.Recto: Signed "E.P.Fox" in black oil in l.r.c of composition; Not dated; Not titled painting, seascape, sea, hills, landscape, buildings, waves

Born: Melbourne, Victoria, Australia 1860; Lived and worked: France 1887-1932, England 1932-1940; Died: Brighton, Sussex, England 1940World War IGift of Mrs E.E. Ledger, 1987Drawing depicting a field hospital with tents and trees lining a snowy field and figures working at sunrise. Limed timber gallery frame with white window mountRecto: Signed, titled and dated 'ISO RAE / ETAPLES Jan 1918 – Tents no I Can. Hos. / fire buckets" in grey pencil in l.l.c of compositiondrawing, landscape, figures, trees, structures, tents, sunrise

Born: Melbourne, Victoria, Australia 1848; Lived and worked: New Zealand 1866-1877, New Zealand, United Kingdom, United States 1892-1905; Papua New Guinea 1916 and 1918; Died: Macedon, Victoria, Australia 1922VictorianLedger Bequest, 1993Watercolour and gouache on paper depicting pink flowers and yellow butterflies in a sparse field. Gold brushed timber frame with off white window mountRecto: Signed "Ellis Rowan" in red watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, flowers, sky, clouds, trees, butterflies

Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Oil on wood panel depicting pink spring blossoms in a field. Carved gold brushed timber frameRecto: Signed "E. Phillips Fox" in purple oil in l.l.c of composition; Not dated; Not titledpaiting, landscape, garden, trees, cherry blossom, fence, impressionist

l.l., brown oil "Penleigh Boyd/22"painting, australian artist, landscape, cow, cattle, gumtree, rocks

Born in Estonia and immigrated to Australia after WW2, Gunnar Neeme is widely known around the world for his artistic abilities winning many awards in Australia, Germany, and Estonia, he is also a well-known writer. Neeme was a prominent figure in the Estonian society of Australia.Rural City of Wangaratta Collection. Gift of Verner Kentmann, Chief Clerk 1951-69.An illustration of a pastoral harvest scene in Estonia painted in watercolour and then overlaid with a black marking pen.Obverse: GNEEME/ 1965/ (bottom left corner) Gunter Neeme/ "RAY STOOKS IN ESTONIA'/ PRESENTED BY/ V. KENTMANN/ CHIEF CLERK 1951-69/ (plaque mounted on frame)wangaratta art gallery, gunner neeme, estonia, illustration, landscape, pastoral, haystacks

Digital imageslandscape, seascape, geology, warrnambool, middle island, coast, coastal

Digital imageslandscape, seascape, geology, warrnambool, coast, coastal, merri island

Digital imageslandscape, seascape, geology, warrnambool, coast, coastal, thunder point coastal walk

hoto taken from flight in to Melbourne International airport.Digital aerial image of Melbourne, Victoria.aerial, landscape, cityscape, mouth, yarra river, west gate bridge, aerial photograph

Hand thrown jug.. australian landscape pottery, landscape, gilbert buchanan, sheparton, graham wood, redbyrne pottery, ceramics

cape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest

Colour photograph of the Petrified Forest at Cape Bridgewatercape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest