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Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman
... Portrait of a Woman....3) A tintype portrait of a woman, attached to a card. ...Little Gem tintype Photograph Portrait of a Woman .3 ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women -
Federation University Historical Collection
Photograph - Little Gem tintype, American Studio, Portrait of a Woman, (exact)
... Portrait of a Woman...A tintype portrait of a woman's head, attached to a card....Little Gem tintype Photograph Portrait of a Woman A tintype ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph -
Vision Australia
Photograph - Image, Portraits of female resident, 1970-1980s
An older woman sits on an outdoor chair, smiling to camera. She wears a cardigan and a floral dress.1 B/W photographs of older female sitting outsideassociation for the blind, elanora home (brighton) -
Mont De Lancey
Book, Thomas Nelson and Sons, Gibraltar and it's Sieges, 1884
A rare antique non fiction book about Gibraltar and it's Sieges published in 1884. It includes a description of its natural features, British colony, Mediterranean scenes and history with black lined ilustrations.A brown hardcover book with the title 'Gibraltar and it's Sieges' in gold and black lettering with a black lined drawing of Gibraltar, rocks and the English flag below. The spine has the title, two crossed flags, the words - Montis Insignia Calpe and Nelson and Sons publisher printed in gold and black. There are lined illustrations and maps inside. There is a Contents page and list of Illustrations. At the back is a ten page list of books to read, including - The World at the Fireside, Stories of Travel, New and Favourite Tales and more, all published by Thomas Nelson. Pp.158. Attached by paperclips to the front right endpaper is a Yeoman's Numurkah, Victoria photograph of Linda Fairless whom the book was presented to as an award.non-fictionA rare antique non fiction book about Gibraltar and it's Sieges published in 1884. It includes a description of its natural features, British colony, Mediterranean scenes and history with black lined ilustrations. gibraltar history, gibraltar sieges -
Glenelg Shire Council Cultural Collection
Painting, Agnes Goodsir, Cherry (aka "Portrait of a Lady"), 1924
... The painting is a portrait of a woman dressed in black... (aka "Portrait of a Lady") The painting is a portrait ...Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.The painting is a portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, 1880s
... Photograph - portrait of a woman... Cliff Street Portland great-ocean-road Photograph - portrait ...Displayed in History House.Black and white ambrotype image of a seated woman holding a small book in her left hand. She is wearing a high-necked black dress with small white collar. At her throat is a broach and at her waist are two button closing the front of her jacket. Both have been tinted gold. Framed in gold mount with a leather-bound hinged case with cream velvet lining.ambrotype, studio portrait, portrait photography -
Glenelg Shire Council Cultural Collection
Accessory - Badge - Australia's Federation, 1901
... Large badge with photographic black and white portrait... and white portrait of a woman in a high-necked black dress ...Displayed at History House.Large badge with photographic black and white portrait of a woman in a high-necked black dress with a white cameo broach at the neck. Portrait is in an oval frame, within a decorative design depicting two heraldic flags on either side and a crown on top. Text at base.Front: Australian/Federation/1901 (lower centre)federation, memorabilia, 1901 -
Glenelg Shire Council Cultural Collection
Photograph, Studio Portrait of Vida Goldstein, n.d
... Black and white studio photographic portrait of a woman... photographic portrait of a woman in late 19th century dress. She ...From Mrs Helen Lindsay Mc Donald, family descendant. Vida Goldstein was a strong advocate for women's rights and equality. She was the first woman to stand for parliament in the British Empire.Black and white studio photographic portrait of a woman in late 19th century dress. She is central in the photo, standing next to balustrade and greenery, and in the background is a painted backdrop.Front: Front- Yeoman and Co 107 Swan Street, Richmond Back- 'Vida Goldstein' - Printed in texta on stellotape.portrait photography, vida goldstein, suffragette, equality -
Glenelg Shire Council Cultural Collection
Photograph, Mrs. Jane Henty, 1984
Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography -
Glenelg Shire Council Cultural Collection
Medal - Medal - Board of Trade Award for Gallantry in Saving Life, c. 1860
... on Carpenter's Rock, August 1859. Inverse: Profile portrait of a young...: Profile portrait of a young woman with har in a Grecian bun ...Bronze medal presented to James Kean for his part in the rescue of the survivors from the wreck of the Admella on Carpenter's Rock, August 1859. Inverse: Profile portrait of a young woman with har in a Grecian bun, wearing a wreath of laurel leaves. Text around the edge. Obverse: relief depiction of five figures on surface of a ship deck. Man at the top of the image waving a cloth to attract the attention of a lifeboat in the background left.Front: AWARDED BY THE BOARD OF TRADE FOR GALLANTRY IN SAVING LIFE/ V.R. (around edge) B. Wyon SC (under portrait) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a young woman, n.d
... Photograph - portrait of a young woman... Cliff Street Portland great-ocean-road Photograph - portrait ...Black and white photo card. Young woman in period costume sitting on a chair, spaniel sitting at her feet. The young woman is possible Edity Vivian.Back: 'Aunt Edith Vivian?' - handwritten, blue biroportrait photography, photo card, vivian -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, n.d
... Photograph - portrait of a woman... Cliff Street Portland great-ocean-road Photograph - portrait ...Head and shoulders black and white photo, mounted on white card; woman with hair pulled back severely from face, dress buttoned high to neck, brooch at top.Front: 'Arnest & Kent. PHOTOS, COLAC' - printed in dark red, beneath photo Back: 'Aunt Mary Gray' - hand printed, blue biroportrait photography, female portrait, bust -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Thomas & Jane (nee Tippet) Robins with son Joseph James, Thomas & Jane (nee Tippet) Robins with son Joseph James, n.d
On display in History HouseFramed reproductive photograph in sepia tone. Portrait of a man seated, a standing boy to his right and a standing woman to his left. All are wearing formal dress of 19th century. Framed under glass in gold metal frame.Front: (no inscriptions) Back: Thomas & Jane (nee Tippet) Robins with son Joseph James. Donated by: Joy Uinicombe, H/H 25 No. 3 (typed on white sticker). -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Maureen Harrison, Mrs R.B.Anderson and Mrs T.C. Jarrett at Theo Jarrett's Farewell, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Maureen Harrison/ Mrs R.B.Anderson/ & Mrs T.C. Jarrett/ at Theo Jarrett's Farewell (blue pen, centre)port of portland archives, theo jarrett, retirement -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Maureen Harrison, Mrs R.B.Anderson and Mrs T.C. Jarrett at Theo Jarrett's Farewell, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Maureen Harrison/ Mrs R.B.Anderson/ & Mrs T.C. Jarrett/ at Theo Jarrett's Farewell (blue pen, centre)port of portland archives -
Ballarat Heritage Services
Photograph - Photograph - Black and White, William Bardwell, Portrait of a Woman
... Portrait of a Woman...Photographic portrait of a woman....Photograph - Black and White Photograph Portrait of a Woman ...Photographic portrait of a woman.fullarton, ballarat, bardwell, woman -
Stawell Historical Society Inc
Photograph, Doyle Family Photos with Indentifying names -- 7 Photos
Doyle Family Group photographs plus others. Think a mistake in photograph of soldier in WW1 uniform (photo 2) as more likely Peter Pagan Doyle as John born 1909. Photo 1. Portrait of "John Galbraith Doyle born Stawell 1909, only child of Marion (Galbraith) and John Pagan Doyle". Photo 2. of soldier & portrait photo. "John Galbraith Doyle born Stawell 1909 only child of Marion (Galbraith) and John Pagan Doyle". Photo 3. of wedding group "Origin unknown. At the right is Marion Galbraith, b1881 in Stawell, dau. of Peter Galbraith. The man to her right is thought to be John Pagan Doyle". Photo 4. of house. "Home of Peter Galbraith and family, possibly Patrick Street Stawell. with family members arrayed" Photo 5. family group "Galbraith family at Stawell. Mr. Peter Galbraith, his wife Margaret (Cameron), and 4 children -L-R Norman, Marion, Afton and (in front) Harold. Photo 6. of 8 men. "Source unknown, but possible connected with Stawell of Mines or may be part of Peter Galbraith's assay business. People second from left, back row and second from left, front row appears to be sons of Peter Galbraith". Photo 7. "Marion (Galbraith) Doyle and John Galbraith Doyle (b. Stawell 1909)". Marion only daughter of Peter & Margaret Galbraith nee Cameron born Stawell 1881. Marion married John Pagan Doyle who was Science Director of School of Mines, Stawell 1909. Eight black and white photographs of Galbraith Doyle and Pagan Doyle Family. Two photographs of a soldier in WW1 uniform. (Think a mistake as possible Peter Pagan Doyle). Third photo is of a group of 13 people at a wedding. Fourth photo of a weather board house with a veranda and garden and people on veranda and in garden. Fifth photo Family group. Sixth photo 8 men holding equipment associated with mining but formally dressed. Eight photo of a woman and child holding a cat. Note a mistake on 2 photos, the captions state John Galbraith Doyle was born 1909 at Stawell but he is shown in a WW1 uniform which cannot be him. The soldier must be his father John Pagan Doyle who enlisted 1915 at Stawell. Photo 1. of "John Galbraith Doyle born Stawell 1909, only child of Marion (Galbraith) and John Pagan Doyle". Photo 2. of soldier & portrait photo. "John Galbraith Doyle born Stawell 1909 only child of Marion (Galbraith) and John Pagan Doyle". Photo 3. of wedding group "Origin unknown. At the right is Marion Galbraith, b1881 in Stawell, dau. of Peter Galbraith. The man to her right is thought to be John Pagan Doyle". Photo 4. of house. "Home of Peter Galbraith and family, possibly Patrick Street Stawell. with family members arrayed" Photo 5. family group "Galbraith family at Stawell. Mr. Peter Galbraith, his wife Margaret (Cameron), and 4 children -L-R Norman, Marion, Afton and (in front) Harold. Photo 6. of 8 men. "Source unknown, but possible connected with Stawell of Mines or may be part of Peter Galbraith's assay business. People second from left, back row and second from left, front row appears to be sons of Peter Galbraith". Photo 7. "Marion (Galbraith) Doyle and John Galbraith Doyle (b. Stawell 1909)".stawell -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs L.W. Galvin Mayoress 1944 - 45
Prior to the election of female Councillors and Mayors, the Mayoress role was one of the few ways women could officially undertake civic duties and Mayoress's played an important role in civic life through charity work, even stepping in on occasions to undertake Mayoral duties. Anne Galvin O.B.E. was born Anne Edith Ruby in 1903 and was one of Bendigo's best known charity workers. She used her first speech as Mayoress to indicate her intentions to do something for mothers and children and it was mainly through her efforts as president of the National Council of Women that Bendigo received the appointment of the two first women police officers in 1956 (1). Anne Galvin was the second woman in Bendigo to be elected to the Bendigo City Council in the 1960's, retiring after six years on Council in 1973. Anne was awarded an O.B.E in 1967 for community service and the Anne Galvin Early Learning Centre is named after her. (1) p 193 Jackman, Mayors of Bendigo 1856 - 2001. Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.cr: Mrs L W Galvin / Mayoress 1944 - 45annie ruby, mayoress galvin, mayor galvin, councillor annie galvin, city of greater bendigo portraits -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs J.A. Michelsen Mayoress 1935 -36, c. 1936
Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Annie Irene Michelsen (nee Tussup) born Huntly (1870-1955). Mayoress 1926/1927, 1935/1936, 1942/1943. Wife of Cr John Andrew Michelsen OBE. Pioneer in the field of social work and regarded as a woman of tremendous vitality and versatility. Known as an outstanding horse woman and breeder of standardbreds for harness racing. Member numerous sporting clubs and foundation president of the Bendigo Nurses Association. Framed, oval photographic studio portrait. Hand coloured detail. Mrs. Michelsen wore a gown of black crepe eros, cut to mould the figure and fall into a train at the back. A cascade eflect of gold lame from one shoulder to the hem in front gave graceful movement to the front of the gown, and wing draperies lined with gold lame were shirred to the shoulders of the square neckline. She wore a shoulder spray of golden orchids and carried a bouquet of old gold roses and golden leaves (1). The Argus (Melbourne, Vic. : 1848 - 1957) Wed 3 Jun 1936 annie tussup, mayoress michelsen, mayor michelsen, vincent kelly photographer, city of bendigo, city of greater bendigo portraits -
Federation University Art Collection
Painting - Artwork, Wes Walters, [Untitled] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting in oil.wes walters, artist, artwork, woman -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Mrs Weller, A Sunday lunch group in the Chaplaincy garden, Dec. 1925, December 1925
Dora Walker (married 1928 taking the name Simpson) had a long association with the Mission as a member of the Ladies Harbour light guild. This image is similar to another image in the collection which depicts the garden of the Walker family where many fund-raising events and hosting of seafarers took place. Rev Weller dates the image to around mid to late 1920s. In the 1960s and 70s Dora was president of the LHLG which later merged with the Flying Angels. She was awarded the MBE for her services to the community in the 1970s. Dora's son David Simpson is a volunteer still iat MTS n the 21stC. The Walker and Simpson families are examples of long association and commitment supporting the Mission to Seafarers. As they are researched it is clear the stories of these families document not only support for the Mission but are also shown to have been significant contributors, leaders and donors to the broader Melbourne and Victorian community from the 19th Century and up to the present day. The photograph shows the garden in its early years.Group portrait depicting 4 men in suits standing (reverend Weller on the right), a man sitting on the grass, next to a woman in white summer dress (Dora Walker), sitting on a chair in front of the men. They are photographed outdoor probably in the mission's garden (in the background we can see the letters E-EX on a building wall, thought to be from the Extension Bond and Free Stores located next to the mission at the time)dora walker, reverend reginald weller, picnic, cadets, officers, lhlg, amy dora walker, dora simpson, mission's garden, flinders street, mission to seafarers, seamen's mission, mission to seamen, ladies harbour lights guild, melbourne, lawn, grass, trees, plants, peppercorn tree, weller album, dora simpson nee walker -
Vision Australia
Photograph - Image, Portraits of elderly residents, 1970-1980s
1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton) -
Stawell Historical Society Inc
Photograph, Portrait of Charles & Fanny Best
... B/W Studio portrait of man and woman in oval Decorates card... portrait of man and woman in oval Decorates card Charles & Fanny ...Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man and woman in oval Decorates cardCharles & Fanny Best W.H.Watts Ryrie Street, GEELONG. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, n.d
... Photograph - portrait of a woman... of Portland Archives portrait photography woman ...Port of Portland Authority Archivesport of portland archives, portrait photography, woman -
Horsham Regional Art Gallery
Drawing, Norman LINDSAY, Portrait of a woman, n.d
... Portrait of a woman...Drawing Portrait of a woman graphite on paper Norman ...Gift of the Davidson family in memory of Jean Davidson, 2022graphite on paper -
Stawell Historical Society Inc
Photograph, Adjutants Reita & Tom Briggs. Stawell Salvation Army corps officers 1945
Woman on Left man on right in uniform has glasses. Studio Portrait. -
Camperdown & District Historical Society
Photograph - Isabella Dawson as a young woman, c1870
Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880.Studio portrait of Isabella Dawson as a young womancdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung