black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

black and white photographs showing slightly different views of the boats decorated with flags and bunting, and the celebration. Other craft, include 'Anchovette', 'Sheila', 'Little Michael', and 'U77'. Also one other photo shows choir onboard the 'Anchovette', also one other photograph shows lots of people on foreshore watching the ceremony.Black and white photograph taken during a Blessing of the Fleet ceremony. Shows fishing boats decorated with flags and bunting, Lakes Entrance Victoriafishing industry, ships and shipping, jetties

These paddle steamers were accompanying the P.S Adelaide back to the Echuca Wharf after being re-launched on 03/04/1984. The P.S Adelaide had been displayed in the Hopwood Gardens since 1960, and the City of Echuca Mande a decision to launch the paddle steamer back into the river to be used as a working tourist attraction. This photograph relates to P000059.3, P000060.3, P000061.3, P000062.2, P000063.3, P000071.This photograph is significant as it shows the state of the Echuca Wharf in 1984. It also shows the state of the P.S Adealide after sitting idle for so many years. In 1984, the Tourism Industry was still developing in the Echuca region.Colour photograph and negative showing the P.S Adelaide heading upstream towards the Echuca Wharf, after being re-launched on 03/04/1984. The P.S Pevensey, the P.S Emmylou and P.S Etona can also be seen.On boat Pevensy, is obscured.p.s adelaide, hopwood gardens, p.s emmylou, echuca wharf

The P.S Canberra was built in 1912 at Goolwa South Australia by David Milne. It was built as a fishing vessel. It was originally a steam engine, reverted to diesel, but was returned to steam in 1995. It is currently owned by the Murray Steam Ship and Tourist Co. and has operated as a tourist vessel at Echuca Since 1967. (Ref Parsons, R "Ships of the Inland Rivers " p. 58)The P.S Canberra is significant as it has operated as a tourist vessel since 1967, and continues to do so. A black and white photograph of the P.S.Canberra coming downstream from the iron bridge at Echuca.On boat the words Canberra.p.s canberra, murray steam ship & tourist company

Abstract boat scene and boat shedsSignature - Robert W Tantau-74 On plaque - Purchased from Corio Rotary Arts Festival 1974queenscliff, geelong, boats

Colour photograph of the P. S. Adelaide in the river, with the port side of the boat clearly visible. The bank behind and the roof of the boat shed at Paddlewheel park are lined with spectators. Final part of the photo sequence of the event no.:P000041; P000045; P000046; P000047; P000048 of the P. S. Adelaide re-floating.The re-floating of the P. S. Adelaide was a Significant community social event evident by the number of spectators in the photograph. The community had invested a great deal of time and money into re-floating the paddlesteamer. The newspaper covered the event in detail with a number of action shots as the boat made its rear entry from the temporary slipway onto the river. Part of a photo sequence no.P000041; P000045; P000046; P000047; P000048 of P. S. Adelaide re-floating.Colour photograph of P. S. Adelaide on the Murray river at Echuca after her re-floating. The port side of the Adelaide is clearly visible. The banks of the river are lined with spectators. The pontoon boat shed at Paddlewheel Park is visible on the right, also has spectators on the roof platform.p. s. adelaide, re-floating p. s. adelaide, echuca

Item in the collection of Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.Aerial B & W photo of a Sunderland Flying Boat over land. On the rear a paper is pasted to with typed writing in purple.On rear, “ BRITISH OFFICIAL PHOTOGRAPH, No CH 3210 Air Ministry photograph - crown copyright reserved. On patrol, a short Sunderland Flying Boat of the RAF Coastal Command sets out on a patrol. This particular aircraft is flown by the RAAF Squadron operating with Coastal Command The Sqd is on the 9,000 hours flying mark during its 16 months operating duty in this country”photography, sunderlands, military

Lifeboat crewRealismBlack & white photograph of the Queenscliffe Lifeboat crew at Queenscliffe in c1925Members of the life boat crew in boat shed circa 1925 / 696-1074 / c1920lifeboat, crew

The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in backgroundmordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel, church

One of 5 photographs donated by Lyn Chambers & Frank Dominick - Wonthaggi Historical SocietyColour photograph of Fishing boat with boat and people in the background.On back partly torn off: "& Dorrie 1931"fishing boats, lyn chambers, frank dominick

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Found by Keith Walton, Portland. From the 1840 wreck of the sailing boat "Constant" in Portland Bay near long pier. The sheave came to Flagstaff Hill from Carl F Kurtze, The Museum, South Portland. Block wood sheave, from the wreck of the sailing boat CONSTANT, 1840 . One side weathered, other side covered with rusty deposits, with iron bearing corroded away. Sheave has tag attached.Tag on sheave from "Carl F Kurtze, The Museum, South Portland. Found by Keith Walton, Portland. "flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, block wood sheave, constant, portland bay

Also one enlarged copy 18.5 x 27.5 cm, one other copy set on white card 12 x 20 cm, but row boat erased, part of background visible showing part of township of Lakes Entrance (Cunninghame) and part of New Works wharf on right.Black and white photograph showing S S Gippsland leaving New Works wharf. Small rowing boat on right on beach. Hull painted white. Lakes Entrance VictoriaNew Year Trip 1909 Cunninghame A Cooper Photojetties, waterways, ships and shipping

The plans were used for the construction of the lifeboat ‘Warrnambool’, which began 15th September 1909 and was completed almost 12 months later 1st September 1910. It was built at the Government Dockyard in Williamstown, Victoria, along the lines designed by Great Britain’s Royal Lifeboat Institution, and included whaleback decks fore and aft, mast and centreboard, and rudder and tiller hung from the sternpost. It could be propelled by both sail and oar. At that time Captain Ferguson was Chief Harbour Master and Mr Beagley was the foreman boat builder. Mr Beagley built the lifeboat with his fellow workmen. The boat was described as “… a fine piece of workmanship and does credit to her builders and designers…” It had all the latest improvements in shape, disposition of weight and watertight compartments, and it had space for a large number of people in addition to the crew. It appears that 'H Meiers' whose signature was on the plaque that was found concealed in the hull, was involved with the building of the lifeboat. His signature and the dates of the start and finish of the boat’s construction are pencilled on the raw timber 'plaque' found in the hull in the early 1990s when the lifeboat was being restored. It is interesting that the ‘Melbourne Directory’ of 1911, published by Sands and MacDougal, lists McAuley and Meiers, boat builders, Nelson Place foreshore, between Pasco and Parker Streets, Williamstown, (Victorian Heritage Database, ‘Contextual History, Maritime Facilities’), It is quite possibly the business of the person whose name is inscribed on the lifeboat plaque. Flagstaff Hill’s documentation also mentions that the keel was laid at ‘Harry Myers, boat builders, Williamstown, Melbourne’ – the name ‘Myers’ can also be spelled ‘Meiers’, which could be the same person as the Meiers in “McAuley and Meiers” (as mentioned in genealogy lines of Myers). The new lifeboat, to be named ‘Warrnambool’ was brought to town by train and launched at the breakwater on 1st March 1911 using the Titan crane (the old lifeboat built in 1858, was then returned to Melbourne in 1911). This new lifeboat was stationed at Warrnambool in a shed located at the base of the Breakwater, adjacent to the slipway. A winch was used to bring it in and out of the water. The lifeboat ‘Warrnambool’ was similar in size to the old lifeboat but far superior in design, build and sea-going qualities such as greater manoeuvrability. The ‘self-righting, self-draining design was “practically non-capsizeable” and even if the boat overturned it would right itself to an even keel and the water would drain away. The hull was built of New Zealand Kauri, using double diagonal planking, laid in two layers at right angles, with a layer of canvas and red lead paint between the timbers to help seal the planking. It has “… plenty of freeboard area, high watertight spaces between the deck and bottom… through which pipes lead…” The backbone timbers were made of Jarrah. The lifeboat Warrnambool was one of several rescue boats used at Port Fairy and Warrnambool in the early 1900s. In late 1914 the Warrnambool lifeboat and crew were used to help find what was left of the tragic wreckage of the Antares and were able to discover the body of one of the crewmen, which they brought back to Warrnambool. Between 1951 and 1954 the lifeboat was manned under the guidance of Captain Carrington. He held lifeboat practice each month on a Sunday morning, to comply with the Ports and Harbour’s request that lifeboats be manned by a strong and competent crew, ready for action in case of emergency. In the early 1960’s it ended its service as a lifeboat and was used in Port Fairy as a barge to help dredge the Moyne River, bolted to the Port Fairy lifeboat. Flagstaff Hill obtained the Warrnambool in 1975. In 1984 it was on display at Flagstaff Hill Maritime Village, Warrnambool. On 23rd May 1990, she was lifted from the water and placed in a cradle for restoration. The name ‘WARRNAMBOOL could be seen faintly on the lifeboat before it was restored. It was during the restoration that Flagstaff Hill's boat builder discovered the 'plaque' inside the hull. A copy of the blueprint plans has the name “V.E.E. Gotch” printed on it. His advertisement in Footscray’s ‘Independent’ newspaper of Saturday 11th May 1901 states he is “Principal and Skilled member (Naval Architect) to the Court of Marine Inquiry of Victoria and holds classes for naval architectural drawing and arithmetic.” The line drawing is significant for its connection with the lifeboat WARRNAMBOOL. The lifeboat is very significant to local and state history for its use in the lifesaving rescues of seafarers, particularly in Lady Bay. It was part of the local rescue equipment. It gave a half-century of service to the local community as a lifesaving vessel, including its involvement in retrieving the body of a shipwrecked crew member of the ANTARES. Line drawing in black ink and pencil on rectangular parchment or waxed linen. Drawing has diagrams of three profiles of a vessel, with measurements and connecting pencil lines on the left quarter. The plan is for the lifeboat named “Warrnambool”, which was built in Melbourne and completed in 1910. Old blue copies of the Lifeboat plan are archived also.“LIFE BOAT / FOR / WARRNAMBOOL” “Scale, One Inch to One Foot” “ “Length as shown 30’ – 8” “ “Breadth “ “ 8’ – 6 ½ “ “ “Depth “ “ 3’ – 4 ¾” “flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lifeboat, warrnambool lifeboat, boat plans, lifeboat plans, boat construction, boat building, line drawing, plan for lifeboat, life boat, life boat 'warrnambool', clinker design, 1910 lifeboat, life saving equipment, shipbuilding

This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of two men loading hessian sacks onto a furled sailboat. Ted Jenkins sits in the boat while Arthur Evans carries the sack.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen '1941 Loading superphosphate on the Phillip Island side of the crossing - at the end of Churchill Island road. The "big" boat. Ted Jenkins with his back to camera. MYSELF (ARTHUR EVANS) doing the loading (The bags were wheeled up the plank on a wheelbarrow) see other photo'churchill island, ted jenkins