Cardboard, punched out, folding model tram - Siemens 3 section Combino printed for the 100 years of Electric Trams in Melbourne, Yarra Trams. with the centenary logo in the top left hand corner. Has assembly notes. Printed as a postcard on the reverse with area for a stamp with 100years trams logo, Yarra tram and Siemens logos. A5 size. Two copies held. See Reg Item 109 for a A4 size.Has a $7 price sticker on the front of the card.trams, tramways, models, siemens, yarra trams, centenary

Sisters Rocks StawellB/W Photograph of Sister Rocks Looking West. Sister Rocks Stawell on bottom left cornerValentine's Post Card Sister Rocks Stawelltourism

Catalogue card reads, "Aerial view of Ringwood".

A colour postcard from Roseleigh guest house in Marysville that was produced by Nucolorvue Productions as a souvenir of Marysville.A colour postcard from Roseleigh guest house in Marysville that was produced by Nucolorvue Productions as a souvenir of Marysville.POST CARD NUCOLORVUE PRODUCTIONS, ELWOOD, VICTORIAmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, postcard, souvenir, nucolorvue productions

A colour postcard of the Marysville Hotel in Marysville. The postcard was produced by Nucolorvue Productions as a souvenir of Marysville.A colour postcard of the Marysville Hotel in Marysville.POST CARD NUCOLORVUE PRODUCTIONS, ELWOOD, VICTORIAvictoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, marysville hotel, nucolorvue productions, postcard, souvenir

A colour postcard of the Marysville Hotel in Marysville. The postcard was produced by Nucolorvue Productions as a souvenir of Marysville.A colour postcard of the Marysville Hotel in Marysville.POST CARD NUCOLORVUE PRODUCTIONS, ELWOOD, VICTORIAvictoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, marysville hotel, nucolorvue productions, postcard, souvenir

The photograph shows an unidentified Melbourne and Metropolitan Tramways Board W class tram in Glenferrie Rd, possibly passing the tram depot. The tramcar is in the mid ground and Glenferrie Rd is lined with retail shop verandahs on the ground floor and the Embassy Theatre on the right. A large number of motor cars are seen along the roadway and adult pedestrians in summer clothes.Yields information about Glenferries Rd and M&MTBBlack and white photograph with writing on the rear.Printed Post Card by Rose Stereograph, Armadale glenferrie rd, melbourne and metropolitan tramways board, w class, retail shop verandahs, embassy theatre, tram depot

A young male dressed in uniform, P HugganPhotograph of a male in uniformBack of photo indicates it was part of a post cardchatham-holmes collection, soldier, p huggan

Photograph of Mary Elizabeth ( Liz ) Chatham ( nee Holmes) with her and Philip Chatham's 5 children: Back L -R Andrew Philip, Genevieve Mary, John Henry. Front L- R Elizabeth Anne, Liz, Jane LouiseColoured photograph in cardboard folder. Two copiesOn card "Folklore Sydney Phone 437 6295"chatham-holmes collection, elizabeth chatham, jane chatham, mary chatham, john chatham, andrew chatham, elizabeth (liz) chatham

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

.1 Black and white wedding photograph on a cream colored background .2 Ethel Smith, as a child, sepia photograph on black background .3. Elizabeth Garvey, nee Smith, sepia photograph on cream background .4 Harold Smith and Rupurt Smith sepia photograph on brown background .5 Alice and Florrie Hendri, sepia postcard .6 Memorial fold out card. Cream card with black borders..1 .2 Ethel Smith, father a minister .3. Elizabeth Garvey, nee Smith .4 Harold and Rupert Smith Corowa, 1894, Alice Watson, 7 Cromie Street Murtoa .5 Hendri girls, Alice and Florrie, writing on back, note to Edie from Alice Watson, 1911 .6 Memorial fold out card, in loving memory of Emma Watson, of Happy Valley,1888reverend charles ed, evelyn smith, ethel smith, corowa, mark allen studio, m.j. allen studio, harold smith, rupert smith, society studios, tesla studio, stella studio, alice watson, florrie hendri, emma keys smith, emma smith, george henry smith

Each ticket medium weight card, on 200 gsm aqua card and printed on red ink to give day numbers, monthly, week number, transfers and day of week, excluding Sunday. Numbered on the right end of the ticket. Static number (1 - 7) on left it may be to indicate the day of issue. On the rear of the ticket are the details of the ticket use, allowing the passenger one return journey between City and section 4. Not available on Sundays. Form Number TYE 2-10. Each ticket has been stamped "CANCELLED" in purple ink. Demonstrates a SEC Weekly ticket.Block of SECV 2/- weekly tickets, ticket numbers Aa163090 - 16399. Originally printed and stapled into a blocks of 20 tickets. E Note: 1. See Reg. Item 230on page dated Feb. 22 for another two weekly tickets, c1950, price 2/6. Printed in off white card in red ink. Available for travel between city and section 3 or 4. See also Reg. item 2102, 2103, 2105 and 2106. Not known when these tickets used, possibly c1950'stickets, weekly tickets, trams, tramways

Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. The "Aristocrat" line was first released in Canada in 1969 for several years. It was distributed from the outlet at Sarah Coventry Park, Wodonga.As part of the Sarah Coventry collection, the tie pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A small square tie pin of silvertone plated metal with an ice blue rhinestone in the centre. A short chain and clip are attached. A small diamond shape has the "SarCov" brand on the back. The pin is in its original packaging of a cardboard box with clear central oval on the front. The back of the box bears the Sarah Coventry branding as does the internal card.On internal mounting card: "Made in Canada/ Sarah Coventry Pty. Ltd / WODONGA (SC) VICTORIA" On back of box: "Sarah Coventry® PTY. LTD / SARAH COVENTRY PARK/ WODONGA, VICTORIA / PTD IN AUST"sarah coventry wodonga, men's fashion accessories, costume jewellery

Red and blue printed card of 12 hooks and eyes. Made of enamelled metal . On the reverse of the card - continuous strip of labelling with makers details and description of material. Hooks secured to card with thread.'Neway's' 'World famed' Hooks and eyes by appointment to her majesty Queen Elizabeth the Queen Mother - If it fastens NEWEYS makes it - Made in Englanddomestic items, sewing, costume accessories, haberdashery

One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Yarn sample card: card wound with four samples of woollen yarn, each yarn sample is the same design but in a different colourway. The card is printed with the label COL: and handwritten with the colour names.NOIR/PURPEL/ STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. All cards have titles on the front printed in red. The majority of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Proudfoots Boat House – Proudfoot’s Boathouse is at 2 Simpson Street Warrnambool, on the banks of the Hopkins River. In the 1880s it was a venue for hiring boats for rowing, fishing, sailing and picnics. It was a popular destination for tourists coming from Melbourne for a day or weekend outing. The beautiful historic Victorian period building was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Proudfoot's Boathouse is of historical significance for is connection with Proudfood’s Boathouse. Proudfoot’s Boathouse is an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of boathouses were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Postcard, one of nine, landscape orientation. Coloured photograph print within an oval border and mauve-toned shading. Cameo Image of figures in three rowing boats on still water beside a building with three gable roofs and decorative verandas. Other boats are moored at the landing in front of the building. The roofs each have a tall pole at the front. There is a park right of the building that also has a landing. In the background is a grassed slope and the sea. Reverse has printed inscriptions and an outline for a postage stamp. There is no correspondence written on the card. The card is one of the Jordan Series by Joseph Jordan, printed in Great Britain in the early 1900s. Front, in red: “PROUDFOOT’S BOAT HOUSE / HOPKINS RIVER, WARRNAMBOOL” Reverse in black: “Jordan Series Warrnambool” “POST CARD” “Printed in Great Britain” “This space may be used for Communication” “The Address to be written here” Within the stamp outline: “3 / BRITISH / MANUFACTURE"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, proudfoots boat house, boat house, proudfoots, hopkins river, boats for hire, row boats, recreation

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

This album contains a collection of family photos, greeting cards and hand drawn floral emblems. Among the photographs are two which have details on them: a young girl named Margaret Clarke aged 8 1870 and another of Charles Alexander Clarke. The photographers are from many places including Britain, Melbourne, Portland and a number by Daniel Clarke of Warrnambool. Daniel Clarke was one of Warrnambool’s more important photographers, operating a business for thirty years in the town. He also worked as an artist and taught art in local schools. He painted a number of versions of Tower Hill. He died in 1918 at the age of 91.This album shows a collection of photographs and cards which were important to families in the later part of the 19th century. It has artistic and historical significance, with the photographs in particular depicting many different styles of clothing and household details of the time. Brown leather with a figured pattern and gold detail. Bent metal clasp Back cover in cross-hatched pattern. Spine has 5 horizontal lines. Edges of pages are edged in gold. Pale grey water wave patterned paper inside front and back covers. Pages inside are varied with some having coloured floral embellishments while others have pockets to hold from 1 to 4 photographs or card. One photograph of young boy has Charles Alexander Clarke written on bottom in black pen. A card with illustration of honeysuckle on front, has With Love to Mrs. Smith from Isabel,warrnambool, history of warrnambool, margaret clarke aged 8 1870, charles alexander clarke 1870, daniel clarke photographer

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Bright orange card printed for BTPS membership card for year 1977-1978. On front of card are the details of the membership, the holder of the card is entitled to free travel on the Society's public services and the word "Ballarat Tourist Tramway". The card has been made out to Mr. W.A. Doubleday, member No. 85. 2nd copy added - made to Mrs. C. D. Dean 42 - typed on front of card. 3rd copy added - = copy issued to P.Winspur 76.Typed " Mr. W. A. Doubleday 85" ditto for "Mrs C. D. Dean 52"trams, tramways, btps, membership cards

Food, clothing and other essentials were rationed for several years after WW2Ration card, meat, No B671050 1948, red print, cardboard with space for name and address, rations spaces No from 72 to 104, some spaces have been used.“J Gildea 52 Herbert St ..16”ration cards, meat, 1948

Issued to Billy Bird VX113169 2/14 Batt AIF. Refer Cat No 1601 for his service details.Orange printed motor spirit ration card, one coupon for one gallon of fuel. Issued in Victoria, valid for all states. Illustrated with image of Southern Cross in shield.documents, rations, petrol

Single fold card with 4 inner pages being order of service for presentation of Guidon to 14/20 Kings Hussars in Germany 10 June 1961. Also envelope.hussar, guidon

Photos belonging to Albert Edward Corrie, VX47191, WO Class II, 6th Division Postal Unit .1 Photograph - card, sepia photo of six soldiers .2 Photograph - card, sepia photo of six men .3 Photograph - card, black & white, sea plane, two figures on beach .4 Photograph - card, black & white, six men, bicycle, mail bags.1 Nil .2 "THESE SNAPS WERE TAKEN ON THE BEACH AT GAZA WHERE WE WERE SWIMMING ONE DAY. ALBERT" .3 "SEA PLANE OVER GAZE BEACH" .4 'ERN HERRIDGE, HENRY SCHABLON, PEDLAR PALMER, SNOW MULLINS, FRANKIE KEEGAN & MYSELF"wwii, photographs

Peach coloured card of six 'Ascot Hair Wavers' an extra large version of a Kirby clip. Dark painted steel. Various slogans printed across the card. Printed graphic at top of card.The Ascot Hair Wavers produce most beautiful effects.costume accessories, hair accessories, personal effects-toilet requisites, hairdressing

Green card, printed in red. 2 copies. On front: The Sun, 'Sunbeams' Special Honor Card, awarded to L. Doble, 4 marks. One card dated 1935 and the other dated 1936.clubs and associations, sport

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copyingThey are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the ornamental lake, completed 1904, with its surrounding Guilfoyle influenced rockery, planted with original succulents and palms Black and white postcard titled “Williamston Gardens”. Ornamental lake surrounded by palms, with trees in the background and boarded with stone slabs. There is a small island in the middle of the image surrounded by water lilies. Inscribed on the reverse: ‘POST CARD.’ centre top underlined by two wriggly lines, the bottom one is scrolled at either end / ADRESS ONLY’ top right side of card / ‘PRODUCED IN AUSTRALIA’ vertically on left side of cardpostcard, pond, palms, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, water lilies, pond-island

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits