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Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of birds and flowers in brown on a paler pink ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Hume City Civic Collection
Photograph
The Eadie family were early settlers and entrepreneurs in Sunbury. The family properties in the town included Ben Eadie and Dunblane.A black and white photograph of a young man sitting on a bamboo and wicker chair. He has a moustache and is wearing a dark suit with a white shirt and bow tie and a spray of flowers in his lapel.eadie, peter (jnr), ben eadie, dunblane, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1968
Debutants train3ed by Mavis BarlingBlack and white photograph of debutants at Football Club debutants Ball named are Wendy Allen McKean and Miss Northrope flower girls Christine Lamand and Margaret Zagami Lakes Entrance Victoriafundraising, social history -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students in Class, c. 1950
Black and white photograph. Students are examining daffodil flowers and another plant, some using microscopes in a Biology class. Same group as B91.172-B91.173 including Margot George, Peter Smith.margot george, peter smith, daffodil flowers, plants, microscopes, students in class, biology class -
Slovenian Association Melbourne
Keyring - 35th Anniversary, Slovenian Association Melbourne 35th Anniversary keyring 1989, 1989
Slovenian Association Melbourne 35th Anniversary keyring in Slovenian flag colours, Southern Cross, Mt Triglav and Slovenian national flower, the red carnation. The keyring was available to all members of the SAM.Slovenian Association Melbourne S:D:M: 35th EST. 1954slovenian association melbourne, keyring, 35th anniversary -
Whitehorse Historical Society Inc.
Clothing - Apron, c1930's
Part of Bette Jones collectionDeep beige linen apron with bib. Bib and skirt embroidered with flowers and leaves in pinks and greens. Apron edged and trimmed with cotton lace. No straps, so either designed to be pinned on or unfinished.costume, female working -
Whitehorse Historical Society Inc.
Textile - Doyley
From the estate of the late Jean Ord, mother of the donor.A oval white dressing table doyley edged in lace with cutwork and embroidery in white, large flower design with needle lace centre at each end and a smaller design at each side centrally.manchester, table linen, handcrafts, embroidery -
Whitehorse Historical Society Inc.
Card - Birthday Card, C1880s
Given to Catherine Morgan Walker by her husband E. E. Walker, father of donor.A birthday card with a vase of flowers on each side and a verse by Cecelia Havergal - 'A Birthday Meditation' - on one side, - 'A Birthday Thought "He Knows" on the other. Card has a a fringe of green silk.wood, dora, walker, catherine, morgan, catherine, walker, edgar edwards, birthday, cards, ephemera -
Whitehorse Historical Society Inc.
Domestic object - Tea Pot Cover
Tea pot would have been covered with a thick tea cosy and this cover placed over the top as decoration.White teapot cover- semi-circle in shape and doubled. Hand made tatting edging and drawthread. Cut out embroidery of flowers in a basket on one side and diamond cutout pattern on the other.handcrafts, needlework, manchester, table linen -
Whitehorse Historical Society Inc.
Craft - Lace, White Bruge Lace Doiley, c 19th Century
This piece of 19th Century lace was made in Italy and was originally part of Nan Warner's lace collection. Elizabeth Nan Warner and Max Warner travelled to Europe buying lace. They joined a local Lace Group in 1970.Small white, Bruge lace, circular doiley made of silk with 8 circular motifs surrounding a central lace flower edged with four groups of leaves sewn on a white net background.lace, 19th century -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
Water lilies reputedly planted by Mrs Horsfield of Lakes Entrance Garden Club.Colour photograph of the lily pond near the railway trestle bridge at Stoney Creek, shows a pond covered with lily leaves and flower buds, surrounded by scrubby bushland. Nowa Nowa Victoriavegetation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1915
Sepia toned studio photograph of Frank Harbeck and Mary Archibald on their wedding day. Groom in three piece suit white shirt and stiff collar, bride dressed traditionally carrying flowers.genealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1900 c
Sepia toned photograph of wedding party at marriage of Isabelle Gray and Joseph Robert Coate posed in garden. Bride and groom, two male attendants, two bridesmaids and three flower girlsgenealogy -
Ballarat Tramway Museum
Postcard, Valentine & Sons Publishing Co, "Town Hall and Sturt St Ballarat"
Photo of the intersection of Sturt and Lydiard St Ballarat, with the National Mutual and Town Hall in view. Has an ESCo tram with a former horse trailer and another ESCo tram. The Clarks & Co. building is on the corner. See Reg Item 5128 for another version of this photograph/postcard.Demonstrates postcard printing mid 1910's and how they were used along with the use of former horse trams as trailers.Postcard - divided back, colour, Valentines and Sons of the intersection of Sturt and Lydiard St Ballarat. Printed in Great Britain. Has an embossed decorative border with a flower in the top right hand cornerOn the rear is a message to Lou from Les about arriving in Ballarat dated 1/7/1915. Has in pencil a "$4" price.ballarat, tramways, sturt street, esco, town hall, national mutual, trailers, horse trams -
Kew Historical Society Inc
Household Textile, Tray Cloth
Embroidered white cotton tray cloth. Rectangular floral design reminiscent of black work filled in with red, blue and yellow flowers and green leaves. Crotched lace through punctured holes. tray cloths, household textiles -
Kew Historical Society Inc
Textile - Fragment of Net and Tulle Fabric, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Length of heavily embroidered tulle with a border detail on three edges and one cut side. The pattern is of flowers and leaves. Machine chain stitch onto net. The floral centres are hand madelace, embroidery, tulle -
Kew Historical Society Inc
Headwear - Cream Silk Floral Hat, Erik London [C&G Kobenhaven], 'Cezanne', 1950s
Erik of London was an internationally significant milliner. He was a recognised authority on fashion, frequently quoted in the Australian press of the day. A number of his models are illustrated in Australian newspapers. It was not unusual for him to glamorise his hats with French names. A model 'Carmen' was launched in 1952.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Ivory coloured woman’s hat bordered and almost completely covered with abstract floppy flowers of the same colour. Beside the label on the brim is the handwritten word ‘Cezanne’ which is presumably the name of the model.Label: Erik London. C & G Kobenhavenerik london, c & g kobenhaven, milliners -- london, women's clothing -- hats -
Brighton Historical Society
Dress, Wedding dress, 1947
Worn by Edna Emily Seehusen (1916-2005) when she married William Alexander McQuilten (1911-2010) in September 1947 at Brighton Congregational Church, Black Street, Brighton.Ivory satin dress with train overlaid with machine made lace. High, gathered neckline, leg-of-mutton sleeves, In-built padded hip rolls. Front of dress is decorated with wax flowers. Label, woven pink on cream silk, centre back neck: A / Dorothy Draper / Original / EXCLUSIVE TO / BALL & WELCH LTD. / MELBOURNEwedding dress, lace, ball and welch, edna emily seehusen, william alexander mcquilten, brighton congregational church, brighton -
Mont De Lancey
Textile - Rug, Unknown
A wool rug with a hessian backing. It has a red and white striped pattern in the middle, with brown triangular shapes at the sides. There are brown and white stripes yellow flowers and green leaves around the edges.rugs, floor rugs, textiles, household textiles -
Mont De Lancey
Book, Ruby M Ayres et al, The Princess Passes, Reprint 1932
A romance novel with a sweet storyline by Ruby M Ayres. Priscilla Marsh is in a bind, she needs money as her brother is in debt and she is looking after her invalid father. In love with one man she finds herself engaged to "new money" Jonathan Corbie whom she doesn't really love. A drama tears their carefully laid plans apart. Love prevails.Red cloth covered hardcover book, The Princess Passes, by Ruby M Ayres with black lettering of title, author and publisher on spine. Flower, lines and publisher initials embedded on front cover. fictionA romance novel with a sweet storyline by Ruby M Ayres. Priscilla Marsh is in a bind, she needs money as her brother is in debt and she is looking after her invalid father. In love with one man she finds herself engaged to "new money" Jonathan Corbie whom she doesn't really love. A drama tears their carefully laid plans apart. Love prevails.romance fiction, fiction -
Mont De Lancey
Tablecloth
Square, white linen tablecloth with red hand-embroidered flowers. These are surrounded by a red and white drawn thread and embroidered zig-zag pattern inside a plain white 4 cm. border.table linen., tableware. -
Mont De Lancey
Milk jug and cover, 1909
Wedding gift to Mr. and Mrs. L. Wilms in 1909.White, china milk jug with hand-painted pink flowers and gold edging. (missing) White, rectangular, net jug cover with blue running stitch edging and clear glass beads.household textiles., milk jugs -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects -
Mont De Lancey
Container - Glass bottle
Pale green glass bottle with white, metal, screw-on lid. It has a beige-coloured label with red and blue writing, and a picture of an orange and a lemon, green leaves and one white flower.On the label: "Kia-ora 50 - 50 Fruit Juice Cordial, made from oranges and lemons. 26 FL. OZ NET. Preservatives: This food contains not more than 2 grains of sulphur dioxide to the pint. Kia-ora Industries Limited, Melbourne - Sydney - Australia".containers, bottles -
Mont De Lancey
Pillow sham, Mrs. Frances Quayle, 1897
Off-white, muslin pillow sham with shadow embroidery depicting flowers, leaves, a bow and two butterflies in opposite corners. It has a 10 cm. wide scalloped, white lace border.bed linen., bed accessories. -
Wodonga & District Historical Society Inc
Decorative object - Brooch from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold-toned metal brooch from the Sarah Coventry Pty. Ltd. jewellery range in the shape of a flower. Two layers of petals with the upper one white and the lower one gold-toned. "© SARAH COV. / MADE IN CANADA" on the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches -
Wodonga & District Historical Society Inc
Decorative object - Brooch with Grecian image, c1909
This brooch was typical of those produced at the beginning of the 20th century. It belonged to Mrs Alice Flora May Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A large oval brooch featuring a central image of a Grecian woman. This centrepiece is surrounded by a design of flowers and swirls with a silver edge. The brooch has a gold look metal bar across the back.fashion accessory, vintage fashion jewellery, women's jewellery -
Wodonga & District Historical Society Inc
Decorative object - Brooch from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold-toned metal brooch from the Sarah Coventry Pty. Ltd. jewellery range in the shape of a flower. Two layers of petals with the upper one white and the lower one gold-toned. "© SARAH COV. / MADE IN CANADA" on the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Craik, Dinah Maria Mulock, John Halifax, Gentleman by Mrs Craik, [n.d.] [First published 1856. Numerous later editions, this edition c.1900?.]
448 p. : frontispiece illustration. Decorative dark green and gold cover and end-papers, with design of leaves, flowers and berries. Title and author's name embossed in gold on front cover and spine. fictionfiction, dinah maria mulock craik -
Bendigo Military Museum
Postcard - POSTCARDS - FRAMED WW1, Postcards WW1- Frame c2008/09
Refer Cat No. 1280 for Jack Grintons service, Cat No 1320P for Bert Grinton DCM.Postcards - collection top to bottom - left to right. Nine (9) cards. Top left: cardboard, insert coloured silk embroidery on cotton, flowers, flags, sailing boat, greeting. Middle: cardboard, inset coloured silk with embroidery on cotton, butterfly, greeting. Right: cardboard, inset coloured silk embroidery on cotton, flowers, greeting. Second row left: cardboard, inset coloured silk embroidery on cotton, basket of flowers, greeting. Middle: cardboard, handwritten greeting and note in black ink. Bottom row left: black and white photograph postcard, cardboard. Two soldiers in uniform. Middle: cardboard, handwritten greeting and note in black ink. Bottom row - top right: black and white photograph postcard, three women. - Lower right - colour printed postcard, with flowers, flags, painting and "Good Luck and Coo-ee" greeting on scroll. Frame - Perspex front, screwed to brown painted MDF backing board. Dark brown mount, cardboard.Greeting silk embroidery. "From your loving son" From your Soldier Boy", "With my love". "Loving Greetings". Handwritten greeting in black ink. 2nd row middle Dated “21.10.17", frame/ “Dear Arthur/ love from your loving brother/ Jack W. Grinton" Bottom Row: Middle - "From your loving/ brother/ Albert V. Grinton". framed accessories, camera on the somme, ww1, 38th bn, grinton