Showing 384 items matching " i. brown"
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National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
National Wool Museum
Textile - Blanket
Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label -
National Wool Museum
Textile - Blanket, 1960s
Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label -
National Wool Museum
Textile - Blanket, 1960s
Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label -
Koorie Heritage Trust
Booklet, Brown, John, Corinella sesqui-centenary celebrations : a brief outline of the early history of Western Port -Victoria, with particular reference to the settlement at Corinella in the year 1826, 1976
A brief outline of the early history of Western Port - Victoria with particular reference to the settlement at Corinella in the year 1826.[12] p. : ill., maps ; 22 cm.A brief outline of the early history of Western Port - Victoria with particular reference to the settlement at Corinella in the year 1826. 1. corinella (vic.)--history. i. title., 2. bunerong-western port (vic.) -
National Wool Museum
Audio - Gramophone Record, Outside of that I love you & I wonder what's become of Sally
Gramophone record used in the mending room of the Foster Valley Mill.Gramophone record - Outside of that I love you & I wonder what's become of Sally. Housed in a brown paper sleeve bound in a orange folder with a blue spine.textile mills staff, valley worsted mill, textile mills - staff, gramophone, record, foster va, foster valley mill pty ltd, mending, working life -
Whitehorse Historical Society Inc.
Uniform - Tin Helmet, c. 1916
Tin Helmet was donated by Returned Servicemans League, Mitcham Sub-Branch, upon closure of this Sub-BranchBrown coloured metal helmet, domed top with medium sized brim, has inner lining of fabric and leather chin strap. World War I vintage. Inner lining fabric deteriorating. NEEDS TO BE ASSESSED FOR ASBESTOS IN LININGuniforms, army -
Whitehorse Historical Society Inc.
Clothing - Women's Cape
Cape made and worn by Anne (nee White) Field, the mother-in-law of Jean Field at age 19. She came out from England on a sailing clipper (SS. Waspole) at age 7 years. Lived in Canberra as a tent city. Buried in St John Baptist Churchyard in Queensberry Street North Melbourne. (Hope I got it alright - Ted Arrowsmith)Heavy brown cape. Decorated with overlay of the same material bound with fine satin braiding. Wide border of sewn ripple stitch pattern.costume, female -
Rutherglen Historical Society
Photograph - Image, 1894 (Approximate)
Photograph of the Poppet Head and associated buildings of the Lanarkshire Mine.On back: Some early writing that is mostly illegible. Later addition: "Lanarkshire Mine Rutherglen? The writing, I think, says Lankie Charmer. Martin Pascoe, Boho East. This would make it about 1894+ as the family moved from Boho to Rutherglen about that time. Myrtle Brown."gold mining, lanarkshire mine, martin pascoe -
Rutherglen Historical Society
Honour board, c1916
Honour board to the Colvin Brothers, inscription and decoration in white, on brown timber boards."Presented by James & Elizabeth Colvin | In Memory of their Beloved Sons | Lieut. William Colvin. | Killed in Action in France July 26, 1916, Aged 23 years. | Private George Colvin. | Died of illness Sept. 22, 1916. Aged 23 years. | Bravely they answered their Country's Call. | And gave their best, their lives, their all."woods family, george colvin, william colvin, james colvin, elizabeth colvin, world war 1, world war i, ww1, wwi -
Rutherglen Historical Society
Image, 1914 to 1918 (Exact)
Black and white photograph of a soldier in uniform. Photo mounted on brown cardboard.On the bottom of the mount: "Spr Jim Braybon" On back of photo: "Spr Jim Braybon to the nuns of Rutherglen Convent with kind regards from Spr J.E. Braybon 21/13 ALH"jim braybon, mt carmel convent, rutherglen convent, australian light horse, soldiers, ww1, world war 1, wwi, world war i, presentation sisters, james braybon, frank braybon, francis braybon, mary braybon, evelyn kettle -
Rutherglen Historical Society
Image, c1920
One of the many Honour Boards from around the district, that were created shortly after the end of World War 1Black and white photograph a large group of people, some of the children seated on the ground, displaying the Browns Plains Honour Board, above a union jack.At the bottom of the Honour Board: "Great European War, 1914-1918" 20 names shown on the boardhonour boards, honor boards, browns plains, world war 1, world war i, ww1, wwi -
Unions Ballarat
Political thought from Bacon to Halifax (Don Woodward Collection), Gooch, George Peabody, 1914/1915
Book contents by chapter: 1. James I, Bacon and the divine right of kings 2. Hobbes 3. Law versus prerogative 4. Parliament, the army and the people 5. Milton and Harrington 6. Winstanley and the communists 7. The sects 8. The restoration 9. Halifax 10. The state and religion 11. The state and tradeHistorical - legal, philosophical, political.Book; 256 pages. Cover: brown. Spine: author's name and title. Price in pencil: $2 In pencil: (a) W Long (b) JJ.btlc, ballarat trades hall, ballarat trades and labour council, halifax, bacon, religion, sects, milton, harrington, law, hobbes, winstanley, communism, the restoration, politics, monarchy - kings of england - james i, trade -
Unions Ballarat
The Great War (Don Woodward Collection), Carlyon, Les, 2006
History and overview of the ANZACs at the Western Front during World War I. Commentary and first-hand accounts of the conflict.History - war time. Book; 863 pages. Cover: white background; landscape photograph in sepia with a white cross; black and brown lettering; author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, history, military - world war i, anzacs -
Ballarat Heritage Services
Photograph, Ballarat Trained World War One Nurses Honour Board from the Ballarat Base Hospital, 2017, 2017
Timber Honour Board on display at the Ballarat Base Hospital. nurses, world war one, ballarat base hospital, quarterman, m. anderson, j. borwick, g. bennett, l. cannon, t. dunn, r. douglas, e. davidson, d. furness, l. howarth, r. just, a. brown, s. bell, m. bolton, m. butler, a. brawn, e. keane, g. larkan, r. medwell, m. morrow, m. matthews, g. munro, l. mckenzie, e. popplewell, r. pratt, d. llewellyn, l. mcdonald, e. mcleod, l. rogers, a. roberts, s. semmens, a. serjeant, m. slater, b. thompson, f. vines, v. woinarski, l. whidburn, p. wardell, b. williams, l. mcgregor, s. morris, l. poultney, i. peady, b. peady, j. reeves, r. tyers, j. thomas, a.m. westcott, b. wallace -
Tatura Irrigation & Wartime Camps Museum
Medal - Identification Disc, SO Tjeng Leng Boen
Identification disc issued to POW's at Australian internment camps during WW2.Round bakelite (brown) disc with hole at top centre. One side plain. Reverse side has four lines of identification (see inscriptions). Used as identification of POW. Contained in a "by air mail" envelope. Line 1: I J Line 2: (identification number) 50215 Line 3 and 4: (identification name) SO TJENG LENG BOEN Envelope inscription: Internment camp 4 Rushworth - Tatura Group WW2 Identity disc So Tjeng Leng Boen Date of birth 3-5-1922 No 4 A Camp Taturaidentification disc, pow identification, australian internment camps, ww2 australian camps, so tjeng leng boen, major jim sullivan -
Tatura Irrigation & Wartime Camps Museum
Medal - Identification Disc, SO Tjeng Leng Tjay
Identification disc issued to POW's at Australian internment camps during WW2.Round bakelite (brown) disc with hole at top centre. One side plain. Reverse side has four lines of identification (see inscriptions). Used as identification of POW. Contained in a "by air mail" envelope. Line 1: I J Line 2: (identification number) 50520 Line 3 and 4: (identification name) SO TJENG LENG TJAY Envelope inscription: Internment camp 4 Rushworth - Tatura Group WW2 Identity disc So Tjeng Leng Tjay Date of birth 6-9-1930 No 4 A Camp Tatura Major Jim Sullivan- courier '98identification disc, pow identification, australian internment camps, ww2 australian camps, so tjeng leng tjay, major jim sullivan -
Tatura Irrigation & Wartime Camps Museum
Medal - Identification Disc, So Tjeng Leng Hoej
Identification disc issued to POW's at Australian internment camps during WW2.Round bakelite (brown) disc with hole at top centre. One side plain. Reverse side has four lines of identification (see inscriptions). Used as identification of POW. Contained in a "by air mail" envelope. Line 1: I J Line 2: (identification number) 50518 Line 3 and 4: (identification name) SO TJENG LENG HOEJ Envelope inscription: Internment camp 4 Rushworth - Tatura Group WW2 Identity disc So Tjeng Leng Hoej Date of birth 4-8-1934 No 4 A Camp Taturaidentification disc, pow identification, australian internment camps, ww2 australian camps, so tjeng leng hoej, major jim sullivan -
Tatura Irrigation & Wartime Camps Museum
Medal - identification Disc, SO Kwee Tien Nio
Identification disc issued to POW's at Australian internment camps during WW2.Round bakelite (brown) disc with hole at top centre. One side plain. Reverse side has four lines of identification (see inscriptions). Used as identification of POW. Contained in a "by air mail" envelope. Line 1: I J F Line 2: (identification number) 50517 Line 3 and 4: (identification name) SO KWEE TIEN NIO Envelope inscription: Internment camp 4 Rushworth - Tatura Group WW2 Identity disc So Kwee Tien Nio Date of birth 15-12-1899 No 4 A Camp Taturaidentification disc, pow identification, australian internment camps, ww2 australian camps, so kwee tien nio, major jim sullivan -
Ambulance Victoria Museum
Album, photograph, photographic record of the official opening of the Latrobe Valley District Ambulance Service headquarters, 6 May 1978, 6 May 1978
opening of ambulance headquarters by Sir Rupert Hamercream coloured photograph album. Brown pages.rupert hamer, i. f. moller, w. a. davis, latrobe valley district ambulance service -
Ballarat RSL Sub-Branch Inc.
Dog Tags
This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.Three tags of leather attached via a light brown cotton tape. Two tags are hexagonal in shape with two holes punched in opposite sides; the third tag is round with two holes punched at 12 o’clock and 6 o’clock. The tags are embossed/branded with text.Round tag: “O C MURPHY (on outer)/5/BATT/6047/A I/ C E” Hexangonal tag: “MURPHY OC/ PTE/6047/C E/5 AIF” Hexagonal tag: “6047/5/ OC MURPHY”first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat -
South Gippsland Shire Council
Certificate, Framed, Roll of Honour, 1914
World War I. Roll of Honour. Independant Order of the Rechabites. Framed coloured certificate set in brown wood frame. The certificate lists the members of the Supplejack Tent No.401 Dumbalk who have volunteered for "Active Service in response to the Empire's Call." Names handwritten in black ink. The border is decorated with coloured flowers and flags and the images of King George V, the Minister for Defence and the first Australian soldier to win a VC. -
Southern Sherbrooke Historical Society Inc.
Textile - Helen Gibson collection - material, cottons, etc
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Wangaratta High School
British Commonwealth Army Helmet, 1916-1961
Colloquially called the 'Tin Hat' this helmet was designed by John L Brodie in response to the French helmets. It was easilly pressed from a single sheet of steel and saw service with all British Empire/Commonwealth Forces. Even the American Expeditionary Force (AEF) of World War I succumbed to its charms, and it also featured in early United States battles with Japan in the Pacific during World War II.Khaki steel helmet with brown leather straps -
Wangaratta High School
2nd/24th Batallion Shield, 1945
... . WAREO . TARAKAN I HOLD FAST Brown lacquered wood shield ...In July 1940 the 2/24th Battalion was formed. They set off from Caulfield for the still-being-built Bonegilla camp, stopping off at Wangaratta where they camped at the showgrounds. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as ‘Wangaratta’s Own’. Presented with a 14 foot pennant the Battalion marched through the streets of Wangaratta on 27 September 1940 on the way to Bonegilla. Training continued in Bonegilla until the soldiers sailed on HMT Strathmore for the Middle East on 16 November. The Battalion was eventually attached to the 9th Australian Division, one of the most famous army fighting formations in World War 2. They served in Tobruk (1941) Tel el Eisa (1942), El Alemain (1942), New Guinea (1943) and Tarakan (1945).During the Tobruk siege the 9th Division was called the ‘The Rats of Tobruk’ by William Joyce, the German propagandist. The 2/24th Battalion suffered more casualties than any other 2nd AIF Battalion – 360 killed and 900 wounded. Brown lacquered wood shield with a silver metal 2/24 symbol on it.2/24 AUSTRALIAN INFANTRY BATALLION TOBRUK . THE SALIENT . TEL EL EISA . EL ALAMEIN . LAE . NADZAB . WAREO . TARAKAN I HOLD FAST -
Wangaratta High School
WHS Prefects Honour Board, 2005
Brown rectangular wooden honour board with a sculpted indentation with gold lettering, and a colour Wangaratta High School logo in the top left corner.PREFECTS 2005 K. Crammond: S. Green- A. Holland- M. Iskov- E. Maskell- S. McConachy- K. Scott- L. Shanley- K. Steel- M. Sullivan- N. Tavare- K. Walder M. Tatulaschwili: M. Anderson- C. Curcio- S. Findlay- C, Haas- R, Krake- D. Seymour- a. Thompson 2006 N. Tavare: B. Hulley- R. Hutchinson- S. Penney- C. Smith- K. Steel- E. Tyler- Z. Williams A. Thompson: M. Anderson- D. Bakker- B. Bisigano- M. MacLeish- A. Mason- D. McLeod- A. Robertson 2007 R. Hutchinson: S. Coote- M. Doolan- A. Fuller- B. Hulley- H. Jones- S. Penny. C. Smith- S. Smith- L. Tindill M. MacLeish: A. Anderson- B. Bisignano- M. Gathercole- T. Goodson- A. Jago- A. Roberson- D, Watson 2008 A. Anderson: T. Goodson- C. Cole- J. Gretch- M. Megens- M. Gathecole- A. Jago- B. Gilbert L. Tindill: S. Coote- A. Aivaliotis- L. Bidstrup- E. MacPhee- E. Mullins- A. Fuller- J. Brooksy 2009 J. Gretch: M. Megans- J. Anderson- A. Brownstein- C. Cole- B. Creasy- D. Scott- M. Thomas E. McPhee: L. Bidstrap- A. Avialiotus- S. Hawksworth- H. Jones- G. Kazenwadel- A. Lorenz- E. Mullins- D. Nelson 2010 A. Brownstein: J. Anderson- B. Kay- C. McMahon- B. Palmer- T. Robinson- M. Thomas- D. Tobias S. Hawksworth:: A. Lorenz- S. Enders- E. Hourigan- G. Kazenwadel- D. Nelson- M. O'Keefe- D. Vescio 2011 T. Robinson: D. Tobias- J. Bear- L. Brown- T. McLeod- c. McMahon. B. Palmer- J. Piper S. Enders: D. Vescio- R. Cousins- R. Galie- T. Giggins- B. Lorenz- M. O'Keefe- N. Teasdale 2012 J. Piper: T. McLeod- J. Bear- K. Duursma- H. McMillan- J, Seymour- L. Thomas N. Teasdale: B. Lorenz- R. Cousins- I. Currie- X. Dewez- R. Galie- C. McMoningle- A. Roberts- C. Roberts- S. Yarwood 2013 J. Seymour: L. Thomas- D. Cowan- I. Goeby- C. Cray- H. McMillan- A. Muir- M. Teasdale A. Roberts; x. Dewez- J. Bosnich- J. CAssar- i. Currie- K. O'Meara- S. Yarwood- N. Young 2014 D. Cowan: C. Grey- M. Dewez- A. Gibson- N. Lorenz- A. Muir- M. Teasdale K. O'Meara: N. Young- J. Bosnich- J. cassar- E. Coatsworth E. Currie- A. Fitzpatrick- M. Vearing-Paynther- E. Webster -
Wangaratta High School
WHS Dux Honour Board, 1909-2008
... . Ridd 1916 E. Bray 1917 B. Brown, C. Brown 1918 H. Beeby, I..., I. Ridd 1916 E. Bray 1917 B. Brown, C. Brown 1918 H. Beeby ...Brown wooden honour board with gold text and separate panels for a large heading reading DUX and a footer reading HONERE ET LABORE.DUX 1909 A. Mahony 1910 A. Mahony 1911 P. Sims 1912 E. Pope 1913 F. Coperthwaite, M. Pearce 1914 G. Mason 1915 G. Home, I. Ridd 1916 E. Bray 1917 B. Brown, C. Brown 1918 H. Beeby, I. Howell 1919 H. Hansen 1920 H. Gambold 1921 A. Hinchley 1922 M. Malcolm 1923 S. Muntz 1924 F. Conner 1925 C. Burton 1926 C. Burton 1927 A. Francis 1928 A. Gerrard, E. Holloway 1929 E. Cowper 1930 M. Wray 1931 P. McDonald 1932 D. Keir 1933 S. Butler 1934 T. Walpole 1935 A. Sisely 1936 R. Bayliss 1937 I. Hicks, C. McKissack 1938 G. Jameson 1939 R. Simms 1940 V. Blatch, W. Smyth 1941 G. Grose, R. Short 1942 J. Fiddes, G. Sadler 1943 R. Wood 1944 J. George 1945 J. George 1946 R. Borschman 1947 G. Welton 1948 S. Davies, J. Ruxton 1949 J. Bradshaw 1950 L. Hogan 1951 U. Martin 1952 K. Mauger 1953 E. Canning 1954 C. Park 1955 A. Kentmann 1956 V. Crowther 1957 P. Waizer 1958 K. Rogers 1959 M. Scambler 1960 K. Anker 1961 M. Dundas 1962 M. Anker 1963 M. Berry 1964 B. Handsen 1965 R. Ritchens 1966 I. Bryce 1967 R. Anker 1968 C. Douglas 1969 S. Ilsley 1970 E. A. Miles 1971 B. Reeckman 1972 R. Withers 1973 C. Macklin 1974 S. Curtis 1975 S. Ingarfield 1976 G. Kilninster 1977 D. Wilkinson 1978 D. Cardwell 1979 A. Stewart 1980 M. C. Kilminster 1981 R. J. Kneebone 1982 J. A. Nicholls 1983 C. Grant 1984 A. Peipers 1985 H. Lowe 1986 S. Batten 1987 M. Evans 1988 D. Batten 1989 L. Kirby 1990 H. McDonald 1991 J. Bevacoua 1992 O. Roodenburg 1993 J. Campbell 1994 B. Akers, J. Heywood 1995 K. Kneebone 1996 P. Akers 1997 D. Martin 1998 J. Flanigan 1999 W. Makin 2000 M. Ashmead 2001 L. Smith 2002 T. Hartwing 2003 L. Smith 2004 R. Holgate 2005 H. Watkins, S. Findlay 2006 L. Watkins 2007 L. Watkins 2008 J. Elliot HONERE ET LABORE -
Wangaratta High School
WHS Sporting Honour Board, 1991-2003
Rectangular wooden honour board with gold writing and a decorative border. hugging the border at the top is a heading reading SPORTS AWARDS and in the top left is a simplified WHS logo. This hour board was donated by the parents club.SPORTS AWARDS 1991 C. BLACKWELL, D. CARMODY, S. CLAYTON, N. COBAIN, T. CORNELIUS, C. GOULD, N. GRANT, L. HEYWOOD, K. NOLAN, K. SAUNDERS, B. VAN REIT 1992 M. BALLIE, D. BENNETT, P. DAVIDSON, D. EDELSTEIN, A. GRAF, D. ILOTT, D. JARVIS, A. KERRIS, J. KIPPING, N. LAVIS, D. McFAWN, D. McLAUGHLIN, N. NOLAN, N. WATSON 1993 R. ARTIS, D. BLACK, D. BROCKWELL, R. CANNY, C. COLLINS, K. CORNELIUS, D. DEMAJ, A. GREALY, W, GREEN, N. LELIENE, L, OVER, A. McFAWN, A. McGREGOR, L. NEWTON, S. PHELAN, X, COUTHERNIS, S. WELCH 1994 J. ARCURI, S. BRITTON, L. DELANEY, D. DAMAJ, A. DUNDAS, P. FLYNN, B. HILDEBRAND, R. HOYSTEAD, N. IMRIE, K. JAMES, K. JENKINSON, B. LAMB, E. MALE, T. MARTIN, A. MYLES, J. NASH, S. PHELAN, M. PORTER, A. RADNOR, M. RICKARD, N. ROSSER, J. SHARPE, K. STONE, Y. TEKESIC, S. WALDEHART, K. WHITE, J. WILLS 1995 B. ALLEN, E. ASHMEAD, D. BOX, M. BRUCE, L. CLARK, M. FLEET, L. GARDNER, K. GLENISTER, M. GOODEY, R. GRAHAM, G. JACKSON, K. LAUREN, K. MAHER, A. MANNIX, M. MARTINELLI, J. MEANE, T. PORTER, S. RICKARD, S. SAPIENDANTE, K. WELCH, A. WIZE, M. WOODSTOCK 1996 J. ACKROYD, P. AKERS, R. BARROW, D. BOX, T. BULMER, D. DARWIN, L. NASH, A. NOLAN, S. OAKES, X. PALAMARCZUK, K. PIKE, A. POPONIO, N. POOL, L. REA, K. SHEDLOCK, L. SPILLER, M. VALENZIA, S. VESCIO, B. WALDHARD, B. WATSON, S. WOODSTOCK, M. SCHOLES 1997 S. BANNON, S. BOXX, R. COSTELLO, M. CHILCOTT, M. COX, C. DICKENSON, T. FISHER, H. FULTON, A. GOULD, A. HALLINAN, C. HANDCOCK, I. HAYWARD, B. HEATH, L. HILDEBRAND, C. HUGGINS, K. JONES, S. KNOX, H. LAPPIN, R. MANNIX, S. PATTERSON, B. SPASOJEVIC, K. STOKES, J. WHITE 1998 C. ALLEN, M. ASHTON, H. BEVAN, A. BROWN, S. BURLING, D. CAVICCIOLO, S. COSTANINO, J. CUNNINGHAM, K. GADSEN, R. GANNON, J. HARRISON, C. HOGARTH, S. HUMPHRIES, S. KNOX, A. LAMB, B. LAMBART, K. MOORE, A. MURRAY, A. NORMAN-SMITH, S. PATRICK, A. REID, B. SCHOLES, S. SEMPLE, K.SPILLER, J, TEKASIC, N. WADDINGTON, F. WRIGHT 1999 L. BENCI, S, BRITTON, M. CAMERON, S. CHALLMAN, L. CLARKE, S. EVANS, A. FOSTER, K. GRAHAM, G. HANCOCK, M. JANAS, M. LOWRY, L. MORONEY, R. NAISH, B. PATTERSON, J. PIKE, K. SINCLAIR, R. TATULASCHWILI, S. TUCKER, M. WENHAM, R. WIEDEMANN, T. WITTE 2000 M. ANDISON, M. ASHMEAD, M. BERTALLI, D. BRYANT, A. COSTER, A. CUNNINGHAM, B. DOOLAN, N. EVERITT, P. FOSTER, S. GODFREY, C. HARTWIG, R. HOGARTH, N. HOGAN, S. JAMES, C. JONES, T. KONOLY, Z. LEWIS, C. McCRACKEN, A. MINNS, D. MONGOMERY, A. NEWTH, S. O'KEEFE, S. PICKEN, J.REID, B. SIMPSON, L. SPENCE-BAILEY, M, YOUNIE 2001 J. ANDERSON, E. BRIGGS, K. COLES, R. CONROY, B. GAMZE, M. GIGLIOTTI, S. JOHNSON, T. LAMBERT, C. LUCAS, B. McKIBBON, J. MORONEY, A. MORTON, M. PATRICK, R. THOMSON, B. WINZER 2002 C. ANDISON, D. BARASSI, A. CAIRNS, R. CAMERON, A. COOTE, L. EVERITT, B. FLANIGAN, C. FRASER, S. GANNON, R. GILBERT, G. GLOVER, T. HARTWIG, B. ISKOV, E. JANAS, G. JONES, L. KERLIN, B. McKIMMIE, R. McWATER, D, MOHR, L. MULLINS, C. NEWTON, M. PINI, JENNIFER PORTER, JUDD PORTER, B. SOLIMO, R. SMITH, P. TATULASHWILI, A. TAVARE, J. USSHER 2003 J. ALLEN, M. ANDERSON, L. BARKAS, J. BARRON, C. BOAG, A. BOX, S. J. CAREY, P. CHALWELL, D. DOCK, M. CLARKSON, J. CONROY, L. CUNNINGHAM, E. DAVENPORT, N. DILLON, J. FREEMAN, J. GARDNER, M. GASTON, L. HICKMONT, K. HOGAN, J. HUGHES, B. KNEEBONE, M. KNIHINIZKIJ J. MORONEY, J. McCULLOUGH, J. MURPHY, K. NEWTON, B. OLIVER, S. OLIVER, B. PORKER, C. POTTER, C. ROBINSON, M. SCOTT, E. SHANLEY, A. SHAW, B. SPENCE, D. STEEL, A. TUCCI, T. VIHM, A. VINCENT, W. WICKAM, J. WITTE DONATED BY THE PARENTS CLUB -
Wangaratta High School
WHS Sporting Honour Board, 1955-1981
Brown wooden honour board with gold text in the shape of a rectangle with a protrusion at the top to accommodate for a large WHS logo and a title reading HOUSE CAPTAINS. Along the top of the main body or text is a row of painted metal plates in the school house colours above the names of the houses.HOUSE CAPTAINS 1955 (O) J. BELL, D. CICUTO (K) T. McHARRY S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) W. STUDHAM, M, LA FONTAINE 1956 (O) E. JONES, J. PETTERSON (K) T.McHARRY, S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) B. HOPPER, N. CLARK 1957 (O) A. CORNELIUS, M. MAUGER (K) A. KERRIS, L. BLOOM (M) D. GLASSENBURY, J. COLTHRUP, (W) R. JONES, J. SINCLAIR 1958 (O) A. CORNELIUS, J. PRATT (K) D. DE CHAN, D, SOUTHGATE ((M) B. WALKER, M. PETHYBRIDGE (W) G. SMITH, W. ROBERTS 1959 (O) L. FRY, J. EDDEY (K) G. WATSON, M. WHITE (M) P. BRUCE & G. McINTOSH, I. VINCENT (W) B. SUTTON, B. JOB 1960 (O) F. COBHAM, M. GROSSMAN (K) G. WATSON, M. WHITE (M) J. STONE, C. KNEEBONE (W) E. CORNELIUS, B. JOB 1961 (O) F. COBHAM, E. EDGAR (K) M. KEENAN, J WHITEHEAD (M) R. STONE, E. EVERON (W) R. GOWLING, J. MURPHY 1962 (O) R. BOYD, C. TIPPETT, (K) J. KOST, J. WHITEHEAD (M) R. STONE, N. KINIBURGH (W) G. DUNSTAN, V. CROSS 1963 (O) C. SQUIRE, C. TIPPETT (K) N. MARTIN, V. ROSENGREN (M) L. SULLIVAN, B. CROCKET (W) R. McCONSHIE, B. MUNCEY 1964 (O) G. ROSSER, C. NEWTH (K) J. ALLEN, R. ALEXANDER (M) P. BRYCE, J. DAVEY (W) G. WOOD, H. STEWART 1965 (O) L. WADLEY, J. SCHULTZ (K) K. WOLFEL, R. SIMMONDS (M) R. FERGUSON, M. HEMPHILL (W) I. MITCHELL, M. STEWART 1966 (O) D. SANGER, C. CUTLER (K) G. TERRY, A. ROBINSON (M) W. WOODS, J. CANAVAN (W) R. SOUTHERN, H. STEWART 1967 (O) G. WELCH, C. CUTLER (K) P. RICKARDS, C. TIPPETT (M) K. MURRAY, J. CANAVAN (W) R. GUMLEY, S. WORLAND 1968 (O) G. WELCH, V. FURS (K) W. McGREGOR, S. TOBIAS (M) D. TIMMINS, M. GEORGE (W) J. STOLARCZYK, B. DOBSON 1969 (O) R. STONE, V. FURS (K) W. Mc GREGOR, D. BAYLISS (M) G. McINTYRE, E. CONNORS (W) R. SYMONS, M. JACKEL 1970 (O) K. BROWN, V. DEWS (K) B. FISHER, D. BULTHUIS (M) G. McINTYRE, P. MEEK (W) H. FRY, P. O'TOOLE 1971 (O) B. COOK, S. BARRY (K) B. FISHER, M. RHODES (M) I. McCORMICK, J. HARBOUND (W) H. FRY, M. MITCHELL 1972 (O) B. COOK, V. RYAN (K) L. HARTWIG, F. CLUGG (M) I. McCORMICK, J. HARBOURD (W) J. DELLICASTELLI, J. PARRISH 1973 (O) N. BRAUMAN, R. SLOAN (K) R. LUMSDEN, V. WATKINS (M) D. GRIFFITH, J. ALDERIDGE (W) S. PEAKE, S. PHILLIPS 1974 1975 (O) R. MOORE, A. DUSTIN (K) C. DALEY, G. HARTWIG (M) G. VOSS, R. ALDERIDGE (W) J. CROXFORD, L. TOWNSEND 1976 1977(O) A. GILBERT, B. ALLEN (K) I. CESA, S. ANDERSON (M) G. VOSS, K. CHAPLIN (W) T. SEYMOUR, J. HILL 1978 (O) P. PATTERSON, B. ALLEN (K) l. MABIN, S. ANDERSON (M) T. SMITH, I. HULLEY (W) D. PROSSER, J. GIBB 1979 (O) P. RUNDELL, J. FRAZER (K) J. DOIG, S. TOOHEY (M) G. PRITCHARD, S. CAMPBELL (W) R. BURNS, J. HISKINS 1980 (O) B. SCHULTZ, A. McILROY (K) M. WILLIAMS, S. TOOHEY (M) G. DELL, H. TAYLOR (W) B. ANDERSON, C. SPINK 1981 (O) J. MONCRIEF. M. FRAZER, (K) P. JORDAN, V. WHINRAY (M) R. RUSSELL, M. HUME (W) A. ELWARD, H. KNOBEL -
Melbourne Legacy
Slide - Slides, Comradeship songs
The subject of these slides is not known until they are looked at again, their titles could give clues to the contents. Some titles that can be seen are; Tavern in the Town, I love you truly, The old spinning wheel The good old summer time Swannee River Bell's of St Mary's Nursie Little brown jugA record of the types of songs sung by Legatees at Comradeship gatherings. Comradeship meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. Coloured 35mm slides, coloured photo surrounded by cardboard border.Various titles of songs on individual slides.comradeship, songs