Letter to Barry Secombe, Manager Community Services, from George Ellis, for the Proposed: Hercules & Energetic Mine Project. Letter dated 21 June 2005 and printed on a brown Long Gully Neighbourhood Centre Inc letterhead .Mentioned in the letter, The History Group wish to install a plaque on the Linear Park walking track near Creeth Street Long Gully to acknowledge the site (not the Shaft) of the Hercules and Energetic Mine formally the Energetic Mine. It is also mentioned that Sir John Quick once worked at this mine before he went to University. There is a suggestion of where the plaque could be located.bendigo, history, long gully history group, the long gully history group - proposed: hercules & energetic mine project, long gully neighbourhood centre inc, barry secombe, city of greater bendigo, the long gully history group, energetic mine, sir john quick, bendigo evening news, prof geoffrey blainey, melbourne herald january 2nd 1986, george ellis

A Frank Sugg 'Court' tennis racquet with solid convex throat, and fine-grooved handle with fish-tail butt. Model and manufacturer's names impressed across the throat and along the shaft on the obverse, respectively. A circular cavity across the throat on the reverse may have contained a medallion featuring manufacturer's details, similar to the decal situated immediately below. It reads: RES[TR]UNG/FRANK SUGG LTD./LOR[D S]T. LIVERPO[OL]/S[H]EF[F]IE[L]D/.../C[ARD]IFF. Materials: Wood, Lacquer, Glue, Metal, Gut, Inktennis

A wooden racquet with an open throat, split by a steel threading shaft, with inscription: CRAVEN. PAT. The base of the head on both sides features the decal inscription: SHUR-TITE. The stem on the obverse features a decal logo, in gold, red and black, of a dog above a diamond device. Inscription within and below device: D & M/.../SPORTING GOODS/MADE IN/U.S.A. Logo also features on red butt cover, impressed in gold. Inscription along right side of stem: MADE BY THE DRAPER-MAYNARD COMPANY/PLYMOUTH, N.H. Materials: Wood, Glue, Lacquer, Metal, Ink, Gut, String, Leather, Clothtennis

A concave wooden racquet with red, black, and gold whipping and stem wraps, and short, leather handle grip. Inscription across base of head on obverse: AEROFLIGHT. Company monogram 'B' situated below on throat. Inscription across base of head on reverse: "BENTLEY"/NIAGARA/FALLS. Decal of company coat-of-arms below on throat. Inscription along right side of stem: MADE IN CANADA, followed by patent details. On left side of stem: SPRING DRIVE SHAFT. Materials: Wood, Nylon, String, Metal, Ink, Glue, Lacquer, Leather, Cloth tape, Adhesive tapetennis

A Davis Classic II tennis racquet, with string whipping around shoulders and ribbon whipping around shaft, and leather handle grip with patterned perforations. Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on reverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on obverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, String, Leather, Adhesive tape, Paint, Rubber, Ribbon, Fibreglasstennis

A Dunlop Maxply tennis racquet (.1), with plastic ribbon whipping around shoulders and shaft, and 'Eternyl' polyamide (nylon) stringing. On the obverse, the Dunlop Maxply trademark features across base of head and throat. Dunlop logo in arrowhead device features across base of head, on reverse. Dynamic 'D' trademark features on red butt cover. Racquet head cover (.2) features white Dunlop logo upon burgundy background. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Cloth, Metal, Plastic, Paint, Synthetic materialtennis

Two-part object. (1) A Dunlop 'Lady Maxply Fort' model tennis racquet, with whipping on shoulders & shaft, handle wrapped in Dunlop-branded leather, and a plastic butt cap impressed with manufacturer logo. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Wilson branded strings. Handle has original plastic packaging wrap. (2) White vinyl racquet head cover with silver zipper, and printed with manufacturer logo and name in blue & red. Materials: Wood, Vinyl, Adhesive tape, Leather, Ink, Plastic, Painttennis

A Wright & Ditson 'Championship Red Ribbon' tennis racquet. String whipping around shoulders and around base of throat. Racquet model name 'RED RIBBON' , printed along throat on obverse and model name 'CHAMPIONSHIP' printed across throat on reverse. Manufacturer name and place of manufacture printed on right side of shaft. Octagonal fine-grooved handle , with leather end wrap and butt cap. On butt cap is printed 'HIGH QUALITY/JC HIGGINS/TRADEMARK/SPORTING GOODS'. Net strung in diagonal formation. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Stringtennis

A Wright & Ditson 'WLS Blue Streak' tennis racquet. String whipping around shoulders and base of throat. Racquet model name 'BLUE STREAK', printed along throat on obverse and model name 'WLS' printed as lightning bolts across throat on reverse. Around the 'WLS' emblem there are three circular designs with 'SR/Co' (retailer name) contained within each. Manufacturer name and place of manufacture printed on right side of shaft. Octagonal fine-grooved handle, with leather end wrap. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Stringtennis

A Spalding 'Tournament' model tennis racquet, featuring vinyl stringing, leather wrapped grip and plastic butt cap. Manufacter's 'star within a circle' logo features on throat and butt cap. Model name printed on right shoulder on both sides. Manufacturer logo printed on butt cap. Manufacturer name printed along shaft on both sides. Wilson Championship brand printed on net strings. Blue sticker on handgrip says 'INSPECTED BY/2'. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, String, Adhesive tape, Fibre, Paint, Plastictennis

Climax geared locomotive No. 1694 in active service on special occasions - stored at Emerald Station A Miraculous Survivor Climax locomotive No.1694 is a miraculous survivor of a rare breed of steam locomotive. For about 100 years from the mid-1850s sawn timber was carted from Victorian sawmills to the nearest railway station by timber tramway. These tramways were generally very rough, steeply graded, sharply curved, and of narrow gauge. Many had wooden rails, and horses provided haulage. The better ones used steam locomotives. In all about fifty steam locomotives are known to have worked on Victorian timber tramways. These locomotives were usually somewhat peculiar - made to cope with arduous, rough conditions, rather than speed. Climax locomotive No.1694 is the only one of these locomotives to survive intact. It was built in 1928 by the Climax Manufacturing Company, Corry, Pennsylvania, USA, for the Forests Commission of Victoria. The distinctive feature of the Climax locomotive is that the cylinders do not directly connect to the driving wheels. Instead they drive a cross shaft near the centre of the locomotive. From there the drive is transmitted to the small driving wheels through rotating shafts, universal joints, and bevel gears. The driving wheels are mounted in two four-wheel bogies so that they can easily follow sharp curves in the track. None of these features are found in normal steam locomotives. The result is a locomotive that is extremely powerful for its size, and that will cope with sharp curves and steep grades with ease. But this is at the cost of speed, Climax locomotive No.1694 is just about flat-out at 13 km/h (8 mph). Climax Locomotive Built in 1928 for the Forests Commission of Victoria and painted all-over black with the name CLIMAX painted on the sides of the cab in white block letters, this locomotive was issued to the Tyers Valley tramway which branched off the Moe to Walhalla line at Collins Siding. This locomotive was withdrawn from service in 1949 following the closure of the tramway and in 1950 it travelled from Tyers Junction to Collins Siding to Erica where it remained stored until 1965. Loaned to the Puffing Billy Preservation Society for its Steam Museum, it was taken to Menzies Creek in 1965 where it remained until 1982 when the Emerald Tourist Railway Board bought it and transferred it to Belgrave for restoration. It was returned to service for special use on the Belgrave to Gembrook line in 1988 painted in its original all-over black livery, except that the word “Climax” on the sides of the cab was now painted in the style of the Climax Manufacturing Co., a style that this locomotive had never carried.Historical - Industrial railway - Forests Commission of Victoria, Timber Logging Climax Locomotive Climax geared Steam locomotive made of steel and wrought iron Climax 1694climax locomotive works, climax, geared steam locomotive, puffing billy, climax locomotive no. 1694, steam locomotive

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Workmen working inside one of the tunnels. 2-Workman drilling in West Kiewa Tunnel 3-Junction Dam wall construction 4&5-2B&W photographs Kiewa House residents ready to go to a ball in Mt Beauty 6-Workmen warming up in front of a fire at No 1 bench 7-Workmen being hauled in at No 4 P.S Shaft 8-No 4 Power Station – Drilling 9-Workmen eating a hot meal in the tunnel. 10-2 photographs (a)Pretty Valley camp showing workman’s huts and construction materials & (b)Worker in Langford Gap Basalt Hill Tunnel face 11-Tunnel entrance (unlabelled) with rail tracks in foreground 12- Workmen drilling at No 1 Head race tunnel-Drilling face 13- No 1 Power Station 14-Workmen at the entrance to one of the SECV tunnels under construction 1-SECV number at bottom of picture Half obscured possibly K8461 Page number 53 2-In West Kiewa Tunnel Page number 54 3- Construction of Junction Dam wall – approximately 1941 Page number 55 4&5- Residents of Kiewa House at Bogong ready to go to the ball at Mt Beauty-1946. Handwritten on a copy of the photo on opposite page Mrs Lorna Crosset filled out the names *Dad was Des Crossett – his daughter is Gael Petcopoulis Greta engaged to John broke it off. Charlie, Rosalind, Bill, Priscilla, Max Lawrence-Dad’s Boss, Mary & Max married, Mary, Kay, Gwen McPherson Mum’s boss, John McCluskey (c) At No. 5 Bench Page number 56 6- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 27.2.51 Time:2.15pm No K6373 Kiewa Hydro Electric Works No. 4 P.S. Shaft – Haulage of men in buckets (b) As above Handwritten at top of photo Appendix 4 page number 57 7- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 6.6.52 Time:… No K7122 Kiewa Hydro Electric Works No. 4 POWER STATION – DRILLING page number 58 8-No markings page number 59 9-(a)Handwritten under photograph Approx. 1948/49 (b) STATE ELECTRICITY COMMISSION OF VICTORIA Date: 28.10.54 Time:.. No K7860 Kiewa Hydro Electric Works LANGFORD GAP BASALT HILL TUNNEL FACE Page number 49 10-(a) No markings 11- STATE ELECTRICITY COMMISSION OF VICTORIA Date: 20.3.52 Time: No K6979 Kiewa Hydro Electric Works No. 1 HEAD RACE TUNNEL – DRILLING FACE (E.E.E. CONTRACT) ‘The Frenchies’ (E.E.E) as they were affectionately known Page number 50 12-31.5.56 No. 1 Power Station Aggregate Stock Piles. Page number 51 13&14-No markings Page number 52 secv; kiewa hydro electric scheme; bogong; mt beauty; construction area

Typed copy of the Bendigo Gold Fields , collected and arranged by V. R. Dwyer, 1968. On front cover: Australian Gold Production Bendigo Gold Field. Image of tin dish washing. Cover has an image of two people tin dish washing. Notes include a brief history of gold in Australia, Bendigo Goldfield yields, Bendigo Gold Nuggets, Victorian Nuggets, gold prices, yield for the years 1851 to 1890, lines of reef, mine shafts and depth, location, public buildings and organisations and mines listed for each reef. Typed copy of this document is held in Folder 130, number 3621.18.cottage, miners, mining in bendigo, bendigo gold fields index, v r dwyer, strzelecki, edward hargreaves, thomas hancock, henry frenchman, wittscheibe, ballerstedt, fortuna villa, george lansell, the rocks, victoria nugget, dascombe nugget, welcome stranger, welcome nugget, canadian nugget, sarah sands, lady hotham, maryborough, heron nugget, blanche barkley, vicount canterbury, precious nugget, poseidon, gold prices, gold yield 1851 - 1890, location of shafts, mechanics institute, old masonic hall, court, st killians, forrest st methodist church, hospital, baptist church, bendigo gas company, st andrews presbyterian church, bendigo benevolent home, railway, st marys church of england, bendigo m p building society, st pausl church of england, high school, city family hotel, fire brigade, b u f s dispensary, synagogue, beehive store, school of mines, bendigo miners association, st marys convent, dr backhaus, st mathews long gully, salvation army, post office, art gallery, sacred heart cathedral, eaglehawk town hall

File memo, from D.F. Evans, 3 August, 1983 re Central Deborah Tourist Mine Study, discussing the report from John Reynolds now lodged in the Preston Library. Main aspects of concern in report to Bendigo Mining NL are: 1. Proposal to redevelop shaft and establish tourist access 2. Calculation of volume of water in old flooded workings in North Deborah, Deborah, South Deborah and Deborah No. 2 mines 3. Volume of water involved in dewatering Central Deborah to 90m below the surface 4. Long term pumping reate required to control groundwater influx, estimated to be 90,500 gallons/day.bendigo, gold mining, central deborah gold mine, central deborah gold mine, dewatering, ground water, mining, bendigo mining nl

Reports to Directors of Snowball Gully Gold Mining Co re Mining Details and Winding Up (sale); 1. 10 pages of details of mining progress (shaft sinking, drives etc) in the period 1905 - 1907 submitted by D Gummell, Manager; 2. Two pages listing the tools and implements on the mine when closed with attached letter to Directors (31/10/1907) submitted by D Gummell, Manager. Note: comment by Ralph Birrell on this second document (19/3/2013) - he observes that the sale of ''68 drills'' on the submitted list indicates that at this mine in 1905/07 they were still using drills and hammers.document, gold, snowball gully gold mining company, snowball gully gold mining company. d. gummell. ralph birrell.

Used by the Mah Meri people, Kuala Langat, Selangor (Malaysia), 1936. While Malaysian, this blow-gun is analogous to that used by Indigenous groups from South America with curare. The gun is of bamboo, with a highly polished inner tube of the same. The darts are reeds, made directional by knobs of a tudor wood, with poison made from the ipoh tree and the Strychnos vine The blowpipe examined in this report consists of a long bamboo tube with engraved floral motifs on the outside and a second bamboo tube inside. The mouthpiece is attached to the inner tube and the whole piece can be removed from the outer casing. There is a quiver, filled with darts, a small poisons receptacle, and a single dart and hollow bamboo tube, stored outside the quiver. The objects were donated as a whole to the museum in 1948 by Dr Thomas Edward Marshall. The engravings on the outer case originate from the Mah Meri community in Kuala Langat, Selangor, Malaysia. The floral ‘motif is of a vine with small incisions to reflect the properties/identity of the plant (poisonous/harmful)’. These motifs are generally handed down through the generations and can be used for kinship identification. They are also believed to enhance the performance of the blowpipe. The outer casing is made up of several pieces of bamboo fused together. Broken or damaged blowpipes were not discarded. Broken sections of a pipe could be removed and replaced as required, and the observably different bamboo sections suggest this has taken place at some point. Sap from the perah tree is used to seal or glue the pieces together and the glue is reversible by heating. The Mah Meri created a poison from the ipoh tree for use in hunting. The poison acted swiftly to kill the animal and did not result in secondary poisoning. The way in which the Mah Meri hunted is analogous with other blowpipe hunting practices elsewhere in the world. Blowpipe hunting practices represent a starting point for the introduction of standardised muscle relaxants into surgery during the 20th Century. In parts of South America, plant poisons were used to tip the darts and kill prey. These poisons are known as curare. The crucial ingredient in curare was Chondrodendron tomentosum root. Raw curare formed the basis for Intocostrin, the first standardised, mass produced muscle relaxant. The introduction of muscle relaxants dramatically changed surgery, allowing for more precise surgery and better patient outcomes. Bamboo blowpipes can be found in many museum and heritage collections, particularly those with strong colonial origins or influence. Blowpipes from Borneo seem to be well represented, along with those from Guyana. Blowpipes from Malaysia appear to be less common. More research is required to establish the rarity or representativeness of the blowpipe. Ownership of the blowpipe can be traced back from the museum to Dr Thomas Marshall. It has also been established the blowpipe’s point of origin is among the Mah Meri people of Kuala Langat, near Kuala Lumpur. There is no information regarding the way in which Marshall came into possession of the blowpipe. Provenance cannot be fully established. Despite these difficulties, the blowpipe represents a full set of hunting implements. It is accompanied by a quiver, also decorated with a floral motif, a set of bamboo darts, and a poison receptacle. The quiver also has a waist strap which enabled the owner to strap it to themselves, preventing its loss while hunting. Each object within the set is in good condition, although the inner tubing is beginning to split lengthwise and should not be removed from its outer casing. While the blowpipe and accompanying objects are not of South American origin, the techniques and poisons used are analogous and this object has high interpretative capacity. Hollow bamboo blowpipe with mouthpiece at one end. Two different types of organic fibre have been used at difference points along the shaft to secure different segments of the blowpipe. The item consists of two tubes a thin and unpolished inner tube that has degraded and can no longer be removed, and a polished and decorated outer casing. The outer casing is made up of different sections of polished bamboo, some pieces have developed a deep red hue which is likely the result of prolonged polishing and regular heating over many years, other sections are a lighter yellow indicating that they are newer pieces of bamboo. The entire outer tube is covered in a varied sequence of genomic patterns. The exact meaning of these patterns is unknown however they are passed down through family lineage, the exact family of origin is unknown. Connected to the mouthpiece if it is removed from the inner casing is a piece of cloth with the numbers 2241 written in black ink, their purpose is unknown.curare, malaysia, bamboo

A Wright & Ditson 'Mercer Beasley Signature Model' tennis racquet. Lower head painted white, throat painted black. Leather and braiding reinforcements around shoulders and around base of throat. Racquet model name, manufacturer name and words 'FIBRE/SEALED/THROAT' printed across throat on obverse and reverse. Manufacturer trademark printed on shaft on reverse and obverse. Handle spiral-wrapped with leather grip, with plastic tape sealing top of grip. Leather end wrap. White butt cloth featuring manufacturer initials. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis

A Wright & Ditson 'All American' model composite wood racquet with open throat and octagonal handle. Spiral-wrapped perforated grip tape sealed at ends with plastic tape. Striped plastic reinforcement at top of grip. Striped plastic reinforcements and white paint around shoulders. Green painted section on shaft with gold writing on obverse: WRIGHT & DITSON/CHAMPIONSHIP QUALITY and on reverse is manufacturer's name and icon. Manufacturer's name and racquet model also printed in cursive script across base of head on both sides of racquet. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Nylon, Plastic, Painttennis

Colour photographs, seventeen images on nine page. Images labelled as follows : 1. North New Moon shaft - natural discharge point of Garden Gullly line 2. Actual exit to surface from beneath mullock at North New Moon shaft. 3. Looking into Deadhorse Gully from mullock heap at North New Moon site. 4. Deadhorse Gully downstream of WMC Weir. 5. Sydney Creek track crossing - impassable ford. 6. Sydney Creek looking downstream from ford. 7. Sydney Creek looking upstream from road near Recreation Reserve (12 inch pipe under road). 8. Sydney Creek looking downstream from same point. 9. Sydney Creek - Camp Road, looking upstream.. 10. Sydney Creek - Camp Road, looking downstream. 11. Sydney Creek - Camp Road Culverts. 12. Sydney Creek - Pyramid Road Bridge, looking upstream. 13. Sydney Creek - Pyramid Road Crossing looking downsteam. 14. Sydney Creek - rail crossing, looking upstream. 15. Sydney Creek - rail crossing, looking downstream. 16. Sydney Creek - Airstrip road, looking upstream. 17. Sydney Creek - Airstrip Road, looking downstream 12 inch pipe under road. Lined paper, in blue pen 'Deadhorse Gully-Sydney Flat Creek, March 1986, Photos of Deadhorse Gully/Sydney Flat Creek'kangaroo flat gold mine, deadhorse gully, sydney flat creek, unity mining, water discharge, north new moon, camp road, pyramid hill road, eaglehawk

Handwritten notes from the Bendigo Advertiser 22/6/1910, listing the mine, Gallons baled, Deepest depth baled from, Total amount Rec'd, ? ? Coy for Financial Year ended 30/6/1908. Mines mentioned are: New Chum Railway, Eureka Ext'd, New Chum Con'd, Lazarus, Garibaldi, Lansells 180, Victoria Quartz, Lansell's 222, New Chum & Vic., Shamrock and New Shenandoah. Note along the side: re - Vict Quartz Inrush Water. Adv. Wed. 22/6/1910. (b) Handwritten notes on the New Chum Drainage Ass'n 1905 - 1908 from the Bendigo Advertiser 22/6/1910. Listed is the Year, Water Raised (Gallons), Total Amount Re?ed and Amount Re? Coys. The New Chum Drainage Ass'n was formed in 1901 and practically ceased to exist in 1908. Victoria Quartz at time of inrush of water on Tuesday night, the shaft had reached a depth of 4,614 feet. Water has since risen in the shaft to above 4,154 ft plat & the large workings at 4,254 feet, and 4,154 feet have also been t filled. As there are no reef workings from 4,154 to 3,424 feet the water will no doubt rise rapidly until that level is reached. Document from Albert Richardson Collection of mining history.document, gold, drainage problems, new chum drainage association, drainage 1905 - 1908, bendigo advertiser 22/6/1910, victoria quartz, new chum railway, eureka ext'd, new chum con'd, lazarus, garibaldi, lansell's 180, lansell's 222. mew chum & vic, shamrock, new shenandoah

Margaret Malone was associated with a kaolin mine at Mount Egerton. WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." (WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." (Adelaide Observer, 31 August 1929.)Hand written letter from Margaret Malone of the Mount Egerton Mine.Mount Egerton Mine February 10/14 The Manager Mining Dept Dear Sir, Last Monday week, I left with Mr Martell, a parcel of stone to be treated, requesting that cost of treatment, be deducted from some and balance of gold be forwarded me to above address. I was informed, this would occupy about a day or so, but not having received any communication so far, I shall be glad to hear from you are same. Yours faithfully Margaret Malonemargaret malone, female mine manager, kaolin, mount egerton, women

A spring cart is a two-wheeled, one-horse cart, often with the driver standing up to drive it, and otherwise seated on a simple seat. Carts like this one had springs to make the ride smoother. It is a lighter version of a farm dray and is sometimes called a spring dray. Spring carts were often used on farms for carrying loads. In the towns, some businesses used a spring cart for deliveries of bread, milk and other goods. The carts would be used for travel and for families going on outings and picnics. Visitors to Flagstaff Hill Maritime Village from 1986 to 1992 would enjoy watching a Clydesdale horse named Duke as he worked around the village with his driver Pat McGowan. He would be hitched to a wagon or to this lightweight spring cart or sometimes he would pull the wagon with the cart attached as a trailer. The cart was used for maintenance, carting loads of timber or stone around the site or from town to Flagstaff Hill. Sometimes Duke and the cart would take visitors for cart rides around the Village. Pat McGowan was known for his restoration of horse-drawn vehicles including this spring cart. He already had 40 years of horse handling experience when he began looking after Duke, feeding and harnessing him and driving the horse and cart around the Village. Pat’s dog ‘Yabbie’ would often join them. In August 1992 Duke had to be put down. Warrnambool Veterinary Clinic and other fund-raisers began well-supported appeals and the beloved horse was replaced by a Clydesdale also named Duke (the second), who began work in late October 1992. He, like his predecessor, had a quiet temperament and was comfortable in the traffic. The spring card is an example of vehicles used on farms, for business delivery and for domestic transport in the late-19th and early-20th century. This cart is of note for being associated with the Clydesdale horse Duke which pulled the cart around Flagstaff Hills in the 1980s and 1990s, representing transport of that period.Spring cart; two-wheeled cart with shallow box tray and plank seat bolted across the front. Wheels have metal rims and fourteen (14) wooden spokes. A plank is bolted from side to side. A decorative metal step is on the cart's left and has acorn cut-out shapes in the plate. Both wheels have a brake block that is operated by a lever on the cart's right. The cart has eight-leaf suspension from front to back. The box tray is painted blue and has decorative pale yellow detail. Each shaft pole has has a handle fitting on it. (Horse equipment with the cart is a leather covered, straw filled collar.) flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, springcart, spring cart, jingle, horse-drawn cart, one horse cart, two-wheeled cart, dray, spring dray, wagon, transportation, travel, cart, duke, clydesdale, pat mcgowan, delivery cart, yabbie, cartwright, horse-drawn vehicle, transport, horse cart