Showing 503 items
matching south red white
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Uniting Church Archives - Synod of Victoria
Pamphlet - Information Leaflet, Methodist Overseas Missions, Methodism in the Highlands
At the time this leaflet was published the statistics were: "Missionaries (White): 11; Missionaries (South Sea Islanders): 10; Churches: 2; Preaching Places: 36 and Attendants at Worship: 2,500.Cream Four page leaflet with red text on published by Methodist Overseas Missions entitled "Methodism in the Highlands" which outlines the pioneering venture "Papua New Guinea Highlands Mission".methodist overseas missions -
Robin Boyd Foundation
Functional object - Cushion
These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Synthetic insertwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped grey and off-white cotton with self-piping and a concealed zip. Feather insertwalsh st furnishings, robin boyd -
Clunes Museum
Photograph
PHOTOGRAPH COPIED FROM AN EARLIER PHOTOGRAPH BY MR. SEMMENS, CRESWICK.BLACK AND WHITE PHOTOGRAPH FRASER STREET. ON SOUTH SIDE OF FRASER STREET - RED BOOT SHOP, SOUTH WARD & SUMPTON, FURNITURE SHOP, UNION BANK (LATER THE A.N.Z. BANK), A FURNITURE SHOP AND OTHER BUILDINGS. A BLACK HORSE TIED IN FRONT OF SHOP ON OTHER SIDE OF STREET. SEVEN STARS HOTEL AT END OF STREET.local history, photography, photographs, red boot shop, furniture shop, union bank building, buildings -
Warrnambool Art Gallery
Zulu necklace, 19th century
It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool -
Nillumbik Shire Council
Mixed Media (textiles): Rosalie COGAN (b.1948 Vaght, Netherlands), Rosalie Cogan, War and Peace, 1987
Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac -
National Wool Museum
Book - Onkaparinga, Onkaparinga Woollen Mill Company, 1992
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Paperback book, white with title - 'Onkaparinga' in red writing on front coverOnkaparinga - The Story of a Mill/Carol Brockhoffblanket, blanket fever, onkaparinga, woollen mill, lobethal -
Whitehorse Historical Society Inc.
Postcard, Historic Postcard - Set 1 no 7 - Red Store, 1920s
Black and white historic postcard (Set 1 No 7 ) Red Store, Mitcham Road, south side of Whitehorse Road showing double fronted shop with two salesmen outside with goods for sale.|Original supplied by Raleigh Armstrong.armstrong, raleigh edward, red store, mitcham, nunawading library & information service -
Parks Victoria - Days Mill and Farm
Container - Tins, boot polish
Found in an above ground rubbish pile at Days Mill and Farm. Boot polish probably used by family or workers on site.Two tins of boot polish in flat round tins with butterfly type fastenings between the lid and the tin body. Both lids have red, black, yellow and white graphics that depict a kiwi but the wording and wording placement is different. Both tins are rusted and may contain remnants of boot polish.yeswilliam day, ann day, joseph day, robert day -
Parks Victoria - Days Mill and Farm
Container - Cans
Three cans that originally contained cola drinks. .1] "RIPPA" coke. Aluminum can with red, black, white and blue graphics. Has intact ring pull. .2] "COKE" with ring pull top missing. Rusted steel with red and white graphics. .3] "DIXI COLA" aluminum can, red, blue and white graphics.yes -
Rutherglen Historical Society
Image, Ern McQuillan, 1950s
Tommy Bartel Champion AxmanBlack and white photograph of sportsman with championship ribbon around neck and an axe in his handOn back of photo: Stylised image of a camera with "FM 1764 | FM 1766" above - "By Ern McQuillan, 396 New South Head Road, Double Bay" below - "A Photographic Illustrators Photograph" to the right - with numbers "4/4526/59" hand written in red ink.tommy bartel, wood chopping, sports, champions, tommy bartel was married to freda ward bartel. they both were born in beechworth victoria. tommy and his family were known for their wood chopping prowess both as workers and competitive axemen. tommy’s wife freda and his descendants reside in rutherglen., freda bartel, freda ward -
Unions Ballarat
One Crowded Hour, Tim Bowden, 1987
A biography of Australian cameraman Neil Davis. Davis predominantly worked in South East Asia covering wars in the region. In 1985, he was shot and killed during a coup attempt in Bangkok.Insights into South East Asian regional conflicts with biographical detail.Paper; book. Front cover: black and white photograph of Neil Davis; black & red text.Front cover: title; author's name; short quote from review by the Weekend Australian.btlc, ballarat trades and labour council, ballarat trades hall, south east asia, davis, neil, war, coups, foreign correspondents, bowden, tim, interviews, biography -
Unions Ballarat
Felicia: the political memoirs of Don Dunstan, Dunstan, Don, 1981
Don Dunstan was a South Australian state politician known for progressive reforms. He was premier of South Australia over the periods June 1967-April 1968 and June 1970-February 1979. He resigned from politics in 1979 and died in 1999.The book forms part of Labor Party history in South Australia and is of an autobiographical nature.Paper; book. Front cover: black background; black and white photograph of Don Dunstan; red and yellow lettering.Front cover: author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, dunstan, don, south australian parliament, premier - south australia, politics, politicians -
Unions Ballarat
Lead, Kindly Light (Don Woodward Collection), Sheean, Vincent, 1949
Written from a Western viewpoint. Disillusioned with western thinking, the author visited India to find out whether Ghandi's philosophies provided a realistic alternative. This book documents the author's experience. Ghandi was an activist in both South Africa and India. He was the leader of the independence movement to end British rule in India. Gandhi was assassinated in 1948 by Nathuram Vinayak Godse.Autobiographical and of interest to personal ethics and belief systems.Book; 382 pages. Dustjacket: red background; white lettering; author's name and title. Cover: brown background; gold lettering; author's name and title. Black ink: name (illegible).btlc, ballarat trades hall, ballarat trades and labour council, ghandi, mahatma, history - india, biography, politics and government, nathuram vinayak godse, activism, ethics/belief systems -
Unions Ballarat
The confessions of Clyde Cameron 1913-1990 (Don Woodward Collection), Connell, Daniel, 1990
Clyde Cameron was Minister for Labour in the Whitlam government and sacked in 1975. He was in parliament from 1949 until his resignation in 1980. Cameron also has a history with the AWU, both as an elected official and as an organiser and industrial advocate. He was at one time Leader of the Labor Party in South Australia. Relevant to Australian and South Australian politics and Labor history. Relevant to the history of the Australian Workers Union (AWU). Biographical interest - principally Clyde Cameron.Paper; book. Dust cover: white background; colour photograph of Clyde Cameron; blue and red lettering. Cover: red background; white lettering; author's name and title on the spine.Front page: author's name and title.cameron, clyde, btlc, ballarat trades hall, ballarat trades and labour council, alp, australian labor party, calwell, arthur, whitlam, gough, kerr, sir john, parliament, government, politics, unions, awu, australian workers union, union organisers -
Unions Ballarat
The turbulent years: The autobiography of JT Lang (Don Woodward Collection), Lang, JT, 1970
Autobiography of Jack Lang's political career. Lang is a former NSW ALP state treasurer and was elected Premier on two occasions. His government was dismissed in his second term of government by the State Governor due to his defying the Commonwealth Government's financial agreements' legislation. Relevant to the history of the ALP in NSW and the labour movement. Autobiographical interest - Jack Lang.Book; 323 pages. Dustjacket: light blue background; black and white photograph of JT Lang; red and white lettering. Cover: grey background; green lettering; author's name and title.In blue ink: "Pop, Happy Birthday. Mary, Murray, Christopher. 8:10:70" (Copy 1)btlc, ballarat trades hall, ballarat trades and labour council, alp, australian labor party, new south wales, politics, government, premier, autobiography, lang, jt, lang, jack -
Hume City Civic Collection
Magazine, ASH WEDNESDAY 1983 BUSHFIRES, 1983
A large size printed magazine consisting of 78 pages with red border top and bottom of front and back cover with white writing in red border. A picture of a burnt out house and car is on the front and back cover.non-fictionash wednesday fires, victoria, the herald, the sun, newspapers, geelong, bendigo, south australia, 1980s, bushfires, macedon ranges -
Robin Boyd Foundation
Photograph
The new wing at Benalla High School, designed by Robin Boyd.Black and white photograph 190mm H x 235mm W with two holes.Handwriting in red pen on reverse "New wing at Benalla High School for P.W.D. R. Boyd design, B.H. W/D Spec. Supervision etcbenalla high school, robin boyd -
Robin Boyd Foundation
Document - Car Purchase, Standard Cars, 04.08.1961
A red Fiat 500 was replaced by a 1961 Truimph Herald Coupe as Patricia Boyd's car. Later the Truimph was replaced by an Alfa Romeo Coupe.Documentation for purchase of a 1961 model Triumph Herald Coupe (2 seats) in sebring white with mauve (not red, as invoice reads) trim, Registration number HKO 492. Four documents, one white, three blue. Deposit paid to Standard-Triumph two days earlier.Deposit has handwriting on reverse by Patricia Boyd.ohm2022, ohm2022_6 -
Ambulance Victoria Museum
Vehicle, motor, Ambulance, Ford 150, F series, 1992, 1992
This vehicle is a Ford 150 F Series, manufactured in 1992. It is the last body to be fitted out as an ambulance by Jacab in Tamworth , New South Wales. This vehicle was owned by the Metropolitan Ambulance Service and serviced Melbourne and surrounding suburbs on all ambulance duties in the 1990's. Four-wheeled Motor vehicle fitted out as an ambulance. Bodywork painted white with red logo and markings. Bonnet painted grey. Bumpers are chrome. Red and blue lights mounted on roof above front windscreen. Red light mounted above rear windscreen.Registration number EYH837. There is a strip of red and white diagonal striping along the sides and at the front of the vehicle. Logo ...........ADD MOREambulance, motor vehicle, ford, ford f150 series f, jacab, melbourne, metropolitan ambulance service, tamworth -
Ambulance Victoria Museum
Vehicle, motor, Ambulance, Ford 350 Series, 2005, 2005
The vehicle is a Ford F350 series, manufactured in 2005. It has a 6.5 litre V8 diesel supercharged engine. It was fitted out as an ambulance in Tamworth , New South Wales by Jacab and was one of many used in Regional Victoria in the early 2000's. This ambulance was stationed at the Heywood Branch in the west of Victoria for its entre service life until it was donated.Four-wheeled vehicle fitted out as an ambulance. Bodywork painted white with red logo and markings. Bumpers are chrome. Strip-lights mounted on roof above front windscreen. Registration number UDZ591ambulance, motor vehicle, ford, ford f350, jacab -
Ambulance Victoria Museum
Badge, Hat, South Australian Ambulance Service, A.J.Parkes, unknown
Silver coloured metal badge with decoration on front surface in white, blue, green, yellow and red enamel. At back are two metal loops and separate metal pins for use in attaching the badge to a hat. ON FRONT;Image of a bird (Shrike) symbolising the South Australian Ambulance Service ON REAR " A. J Parkes" (Manufacturer)badge -
South Gippsland Shire Council
Wall hanging, Landscape on carpet
Wallhanging, Lanscape on carpet featuring a Chinese scene with buildings, trees and boats. Fixed on wooden rod. White fringe and two red satin ribbons fixed to right edge of rod. Chinese writing in gold on ribbons. -
South Gippsland Shire Council
Flag, Framed, Sydney Olympic Games 2000 Commemorative Flag
Framed Commemorative Flag Sydney 2000 Olympic Games. Red nylon fabric flag, coloured design featuring Olympic logo, torch bearer and torch with yellow flame. WHite text on red/orange background. Text reads: "SYDNEY 2000/OLYMPIC/TORCH/RELAY" Mounted in brown timber frame. Grey card background with grey card window mount. -
South Gippsland Shire Council
Rug, Framed, Chinese Floral Design
Framed decorative woollen rug with fringe. Features Chinese floral design of green, pink and blue flowers. Dark green and white border with white fringe. Brown timber frame with red felt backing. Carpet is fixed to backing with five silver pins across top and bottom. -
South Gippsland Shire Council
Rug, Framed, Chinese Floral Design
Framed decorative woollen rug with fringe. Features Chinese design with two birds, flowers and branches. Green, brown and white colours. Green and white border with white fringe. Brown timber frame with red felt backing. Carpet is fixed to backing with five silver pins across top and bottom.