Showing 12805 items
matching 2013-09-07
-
Victorian Farmers Federation
Photograph - Digital Photograph, Stop Ausnet Rally Ballarat - post event scenes, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Victorian Farmers Federation
Photograph - Digital Photograph, Stop Ausnet Rally Ballarat, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Victorian Farmers Federation
Photograph - Digital Photograph, Stop Ausnet Rally Ballarat, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Victorian Farmers Federation
Photograph - Digital Photograph, Stop Ausnet Rally Ballarat, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Victorian Farmers Federation
Photograph - jpg image, Lisa Gervasoni, Stop Ausnet Rally Ballarat, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfphotos of Lydiard St Stop Ausnet Rallyadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Victorian Farmers Federation
Film - mp4 clip, Stop Ausnet Rally Ballarat Katherine Myers VFF speech, 15 July 2022
VFF is seeking an appropriate framework to ensure farmers do not bear the cost of infrastructure on their farms. Overhead powerlines are proposed through the rich volcanic soils around Ballarat. This land supports 1200 jobs in processing in Ballarat. The towers would impact on the ability to irrigate crops, to use tractors around them, on biosecurity and on ability to use emergency equipment near them. VFF wants assurances that the managing entry to farm policy position will be adhered to and that a statewide strategic plan for renewable energy is prepared. https://www.vff.org.au/wp-content/uploads/2021/09/PS210901LG-Managing-Entry-to-Farms-adopted.pdf https://www.vff.org.au/wp-content/uploads/2021/09/VFF-Renewable-Energy-and-Energy-Efficiency-Policy-Statement-Meeting-172-June-2021.pdfphotos of Lydiard St Stop Ausnet Rallyadvocacy, renewable energy, farmers, protest, rally, managing entry to farm, victorian farmers federation, ballarat -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, Tram era ends in Ballarat, 20/09/1971 12:00:00 AM
Yields information about the history of Ballarat trams, tramways and the trammies and their stories. Has a strong association with the businesses in Ballarat.269 - Twelve page souvenir supplement to the Ballarat Courier, published the day after closure of Ballarat's SECV trams. Features many photos, sketches, items regarding the history of trams in Ballarat, and local advertisements of commercial business houses at the time. Dated 20/9/1971 . 2nd copy of 269 added 4/6/1999. 269.1 - Full copy of the Courier Newspaper containing the supplement detailed in item 269. Has a photo of tram 40 on front page in Sturt St. near Doveton street and article on front page, continued on page 2. 2nd copy added 18/06/2006. Note advertisement in the bottom right hand corner of the front page - house sale notice with reference to the horse trams. Image of front cover of newspaper and of each sheet of the supplement added 22/10/2013.trams, tramways, secv, ballarat trams, closure, advertisements -
Bendigo Military Museum
Container - MEDAL PRESENTATION BOXES, Post 1956
Boxes are for medals, ribbons Cat No 4322.3 Max Jolliffe and for service details..1) Medal Presentation Box hinged, black outer fabric covers, inside has black felt and white linen lining. .2) Medal box cover, white cardboard for .1) .3) Medal presentation box same as .1) .4) Medal box cover same as .2) All have different markings..1) On cover in silver, "Anniversary of National Service 1951 - 1972 Medal". .2) "3757290 SGT M J Jolliffe ANSM 4348/02". .3) "On cover in silver, "The Australian Defence Medal". .4) "3166344 M J Jolliffe Army 9070/07"containers, medals, presentation -
Phillip Island and District Historical Society Inc.
Souvenir Photographs, Valentine Publishing Co. Pty. Ltd, 1940's
Souvenir Photographic Strip photo envelope donated by Anne LucasBlack & White photographs in a Souvenir Folder. Photos of wildlife and coastal scenes at Phillip Island.On Cover: "Cowes, Phillip Island. Photographic Souvenir" 230-01. "Australian Native Bears (Koalas)." 230-02. "Bathing scene at Cowes." 230-03. "The Pier, showing Isle of Wight Hotel." 230-04. "The Beach at Cowes." 230-05. "Seals on Seal Rock." 230-06. "The Beach, Cowes." 230-07. "War Memorial and Pier". 230-08. "The Pier. Cowes (Phillip Island)" 230-09. "Rocks at Cape Woolamai. Cowes (Phillip Island)." 230-10. "The Nobbies." 230-11. "Sea Birds at Phillip Island." 230-12. "Rocky Headland, Cape Woolamai." 230-13. "Australian Native Bears (Koalas)." 230-14. "Forrest Caves."wildlife - koalas, wildlife - sea birds, coastline cape woolamai, the nobbies phillip island, seals on seal rocks phillip island, wildlife - seals, cowes pier phillip island, cowes jetty, cowes beach phillip island, forrest caves, phillip island, seal rocks phillip island, cowes war memorial, war memorial cowes phillip island, cenotaph cowes phillip island, anne lucas -
Glen Eira Historical Society
Article - Third Church of Christ, Scientist, Elsternwick
5 Articles about the building which used to be Third Church of Christ, Scientist Elsternwick. The first one is an article from leader newspaper dated 27 July 2010 discussing the plan to convert former Christian Science Church and latterly Buddhist organisation into apartments. The second article is from Leader Newspaper dated 10 August 2010, commenting on disruptions that might occur with redevelopment. Third article is from Caulfield Leader, 07/09/2010. The article is on continuing discussion on proposed plans for the building which previously was a historic church. Also mentioned, residence’s concern and complains about the plan. The fourth article from Caulfield/ Port Phillip Leader, 24/05/2011, mainly talks about similar development at 221 -229 Glen Huntly Road. It also touches the subject of 233 – 147 Glen Huntly Road and 12 – 14 Ripon Grove as well. It is written that VCAT allowed the development of 10 storey building after overturning council decision. The fifth article is from Melbourne Bayside Weekly, 28/03/2012. It talks about the history of The Church of Christ, Scientist and about the old church building that still stands.ripon grove, gordon street, contour consultant, glen eira, historic sites, buddhist clubs and associations, elsternwick, glen huntly road, church, wait peter, wright kristen, kate ms, sinclair street, soka gakkaii, local government, local officials and employees, mc combie street, david street, ward camden, holden lars., connellan rose, connellan cathlea, connellan marilyn, third church of christ scientist elsternwick, heritage victoria, victorian civil and administration tribunal, eddy mary baker, clifton andrew, sammon jason, di paolo lucy, robinson andrew, ling jenny, church of christ scientist -
Glen Eira Historical Society
Article - Joyous Gard
A photocopy of a four page article in Table Talk, dated 01/01/1925, describing Joyous Gard, the Murrumbeena home of Dr J W Springthorpe. The article includes nine photographs of the house exterior and garden, the house interior and Dr and Mrs Springthorpe. It mentions that Mrs Arthur Tuckett laid out the garden, helped out by Mr Guilfoyle in the planning of it. The file also includes a photocopy of the obituary of Dr Springthorpe, published in The Argus newspaper on 24/04/1933. The obituary includes a photograph of Dr Springthorpe. Also included in the file is a list of references relevant to Dr John Springthorpe compiled by Maureen Jones on 09/11/2011. The file also includes a photocopy of a two page article by Maureen Jones, published in The Ancestor magazine in 06/2003, about Dr Springthorpe and his second wife Daisie. The article includes a photograph of the Springthorpe Memorial. The file also includes a printout of an email, dated 14/11/2001, from Maureen Jones to the Glen Eira Historical Society, providing the details of the Exhibition Inner Worlds – Portraits and Psychology, at the University of Melbourne from 18/04/2012 to 22/07/2012, which includes Dr Springthorpe.joyous gard, springthorpe john william, springthorpe annie constance, inglis annie constance, springthorpe dorothy, springthorpe enid, springthorpe lancelot john, springthorpe daisie, johnstone daisie evelyn, murrumbeena, gilbert web, tuckett arthur mrs, guilfoyle mr, springthorpe memorial, omama road, neerim road, caulfield city council, tyers s, johnstone jessie louise, boyd merric, springthorpe guy, gardens, garden plants, furnishings, brick houses, edwardian style, doctors, dentists, architectural styles, architectural features, house names -
Glen Eira Historical Society
Document - Elizabeth Street, 10, Elsternwick
A two page black and white copy of a Caulfield Conservation Study by Andrew Ward, dated 09/1994, on Kerrillean at 10 Elizabeth Street, Elsternwick. The study includes an architectural description of the house, a brief history of ownership, a statement of the house’s significance and a black and white photograph (103mm x 154mm) of the exterior of the house.elsternwick, elsternwick urban conservation area, elizabeth street, muirhead forbes, architectural features, rippon lea, staley andrew, bent thomas, historical buildings, sargood frederick sir, kerrillean, brick houses, ward andrew -
Wycheproof & District Historical Society Inc.
Photograph, St Andrew's Presbyterian Church Complex
The first Presbyterian gathering was held in Wycheproof in 1876, this led to the organization of a congregation and the building of a church. The first church was in Charles Street on the north side of the Mount. It served the congregation for twenty years. The new church in Mount Street opened 06-09-1896 and after 115 years the doors closed for worship in 2011.A building of spiritual and social significance to the Presbyterian congregation and wider community of Wycheproof and District for 115 years.Small format sepia print taken between 1912-1937of the Wycheproof Presbyterian Church Complex. Designed on early English lines, the church dated 1896 was built of red-brick with buttresses and decorated cream-brick trimmings. The arched windows are glazed in diamond shaped leadlight. The high pitched roof is of galvanized corrugated iron. The Sunday School Hall 1912, of timber construction with feature trim of arched windows and doors and a galvanized corrugated iron roof. The Manse 1909, of timber construction with galvanized corrugated iron roof and fret-work on the space above the verandah. Iron lace decorates the wooden verandah posts. Fencing: Post and Rail. Kodak print /501presbyterian, church, sunday school, manse, building, 1896, post and rail fence, red-brick, timber -
Greensborough Historical Society
Photograph (Framed), Shire of Diamond Valley, Shire of Diamond Valley Staff. Last day 1992, 1992_12
Photograph of "indoor" staff, Shire of Diamond Valley, on their last day at work for the Shire.The Shire of Diamond Valley was a Local Government Area located about 20 kilometres northeast of Melbourne. The shire covered an area of 74.38 square kilometres and existed from 30/09/1964 until 14/12/1994.Large colour photograph in timber frame.shire of diamond valley -
Ballarat RSL Sub-Branch Inc.
Book - "The Transvaal Diary"
This object belongs to James Edward LAWN. He was born on the 1/01/1880 in Ballarat, VIC. James served with the ARMY (2519). He was discharged on 1/09/1902 from duties with the 3 Battalion Infantry Brigade after serving as a Non-Commissioned Private (PTE). James was not taken as a prisoner of war."The Boer War Diary of Private James E. Lawn 3rd. Battalion Infantry Brigade [1st Victorian Contingent.]"south african war (boer war), 1899-1902, literature, ballarat rsl, ballarat -
Glen Eira Historical Society
Document - St. Georges Road, 76, Elsternwick
This file contains two items about this property: 1/Newspaper advertisement on forthcoming sale of property, dated 14/07/2000. Includes coloured photograph. 2/Hand-written research by Claire Barton from Sands and McDougall Directories on property occupiers 1903-1948.st. georges road, elsternwick, dumas geo a., scott arth h., architectural features, liscard street, glen eira road, criswick harold e. -
Moorabbin Air Museum
Manual (Item) - Pa31 Navajo Piper Parts Catalogue
Description: AAP 7513-009-2M. Published 21/07/1972. Published by RAAF. 50 pages. Pilatus Aircraft Mass Debitmeter (includes Transmitter Type T512L & Electronic Relay Type AT1-128AR & Indicactor Type 661-AR) Level of Importance: World. -
Melton City Libraries
Photograph, Frederick John Watson Myers, Unknown
Frederick John Watson MYERS was born on 01 October 1908 in Melton, Victoria. First child of Frederick Thomas MYERS and Martha Mary WATSON. He married Mary June BATTYE on 18 September 1948 in Victoria, Australia. He died on 07 February 2001.Photos of Frederick John Watson Myerslocal identies -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, On the Seas, 2013
HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Missions to Seafarers, 2013
THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Light of the World, 2013
THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Faith, 2013
THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Thou of Little Faith, 2013
A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse -
Greensborough Historical Society
Book, Ian Henderson, Celebrating God's love together / compiled by Bryan Henderson, 1985-2013
Contains "This is your life" and articles from "Church Life" 1985-2013. In 1985 Glyn Norris, a member of the congregation began interviewing church members and publishing them in a publication titled "Church Life". These stories were compiled by Bryan Henderson into this book. The Living Faith Church is an amalgamation of the Greensborough Methodist Church and St David's Presbyterian Church. This became the United Church, then part of the Uniting Church in Australia. The Greensborough Regional Church of Christ joined in 2006 to form the Living Faith Church. The stories of many Greensborough families are included in this book.257 p., illus. Paperback. 2 copies.On title page: "Presented to Greensborough Historical Society by Bryan Henderson".greensborough methodist church, st davids presbyterian church, greensborough uniting church, living faith church, greensborough church of christ -
Greensborough Historical Society
Photograph - Digital image, View of Greensborough from Delfin Crescent, 02/05/2013
This photograph of Greensborough was taken from Delfin Crescent in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. Delphin Crescent [previously known as Medhurst Street] was created about 1970 in association with the Delfin Building Company. It was at this time also, that major works on Diamond Creek Road raised the level of the road facilitating the connection of Delfin Crescent with Diamond Creek Road. [Note: 'Medhurst Street was only listed on planning maps pre 1950 when the 'street' had no residents or development.]Digital copy of colour photograph.greensborough and greenhills -
Glen Eira Historical Society
Miami, Balaclava Road, 91, Caulfield North
An undated page from the magazine Noel Jones and Associates Property Review featuring Miami, Balaclava Road, 91, Caulfield North. On one side is a large colour photograph (230mm x 195mm) of the front of the house and on the reverse are three small colour photographs (all 60mm x 75mm) of different rooms. Includes a brief description of the house and details of the interior design. The house was to be auctioned on 25/09, year unknown.miami, balaclava road, caulfield north, mansions -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: REUNION 1985 ATTENDEES, 28th September, 1985
A blue exercise book containing the Attendance Register at the Hanro Reunion 28/09/1985. Pages include Name, Address and Phone number. Two hundred and twenty three names recorded. Two pieces of paper with names, addresses and phone numbers. Pink envelope addressed to Miss M. J.Hassett, 64 Baxter Street Bendigo 3550. Victoria, from Jan & Maya Kriesemer, Seestrasse 630, 8706 Meiler Switzerland.business, retail, hanro reunion 1985 -
Phillip Island and District Historical Society Inc.
Photographs, Phillip Island & District Historical Society Function, Early 1990's
A group of 3 photographs donated by Marcia Tanswell. All photographs taken at the Phillip Island & District Historical Society's Christmas Function in the early 1990's held at The Continental Hotel in Cowes.223-05 Colour photograph of Stan Harris, secretary of the Phillip Island & District Historical Society, with another member at Christmas Function at the Continental Hotel. 223-06 Colour photograph of Jean Jamison and Edith Jeffrey at the PI & D Hist. Soc. Christmas Function at the Continental Hotel. 223-07 Colour photograph of Stan Harris, Cath Eddy and ??Thomas at the PI & D Hist. Soc Christmas Fundtion at the Continental Hotel.stan harris, cath eddy, edith jeffrey, jean jamison -
Mission to Seafarers Victoria
Letter - Correspondence, Britt (Swedish correspondent), 1948
Indicates a friendship at that dateQuinn CollectionTwo and a half sheets of lined, buff-coloured paper, folded in book form, written as seven pages (0383.a1, a2). Letter dated 27/07/48, written in Swedish by Britt Johansson/Johausson (spelling tbc) . Buff coloured envelope (0383.b) with one green and one purple Swedish stamp. One small black and white photo (0383.c) of a woman and two children enclosed in letter. quinn, letter from sweden -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program