Showing 2991 items
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Glenelg Shire Council Cultural Collection
Print, Beth Oag, Reclining Nude, c. 1974
NoneDiptych prints of a nude woman reclining on her right side. Her right hand is curving up to wrap over the top of her head. Her left arm is behind her body, out of sight. A darker area at the base of image indicates a blanket on which she is reclining. Background is featureless.Front: Artists proof E.D.6 (lower left) "Reclining nude" (centre) B. Oag (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, John Courier, Reclining Figure, c. 1974
UnknownAn abstract figure lies horizontally in the centre of flat and patterned fields of colour. The figure comprises of white, blue and burgundy. The colours in the background comprise of layers of green, blue, dark rose and dark green, which combine to make fields of maroon, aqua, dark green and textured dark blue. Mounted in brown matt, framed in silver painted wooden frame, with red undercoat showing through areas of wear.Front: J Courier (lower left) Reclining figure (lower right) (pencil). Back: Artist J Courier 368 Toorak Rd Sth Yarra. Title: Reclining figure. Price $90 framed, $70 un-framed.abstract, figure, print -
Greensborough Historical Society
Memoir, Jillian Riley Remembers: the story of Greensborough Picture Theatre, 1949-1974
Jillian Riley recalls her father's Greensborough Picture Theatre "Ashril". Created in 2014.3 pages text and photo.ashril theatre, greensborough picture theatre, jillian riley -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Historic Buildings, Portland Town Hall, 1974
From the Victorian Heritage Register: The foundation stone of the original Portland Town Hall was laid by William Learmonth on 21st September, 1863 following a competition and subsequent public controversy over the permitted entry of architect John Barrow. The conservative classical design of municipal surveyor Alexander Ross was preferred and this axially planned design with central council chamber and side offices fronted by a fine axed pedimented gable entablature of basalt and Tuscan Doric pilasters was completed by 24th may 1864. The old Town Hall is one of a distinguished group of public buildings in Portland and an interesting example of conservative classical architecture of the first years of settlement in western Victoria. The basalt structure was partially erected of stone from the Portland stockade and has significant historical associations with local Government administration in the district. The Town Hall is the most impressive work of Alexander Ross, a surveyor architect whose career remains largely undocumented. The old Town Hall at Portland has been discreetly extended at the rear to provide additional meeting room accommodation. The premises are no longer used for local government administration.A4 sized certificate demonstrating Portland Town Hall's special significance to the state of Victoria & inclusion on the Historic Building Register. Singed by Robert Maclellan, Minister for planning & Historic Buildings Council Chairperson. Red seal attached, bottom right.portland town hall, history house, heritage register, historic buildings, certificate -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial view of CSR Softwoods plant, Portland, c. 1974
Port of Portland CollectionUnframed, black and white aerial photograph, taken from the N.W., of C.S.R. Softwoods plant, Darts Road Portland under construction, various wool stores; skin sheds at Thomas Borthwick & Sons abattoir.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, aerial photography, portland harbour -
Glenelg Shire Council Cultural Collection
Booklet, Ambassador Press Pty Ltd, Granville, NSW 2142, 'The Emigrant's Friend' - facsimile, c. 1974
Booklet, originally published in London in 1848. Recreated by Reader's Digest, Sydney. Buff cardboard covers, 40 page booklet. Cover has depictions of seals of New Zealand, Australia, Swan River and Van Dieman's Land, one in each corner, charcoal, charcoal print 'THE EMIGRANT'S FRIEND, OR AUTHENTIC GUIDE TO SOUTH AUSTRALIA'; plus areas included in booklet. -
Glenelg Shire Council Cultural Collection
Document - Invitation, c. 1974
Vanda Savill, Bower Bird Museum, Heywood 'Dear Friends' servesInvitation, white card, black print and green decoration. From Portland Pine Products, Heywood to Cr. T.G. Savill. -
Glenelg Shire Council Cultural Collection
Photograph, View of Portland Harbour, c. 1974
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, View of Portland Harbour, c. 1974
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, View of Portland Harbour, c. 1974
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland, south portland, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph, View of Portland Harbour, c. 1974
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland, henty park, fishing fleet -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1974
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, aerial photography, portland harbour -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, Defence Printing Esatblishment, Infantry Training Vol 1 Infantry Platoon Weapons Pam No 6A The General Purpose Machine Gun M60 1971, 1974
Soft light blue covered booklet reprinted incorporating amendment No 1. Supersedes Pam Infantry Training Vol 1 Pam 6A The GPMG 1962DSN 7610-66-041-6416m60 machine gun -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Document, Australian Army, Crew Commander's Fire Order Aide-memoire Centurion, 1974
A photo copied document being a draft amendment for the fire order aide-memoirs for commanders of Centurion tanks, 1970??? -7610-66-0230centurion tank gunnery -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Pamphlet, Signal Training (All Arms) Pam No 5 Radiotelegraphy Procedure 1972 Amendment List No 1, April 1974
Paper documentDSN 7610-66-056-1260radio procedures -
Eltham District Historical Society Inc
Book, The Victorian Local Government Handbook by F. H. Lonie, eighth edition by Kenneth H. Gifford and I. H. M. Lonie, 1974
The Victorian Local Government Handbook was first devised by Frank Lonie in 1936. It was designed to help the layman (Councillors and their Senior Officers) be introduced to and understand the Local Government Act. This copy is the eighth edition.This book adds the Eltham District Historical Society's "Shire of Eltham" civic collection. It is significant in that it adds context to the understanding of other items in the collection, especially for the 1936-1974 era.Red hardcover. 256 p,Inside front cover stamp: Return to Chief Administrator Shire of Elthamlocal government, shire of eltham, law -
Warrnambool and District Historical Society Inc.
Cloth, Anderson Tartan Warrnambool & District Pipes & Drums, late 20th century -1974
This is a sample of the material used for the kilts of the members of the Warrnambool and District Pipes and Drums. It was provided by Fletcher Jones and Staff Factory in Warrnambool. Warrnambool and District Pipes and Drums was originally founded as the Warrnambool Pipe Band in 1906 with the objective of popularizing Scottish music. Later this objective was altered to include the fostering of bagpipe music. The band’s tartan was firstly the Gordon tartan then the Cameron of Erracht tartan and today it is the Anderson tartan. Since its formation the group has won many State Titles and has performed well also at national competitions including winning the Grade 2 Australian Championship in 1992. This material is of interest as a sample of the material used for the kilts of the members of the Warrnambool and District Pipes and Drums, an important and long-established band in Warrnambool.This is a sample piece of tartan cloth of the Anderson Clan. The material was provided by the Fletcher Jones and Staff Factory in Warrnambool and used to make the kilts for the members of the Warrnambool and District Pipes and Drums. The pattern is in squares of blue, red, black, yellow, green and white. The sample has frayed edges.warrnambool and district pipes and drums, history of warrnambool, fletcher jones, tartan -
Victoria Police Museum
Identification Card, Catherine Margaret McVeigh, 20 February 1974
Margaret 'Catherine' McVeigh joined the Women's Royal Australian Air Force in 1951, aged 19, discharging at her own request on 10 July 1956. Margaret then joined the Victoria Police Force on 20 June 1956 and served in the Women Police Division. Following the application of the Equal Opportunity Act, Margaret moved to general police duties on 4 January 1979. She was then in charge of No. 3 Division "O" District (Mounted Branch, Police Dog Squad and the Police Horse Stud Farm). In 1973 Margaret won the Churchill Fellowship award and travelled overseas to study the integration of women into world police forces. She then joined the International Police Association and was issued this identification card. Margaret was the first female member of the Victoria Police to attain the rank of Chief Inspector and subsequently Superintendent and Chief Superintendent. In August 1988, at the time of her retirement, she was Chief Superintendent in Charge of the Traffic Operations Group.International Police Association identification card belonging to Police Woman Inspector Catherine Margaret McVeigh. Card has blue cover and is unsigned.mcveigh, catherine margaret, 12428, police women, international police association, police woman, policewomen, policewoman -
Emerald Museum & Nobelius Heritage Park
Book, Aboriginal Place Names, First published 1967, this reprint 1974
Names and meanings came mostly from NSW and to a lesser extent from Western Australia, Victoria and Queensland. They throw light on the customs and life of the aborigines.Paperback book with a front cover of an aboriginal man seated under a rock formation with a sloping roof. -
Orbost & District Historical Society
book, Report on the East Gippsland Study Area, June 1974
In 1961 Bruce Evans was elected to the Victorian Legislative Assembly as the member for Gippsland East. He was the party's deputy leader from 1964 to 1970 and its whip from 1970 until his retirement in 1992. "The Land Conservation Council was established by the Land Conservation Act 1970. As one of its three functions, it makes recommendations to the Minister for Planning and Environment with respect to the use of public land, in order to provide for the balanced use of land in Victoria. This report contains the Council’s final recommendations concerning the use of public land in the East Gippsland study area, the boundaries of which correspond to those of the Shire of Orbost. The recommendations in the text are grouped under major headings, such as Parks, State Forest, and so on. " The Council met on seven occasions during the year, and also made visits of inspection to each study area. The Chairman visited Shire Councils in study areas to explain the role and the functions of the Land Conservation Council and to invite submissions on the use of public land in these areas. This is the fourth annual report by the council. This is a useful research tool.A large book 236 pp book with a yellow / gold cover with a green bush scene . The binding is orange. It contains folded maps and information on public land use in East Gippsland.inside - "With Compliments - Bruce Evans, M.P."east-gippsland-study-area conservation public-land-use -
Orbost & District Historical Society
newspaper, Issue No. 30,000 Souvenir Magazine, Saturday, November 9th, 1974
This item is a special edition of The Herald to celebrate the 30,000th edition of the newspaper.This iteem is a useful research tool.A souvenir issue of The Herald - Issue No. 30,000. It has a special edition newsprint from 1880.the-herald -
Ringwood and District Historical Society
Book, Memoirs of Edward Thomas Miles under the nom-de-plume Ned Cringle. The Miles family were a prominent Ringwood Family, 1974
Memoirs of Edward Miles early life .Only passing references to Ringwood.100 A4 typed pages. Unbound. Front page has blue printing 'Memoirs of Edward Thomas Miles' with B&W photo. +Additional Keywords: Miles, Edward Thomas Brooke, Elva (transcriber) / Brooke, Robyn (proof-reader) -
Orbost & District Historical Society
magazine, Back To Noorinbee School, 1974-1975
Noorinbee School, situated on the Bombala Rd approximately 6.5 km north of Cann River, was opened on 26th of July 1900, with Albert Le Page as head teacher until 30th of September 1904. The school still functions. A school bus runs daily to take the older children to the central classes at Cann River. "Noorinbee" is an Aboriginal word of unknown origin, The historical school is still at the front of the school yard. The Old Noorinbee School was been shifted twice. The first time they used a bullock team in 1924. The second time they used trucks and tractors in 1991. It was the first public building for the Cann Valleyand was first used as a hall and a church until it became the Noorinbee school in 1900. It was built in 1898. This item is a useful reference / research tool for the history of Noorinbee and its surrounds.A stapled paper back magazine with a red cover which has the title "BACK TO NOORINBEE SCHOOL" in black print. It contains a collection of articles relating to Orbost and Noorinbee and contains examples of children's work.noorinbee magazine-back-to-noorinbee-school -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Pre 1974
Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles -
Federation University Historical Collection
Book, Sovereign City: A Ballarat Tapestry, 1974
Hard covered book of 80 pages with a yellow dust jacket. Many sketches including Armstrong Street, Lydiard Street, Montrose Cottage Eureka Street, Lauderdale, Ballarat Railway Station. Bailey's Mansion, Former Ballarat Gaol, Ballarat Town Hall, Camp Street Police Station. Ballarat East Post Office, Ballarat Synagogue, Lal Lal blast furnace, Sovereign Hill, Mount Buninyong, Dana Street Primary School. non-fictionballarat, buildings, architecture, edward heffernan -
Federation University Historical Collection
Plan - Engineering drawing, 'Friction Clutch', 1974
Student's technical drawing ballarat school of mines, technical drawing, r.h. livingston, alumni -
Federation University Historical Collection
Plan - Engineering Drawing, 'Friction Clutch', 1974
Student's technical drawing ballarat school of mines, technical drawing, k. y. chin -
Federation University Historical Collection
Magazine, Quadrangle: Magazine of the Ballarat Technical School, 1977, 1974
In 1977 the Ballarat Technical School was closed, and officially removed from the list of post-primary schools in Victoria on 01 January 1977.Blue, yellow, black and white soft covered magazine. It includes a history of the Ballarat Technical School. The magazine lists ex students who played AFL football at the highest level, namely Michael Malthouse (Richmond); Val Perovic and Robert Muir (St Kilda), Don Disher (Ballarat, winner of Henderson Medal) ballarat school of mines, ballarat junior technical school, ballarat technical school, d.j. seymour, kevin murrray, w.e.c. loughnan, central technical school, s. salo, p. nicholson, f. bishop, malvina fullerton, g. gardoz, g. hynd, trevor hill, roymond borner -
Federation University Historical Collection
Plan - Technical drawing, 'Joy-stick for Crane Control', 1974
Engineering drawing .1) Assignment instructions sheet, foolscap photocopy .2) Technical drawing 'Crane control' .3) Technical drawing 'Joy stick' ballarat school of mines, technical drawing, w. carey, r. pallot