R.D. Fraser was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Numerous hand written and hand drawn class notes from from the Ballarat Technical Art School. Topics include: Egyptian Architecture, Greek Architecture (BC300-BC700), Etruscan Architecture (BC750-BC100) and Roman Architecture (BC146-BC365) Early Christian Architecture Images include: Egypt, Great Pyramids, rock cut tombs, catacombs, Egyptian Temples, Development of a Pyramid, Egyptian Construction Methods, Greece, Greek Temples, Sloping Roofs, Doric Temples, Temple of Poseidon, Parthenon, arches, Acropolis Athens, Partenon, Ionic Volute, Propylaea, Erechtheion Athens, Corinthian examples, Greek Theatre, Optical Corrections in Architecture, The Greek House, Temple of Fortuna Virilis Rome, Maison Caree Nimes, Roman Circular Temples, Basilica of Trajan, Column of Trajan, Colosseum Rome, Basilica of Constantine, Roman Arched Structures, Romas Thermae at Romes, Arch and Wall construction, columns, mouldings Clemente Rome, S. Paolo Fuori le Mura Rome, Baptistery of Constantine Rome, S. Constanza Romearchitecture, art history, ballarat technical art school, r.d. fraser, alumni

Lined drawing with coloured sections. Measurements: imperial Labelling of each section Name and initials of Chief Architect, Percy Everettelevation, ballarat school of mines, percy everett, exhaust system, plan

Carbon copy of a typed letter from the Ballarat School of Mines concerning F.J. Lannen.repatriation, ballarat school of mines, f.j. lannen, j.ewing & sons, f.e. ferguson

Ill, p.200.non-fictionAnecdotal stories of life and action of the Australian army at home and overseas during the post World War Two periodaustralian army - history, australian army - anecdotes

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Black & white photograph of the Finalist in the St Lukes Tennis Club L to R George Warren, Kath Herring. Viv Nethercote & Elaine Webster.warren george, herring kath, nethercote viv, webster elaine, st lukes tennis club vermont

Yields information about the conditions and the rules that tram employees worked under, has a strong association with crews and demonstrates the SEC's approach to tramway crews.Booklet with light grey cloth covers on heavy paper with inside paper covers and 24 pages printed both sides, with stitched pages with white cotton. Gives details with an index of the rules for Motorman, Conductors and both types of employees together. Has an "Issued to" form inside the front cover - no entries. Has printer details inside and on rear sheet and print stock details "FTY 18-8,-2668/48." 1260.1 - Same booklet with print stock detail "FTY 18-8,-11858/50."1260.1 - "D/E? on front cover.trams, tramways, secv rules, rules, motormen, conductors

Large Volume hand written Green Cover Leather bindingMinute Bookstawell

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Red Cross. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 10pm, the Red Cross organised an International Peace Pageant of various cultural groups as a prelude to the event.1 volume with photographs and illustrationscarols by candlelight, austin hospital, red cross, margot sheridan, melbourne aboriginal choir, max balderson, ann boulton, robert simmons, robert payne, mary miller, joan arnold, rex barber, university string orchestra, lawrence warner, coburg girls choir

Book

Black and white photograph. Staff standing and squatting on the lawn. pavilion in the background. List of names on reverse.burnley college, staff group 1947-1948, pavilion

reproduction photos of conditions in London during WW1Poster detailing four plays commissioned by Granada TV about real events in WW1. Very interesting photos relating to WW1 and the reproduction of the famous General Kitchener poster calling for volunteers to 'Kitchener's Army'See photo, very interesting comments relating to WW1

Ill, p.202.non-fictionA cavalcade of events with the Australian services from 1788 to 1946world war 1939-1945 - personal narratives - australia, australia - military history

o. gow, d. matheson, g. maynard, s. bennett, c. game, m. fletcher, f. lang, a. sylvia, n. jamieson, k. congress, m. blair, g. masterson, b. hogan, j. case, c. hudson, j. lang, r. faulkhead, j. doherty, r. ziersch, r. pike, j. mcphee

Yields information about Geelong trams of an AETA tour of the Geelong system in 1948Photograph - black and white of the Geelong depot with tram 23 during the 1948 AETA tour of Geelong. Has trams 23 and 14 in the depot. Some of the AETA group on the left - the nearest person is not checking his device! Photo dated 29-3-1948. Based on handwriting, photo by Leon Marshall-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.In pencil on the "Geelong Depot 29/3/1948" and in ink "AETA tour"trams, tramways, geelong, depot, aeta, tram 23, tram 14