The Grinton Collection. Unknown 38th Bn soldiers at this point. Refer Cat No. 1280 for Jack Grintons service history.Photograph - framed. Photograph - black and white photograph on paper depicts three men (soldiers) seated at a table, playing cards, inside a timber barracks. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 1: Living behind the lines". :1. Game of Cards".framed accessories, camera on the somme, ww1, 38th bn, grinton

Doctor “Weary” Dunlop as he was known was an Australian Doctor well known for his work as a POW of the Japanese.Brown & gold ornate timber frame. Photographic print of a painting, 3/4 length portrait of SIR EDWARD (WEARY) DUNLOP dressed in a lounge suit. Australian flag draped, bunch of flowers, book on table in the background. Signature in gold print bottom R corner.photography-photographs, frame accessories, doctor, weary dunlop

A wooden, protective transit case to suit a plane table compass as used by surveyors and artillery crew. These compasses were used by artillery units of the Australian Military Forces during World War 2. Refer 00330 and 00330.1

This is a photo of the Zumsteins camping area, which was popular with families.The photo shows a group of six people, two standing near, and four seated at, a picnic table. There is a large canvas tent/structure with boxes and tins at the entrance to the left and behind it there is a corrugated iron building. The area is surrounded by bush.recreation, camping, scenery, zumsteins

People at the Boroka Lookout picnic area.Photo shows two men standing close to a picnic table in a picnic area near a lookout (Boroka Lookout). Two other people are standing at the wire fence of the lookout. A valley and distant ranges can be seen in the background.scenery, lookouts

Hand made by Marjorie McKeown for her home.A long rectangular table cloth or runner made from a bright yellow fabric and with smallish embroideries of small cream flowers and dark green leaves. The cloth has a scalloped edge and a small dark yellow crochet border. tablecloth table-runner hand-embrodery table-linen

Duncan McDougall was associated with the pioneering X-rays conducted by the Ballarat School of Mines in 1896. He was in the Mendelssohn Choir, and was associated with Professor Ross from University of Western Australia. The Ballarat Courier reported on 20 July 1896:"The Ballarat Courier reported on 20 July 1896 Thanks to the energy of the staff of the School of Mines Ballarat and particularly to Messers F J Martell and Duncan McDougall the assistance of Roentgen xrays will soon be available, for the relief of suffering at this institution. On Wednesday evening 22 July 1896 a number of ladies and gentlemen witnessed a series of experiments with the Roentgen x rays." Duncan McDougall later worked at the Kalgoorlie School of Mines as a lecturer in physics and mathematics. on 19 February 1905 the 'West australian' newspaper announced: " Mr Duncan McDougall, formerly of the Ballarat, and later of the Maryborough Schools of Mines, was appointed to succeed Mr. Hart. Mr. McDougall had also charge of the branch class at Midland Junction. In both cases his work proved thoroughly good. The alterations in the trades class regulations will cause all the students in these classes to take up the study of this subject. I have every confidence that Mr. McDou gall will handle these large classes as successfully as the classes he had last year." By 1925 McDougall is being reported in the Perth Daily News: "Duncan McDougall, lecturer on electrical engineering and physics at the W.A. School of Mines, put forward a scheme for reducing the cost of mining in Kalgoorlie. He contended it was the duty of the State and Federal Governments to establish a central electricity generation plant in Kalgoorlie and supply power to the mines at not more than 1/2d a unit, at 3/4d per unit for winding only, and at 2d per unit for lighting. He suggested, the transmission of this power over a radius of 25 miles from Kalgoorlie." (06 May 1925)Photograph of a man in a shirt, bow tie and jacket, holding a scroll and wearing glasses. He has two books beside him on a table. The man is Duncan McDougall, and is portrait was taken in the Charlie Farr studio at Maryborough, Victoriaduncan mcdougall, mcdougall, x-ray, xray, xray, ballarat school of mines, choir, mendelssohn, kalgoorlie

Several people sitting at tables with food and drinks and 3 more standing around the room. The room has Christmas decoration all around. A man centre foreground is wearing a blue shirt with the word Billabong in white and pink.Kodakperson, group, gas and fuel christmas lunch

Photograph: black and white photo of staff ( ? ) eating in canteen. Four lines of tables inside long room. On back of photo in purple ink ' Handschin & Ronus, Aktiengesellschaft, Liestal ( Schweiz ) Possibly photo of Swiss Hanro factory.aboveorganization, business, hanro, hanro, manufacturing, factory, canteen, staff

Robert Seipolt was ordained in 1962 and retired 1/02/1995. Eunice Smith was ordained 17/11/1987 and retired 1/02/1991. Cairns Memorial Church was badly damaged by a fire in August 1988.Colour photograph of Rev Eunice Smith and Rev Robert Seipolt standing near the communion table at Cairns Memorial Church, East Melbourne. Rev. Smith is wearing an alb with red scarf. Rev. Seipolit is dressed in a suit.robert seipolt, eunice smith, minister, uniting church, cairns memorial church east melbourne

Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting

Colour Photograph: Interior of courtroom two Australian flags on rear wall, person with false beard and judges wig. person sitting far left with white top near table with crockery. Picture of male on right wall.

Black and white photograph of children from Johnsonville Primary School sitting at picnic table, eating lunch adults also in group cars parked among tall trees in background, probably Log Crossing at Kalimna Victoriaschools

Yields information about the BTPS depot facilities prior the construction of the office and one its workers.Colour print of Stephen Butler, June 1982 in the BTPS depot prior to the construction of the office with many signs and photos on the rear and table which acted as a multipurpose facility - mess room, office etc. Printed on Kodak paper.On the rear in ink is the date "June 1982"trams, tramways, btps, volunteers, depot

Two copies of photographs: top - Easter Float, depicts White Christmas. Bottom 4 women sitting at table, small bell in front. Names on bottom. 'E. Oakes, M. Pinch, J. Fithall, H. Yanner.education, primary, golden square laurel st p.s.

The children in the art class were pupils at Bulla Primary School in the early 1990s. Bulla Primary School was a semi -rural school in the township of Bulla, about 10kms from the Tullamarine Airport. There is no evidence of computers or other IT aids in the classroom as these items did not come into widespread use until 2 decades later.A non-digital coloured photograph of six children in an art class at school. The four visible sets of tables and chairs are strewn with art materials and there are shelves in the background where books, folders and other items are kept along with a guitar. art activities, bulla primary school

Large belt driven bandsaw with wooden frame. Metal upper and lower driving wheels for bandsaw. Upper brass and lower cast iron. Wooden work table and saw guard. In poor working order and blade not fitted.trades, carpenttry

There was a Garzoli family living at 116/118 Windsor Crescent in the 1930s and still there in 1954; there was another Garzoli family also at 18 Windsor Crescent in 1954.This is one of a series of photos that document John Turnbull’s First Communion. They are representative of this important rite of passage in the Catholic Church in the 1950s. The sacrament of First Communion is an important tradition for Catholic families and individuals. Originally this was celebrated when a child was 10, 12 or even 14 years of age, however in 1910, Pope Pius X issued the decree Quam singulari, which changed the age at which First Communion is taken to 7 years old. Traditions of celebration surrounding First Communion usually include family gatherings and parties to celebrate the event. The first communicant wears special clothing. The clothing is often white to symbolize purity. It is more elaborate for girls but boys wear ‘Sunday best’; it could be a suit and tie or even a tuxedo. Many families have formal professional photographs taken in addition to candid snapshots in order to commemorate the event and some churches arrange for a professional photographer to attend after the ceremony. A black and white photo of 5 boys taken on the occasion of their First Communion. They are all wearing white shirts with ties. The boy on the RHS is also wearing a badge. They are seated at a table laiden with 'party food'. There are 2 girls in the background.On rear in black biro in John Turnbull's writing:"FIRST COMMUNION 1951 / ME - 2ND IN FROM LEFT / I THINK LAD ON FAR / RIGHT IS JOHN GARZOLI"catholic church, first communion, john turnbull, john gazoli, our holy redeemer church, surrey hills

Table card - blank unused form on preprinted card ruled to provide a timetable for crews - drivers and conductors, and hours worked. See Reg Item 1376 for a completed sample. 2nd copy added 10/4/17trams, tramways, forms, drivers, table cards, conductors

This collection of 20 photos was most likely taken in 1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6410.24P, 6183.19P, 6184.20P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. Photos .19P and .20P are printed on photographic and scanned at 300 dpi. .1) - Photo, black & white, c1980, Gerber plotter. .2) - Photo, black & white, c1980, Gerber plotter, LT Rob John .3) - Photo, black & white, c1980, Gradicon edit table, SPR Jamie McRae .4) - Photo, black & white, c1980, Gradicon edit table, SPR Steve Linane .5) - Photo, black & white, c1980, 1130 System administration, unidentified. .6) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .7) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .8) - Photo, black & white, c1980, Gerber Optical Line Follower (OLF). .9) - Photo, black & white, c1980, Gerber OLF. .10) - Photo, black & white, c1980, Gerber OLF. .11) - Photo, black & white, c1980, Gerber OLF. .12) - Photo, black & white, c1980, Gerber OLF. .13) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .14) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .15) - Photo, black & white, c1980, 1130 Operating System administration, SGT Denis Marshall. .16) - Photo, black & white, c1980, Programming System, L to R: unidentified, SGT Alan Toogood. .17) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .18) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .19) - Photo, black & white, c1980, Gradicon edit table, CPL Chris Carter. .20) - Photo, black & white, c1980, Gerber plotter, LT Rob John..1P to .18P - No personnel are identified .19P - ‘CPL Chris Carter’ annotated on backroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap

This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of spoon is concreted with sediment and 20% of original plate is visible.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoon, spoon

Margaret Anderson, sixth child of Robert Anderson. Studio portrait of Margaret, arm resting on table, dressed in nurse's uniform. High cap on back of head, draped patterned curtain on right of photograph.Studio Portrait Photograph of Margaret Andersonlocal history, photography, photographs, slides, film, margaret anderson, sepia photograph, mrs emma anderson jacobs

Guests seated at the Shire of Eltham Centenary Dinner in 1971. The tables dressed in white tablecoths surrounded by a display of greenery. The event was held in the West Riding Hall, Petrie Park Community Centre, Montmorency. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book ,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, official dinner, centenary celebrations, henry petrie community centre montmorency

Guests seated at the Shire of Eltham Centenary Dinner in 1971. The tables dressed in white tablecoths surrounded by a display of greenery. The event was held in the West Riding Hall, Petrie Park Community Centre, Montmorency. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, shire of eltham, shire of eltham centenary, official dinner, centenary celebrations, petrie park community centre montmorency

Built 1987c by American businessman in Cape Cod style, builder unknown, was barge superintendent for McDermott's.|Also three other colour photographs, groups of people in outside courtyard, and inside at tables for luncheon.Colour photograph of The Gables, a large multi-gabled dwelling of red brick with tiled roof, dormer windows in upper storey at 1 - 9 Creighton Street. Developed as Bed and Breakfast accommodation by Bruce and Maureen Livingstone between 1994 and 2004. Surrounded by landscaped gardens. Kalimna Lakes Entrance Victoriahouses

David Blyth and an unknown man sit on a wooden bench, next to a wooden planter and a wooden table with a wooden frame on it. Above them is a sign that reads "RVIB Enterprises Sales Centre Courtesy of Wonderflex".1 B/W image of two men sitting on a bench outside a buildingroyal victorian institute for the blind, david blyth

The County Court Statute 1869, with the Rules of Practice and Forms, Table of Fees of Court, Fees and Costs Allowable to Practitioners; also, an appendix, containing the portions of Acts applied and extended to the County Courts. With an Index.Black soft card cover, decorative embossing around cover borders, very worn at extremities. Items from Government Gazettes pasted inside front cover. 228 pp. Fair condition.Handwritten notes throughout.county courts, rules, kilmore court house library

Graham Stewart Martin was an engineer on MV Baron Kinnaird. He fell from scaffolding whilst watching the return of the winning America’s Cup yacht. The plaque was mounted on a bench used as coffee table.Rectangular brass plaque, on top 3 logos: Merchant Navy, Merchant Navy crown and flag of the SSM (Scottish Ship Management)Engraved: In Memory of / Graham Stewart Martin / Engineer Cadet / MV Baron Kinnaird / 27th September 1983graham stewart martin, engineer cadet, m.v. baron kinnaird, scottish ship management, ssm, 1983, america's cup, bench

This butter cooler was used in households to prevent butter from melting in the warmer weather. Ice would have been used in the butter container. The top of the container is domed, indicating the shape of the butter at that time (late 19th century). This butter cooler would have been a costly item and would have graced the dining table of a family that had considerable means. It would have been used on a dining table even after the invention of refrigeration in the 1880s as the eating rooms would have had little or no cooling mechanisms in the late 19th and early 20th centuries. This butter cooler has no known local provenance but it is a very attractive item and is retained as a good example of a household item no longer in use. It will be very useful for display.This is a silver butter cooler with a circular base with an ornamented edge. The base has a stem holding two highly ornamented arms branching out from the sides. These arms hold an oval container which has a chased silver base and an overhanging chased silver top. Inside the container is the space to hold ice or cold water. On top of the inside of the container sits a small round lid which holds the butter and the ice. The lid has several small holes for the ice water to drain underneath. The base of this lid is impressed with moulded fruit and leaves. The oval container has an over-arching handle attached. This is highly ornamented in fretwork. The sides of the container have two projecting pieces for holding the butter cooler and two other smaller projecting pieces with chains attached for hanging the object. One of these pieces has an oval holder for turning the hinged top of the container to close the container. This top has a chased silver patterning on its top. When the lid is closed the container adapts to a globe or egg shape.‘Made and Guaranteed by Meriden B. Company 5085 U.S.A. household items, history of warrnambool, silver butter cooler

This librarian's chair was given to the school by the family of Joy Chapman who had died during 1948. The chair was part of a number of furnishings supplied by donation for the new library which was opened in 1949. These included blackwood shelves, tables and chairs and a new set of Encycopedia Britannica supplied by the Parents and Friend's Association, a grooved periodical table given by Old Collegians Younger Set, a librarian's desk supplied by the E M Bell estate and more than 200 books supplied by the Old Collegians. (see 'A lamp burns brightly' p. 61). This item is a significant example of the degree to which the school relied on donations from the community to develop the school during the post-war years. Solid wood chair with high solid back and solid arm rests. Carved CPLC crest attached to neck rest. Padded seat. Bronze plaque at front of seat. Plaque: In memory of / JOY CHAPMAN / 1947 - 1948 - The Gift of Her / Father, Mother & Ruthc-p-l-c, younger-set, parents-and-friends-association, clarendon-presbyterian-ladies-college, library, joy-chapman