The Sandringham Yacht Club was established in 1911-12 although its history can be traced back as far as 1903 to the formation of the Port Phillip Yacht Club.sandringham yacht club, otto boron, sandringham, yacht, boats, bayside, port phillip bay

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. This inter-war house located at 60 Bluff Road, Black Rock, was built in 1926 for former Scotland Yard and Criminal Investigation Branch detective Horatio Reginald Clarence McWilliams. When McWilliams died it was found that he had taken extreme measures to protect his security. All the windows were nailed shut, a network of burglar alarms ran through the house and a complicated underground air raid shelter had been built in the garden. The security measures were at odds with the name of the house – Karinga or Karinya – an Aboriginal word meaning peaceful, happy home. Later residents of ‘Karinga’ included Senator Don Chipp and his family. The property has since been demolished and apartments have been built on the land.Annette Meikle, Karinga 1977, ink and watercolour, 32 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock, karinga, karinya, horatio reginald clarence mcwilliams, senator don chipp, historic house, bluff road

Newspaper cutting from "The Age Wednesday 16 July 1999 titled "Pledge for safety, style and comfort" about the new investment in public transport vehicles for suburban rail and tram services. Gives information on costs, images of proposed vehicles and some interior images. Notes National Express, Bayside trains, Yarra Trams, Swanston Trams, Metrolink, Hillside Trains and Melbourne Transport Enterprises. Report by Sushi Das Transport Reportertrams, tramways, colour schemes, livery, yarra trams, new trams, swanston trams, national express, hillside trains, bayside trains, metrolink

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Semco Park was a model of exemplary modern business in the 1920s. Located on Cheltenham Road, Black Rock, then considered to be an outer suburb, the property was home to Semco, a manufacturing and importing business of paper goods and cotton fabric items. The business’s governing director, Charles Mylius, wanted a firm that treated staff with fairness, created healthy and spacious working sites and offered recreational facilities. The site contained a factory as well as three houses for staff, a park with lawns, trees and flowerbeds, a cricket oval and a canteen serving hot food. Staff enjoyed soft background music played in the factory, and benefited from a superannuation scheme. Semco Park was sold to developers in 1977 but the business continued until the early 1990s with the office moving to Mulgrave, while factory work shifted to New Zealand.Annette Meikle, Semco Park 1977, ink and watercolour, 25.8 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, semco park, semco, cheltenham road, black rock

photograph, red bluff, cliffs, bay, port phillip bay, black rock, bayside, coast

Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978, judged by Roger Kemp.Craig Gough, Blues get bluer 1978, oil on canvas, 152 x 121.5 cm. Bayside City Council Art and Heritage Collection. Winner of the inaugural Sandringham/Beaumaris Acquisition Art Award, 1978.oil on canvassandringham, craig gough, bayside, blue, abstract, painting, beaumaris art group, roger kemp

John Mather, Brighton Beach 1896, watercolour, 47 x 81 cm. Bayside City Council Art and Heritage Collection. Purchased 2022watercolourbrighton, beach, ti-tree, port phillip bay, sunset, john mather, coast, bayside

Plain black knee length ceremonial robe, centre front opening with buttons and tucking/pleating on sleeves. Pleats on three quarter length sleeves; pleats kept in place by 3 sets of vertical ribbons (10cm in length) with a metal press button at each end. Pleated/gathered around back neckline.robe, ceremonial wear, town clerk, town clerk's robe, bayside, city of bayside, sandringham, brighton

Full length black mayoral ceremonial robe with centre front opening. Silk grosgrain with dark brown ermine fur edging on centre front opening and cuffs. Cream silk lining in sleeves. The cuffs are also trimmed with cream coloured machine made net and lace. Gathered/puckered detail at back. Black ribbons attached to shoulders.mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, mayoral regalia

Council's seals were stamped into hot wax to officialise documents. Sandringham was originally part of the Shire of Moorabbin. On 28 February 1917, Sandringham was severed from Moorabbin and incorporated as the Borough of Sandringham. It was proclaimed a Town on 9 April 1919 and a City on 21 March 1923.Two round brass seals on wooden handles. The longer brown wooden handle seal reads around edge 'TOWN OF SANDRINGHAM' with an illustration of St Edward's crown in centre. The black wooden-handled seal reads around edge 'CITY OF SANDRINGHAM' with an illustration of St Edward's crown in centre. Both seals have mushroom-shaped tops and tapered arms.There are remnants of red wax on both seals.seal, common seal, stamp, town of sandringham, city of sandringham, writing accessory, wax seal, bayside

With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting

elizabeth prior, boats, sailing, bay, water, half moon bay, black rock, bayside

Pamphlet, photocopied A4, titled "Save our Trains Save St Kilda, Port Melbourne Lines" with a photo of a picket line at one location and a paragraph about the black bans. On the reverse is a letter signed by Gayle Kernot, of Port Melbourne written to Mr. Walsh - ALP Member for Melbourne Ports about the planned closure of the two rail lines and replacement by Light Rail. Authorised by John Kirby, Bayside Public Transport Committee. See also Reg Item 2821 for a poster.trams, tramways, railways, closure, port melbourne, st kilda, light rail

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di was gifted this dress by a former manager of the Bayside Gallery, who herself had worn it to a fancy dress event after finding it in a local opportunity shop. Di subsequently wore it to a party with friends at the Windsor Hotel in Melbourne to celebrate and watch the televised royal wedding of Prince Harry and Meghan Markle in May 2018.Purple silk full length dress with cream neckline and arm hole band trim and white decorative beading over waist. The bodice joins front and back at the shoulder with a decorative purple ring. The lining is made of magenta coloured silk."Exclusively Yours Hartnell REGD Melbourne", "Exclusive Finest Imported Fabric"costume party, fancy dress, royal wedding, hartnell of melbourne, ralph samuel, melbourne designers, flinders lane, di reidie, 1960s