Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.Tea cup with gold border at rim and gold handle. Hand painted with three swallows by Margaret Amess."M.A./1909"tea cup, margaret amess, churchill island

Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.Saucer with gold rim and decoration, 2 swallows and 10 stylised birds. Hand-painted by Margaret Amess.saucer, margaret amess, churchill island

Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.Plate with gold border at rim and gold inner circle. 5 swallows and 3 stylised birds hand-painted by Margaret Amess.plate, margaret amess, churchill island

Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.1 black and white print of a photo showing Margaret Amess (approximately 70 years old) sitting on a chair by a closed-in verandah covered in wisteria at her home in Elsternwick."MONTEATH"margaret amess, elsternwick, samuel and jane amess

Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.1 sepia toned head study of Margaret Amess, face turned to left."MONTEATH"margaret amess, samuel and jane amess

Exhibition of paintings by Arthur Boyd, Sidney Nolan, John Perceval and Albert Tucker at the Museum of Modern Art of Australia, Oct 17-Nov 14, 1961arthur boyd, sidney nolan, john perceval, albert tucker, australian painting, walsh st library

Original painting found in a house at the corner of Bell Sreet and Park Lane, Torquay showing the J H Scammell on the rocks at Point Danger,Torquay in 1891. A contemporary record of one of many shipwrecks on the south coast of Victoria.Sepia photographscammell, shipwrecks great ocean road victoria

The photograph was taken when children at Bulla Primary School enjoyed a Fun Day. On that day a variety of fun activities featured which included face painting.Two girls with painted faces are posing for the camera.bulla primary school, schoolfun days

This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Barongarook was the winner in 1964. This series of plaques were painted by local artist Leslie Lamey and depict the colours of the winning jockey.They originally were in the Members' enclosure at the Warrnambool Race course.These plaques have local sporting ,historical and social significance..1 White painted metal plaque with painting of jockey silks , White jacket front with red Maltese cross and blue sleeves and cap. dabs of black paint .2 Silver metal plaque with engraved black text. .1 " Barongarook" in red texta on back of plaque. .2 Mr R C Williams Barongarook Winner of the Grand Annual Steeplechase 1964," engraved in black text.barongarook, warrnambool, grand annual steeplechase

Doctor “Weary” Dunlop as he was known was an Australian Doctor well known for his work as a POW of the Japanese.Brown & gold ornate timber frame. Photographic print of a painting, 3/4 length portrait of SIR EDWARD (WEARY) DUNLOP dressed in a lounge suit. Australian flag draped, bunch of flowers, book on table in the background. Signature in gold print bottom R corner.photography-photographs, frame accessories, doctor, weary dunlop

The cards were sent to Geoff Murray by Sister Augustine from the Baria Orphanage South Vietnam. On Geoff's 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70 he was a great supporter of the Orphanage with food and rations. Refer 594.2, 610.2P, 611.8 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68, refer 638P..1) Christmas card with scene of Vietnamese village. .2) New Year's card with paper cutout birds and pressed flowers. .3) Christmas card with painting of birds and nativity scene on cover and pop-up nativity scene.documents-cards, natural history specimens-botany, vietnam

CD Rom featuring the work of University of Ballarat, Bachelor of Visual Arts (Fine Arts), Bachelor of Arts (Visual Arts) Honours, including Painting, Drawing, Multi-discipline, Ceramics/3D. Held in clear plastic sleeve.university of ballarat, federation university, visual arts, arts academy, camp street campus, bachelor of visual arts (fine arts), bachelor of arts (visual arts) honours, including painting, drawing, multi-discipline, ceramics/3d.

British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships

Exhibition in the Arts Company in 1999?Painting of a fanciful show with chunky high heel, resting on a rocky sea bed, Shoe is fitted with portholes, and periscope like a submarine. The sea is full of stylised red fish, and more fish can be seen in the show itself.Front: (no inscriptions) Back: (no inscriptions)

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

Bendigo Our Golden Past. Signed by Ken Arnold 2007. History of Bendigo. Photographs: black and white. Street maps, copy opf painting. 80 pages. Signed by: Ken Arnold, December 2007. 80 pages.Ken Arnoldbendigo, history, bendigo & district, history of bendigo

Deaf Children Australia have a complete set of Annual reports from 1863 to the present date. Annual reports document the activities of the organisation, including educational issues, finance, staffing and students. Annual Reports are created each year.This represents part of the complete official history of Deaf Children Australia from 1863 to the present date, covering the subject of deaf education and related issues.Red Leather (?)and linen(?) bound volumwith gold painting containing Annual Reports of the Victorian School for Deaf Children (V.S.D.C) First report: 1999. Last report: Annual Rewiew 2007/2008. Includes financial reports.Front Cover: "VSDC Services for Deaf Children". Spine: "Reports VSCD 1999-2008". Cover decorated with gold paint and brown leather inserted under title.deaf children australia, deaf education, deaf services queensland, annual report

Painted by Shirley Jones , a local Artist in 1978Oil painting of Vermont Primary School No. 1022 of the 1880's Shows school with three children in foreground. Two small children kneeling in front Background has a bush scene with figures on a horse Picture is in a wood framehandcrafts, hand painted

Yields information about the problem with the cyclists at depot junction.Newspaper clipping from The Courier, Ballarat, 19/12/2009, titled "Painted tram crossings warn cyclists" about the sandblasting of the rail head and painting lines on the roadway to reduce the potential for cyclists slipping on the rail head.On rear "19/12/2009" in pencil.wendouree parade, depot junction

Sold as a souvenir of Mt Buffalo. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mention in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg. 114. Historica) "Souvenirs in relation to the chalet were perhaps first mentioned in December 1912, when enterprising locals, Mr J Pass of Porepunkah and Mr C Walker asked for permission to use timber on the mountain for making ornamental souvenirs . The government was agreeable to the ide and soon afterwards PWD chief architect George Austin went to Mount buffalo to make arrangements for supply of the timber, They proposed to make wooden egg cups, small boxes and photograph frames to sell to tourists, small items that' will serve as an advertising medium of the famous mount'" (Pg. 113.Historica) ' Fig 123. Bookends MBC0319,serviette rings MBC0217.2,eggcup MBC0218 and ashtray MBC0205 made of mulga, a wood from particular types of wattle tree that grow in arid climates. Souvenirs crafted from mulga became popular in the post WW2 years' (Pg 117. Historica) Purchased in a second hand shop and donated to MBC. Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Two matching mulga wood book ends. They form a sphere when placed together. Hand painted motif and inscription on each. Painting of a skier dressed in colourful clothing on each and "From Mt Buffalo" painted at the base. "From Mt Buffalo"

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. Colour painting of red poppies at bottom right with the words 'THE ETERNAL GOD IS THY REFUGE' Above is an attempt to handwrite the same words in pencil. Undated. On the back 'Ruby Grey, Crusoe Road, Big Hill, Sunday' written in black ink and blue pencil. postcard, collector, alice mcgregor

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18

The Heidelberg School Artists' Trail extends from Heidelberg through Eltham and Warrandyte and to the Dandenongs. It features signs depicting paintings of artists in the location in which they were painted. 35mm colour positive transparency Mount - white 7 dots (Technodia Italy)heidelberg school artists trail, old bridge, public art, walter withers, warrandyte, warrandyte bridge

Picture on cover is actually of Dick Henderson, New Zealand Medical Corps, who is often conflated with Simpson. Simpson was also known as Murphy, hence the title of the painting.Hard cover, blue buckram, gold print on spine. Dust cover, black print on front and spine, red print on back. Watercolour image of "Murphy and his donkey" on cover, black and white image of Australian stamp on back. 95 pages, plain, illustrations and black and white photos. Biography of John Simpson Kirkpatrick.Handwritten in dark blue on front end paper "Donated by Bgo "Y" Men's Club". Black RSL stamp.books- biography, military history - army

"Artist Hilary Jackman gets her kicks from looking at life, a fascination that has given her paintings a distinctive style." Digital scan of magazine articleDigital fileartist, hilary jackman, eltham