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Whitehorse Historical Society Inc.
Photograph, Heatherdale Reserve, 2000
Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Heatherdale Reserve - Whitehorse side of Heatherdale Road - Features view of Heatherdale Bowls Club with flower garden. Located between Purches Street and Heatherdale Road to south of Panel street.heatherdale bowls club, heatherdale road vermont, heatherdale reserve -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Large white cotton tray cloth. Machine made. Torchon lace border with hand embroidered button holing stitch. Leaf and flower pattern in four corners and cut out button holing pattern in centre and sides.manchester, table linen -
Circa Vintage Archive
La Petite Hat, La Petite, Late 1950s to early 1960s
Large tiara style garden party hat of twisted silk cording, netting, wired frame and assorted flowers in shades of blue, grey and white. From the Collins Street salon of top Melbourne couturier La Petite.Labelled "La Petite 165 Collins St. Melbourne" -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930 c
Black and white photograph of Miss Molly Palmer, Queen of Fishing in the fundraising Queen of Carnival, she is dressed in white dress with decorative head dress and long train accompanied by two flower girls. Lakes Entrance Victoriacelebrations, genealogy -
Southern Sherbrooke Historical Society Inc.
Photograph - Original St Martins Church, Belgrave Heights, prior to a wedding in 2013
A series of colour photos showing the interior of the Original St Martins Church, Belgrave Heights, prior to a wedding in 2013. There are white bows with tartan ribbons on the pews, and vases of flowers throughout the church. Photos by Susan Heywood-Downard. -
Bendigo Historical Society Inc.
Plaque - Metal Plaque
Red Plaque in the shape of a shield. Gold edge on plaque with gold writing - "JUNIORS FORWARD" Gold flower type symbol in the middle of the plaque..20cm from top to bottom at middle.20 cm from left to right. J Leas name on back (or similar)plaques, junior forward -
Kew Historical Society Inc
Clothing - Fringed Cut Velvet & Chenille Evening Cape, 1890s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design -
Kew Historical Society Inc
Clothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream organdie collar. Machine embroidered with flowers and leaves at the edge of the collar. Trifoils embroidered at the neck edge of the collar. The collar is divided into three panels by two embroidered lines which open into a diamond shape at the outer edgewomen's clothing, lace, collars -
Kew Historical Society Inc
Clothing - Floral Polyester Blouse, 1970s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This blouse is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Multicoloured long sleeve fitted floral polyester shirt. The fabric design includes pink roses and chrysanthemums contrasted with yellow leaves and small yellow flowers. The cuffed sleeves are extended to allow them to be bunched when worn.women's clothing, blouses, mcintyre collection, australian fashion - 1970s -
Surrey Hills Historical Society Collection
Photograph, The four Deakin sisters as young women, 1905
These are the 4 surviving daughters of Thomas Henry Deakin (1845-1915), born in Monmouthshire, Wales and his wife Janet (Jessie) Longmore (1851-1939), born in Morayshire, Scotland. The couple also had 2 sons: John Henry (1879-1962) and William Andrew (1883-1939). A fifth daughter Daisy Jessie was born in 1880 and died the same year at the age of 7 months. Elsie Longmore Deakin (1881-1969) was a nurse ans remained single; Minnie Winifred (1886-1966) married Charles Williamson in 1923; Lily Vipond (1890-1943) married David Mair in 1910 and Jessie Alice, known as Alice, married Hector Williamson in 1921. Hector and Charles were brothers. Elsie Longmore Deakin enlisted AANS aged 35 years in 10 May 1915; embarked on the Mooltan on 22 August 1916. Address : 114 Station Street, Fairfield, Next of kin : mother, Mrs Janet Deakin (nee Longmore), 114 Station Street, Fairfield, father, Thomas Henry Deakin Elsie Deakin enlisted at 35 years of age on 10 May, 1915 and served locally before volunteering for overseas duty on 9 August, 1916. Her three years of training were completed at the Melbourne General Hospital. She embarked with the rank of Sister for India and was appointed to the Victoria Hospital, Bombay. In January, 1917, when she was transferred to England and a Military Hospital at Bagthorpe later to the 1 Australian Auxiliary Hospital, and in January of the following years to 25 (British) GH in France but returned a few weeks later to England and the 1 AAH after suffering a seriously strained left ankle. She returned to France post-war and served another four months before being returned to Australia in May, 1919. Her appointment was terminated as medically unfit on 9 June, 1919. Born South Melbourne, she died in Elsternwick on 14 October, 1969, aged 87. (REF: http://www.ozsportshistory.com/wardeaths/women_a_e.html) There is a photo of her in uniform on this site and also on http://ww1nurses.gravesecrets.net/de.html LtoR: Alice, Minnie, Lily, Elsie. This is part of a large donation relating to the Deakin, Mair and Young families.A black & white photo with a cream edge of 4 well-dressed young women in a head and shoulders formal pose. It is likely a studio photo. All wear white frilly or lacy blouses and 3 are carrying bunches of flowers.1. On rear: Top in blue biro - "Elsie Minnie Lily Alice DEAKIN / Mum's (crossing out) sisters On the basis of inscriptions in family autograph books, this writing belongs to Lily's daughter, Beryl Mair. 2. The rear has 4 remnant glued labels roughly torn from larger labels - the type once common for labelling jars and bottles. Partially beneath these is writing in another hand in black ink: " ..th love and be.. / ..shes ---------your /(crossing out) then name removed (superficial paper loss. 3, "YOUNG" in blue biro in lower LH corner. This may be the donor's handwriting. It may have been added in the course of sorting photos into Young antecedent photos; there are no members of the Young family in the photo itself. elsie longmore deakin, minnie winifred deakin, minnie winifred williamson, lily vipond deakin, lily vipond mair, jessie alice deakin, alice deakin, jessie alice williamson, alice williamson -
Surrey Hills Historical Society Collection
Photograph, Mabel Pye, daughter of William and Alice Pye of 12 Loch Street, Surrey Hills
Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford -
Brighton Historical Society
Outfit, Evening outfit, 1930s
This evening outfit was made and worn by Bertha Frances Dudfield (nee Bruere, 1892-1982). Bertha was born in Christchurch, New Zealand in 1892, one of twelve surviving children. Her family migrated to Australia, living first in St Kilda before building the house 'Avon' at 42 Bay Street, Brighton, where Bertha lived with her husband Ambrose Reginald Dudfield until 1975.Evening outfit comprising magenta feathered cape, full-length black velvet dress and a spray of silk flowers. Hem of dress lined with magenta and yellow silk. .1 - cape .2 - dress .3 - floral sprayevening dress, feather cape, bertha dudfield, brighton, 1930s -
Brighton Historical Society
Dress
This dress belonged to Brighton woman Mariam Issa, an author, public speaker and co-founder with Katharina Kons of the nonprofit organisation Resilient Aspiring Women (RAW). Born in Somalia, Mariam and her family arrived in Australia as refugees in 1998. Seeking to bring women together and foster connections, in 2012 Mariam opened her Brighton backyard to the community. The RAW community garden unites women from all cultures through gardening, food and storytelling.Long loose kaftan-style dress, turquoise cotton with black, brown and cream embroidery around neck and shoulders, depicting large brown flowers surrounded by swirling cream border. Round neck and short, loose sleeves.mariam issa, migration, somalia, resilient aspiring women -
Brighton Historical Society
Cover, Cushion cover, 1916
Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing red, white and blue ribbons along with red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill -
Brighton Historical Society
Cover, Cushion cover, 1916
Items such as this cushion covers were purchased by Australian men and women serving during the First World War as souvenirs of their travels and gifts for their loved ones at home. The allies established a base at Thessaloniki in 1915. BHS records indicate that this cushion cover was among a collection of items received from the Harkaway studio of Brighton-born artist Jessie Traill following her death in 1967. During the First World War, Jessie served for three and a half years in hospitals in England and France with the Voluntary Aid Detachment. As she did not serve in Thessaloniki, where this item was made, it is unlikely she purchased it herself, but may have received it as a gift.Black velvet cushion cover featuring the embroidered image of a white and yellow dove bearing a draped French flag, alongside a spray of red and pink flowers. Embroidered in pale yellow are the words "Souvenir de Salonigue / 1916".cushion cover, 1910s, first world war, world war i, thessaloniki, jessie traill -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Publicity Branch Victorian Department of Agriculture, Table Tennis Game, 1961
All graduated with a Diploma of Horticulture in 1961.4 male students playing table tennis watched by 6 female students. Identified: L to R, R. Flower, H. Savery, J. Deverson, J. Nancarrow, J. Buck, D. Issell, H. Page, ?, ?, ?.On reverse, "Photograph by Publicity Branch Victorian Department of Agriculture Ref. No. c.1695.R."students, table tennis, female students, r. flower, h. savery, j. deverson, j. nancarrow, j. buck, d. issell, h. page, diploma of horticulture, 1961 -
City of Greater Bendigo - Civic Collection
Photograph - Portrait of Councillor Brennan, W H Robinson
The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Councillor Michael Brennan held roles of Shire Secretary and Clark of Works until around 1998 when his son R. B. Brennan was appointed Assistant Secretary and then Shire Secretary to assist his father with the work load during his later years. Michael Brennan remained Clerk of Works until his death at which time his son was appointed to the duties previously held by his father. Framed black and white head and shoulder portrait of Councillor Brennan with hand coloured and drawn detail. Profile to left. Cut oval brown mount decorated with text and flowers. Hand written title top and lower centreStrathfieldsaye / Shire Council / W H Robinson / Photo / Bendigo / J H B Gribble / Michael Brennan / President 1869 - 70. 1871 - 2. 1872 - 3 / Secretary 1882 to 1900 / Engineer & Valuator 1882 to 1902strathfieldsaye shire council, councillor brennan, president of strathfieldsaye shire -
Eltham District Historical Society Inc
Memorabilia - Photograph, Ellen Sweeney, In Loving Memory of Jean, 1920
Photo of the flower covered grave of Jean Watson who died as a result of an accident in 1920 at age 14 years; daughter of Christopher Watson and Carrie Watson (nee Shillinglaw. Inscribed on reverse in pen on deteriorating brown paper: "To dear Mrs Watson as a small tribute of our love to that memory of Jean from E. Sweeney & school mates Eltham School"marg ball collection, caroline (carrie) watson (nee shillinglaw 1876-1956), ellen sweeney, eltham cemetery, eltham state school no. 209, graves, jean watson (1906-1920) -
Ballarat Tramway Museum
Photograph - Framed Photographs, Floral Tram, No. 29, 1938
In 1938, the SEC Ballarat decoarated a tram with paper flowers for the Floral Festival. Has four ladies dressed in matching clothes standing inside the tram and four inside the doorways. Photographed in Wendouree Parade with Lake Wendouree in the background. The story is that it rained on the day and the ink in the dresses ran. See Reg Item 5188 for a coloured postcard of the ladies standing outside the tram. Yields information about a tram decorated for the 1939 floral festival colour scheme and has a strong association with the people involved in it. Demonstrates the colours used.Framed photograph of the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered, hand painted, in colour. March 1939. Frame - wooden, light brown frame, glazed, with a cut cardboard piece framing the photograph and most of the damage around the print. Has two rounded screw hooks with picture wire between them.Has a label on the front of the glass "Decorated Tram 1938" and number 01291. On the cardboard piece are the initials upside down "FKN"trams, tramways, floral tram, decorated trams, tram 29 -
Bendigo Historical Society Inc.
Photograph - Bedson family (father Samuel, wife Elizabeth & daughter Maude)
Samuel Bedson (1834 - 6/12/1909) Samuel Bedson worked at the Bendigo Pottery making artificial flowers for 20 years. He left Victoria in 1895 before dying in Christchurch, New Zealand. His daughter Maude married Horatio David Collier in 1894 and remained in Bendigo. Horatio founded Collier Shoes in the early 1900's. 8555 Bedson family (father Samuel, wife Elizabeth & daughter Maude). Samuel Bedson (1834 - 1909), wife Elizabeth (Nee Astbury) and daughter Maude Eliza (1873 - 1960) Samuel & wife came to Bendigo, either with or shortly after Geo. Guthrie; to open and work the Bendigo Pottery. Maude Eliza married Horatio David Collier. Marion Heeps grandparents. bedson family, bendigo -
Whitehorse Historical Society Inc.
Accessory - Wedding Horseshoes and heart, 1948
Used for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 1948.1. White satin horseshoe white loop cord silver foil leaves x2 3 cream coloured flowers with yellow centres Note attached All the best wished from Joy and Doug 2. White satin ruched ribbon loop and bow 3 tulle and ribbon flowers; sequins on each point4 sequins silver 2 on top 3. White satin and bronze metallic ribbon heart shape on white ribbon with ribbon bow and white ribbon on left 4. Pale blue ruched material horseshoe, pale blue ribbon loop -box 5. White ribbon loop with 4 tails each with silver painted wishbone attached One cream/yellowed wax flower at base of ribbon loop See also Knickers NA4921, Negligee Set NA4922, Wedding Dress NA4923 and Wedding Veil NA4925costume accessories, female -
Warrnambool and District Historical Society Inc.
Document:, Postcard: Advance Australia embroidered,Wilfred R 27th Oct 1918, pre October 1918
Part of correspondence written to Gladys Holmes, Byaduck by local servicemen. Gladys Holmes was the daughter of Joseph, the Byaduk baker, and Agnes Brand. In 1924 she married Alexander George Anderson. Wilfred R possibly (Rentsch) enlisted for WW!1. Cited in 'Stories Untold & Forgotten Faces' "RENTSCH, Wilfred. Byaduk, Born 1898, farmer, aged 18 years, enlisted 29 August 1916, served as 6886 with 24th infantry Battalion - 19th Reinforcements(May 1917)Proceed to France 6th March 1918. Returned to Australia per' Shropshire' 1st April 1919. Photograph on Byaduk Hall Honour Board" Part of collection of letters, photographs and postcards received by Gladys Holmes during 1916-1919. 001801: Front of postcard has a white embossed mount frame with an embroidered insert of Australian symbols, Southern Cross constellation, Rising Sun. Kangaroo with Australian flag standing on ADVANCE AUSTRALIA banner and wattle and red flower springs.France/ 27th Oct 18/Dear Gladys/Wishing you a/very Merry Christmas/and a prosperous/New Year, from/your old friend/Wilfred.Rgladys holmes, embroidered postcard, ww1, wilfred r(entsch), byaduk, tuck's post cards, rachel tuck -
Warrnambool and District Historical Society Inc.
Label, Rosebrook Cheese and Butter Factory, Early 20th century
The Rosebrook Cheese and Butter Factory was opened in November 1888 by Messrs Lydiard &T F Rutledge & was a cooperative factory managed by Mr. Goldie. It operated out of the former Rosebrook Flour Mill which was built on the banks of the Moyne River near the Rosebrook bridge in the late 1840s. In 1896 the factory commenced the production of the condensation of milk. The company closed in 1911. The building and machinery were sold in 1917. Rosebrook is situated about 20 kilometres from Warrnambool on the Princes Highway. This label is of some local significance as the Rosebrook Cheese and Butter factory operated for 30 years Rectangular dark blue and white label featuring text and a trade mark. The latter is circular with three cows pictured. There are decorations of flowers and leaves. The central area of the label is white with three lines. The label is adhered to a piece of pink card.FROM THE Rosebrook Cheese & Butter Factory Company Limited, MANUFACTURERS OF "PURUS BRAND CONCENTRATED MILK Rosebrook, Port Fairy. "PURUS" TRADE MARK FOR CONCENTRATED MILKrosebrook, cheese and butter, concentrated milk, lydiard, rosebrook butter factory -
Bendigo Military Museum
Photograph, 1942
This refers to the WW2 service of VX25591 Edward Hildebrandt.This is a small black & white photo. It portrays a couple walking on a footpath arm in arm. The lady is wearing a coat and hat, She is carrying a small bouquet of flowers and a hand bag. The soldier is in an Australian Army uniform wearing a slouch hat.On the rear of the photo, written in ink is " Marjery (Phillips) and Ted Hildebrandt in Swanston St. Melbourne. The year 1942 is written in a different pen.ww2, photo -
Frankston RSL Sub Branch
Postcard (four of six)
An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and the French and English flags with the words "happy new year". -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Correa alba (White Correa), n.d
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Print, Portland Its All On Your Plate, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features: a pink plate with a fish, abalone and flower sitting on it; a silver spoon with a rose sitting on it; and a white vessel with a rose painted on it. Background is pink with various patterns and text "it's all on your plate at PORTLAND".Front: (no inscriptions) Back: 29 -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows a view of the entire display and record # 457 shows a different close-up view of the display.The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. Brown cloth covered by wooden trellis can be seen covering the front of the display. A sign in the centre reads "1937 Wildflower and Nature Show".events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show -
Orbost & District Historical Society
newspaper cutting, June 22 1918
This article reports on a "gymkhana held at Orbost in aid of the Red Cross and kindred institutions by which £2000 was realised from a population of 22000 adults and children. The expenses were practically nil." The Australasian was published every Saturday in a tabloid newspaper format. It contained extensive pictorial coverage of the week's events. The Australasian gave an insight into the life and times of Australians from week to week. News from Australia, New Zealand and abroad was presented. The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the the British Red Cross. This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A single page cutting from the Australasian. It has black / white photographs of local red cross workers at an Orbost Gymkhana. There are photos of a jumble stall, flower sellers. a fruit cart and a display of soldiers' comforts. 738.2 is a photocopy of the original.In black - names - Evelyn Blacklock, Leila Perry, Grace & Nell Cameron, Jane Cameron, Florrie Cameron, Annie Stirling, Jean Stirling, Lily Perry, Marion Gilbert, Grace Cameronww1 australasian-newspaper red-cross-orbost