Small cream card with clear celluloid front which is sewn to the back. Card has shaped edges. At the top is a circular area edged with pink flowers. Inside two pink hands on a gold background. Underneath is embossed 'Lest we Forget'. Slong the bottom edge are some more pink flowers. Card & insert held together with pink cord.Misch & C0, Ltd. London. E. C.person, greeting cards, malone collection, malone collection, greeting cards

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cocktail dress of an overall muted pink colour, with an outer layer of multi-coloured pink silk georgette patterned all over with small flowers. Below the waist the georgette is formed into separate hemmed floating panels. Pink velvet is used on the square neckline and on the cuffs of the sleeves. The same velvet fabric is used in the separate pink velvet headband with feathers. edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s

The Fashion & Textiles collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.Circular white cotton doily. Coloured embroidery with tatted edge. Embroidered blue basket of flowers with pink roses and green scrolls with pink rosesdoilies, household textiles

Christmas card sent to Caroline (Carrie) Tyack from Marie.Small cream Christmas card with cellulose nitrate front with " To Greet You: and pink flowers on cover. Pink string on spine " to Carey from Marie"'To Greet You'christmas card, card, caroline tyack

The hat belonged to Edna Vlassopoulos who with her husband Andrew, had a poultry farm and market garden in the old Westmeadows township and later at Bulla. The hat was purchased to wear at a family wedding.A pink straw hat with a pink silk folded band wrapped above a narrow brim. There is a full-blown pink silk rose which is a trim on the RHS of the crown. There is a band of petersham ribbon inside the crown with black hat elastic fastened on either side.clothing and dress, headwear, female, george evans collection

These shoes were worn by Emily Cock (nee Smith), the daughter of wealthy early settler John Matthew Smith. From 1856 until 1931 the Smiths lived at 'Castlefield', a mansion on a vast estate that at one time stretched along South Road from Bluff Road to Hampton Street. The land was gradually subdivided, and the house is now a part of Haileybury College. Julien Mayer was a French ladies shoemaker and prolific exporter who advertised his successes on the shoes themselves by stamping the soles with details of the prizes he had won.Pair of black kid leather shoes with low block heel, decorated with pink silk, cut-away applique and embroidery. Pink bow with metal clasp on one shoe; missing from the other. Edged with pink silk ribbon binding, largely deteriorated.Sole embossed with "MAYER / Julien / à Paris", in addition to tamped with three small medallions proclaiming the awards the shoemaker won in London in 1862, Porto in 1865 and Paris in 1867. Handwritten in interior sole of T0124.2 in pencil: "Emily Smith / Castlefield"emily smith, castlefield, shoes, 1860s, applique, embroidery, julien mayer

This dress belonged to Louris White, nee Larsen-Disney, whose wedding dress from 1948 is also in the collection. Louris and her husband lived at 49 South Road, Brighton, just a few doors down from her family.Strapless pink organza cocktail-length dress. Finely pleated bodice and skirt laid on to a heavy vilene. Decorated around the waist with pink organza flowers and two bands of pink satin, one around the bodice and the other around the lower part of the skirt.Label: printed black on cream acetate side front bodice: "Original / Margeaux / REGD. / of Melbourne / IMPORTED FABRIC"evening dress, 1950s fashion, louris holly white, brighton, margeaux of melbourne, joseph haskin

In the first half of the 20th century knitting needles were much easier and cheaper to come by than sewing machines. This is possibly why hand knitting was so popular. This pair of knitting needles are part of a time when women often made the family clothing. A pair of No. 7 pink plastic knitting needles.knitting-needles handcraft knitting leisure

Significant events in the history of Preston, includes the names of Mayors and Councillors.8 p., black and pink on white paperpreston, city of preston, preston victoria

Kitchen sink plug, a souvenir of GHS kitchen, replaced by Banyule Council in December 2018.Pink plastic plug with neoprene rubber sealDouble T Product Pat App No 92838762sink plugs

Digital image of drink coaster from Bundoora Hotel (also known as Winston's Adult Nitespot), 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of coaster, pink with maroon text. "Winston's Adult Nitespot" and "Bundoora Hotel"bundoora hotel, winstons adult nitespot

Small piece of hand embroidery possibly for collar. Net collar section with pink floral embroidery.embroidery

Post World War 11 settlers in the newly opened estates of Ormond, Bentleigh, Cheltenham, Highett made their own clothes using the new fabrics and new sewing machines in the 1950s This pink silk nightdress, with an appliqued lace yoke, lace shoulder straps and waist ties is typical of the style c1950 in the City of Moorabbin Clothing, Nightdress, pink silk lace top clothing, nighdress, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, dressmaking, machined lace,

Pink and Black Bordered Label Rusted LidSparkling Aerated Sarsaparilla Colis & Sons Aerated Foster water manufactures C&S

Cream bracelet with green, yellow and pink flowers.

Slide, Laanacoorie;Tarnagulla;Maldon.Small pink wildflower.slide, laanacoorie;tarnagulla;maldon., laanacoorie;tarnagulla;maldon.

Slide, Laanacoorie;Tarnagulla;Maldon.Small pink wildflower.slide, laanacoorie;tarnagulla;maldon., laanacoorie;tarnagulla;maldon.

William E Stanbridge's daughter travelled to England to see Queen Victorias CoronationFlorence Colles Stanbridge born 1874. Mother died at her birth. Her father was extremely rich from royalties from mines.3 Pink cards , head of Queen VictoriaThe Diamond Jubilee Procession June 22 1897 Royal Horse |Guards Pavilion Admit..Miss Stanbridge Stalls Block A Row 13 No 3 1st card Miss Stanbridge 2nd card Mrs Hutton 3rd Card Miss Huttonqueen victoria stanbridge hutton

Program for the Royal Victorian Liedertafel concert at St Kilda Town Hall on 15 May 1917 to aid the British Red Cross Fund. Organised by St Kilda Patriotic Committee.Single sheet of pink paper printed in bluest kilda patriotic committee, wwi, world war i, wwi fund-raising, british red cross, mansley greer, royal victorian liedertafel

Ticket to attend children's entertainment at Luna Park, hosted by the City of St Kilda, from 2pm to 5pm on 19 November 1934.Pink card printed in blue on one side.luna park, city of st kilda, children's entertainment

Ticket issued by the City of St. Kilda for admission to the Victory Theatre on 13 May 1949 in celebration of Empire Day.Pink coloured card printed in dark blue.victory theatre, city of st kilda, empire day

Small dish with flutter edging with pink flowers.SWINNERTONS / STAFFORDSHIRE / MADE IN ENGLANDpin dish, swinnertons

Used In Elementary Schools Pink Soft Cover with black design and PrintJessie Cumming (Handwritten) The Federal Arithmetic For Grade V. Edited by J. McRae, M.A. Inspector of schools, Victoria Specially writen to meet the requirements of the New Course of Study for Elementary Schools of Victoria. (Circular Design) Melborune Christchurch, Wellington, Dunedin N.Z. and London Whitcombe & Tombs Limited 8d.stawell education

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double-sized, pink and mint diamond blanket"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst Diamond blanket in pink and grey"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink and cream"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong