Identity uncertain but suspect it is LT. Ian Robertson MacCLEAN (Jock) VX17358 enlisted 25.5.1940 Discharged 19.11.1945 2/6 Aust Div Sup Col AASCPhotograph of officer in frame. Wooden gold frame, brown cardboard border around photo. Officer has uniform and hat on. Written in ink on back “I.R. MacCLEAN (Jock) 2nd aif, officer

test unit for pulse monitor made by Dr Komesaroffs Medical Developments company.Source Ian Donaldson AHSV assistant curator and retired paramedic 5 October 2016black box with handle and two latches. Contains operating instructions in lid and green electrical box and wires.

"Easier Shearing - A Practical Manual for Shearers and Farmers written by an Expert" by Ern Barnes, 1955. Originally owned by Mr Bob Cuttler (a shearer and relative of Ian Cuttler).To Bob / With my Compliments / Ern Barnesshearing

Photographs of Ian and Margaret Rose McKendrick (nee Vyner) on their wedding day. Margaret was the daughter of Reta and Harry Vyner who were early residents of the Kiewa area during the construction of the Hydro Electric Scheme. Margaret and Ian were married at St. Mathews Anglican Church, Albury on 11th January 1958. The cream dress that Margaret wore was her Mother's dress, Reta Vyner. Note: Wedding Dress is stored in Box 66. Wedding Photo is in KVHS 0970(B) This wedding dress was part of a display in the Information Centre and is part of the social history of Mt. Beauty and Bogong Village during the construction period of the Kiewa Hydro Electric Scheme. It is typical of the apparel worn in the 1950's. Two photographs, one black and white and one sepia tone No inscriptions or markingswedding dress, clothing, mt. beauty, social history, mckendrick

Folder includes copy of front cover of This Week in Melbourne: The guide to the best in Melbourne, No. 385, October 1- October 7, 1966 featuring photo of gallery (courtesy Peter Bassett-Smith), page from Diamond Valley News. 3 November 1970 including brief death notice and a separate entry under 'Death of Artist'. Photo of Ian Hassall's family home in England, Photo of Ian Hassall's father, John Dingwall Hassall and John Dingwall Hassall Navy record.ian john dingwall hassall, john dingwall hassall, hassalls roadside gallery

Ian Gordon was President of the Ballarat College of Advanced Education in 1986. Contents include: retirement of Bruce Rollins, Lorraine Brills, Susan Mercer, Barry Fitzgerald, margaret bowman, Robert Macgowan; staff appointments of Ray Watson, Ken Hawins, Philip Davis, David Hamilton, Garry Carnegie, David Addenbrooke, Ian Moore and Warren Young. The first appointments were made in the department of nursing: Margaret Stevens (Head of Department), Tony Welch, Elaine Duffy, John Struhs, Vivien GriffithsYellow soft covered Annual Report of the Ballarat College of Advanced Education.ballarat college of advanced education, bcae, mt helen, mount helen, nursing, nursing, peter blizzard, blizzard, geoff wallis, greg binns, clem barnett

This surgical instrument kit, c1870s, originally belonged to Lord Joseph Lister. On his retirement in 1892, Lord Lister presented the instrument kit to his friend Dr Alexander Matthew. The donor of the surgical kit, Professor Ian Stewart Fraser, is the great grandson of Dr Alexander Matthew. The donor, Ian Fraser, checked with his mother about the inscription "Ethel Livie". There was no one of that name in his mother's family tree and the instruments were passed down from his mother's family.This surgical kit, made by Young of Edinburgh Scotland in the 1870s is significant because it belonged to and was most likely used by an internationally important figure in modern medicine, Lord Joseph Lister. Joseph Lister, 1st Baron Lister, Bt., OM, FRS, PC (5 April 1827 – 10 February 1912), known as Sir Joseph Lister, Bt., between 1883 and 1897, was a British surgeon and a pioneer of antiseptic surgery. By applying Louis Pasteur's advances in microbiology, he promoted the idea of sterile surgery while working at the Glasgow Royal Infirmary. Lister successfully introduced carbolic acid (now known as phenol) to sterilise surgical instruments and to clean wounds, which led to a reduction in post-operative infections and made surgery safer for patients. Surgical instruments in original timber case, containing two steel sharp hooks with the manufacturer's stamp,"YOUNG EDINBURGH" on the handles, five steel scalpels with ebony handles in assorted sizes. Also included separately are autopsy hooks, one metal blowpipe [commonly used with urine testing apparatus] and two dissector forceps. "YOUNG EDINBURGH"; "ETHEL LIVIE"surgery

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patriotic gathering, ca. 1914-ca. 1918. A civic hall used for a patriotic gathering; during or after World War I. Around the walls of the crowded hall are banners representing some of the allied nations fighting in the war, including France, Britain, Japan and Belgium. Two soldiers, both in military uniform can be seen at the front left of the photograph. first world war (1914-18), world war 1, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Graves within a cemetery, post 1914. A photograph of graves in a cemetery. The photograph, of unknown provenance, is on the lower half of a glass negative. The upper half can be seen in PIC 0053. Given that the upper half is of a grave in Brighton Cemetery, it is possible that this is also the location shown in this photograph.st kilda cemetery, graves, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The Cast and Audience, ca. 1900 - ca. 1920. The cast and audience at a theatrical event. What appear to be adult performers are seated in the first two rows. [It was once believed that the photograph was of a gathering in the Kew Recreation Hall in Wellington Street (now demolished), however the vaulted ceiling is not the same.] theatre productions, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Stationary engine, ca. 1900-ca. 1920. An early stationary engine that might have been used to drive a piece of immobile equipment, such as a pump, generator, or mill or factory machinery. stationery engine, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Bathers, ca. 1920. A group of nine young people pose for a group portrait at the beach. The bathing costumes worn by the group are in a number of styles. The photograph represents the stages of transition towards a briefer swimsuit typified by that worn by the man second from left at rear. bathers, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Verandah portrait, ca. 1900-ca. 1920. An elderly man and woman pose for a portrait outside the front door on the verandah of their weatherboard home. .glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Agricultural equipment, ca. 1910-ca. 1920. An elaborate piece of farm machinery powered by a small engine. The four-wheeled unit has a tank and a hose. The purpose of both is unclear. Like a number of glass negatives in the Collection, this plate has been reused. The original photograph shows houses in a streetscape. In the distance is an advertisement for starch, roughly painted on a fence.agriculture, glass negatives, farming equipment

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Stationary engine, After 1920. A print from a glass negative that has been reused to document an early stationary engine. The equipment, designed to be bolted to a larger object such as a floor, is comprised of wheels and shafts. The content of the original photograph is too unclear to be identified. stationery engine, farming technology, farming equipment, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The croquet players, ca. 1900-ca. 1920. Six croquet players pose for a group photograph outside a wooden pavilion. Two of the women hold their sticks whereas the two central figures rest their sticks at their feet.croquet, sports -- women, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Early automobile, ca. 1910-ca. 1920. A photograph of an early automobile, of indeterminate make. The automobile has its fuel tank behind the passenger seat. The vehicle is missing its front tyres and appears to be converted to allow it to be towed by another automobile or a horse. farming machinery, automobiles, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. A group of men and women in bathing costumes of the period on a suburban beach.bathers, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Portrait of a family. Thirteen members of what is perhaps a family group comprised of multiple generations pose at the front of a house for a group portrait. The clothing worn by individuals in the photo range from the late Victorian period to that current when the photograph was taken. family portraits, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The grave of Violet Laura Steel (1892-1914), after 1914. Violet Laura Steel, was the daughter of Charles Joseph Steel and Julia Harrington. She was born 31 October 1892 in the Police camp in Echuca, and died, aged 21, on 22 May 1914 at her father’s home ‘Maescourt’ in Gladstone Parade, Elsternwick. The photograph of her grave in the Brighton Cemetery is on the top half of a glass negative.st kilda cemetery, violet laura steel (1892-1914)

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patmore & Dinham, Scottsdale, ca. 1910 - ca. 1920. A large corrugated iron store owned by ‘Patmore & Dinham: Produce, Manure and General Merchants’. The store was located in Scottsdale, northeast Tasmania. For more than forty years, George Melville Dinham had occupied a prominent position in the Scottsdale community. He and his partner, Mr. Patmore were to ultimately own four businesses in this farming town, of which this is one.patmore & dinham, scottsdale, glass negatives

Copy of black photograph mounted on board.Accompanied by signatures mounted on board and a caption (laminated).1946 class photo. Mr Russell. Ian Moore, 2nd from right, 2nd top row. Caption reads: 1940 prefects with Headmaster William Richards.williamstown high school, 1946, class photos

Final meeting of SCVB CouncilFive men in suits stand beside each other. Left to right: Dr Phillip Law (Vice-President of SCV), Bob Croft (Vice-President of SCVB), Ian Gordon (President of Council), Michael Selway (Academic Registrar of SCV), Dr Graham Trevaskis (Princiapl of SCVB)ballarat teachers' college, state college of victoria at ballarat, state college of victoria, bob croft, phillip law, ian gordon, michael selway, graham trevaskis

The University of Ballarat inherited the Camp Street Arts Precinct. As the functions of the former public buildings were moved elsewhere, the Victorian Government of the time recognised the importance of maintaining the heritage buildings and the opportunity to create a cultural precinct extending from the Art Gallery. The 19th century architecture along Lydiard Street and the dogleg bend of Camp Street define the precinct. With substantial financial assistance from both State and Commonwealth Governments, the Art Gallery Ballarat has been extended through to include the 1884 Police Station on Camp Street. The Post Office building (1864-1887) was acquired for the University. The 1904 and 1941 Courthouses and the c1900 Public Library building were also included. Two new buildings have been constructed. These six buildings will house the University's Visual and Performing Arts Programs.3 Panorama photograph of the opening of the University of Ballarat Arts Academy, Camp Street. .2 Poster .1) L to R Kerry Cox (Vice Chancellor); Brendan Nelson (Federal Minister - Education); Chancellor David Caro; Steve Bracks, Premier of Victoria. Photographer Ian Reiduniversity of ballarat, camp street, victorian government, commonwealth government, ballarat fine art gallery, police station, courthouse, public library, post office, art gallery ballarat

.1 - Wall Calendar - 2007 - wire spiral bound along top edge, semi gloss paper, with cover and each month featuring various Yarra Trams employees and with tram and other photographs by employees. Names listed in key Associations. Has a hole in the top edge. Features trams 909 (100 years of electric trams), 5016, 210, 881, VR 53 and 40 at St Kilda, model trams at Kew Depot 75th, 2071, 3012, Power control room in 1938, City Circle car at Tram It, 2006. See Reg item 3017 for the photograph of VR53 donated by Ian Bryant. Two copies held. .2 - A4 photocopied sheet - "Yarra Tram Calendar Tram Photo Entry Form" for the calendar, giving entry conditions, closing date and address entries to be sent to. .3 - Pamphlet DL full colour advertising the calendar event and the prizes associated with the contest. See htd1171i2.pdf for full copy of calendar.trams, tramways, yarra trams, calendar, employees, drivers, 100 years of electric trams, st kilda railway station, victorian railways, kew depot, carlton control, tram 909, tram 5016, tram 210, tram 881, tram 53, tram 40, tram 2071, tram 3012

96 p., illus., maps.non-fictionA pictorial history of Melbourne, illustrated with both old and new photographsmelbourne, yarra river

Newspaper article from "The Weekly Times", about Ian Appledore's ultra fine wool which brought a record price, through his broker Victorian Producers' Co-operative.wool sales, jackson, mr keith - victorian producers' co-operative limited, appledore, mr ian - kadinia jackson

Made by Godfrey Hirst and hand embroidered by Wendy Hillman. Given to Ron and Sylvia Maidment for Ian Maidment (donor) by Mr and Mrs Buckley, Bordertown, South Australia in April, 1948.Light blue wool baby blanket embroidered with pink and white flowers, a white rabbit and two white mushrooms.An all wool Exclesior baby blanket by Godfrey Hirst Geelong hand embroidered by Wendy Hillman 30" x 40"embroidery, maidment, mr ian maidment, ms sylvia

Photograph was found on the road at the junction of Jacks Road and the Murray Valley Highway by Ian Stones, a member of the Rutherglen Historical Society. We do not know the identity of the man with Slim Dusty.Photo of Slim Dusty & unknown man ?slim dusty