Used by Joan Rivis, a primary school teacher, while teaching during the 1940s to the 1960s. Made for the children at the Lady Gowrie Child Care Adelaide by Kathleen Mellor.Child's learning to read book with yellow background and red fence in front. A horse eating hay on front. "Gee -Up Bonny" and with 'J. L. Rivis 2/3' hand written on top right hand corner. Back page is red with horse & dog with people & "Good bye". There is one page with a hidden flap.Wholly set up and printed in Australia by Vardon Price Limited, 95 Grate street, Adelaide for Georgian House Pty Ltd, 431 Barte St, Melbournelady gowrie child centre adelaide, children's book, kathleen mellor

Postcard was addressed to Mr. H Lindamen, C/o JCD, Bairnsdale. Postcard bears a One Penny red Queen Victoria stamp, franked with number 17. Message on card scribbled out, another stamp has been removed. Also enlargement 16 x 25 cmBlack and white postcard showing P S Tanjil at Bairnsdale Wharf, Victoria. Shed and timber and hand crane on wharf. Industrial buildings, eg, butter factory, foundry behind wharf, post and rail fences, gravel roads and tannery on right, pine trees and end of bridge on far right. Bairnsdale township in background.Bairnsdale Wharf. H.D Bulmer Photo Lake Tyersships and shipping, waterways, bridges

Diggers & Mining. The gold licence. Government Camp, Heathcote, 1854. From the original in the Mitchell Library. Government Camp, Heathcote. Depicts an area fenced off with the government camp buildings and the Australian flag flying. Has been stamped with the Mitchell Library stamp. Markings: 18 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

The original Methodist (Wesleyan) Church was built on the corner of Alexandra Crescent and Windsor Lane in 1888. It was enlarged in 1892. In 1908 this building was removed to Valonia Avenue by horse-drawn dray. The brick church was built in 1915 after which the earlier building became the Sunday School. In 1977 the Methodist Church joined with others to become the Uniting Church. In more recent times, the brick church has been painted but architectural details visible in this photo can still be discerned.Black and white photo of a brick and rendered building taken from diagonally opposite across Canterbury Road looking to the north-west. The church sits behind a woven-wire fence with an opening at the front and at the side to a portico off Valonia Street. On the RHS is the church hall and on the LHS a small part of the adjacent house can be seen.surrey hills methodist (wesleyan) church, surrey hills uniting church

Was once the residence of Miss Isabelle Taylor.15cm x 10cm colour photograph of the building on 9 Sydney Street. Light colour rendered building, 9 Sydney Street Kilmore, with wooden detail around windows and doors. Neat garden in the front yard and a small beige picket fence. Printed on matte photo stock. Two photos with different views of the property.

13cm x 9cm coloured photograph of the construction site where the old forge was at 69 Sydney Street. The brickwork is almost complete and the so is the roofing. There are fences around the construction site advertising "Forge Restaurant Coming Soon B.Y.O" and "Coming Soon Forge Restaurant B.Y.O". Now is the site of the Kilmore Palace Chinese Food.restaurants, construction sites, construction

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $136,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with a path up to the front door from the footpath in the foreground. On the left is a front lawn, and on the left is a timber fence enclosing the other half of the property frontage. There are two hole punch holes just below centre of the upper edge5 Manhattan Square., Vermont Margaret Picken - 95 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

CEMA Art CollectionThe painting depicts a church in an otherwise empty landscape. Within the foreground is a sweeping corner of a dirt road. Along the edge of the road runs a simple fence. Behind the church is a bare yellow and brown hill which reaches into a dark sky. The work has a wooden, white painted frame with grey mount and white trimming and glass.Front: Robert T. Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolourportland, church, streetscape, religion

Stanley Kennon originally owned Genesta House. It was sold to the Perry sisters, to Mr & Mrs Odlund, to Mrs Toovey Snr. and then to Mr H Billson who owned the guesthouse in 1935 - 36 when it burned to the ground.Front view close up of Genesta Guesthouse. The building of wood and corrugated iron roofing. Features turret front, two brick chimneys and sporting a Union Jack on flagpole, and Union Jacks draping across the verandah. The sign covering the front door says "Welcome Home". Two palm trees and a hedge are behind a picket fence and gate.local history, photographs, genesta guesthouse, cowes, phillip island, sepia photograph, guesthouses, bruce bennett, betty kuc collection

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a double storey, white rendered brick house with unpainted variegated brown brick features. Other features include 2 dormer windows, tiled roof, porch with arched entrance, feature tall brick work chimneys and sash windows. Just visble in the foreground is a tall white picket fence and some plants.CHEYNEmurrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, dormer windows, arches, brick fences, chimneys, sash windows

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of three men dressed in suits and wearing Egyptian hats. They are standing on a footpath with a large palm tree behind, a fence to the left and part of a car and building to the right. The men are from the left Tony Hanlon, Dan Barry and Frank Wright. The place is Port Said. .2) Frank Wright wearing an Egyptian hat.Written in pencil on back - Tony Hanlon (left), Dan Barry (centre), Frank Wright, Port Said 4/9/33 Printed on back - Carte Postalefrank wright, dan barry, tony hanlon, port said, conductor

Photograph of wooden bridge over the Yarra River taken from a point just north of the river crossing at Yarra Glen early 20th century. The town of Yarra Glen is to the right (out of frame). A post and rail fence indicates the road to Yering and Lilydale to the east of the bridge. A bend of the river is in the foreground and trees line the eastern bank.On back of postcard at the top "POST CARD". On the left hand side "THIS SPACE MAY BE USED FOR PRINTED OR WRITTEN MATTER". On the right hand side "ONLY THE ADDRESS TO BE WRITTEN HERE". In a box in the right hand corner "A HALF-PENNY STAMP TO BE PLACED HERE". Along the left hand margin "Ajax series. Printed in England" yarra river, post and rail fence, wooden bridge, river crossing, river bridge, yarra glen bridge, yering

Possibly associated with Stawell State School No 502.1) Stawell Volunteer Cadets - Corps - 1903. Captain Daley written underneath a number of young cadets i uniform in front of a picket fence. The back row stands, the front row crouces on one knee, .2) Stawell cadets Physical Education Team stand in front of a brick building holding hand rings. Named on verso. Back "Stawell Cadet Corps Capt Daley 1903 (part of detachment without rifles)armed services, music, stawell, volunteer regiment, stawell volunteer cadets

Originally built as two adjoining, mine managers cottages in 1858, these residences have now been joined into one houseBlack and white photograph mounted on rectangular grey board. House, rendered, decorative parapet, joined pair- mirror image of each other, verandah with corrugated iron roof, decorative wood arches over verandah, house names ''WANDELA'' on right, ''LEIWAH'' on left, picket fence, wire and wrought iron gate. 55 Barkly Street.Frank A. Jeffree, Bendigobuilding, residential, 55 barkly street, bendigo

Herbert Allan Unwin (1898-1958) lived at 171 Creek Street in 1928. In 1924 he had been listed as living at 78 Gladstone Street. After selling the Creek Street property, he moved to 629 Hargreaves Street. Herbert was a labourer who married Caroline Struggell in 1920.Black and white photographs (2) mounted on rectangular brown board. House, weatherboard, corrugated iron roof, curved verandah roof, trellis at ends of verandah, 2 canvas blinds on verandah, woven crinkled wire fence. On back of photo ' Unwin, Creek Street, £420 plus sewer' Date stamp 11 April 1930.Frank A. Jeffree, Bendigobendigo, business, t c watts & son

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weatherboard, tile roof, 2 chimneys, woven crinkled wire fence, 4 gates, leadlight windows, weatherboard garage RH side of house, washing on line at back, porch with brick balustrade and concrete pillars. On back of photoboard ' King's, Mercy Street Street £1000'.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'', stamped on back in circle ''royal historical society of victoria, bendigo branch'', handwritten on back ''kings/mercy street/1000pounds''

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph mounted on rectangular grey board. Weatherboard double fronted house, verandah with brick piers and timber supports, Two chimneys visible, small gable LH side front. C1920 . Woven wire fence. Single gate next to double gate. Written on back of image ' Marrows Langston St £700.Frank A Jeffree, Bendigoplace, building, residential, see also; previous reg. no mp11 (2000-16-01):and previous reg. no. mp13 (200-14-01)

B & W Photograph of adult male in uniform stanging beside a pony, holding the reins. Three children in the photograph. A boy is standing in front of the pony holding th ebridle. A younger boy si standing near the back of the pony. A small child is seated on a saddle on th epony. In the background is a picket fence in front of fruit trees.recreations, pets, pony

black and white photo: whim , wooden wheel and frame; poppet legs at right, poppet legs at left centre distance. And at right of whim centre distance. Picket fence across front. 'Central Red White and Blue Whim' printed on bottom left corner. Written on back Eadies Whim & Central Blue - poppet legsorganization, business, central red, white and blue mine

sepia photograph mounted on cream board. Group of adults and children in country side, having a picnic. Tablecloths on ground. 13 children, 4 adolescent girls at back, 7 adults. Trees and bush in background. Post and wire fence along road at centre. On board at RH side stamped in purple ink ' Charles G ... Photo/EaglehawkCharles G --------- Eaglehawkperson, group, picnic group

Postcard, color. Image shows War Memorial Hall ( RSL Hall/Museum) in Pall Mall. Palm tree on LH front side of image and statue of George Lansell on RH side. Iron fence in front. On back ' Memorial Hall, Bendigo, Victoria. A view of Memorial Hall with the Post Office in the background' ' Plastichrome, Murfett Publishers, Australia.Murfett Publishers Australia, Plastichromebendigo, buildings, war memorial hall, pall mall, bendigo, war memorial, pall mall, rsl

Black and white photograph: 'Maher Home', McIvor Road. 317 (printed numbers on back, possibly from developing). Old cottage style home with gable roof and one chimney on left. Set in an untidy garden, behind a broken-down picket fence. Physical condition: unmounted. Inscriptions/Markings: Maher Home, McIvor Road.buildings, residential, victorian

Photograph of the Chapel ? At the White Hills Cemetery, it is in a single storied brick structure in a bush land setting. There is a noticeboard on the left of the photo and a post and wire fence along the front of the building . One person is standing in the doorway and two adults and a small child to the left. There are three more adults on the extreme left hand side , near the entrance to the cemetery.Batchelderplace, cemetery, white hills cemetery, white hills cemetery, batchelder

Photograph (Proof 63) of a group of six adults standing in front of the verandah of a farmhouse. There are three men and three women , one of the women is holding and infant. In the foreground there is an unpainted picket fence. VERY faded names can be seen written around the edges of the photo, viz., Samuel and Sarah, Henrietta Wright, Samuel , Robert, Frank, Blanchebuildings, house, farn huose, farm house

Photograph of an unnamed lady wearing a full length dress and dark coloured hat standing in front of a cottage. The cottage has a central doorway with a window on either side there is a veranda covering the doorway and the windows, There is a brick chimney on the left hand side with an ornate chimney pot. A picket fence surrounds the house with a decorative white gate centre frontperson, individual, lady in front of cottage, miners cottage, picket fence