Letter to Secretary dated 26th August 1893. Letterhead J Tillman & Co [London. Paris, Berlin] signed ?bendigo, industry, cohn bros brewery

Printed promotional brochure/booklet: 'The Court A' produced by Rolad Garros Paris. c.1994 Materials: Paper, Inktennis

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) In 1863-4 A.Marion & Co. 23 Soho Square, London, were publishing cartes for Southwell Brothers of 16 & 22 Baker Street W. London, and in c.1866 producing cartes wholesale for Mayall of Regent Street. They appear to have printed numerous cards with a very small name printed onto the lower front. Travelling photographers would purchase the cards and sometimes have their own personlaised details printed onto the back..6) A tintype studio portrait of two seated men in suits, attached to a card, possibly brothers. On lower edge of card "marion Imp. Paris"little gem, tintype, photography

SoftcoverBrochure and card for Hotel California, a Paris hotelwalsh st library

Worn by donor for churchPink straw hat with deep, off the face, brim. Pink ribbon band around crownWeltra Hats, Paris, London, New Yorkcostume, female headwear

Photo postcard with six soldiers sitting and standing around a small table with a vase of flowers in the centre. Most of them have a bottle or glass in their hand. One has his hands behind his back and he is smoking a cigar. Three others are smoking pipes. The card is addressed to Jack from Bill and dated France Aug 12th 1916.B. Guilleminot, Boespflug et C -Parismilitary, world war 1, group photo, john jones collection - soldiers, r guilleminot

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

A wooden racquet with laminated concave throat, cloth tape shoulder reinforcements, and deep grooved handle with a red rubber handle grip. Inscription across and along throat on obverse: DRIVA/(EXELA)/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/1. RUE CAUMARTIN/PARIS/A GARDER SOUS PRESSE. Inscription on rubber grip: WILLIAMS & CO./PARIS/"FABRICATION/ANGLAISE". Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, String, Rubbertennis

Black and white Photograph of S.S City of Paris, 139 mm x 89mm. SH 055 [1] Ships C - E.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, s.s city of paris,

Post Card "With Heartiest Greetings from a pall of The Dinkum Diggers Queenie Edgecombe 5 Place Wagram Paris.(part of COL049)documents

Albert John Watson was a son of John Watson Esq, Steward of the Kew Methodist Church.Studio portrait on a Paris Panel (Cabinet Card) of John Watson playing a cello. Joh Watson was the father of Mrs Ivory, the donor. Annotations on reverse: "Reg. No. KH.134. Albert John Watson, aged 21. Donated by Mrs Ivory, 1979. daughter and member Kew Historical Society."coles studio (melbourne), mrs ivory, albert john watson

Rectangular metal buckle or clasp with two pointed teeth on a middle bar. The word Paris and a series of numbers are engraved on the reverse. Item is rusted.bendigo, gold mining, qc binks

Accompanying letter from the donor and grandson, Bob Wilson.Made by a German Prisoner of War while imprisoned at Murchison POW Camp, and given to one of his guards, thereby showing the good relationship between prisoners and guards.Six sided brown container with lid made of plaster of paris. Depicting plant life, one small flower appears to be a disguised swastika. Inside lid is engraved a printed Murchison"/1941 TR.murchison pow camp 13., german pow.

Sculpture was made by a personal friend of the subject in the mid 1940's and displayed in the home of the subject's son, John B. Crosbie until 2001. Bernard Crosbie (subject) was the nephew of Michael Loeman, former Shire of Bulla President and owner of 'Glen Loeman'. Bernard Crosbie and his brother inherited Glen Loeman from Michael Loeman.Bust of a man, Bernard Michael Crosbie, President of Bulla Shire 1936-1937. Made from plaster of Paris (?) painted metallic brown.crosbie, bernard michael, shire presidents, shire of bulla, loeman, michael, glen loeman, houses, george evans collection

Antique soda fountainUsed by William Wallace Family Kergunyah 1909 - 1912An hour-glass shaped glass soda syphon which is covered with fine metal mesh. The syphon mechanism is made of chromed metal. It has a handle and a spout. On metal syphon: veritable seltzogene D. Fevre / Paris1909 soda fountain, seltzogene

Collected by Dorothy Brumby in relation to Great Western ResearchLady standing in Patterned dark dress in front of ballistradeYeoman Paris Panel Chapel Street Prahan Victoria

Thomas Harvey (16/8/1842-30/6/1912) was born in Cornwall. He married Eliza Williams (23/3/1841-12/7/1923) on 6/12/1865. The lived in Clarke Street, Harveyville. This was a small cluster of Cornish miners homes in Eaglehawk.Copy of posed studio photograph of Thomas and Eliza Harvey. McKenzie Family Collection.Photographer's stamp John Lay Eaglehawk, Paris Panelhistory, period clothing

A wooden racquet with solid, convex throat, gut or twine whipping/shoulder reinforcements, and fine grooved handle grip. Inscription across and along throat on obverse: EXTRA SPECIAL/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/PARIS/1. RUE CAUMARTIN. Materials: Wood, Gut, Ink, Glue, Lacquer, Leather, Metaltennis

Stereoscopic Views, No maker, no captions on Nos, 1. 2. & 3. On the back of no. 1 'Louvre Paris'. on the back of no. 2 'Bethanee'. Nothing on the back of No. 3postcard

Output on Paper Roll Plaque ‘S.A. Burroughs/Paris. Made in France / Universel (sic) A.P. Series J/ Volts 240 AMP 0.2’

A summary of the life of William Henry Slater who established a herb garden in Mitcham and won an Honorable Mention for essential oils at the Paris Exhibition in 1867.Deakin street, Mitcham, formerly part of the Springfield Estate Co. Ltd, was named after Alfred Deakin, Australia's second Prime Minister.slater, william henry, mitcham, herbs, lavender farms, pearce, harry

ContextualA good example of patient art/craftwork 32 Chess Set Pieces (16 Gold, 16 Silver) Moulded in Plaster of Paris (from rubber moulds) Some pieces with green felt on basepatient art, chess, games, recreation, therapy

J Tillmans & Co , London, Paris, Berlin letterhead on handwritten note to the Secretary Cohns Victoria Brewery dated 12/12/1895. Illegible signature.bendigo, industry, cohn bros brewery

Black velvet and gold/ beige satin hat with mesh stiffening. Label inside the hat says "Harbig, Melbourne, New York, Paris." c. 1950s.

Creamy white card with embossed flowers, leaves and decorative work. The left fold with flowers on overlaps the right fold which is narrow and has a leaf at the top and decorative work along the edges. The flowers are pink with pale leaves above them and a darker green background. The top edge of the card is cut along the edges of the leaves. Below, printd in gold, with a gold edged capital letter is: 'Wishes'. It also has decorative work above and below it. Inside is written; 'To Bettie from Uncle Audre (the rest is missing.)Raphael Tuck & Sons Ltd., London, Paris, New Yorkperson, greeting cards, malone collection, malone collection, greeting cards

Cassells's Family Magazine published by Cassell & Company Ltd, book of short stories with black and white illustrations. Hard cover in red & black with gold lettering. Written in pencil inside front Mr J Bryant H Road.Cassell & Company Ltd, London, Paris & New York, 1884books, albums, cassells