Showing 3889 items
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Bendigo Historical Society Inc.
Leisure object - TOYS AND GAMES COLLECTION: CHILDREN'S GAME, early 1900s
Toys and games collection. Tiddly Winks boxed game. Contains wooden cup and assorted coloured discs of varying sizes. Small black box embossed with birds and flowers, with an illustration on top of a hand playing the game.National trade marktoys, general -
Bendigo Historical Society Inc.
Book - BOOK - 1971 TELEPHONE DIRECTORY
A copy of the 1971 Telephone Directory for Maryborough, Ehuca, Bendigo, Castlemaine, Charlton, Kerang Districts, Kyneton area. It feature some purple flowers on the front cover and it also has an ad for Peter's icecream at the back cover.book, rural -
Tatura Irrigation & Wartime Camps Museum
Textile - Lace Collar
Hand Tatted Lace Collar, Circa 1870. Design is mainly tiny flowers. Fine Cotton in a very dark cream colour. Although collar is round, it seperates in one place to allow it to be attached to the neckline with ease -
Tatura Irrigation & Wartime Camps Museum
Magazine, Wild Life, June 1947
Australian nature magazine featuring articles written by POW Adolf Wilke about bearded lizards. Title of article "My Prison Companions" (part 1). Part 2 C7685. Adolf was a POW at Camp 13 Murchison. Article page 207.Soft covered magazine stapled at spine, has black and white illustrations throughout. Front cover features red coloured flower heads (waratah). Title is also in red. Vol 8 no 6. Price 1/-.Miss Joan Graf, 25 Lothair Road, London N4 England Wilkeadolf wilke, my prison companions, camp 13 murchison, pow camps, australian nature magazine -
Tatura Irrigation & Wartime Camps Museum
Clothing - Blouse, Helena Hoefer, 1940's
Used by internees in Camp 3. Made by Helene Hoefer.Beige coloured ladies embroidered blouse featuring european alpine wild flowers. Buttoned down the front with 10 brown gold wooden, shank buttons. Short sleeves. Bodice tapered to a fitted waist line.blouse, traude glenk, ww2 camp 3, ww2 camp clothing, ww2 camp handcrafts, helene hoefer -
Uniting Church Archives - Synod of Victoria
Domestic object - Cup and saucer
CH002.1 and CH002.2 - Blue and white English breakfast cup and saucer with blue oak leaf, wheat and flower in blue together with a blue decorative border. CH002.3 Letter which purports to confirm the provenance of the cup and saucer. -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, tightly designed repeat pattern of abstract flowers in a fan shape in cream on a green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1939
Two Silk Scarves Cream with Black writing & 1 Felt Card Holder bright pink. Flowers and Leaves on front. One pocket for identity card, one pocket for Ration Book. Mrs Lauris McCann stawell clothing material -
Whitehorse Historical Society Inc.
Textile - Embroidered Panel, circa 1930
From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Textile - Pillow Shams
Collected by Adele Grey and owned by Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyTwo White pillow shams (3861.1 and 3861.2) with white embroidery flower design and eyelet work in each corner and oval design in centre. 7cm crochet lace around edge. Make Reg No NA3861.1-2manchester, bedding -
Whitehorse Historical Society Inc.
Photograph, Mullens/Harrison Wedding 1959, 1959
Sepia toned photograph of the wedding of Gloria Mullens and Cliff Harrison in 1959. From left to right - Geoff Spencer, Margaret Fankhauser, bride and groom, Ivan Mullens, Elaine Harrison and flower girl, Janette Mullensharrison, cliff, mullens, gloria, spencer, geoff, fankhauser, margaret, ivan, elaine, janette -
Mt Dandenong & District Historical Society Inc.
Photograph, ANZAC DAY 1952, 1952
The names of five of the children in the photograph were supplied by Betty Munro after viewing the image on Victorian Collections. L - R: unknown boy, Cynthia Ramage, Betty Munro, Marion Moorby, Frances Barton (nickname 'Bubbles'), Joan Wenborn, unknown boy.Copy of a photograph showing children from Mt Dandenong State School at an ANZAC Commemoration at the school in 1952. There are four girls and three boys standing behind the School WW1 Honour Board that is surrounded by wreaths of flowers.On front of photograph: ANZAC DAY 1952 MOUNT DANDENONG STATE SCHOOL NO: 3284mt dandenong school, anzac, honour board, mt dandenong, mount dandenong -
Bendigo Historical Society Inc.
Photograph - BERT GRAHAM COLLECTION: TROPHIES, 18/10/1969
Black & white photograph, Bert Graham Collection, a table with flowers, different trophies, shields, spoon sets, and a drum kit, for the presentation night and banguet Jubilee Year on 18 October 1969, at the Bendigo East Hall.bendigo, clubs, bendigo east progress association -
Bendigo Historical Society Inc.
Functional object - FAVALORO COLLECTION: MUSIC BOX
Brass music box with wooden lining, hinged lid with raised flower design, 4 small bun feet & winder on base, partial sticker of Prescott & Dawe Jewellers Bendigo. Swiss music box movement.Prescott& Dawe Jewellers Bendigo.personal effects, containers, music box -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Kunawarrar Ngaramili (Black Swan Dancer) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Murnong Daisy Cloak (Women Gathering Food) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Traditional Diamond Design, Pick and Gold Cloak (protection and survival of our men and women), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman stands side-on with her right arm resting on her head. The other hand holds a flower. Books are piled in the background behind her. One book has the number 916 on its spine.Nonekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, nude -
Federation University Art Collection
Bookplate, ‘Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is printed on a rectangular umber background. Below the title is an oval shape within which is an anchor and two bunches of flowers. The letters H and P are on either side of the anchor. Below the oval shape are the letters MCMLXXX1.bookplate, printmaking, australian bookplate design award, keith -
Mont De Lancey
Book, Martha Finley (Martha Farquharson et al, Mildred's Boys and Girls, copyright 1886, 1914
A family story of Mildred's life with her children and husband set in the time of the Civil War in America. The Landreths harbour a family of fugitive slaves and fear the possibility of sending fathers, sons brothers and cousins off to fight. Strong religious themes throughout.Tan coloured floral fabric hardcover novel, Mildred's Boys and Girls by Martha Finley (Martha Farquharson) with black lettering for title and author. Spine has title, author and publisher in black lettering and a coloured flower.fictionA family story of Mildred's life with her children and husband set in the time of the Civil War in America. The Landreths harbour a family of fugitive slaves and fear the possibility of sending fathers, sons brothers and cousins off to fight. Strong religious themes throughout.family life fiction, civil war united states, children's fiction, religious fiction -
Mont De Lancey
Domestic object - Bedroom Jug, Unknown
From the home of Mrs Wilms. Large jugs were used in bedrooms to contain water for washing oneself. Many had a large basin underneath it too, but this one doesn't.Large white porcelain bedroom jug with pink and white flowers and green leaves. Fine gold lines are around the top and bottom of the jug and on the ornate handle. Numbers 2266 - 2 are painted underneath the bottom of the jug.2266 - 2 painted underneath the bottom of jugjugs, bedroom jugs, domestic object, functional object -
Vision Australia
Photograph - Image, Tilly Aston
Tilly Aston as a young woman in her 20s. She is wearing a cream blouse with a star badge and a rose corsage. Her hair is up and has flowers arranged in it. Pioneering activist Tilly was the first Australian woman who was blind to attend university, but due to the lack of braille texts she had to abandon her studies. 1 photograph in various tones of Tilly Astontilly aston, association for the blind -
Melbourne Legacy
Photograph, Sir Arthur Harris Statue, 1993
Photos taken in London of a statue of Sir Arthur Harris commemorated for his work in Bomber Command in World War 2. Possibly taken by a Legatee while on a trip to London. It's likely that some Legatees had served in Bomber Command. There is a wreath and some flowers at the base of the statue so there might have been a service there.A record that photos of significant statues and places in London were given to Legacy for the information of other Legatees.Colour photo x 2 of a Bomber Command statue in London.Handwritten on reverse 'Memorial to "Bomber" Harris, Commander of Bomber Command 1942/45. Dedicated in June 92 in forecourt of St Clement Danes Church, The Strand, London.'wreath laying ceremony, statue -
Melbourne Legacy
Photograph, Legacy 50th Anniversary, 1973
A function in Legacy's golden jubilee year 1973 attended the Governor of Victoria Sir Rohan Delacombe and his wife, they are with President Geoff Handbury and his wife, Helen and another couple. Also a photograph of two Junior Legacy performers in costumes presenting flowers to Lady Delacombe at the same event so it is possibly a Legacy Demonstration.A record of a Junior Legacy Demonstration being attended by the Governor of Victoria and his wife.Black and white photo x 2 of the Governor and his wife with Legacy President and others at a function.Stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge / Photo: Michael Cheshire" in try ink.legacy demonstration, governor of victoria, golden jubilee, 50th anniversary, geoff handbury, rohan delacombe -
Warrnambool RSL Sub Branch
Biscuit, Phoenix Co, 1914-1918
This biscuit is called a 'Dog Biscuit' and was produced during WWI. It was part of a rashion kit to accompany another biscuit and a tin of Bully beef. The original owner was presumably a serviceman called Jack was and he created a souvenir for a loved one using another two biscuits, one including an inlaid photograph of himself and the other including an artificial flower decoration.This object is a rare piece. It is rare for items composed of edible goods to remain almost perfectly intact after a century after creation. This biscuit was presumably owned by the servicemand Jack who created a souvenir using another two similar biscuits. This imparts social, historical and research significance to the item.Dry biscuit with impressed inscription.Inscriptions on the front read: "Swallow / (indecipherable word) / Army / Wholemeal / Melbourne" biscuit, military rations, dog biscuit, ww1, world war 1, world war one, the first world war, the great war -
Hume City Civic Collection
Photograph
The aerial photograph shows the market garden situated on the river bend and flat of the Deep Creek at Bulla. In the 19th Century a hotel occupied the site. After World War II the property was owned by the Hughes family, who grew flowers. In 1971 Andrew Vlass purchased the property and it became a market garden until the Vlass family sold it in 1990.A black and white aerial photograph of the river bend and river flat of the Deep Creek at Bulla.scale - 170 feet = 1 inchdeep creek, market gardens, sunbury road, bulla, horticulture, hughes family, vlass, andrew, hotels, george evans collection -
Stawell Historical Society Inc
Photograph, Eden Studios, Mr William John Giles & Mrs Emma Giles nee Unknown -- Wedding Photo
Studio print William Giles in three piece suit sitting on chair with legs crossed and holding gloves. His wife Emma in white wedding dress, white gloves, white shoes and veil has flowers as head dress, wearing glasses. Her right arm is resting on the chair holding her bouquet. Emma is buried at Glenorchy.15998 Giles/18 Eden Photo Studios Melbourne.wedding, clothing -
Port Melbourne Historical & Preservation Society
Photograph - Duke and Duchess of York outside Port Melbourne Town Hall, 11 May 1927
The Duke and Duchess of York (future King George VI and Queen Elizabeth, later Queen Mother) visited Australia in April/May 1927 for the official opening of Parliament House in Canberra. Before leaving Australia they passed through South Melbourne and Port Melbourne on 11 May 1927 stopping for brief civic receptions outside both town halls. The royal couple stood in their open car during both receptions. This photograph shows the royal couple standing in the car with Port Melbourne citizens and dignitaries in front of the town hall. The tall man to the left of the chauffeur is Syd ANDERSON, Town Clerk, Cr William HOWE, Mayor is to the right of the chauffeur with presumably Mrs HOWE next to him. Mrs HOWE presented the Duchess with a bouquet of flowers tied with white ribbons inscribed "Bon Voyage" saying the flowers were a "token of love and loyalty of the citizens of Port Melbourne".Photo of Duke and Duchess of York in open car at a civic reception outside Port Melbourne Town Hall - 11 May 1927. royal visits and occasions, social activities - celebrations, william howe, sydney sims anderson, mrs w howe -
Tatura Irrigation & Wartime Camps Museum
Photograph, Royal Visit Tatura 1954, 1954
Copy of photograph of Royal visit to Tatura, 5 March 1954. The Queen and Duke of Edinburgh were greeted on totally renovated station. decorated with masses of flowers and shrubs. The visit to Tatura of Queen Elizabeth 2 was first by a reigning monarch and no other visit has caused such excitement. The Station was highly decorated and the Royal Cypher in golden flowers mounted on scarlet velvet made a perfect background for the artistic scheme. Dignitaries in photo include: (back row) Crs Youlden, Anderson, Hastie and Maher . (2nd row) Mrs R. Ross, Mrs M. Masters-smith, Mrs Anderson, JOan Hastie, Mrs Lurline Knee, Arthur Knee, Bruce (obscure), Mr A. W. Knee (past shire engineer). (front row) Bill Martin (secretary), Mrs Martin, Duke of Edinburgh, Mrs Brewer, Cr Shire President Brewer, The Queen. Black and white photograph of Queen and Duke of Edinburgh walking up to dais to receive an address of welcome, Tatura Railway Station. 1954Royal Visit to Tatura 5 March 1954. Names of Councillors and wife's also mentioned.royal visit 1954, queen elizabeth 2, duke of edinburgh, tatura railway station, tatura by w. h. bossence -
Warrnambool and District Historical Society Inc.
Handkerchiefs, 1950s
These handkerchiefs come from the estate of Ena Heazlewood. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, who was stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. These items are of interest as examples of the handkerchiefs found in a woman’s collection mid last century and as mementoes of a former Warrnambool resident, Ena Heazlewood. These are seven handkerchiefs. .1 A silk handkerchief with a white centre and a green dot pattern border .2 A white silk handkerchief with an embroidered spray of pink flowers and green stems in one corner .3 A white silk handkerchief with multi-coloured embroidery in one corner .4 & .5 Two white silk handkerchiefs with a multi-coloured embroidered letter ‘E’ in one corner and a fluted embroidered edge. .6 & .7 Two pink nylon handkerchiefs with a fluted edge and an overall impressed pattern of pink flowers and green stems .6 & .7 Nylon Made in Japanvintage women’s accessories, todd & heazlewood families, warrnambool, history of warrnambool