Four colour photographs of the Society's 40th Anniversary celebrations held in the old Courthouse. Two photographs show Harry Gilham making a speech from the Witness stand and to the side of it.edhs

Four colour photographs of the Society's 40th Anniversary celebrations held in the old Courthouse. Two photographs show Harry Gilham making a speech from the Witness stand and to the side of it.edhs

Four colour photographs of the Society's 40th Anniversary celebrations held in the old Courthouse. Two photographs show Harry Gilham making a speech from the Witness stand and to the side of it.edhs

Four colour photographs of the Society's 40th Anniversary celebrations held in the old Courthouse. Two photographs show Harry Gilham making a speech from the Witness stand and to the side of it.edhs

Coloured photo of Mr. George Cox, State Member for Mitcham and Mr. Warwick Shortland, President of the Nunawading Historical Society replying to Mayor's Opening address for the Museum building.cox, george, shortland, warwick, brown, albert, museum, nunawading historical society

A newsletter for Legacy girls begun in March 1936 intended to record the doings of the Girls' Club. Included articles, poems, competitions and letters to the Editor. Ceased in May 1937 due to lack of support. In June 1936 it was decided to charge 1d per copy, increased to 1 1/2d in 1937. 00078.1: No. 1, 24 March 1936 00078.2: No. 2, 21 April 1936 00078.3: No. 4, 30 June 1936 00078.4: No. 5, 28 July 1936 00078.5: No. 6, August 1936 00078.6: No. 7, September 1936 00078.7: No. 8, 9 October 1936 00078.8: No. 10, 2 March 1937 00078.9: April 1937 00078.10: May 1937 00078.11: Christmas issue (date not known)Demonstrates the activities specifically of girls in the pre-WWII period and their social expectations. References to Enez Domec-Carre. Girls club newsletters on foolscap paper, black and white, some cardboard, some stapled or pinned (subsequently removed), usually 4 pages. Possibly incomplete.newsletter, girls' club, girls' classes, activities

Interior main hall of Pleasant Creek Court House. Stawell Historical Society member Betty Collins seated and Past President Margaret Mason standing with banner. stawell

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photograph of Thomas Pearce. Taken on July 22nd 1878 by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, thomas pearce, loch ard, photographic society of victoria

1929 saw the establishment of the Ringwood Bowls Club initially located on the land now occupied by the Eastland Shopping Centre. It moved to its current location in Loughnan Road, Ringwood in 1997.Ringwood Bowling Club asking the council for further support to provide shrubs and flowers for Bamford Park and the bowling green area in 1931. Also letter of thanks for 12 pounds, six weeks later.city of ringwood bowls club, ringwood bowling club, ringwood bowls club, lawn bowls, bowling

1985: 8-10 November. General historic theme As per previous years, the Society participated in the Festival Parade with a float to ride on or walk beside. Members of the Victorian Folk Music Club again accompanied us. The Parade started at 12 noon, members assembling prior in Cecil Street at about 11.30 dressed in appropriate period costume.award, eltham community festival, eltham festival, festival parade award, grand parade, shire of eltham historical society, 1985

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A history of Kew produced by the Kew Historical Society to commemorate the centenary of Kewcity of kew centenary, kew historical society

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A history of Kew produced by the Kew Historical Society to commemorate the centenary of Kewcity of kew centenary, kew historical society

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A history of Kew produced by the Kew Historical Society to commemorate the centenary of Kewcity of kew centenary, kew historical society, city of kew, centenary

Undated clipping, source not written on document, but understood to have been cut from the Grenville Standard, July 22, 1911. Briefly describes the inaugural meeting in of the Linton Orchestral Society.linton orchestral society, grenville standard [newspaper], h.b. williamson, miss barry, miss simper, a. todd

Writing on back of photograph, "Heathmont Club".

Black and white photographRingwood Bowling Club. c1950's.

individual oval shaped portraits of the playersblack and white post cardSt Kilda Football Club, 1923

Colour photograph"Written under photograph" Rex Bailey (Skip) and Gordon Chapman. Club Pairs Champions- 1981-82.

Sepia photograph Mr Jim Mulcahy, of Mulcahy Motors of Ringwood was the chief sponsor of the Club and its only Honorary Member.

The badge represents the Victoria Division of the Australian Red Cross Society, which was formed on 21st August 1914 at the outbreak of the First World War. Stokes & Sons of Melbourne made the button. It was made by Stokes & Sons Pty. Ltd. in Melbourne. The maker, Thomas Stokes, migrated to Melbourne from Birmingham in 1854 and set up business in Mincer Lane as a die-sinker, producing medals, tokens, buttons and silverware, and offered an engraving service. He moved to Flinders Lane in 1856. After a time, in 1894, the business became Stokes & Sons Pty. Ltd, electroplates and badge makers at Post Office Place in Melbourne. The maker's mark 'Stokes & Sons' continued to be made on badges up until 1962. This badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. The set of badges is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that he supported. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge; a round metal and enamel badge with a blue band around the perimeter and a silver-edged red cross on a white background in the centre. The badge has a vertical pin on the back. It is the badge of the Victorian Division of the Red Cross Society. the maker was Stokes & Sons of Melbourne. This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Printed within the blue band; “RED CROSS SOCIETY” “VICTORIAN DIVISION” Embossed on the reverse; “STOKES & SONS / MELB” flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, w.r. angus, badge, organisation badge, flagstaff hill maritime museum and village, australian red cross, victorian division, charity, volunteer organisation, w.r. angus collection