In the KHS Minutes of June 1999, it is recorded that Marion Blatchley (a member) had restored the brown bridal hat. This is the only possible candidate. The minutes do not record the date of the hat's origin.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Open weave straw woman’s hat featuring a low domed crown and a wide brim. The dark brown hat has a pale green ribbon surrounding the base of the crown. Unclear handwritten marking: Sylvie Walsh (sic). Wynne Saish (sic)women's clothing -- hats, sun hats, raffia hats

Some of the earliest regular attendees at Brown Hill Methodist Chapel (tent) were Mr and Mrs J.I. Kelly, Daniel Kelly, Mrs Heywood (formerly Kelly), Mrs Powell, Mr and Mrs Robert Allan, Mr and Mrs Fitzsimons.Copy of a black and white photograph of the Brown Hill Methodist Church, later the Brown Hill Uniting Church. A weatherboard church was built c1857 at a cost of 400 pounds. Itg also served as a school house. The brick church was built in 1969 at the cost of 714 pounds. The architect was Joseph Attwood Doane and the foundation stone was laid by George Smith. brown hill uniting church, brown hill methodist church

The .30 caliber Browning Machine gun was the basic machine gun of US forces and became more common in British and Australian armoured when US tanks were adopted.Representative of US training manuals in WW11.Natural coloured covered booklet " War Department Basic FIELD Manual Browning Machine Gun Caliber .30 HB M1919A4 ( mounted in Combat Vehicles ) August 12, 1942."military, world war two, wwii, us, machine gun

The map was created by Tulloch and Brown. David Tulloch was one of the earliest engravers and lithographers in the state of Victoria. He arrived in Melbourne from Greenock, Scotland, on 3 January 1849. Following the discovery of gold Tulloch went to the Victorian goldfields in 1851, commissioned to make sketches of the diggers and the diggings for Ham’s Illustrated Australian Magazine. In November 1852 Tulloch set up in business as engraver, draughtsman, copperplate printer and lithographer. Tulloch took a map engraver, James Davie Brown, into partnership in March 1853; the several maps and specimens of commercial engraving they showed at the 1854 Melbourne Exhibition were awarded a bronze medal. That year Tulloch and Brown also received a silver medal at the Victorian Industrial Exhibition. The partnership was dissolved towards the end of 1856.This is a very early map of the Colony of Victoria including Belvoir (now know as Wodonga).A foldable map mounted on linen and with a board cover. It records the Colony of Victoria according to Surveyor's Records revised in 1857. Areas of the map are shaded to highlight different counties.At bottom right hand section of map: Tulloch & Brown's map of the Colony of Victoria : comprising part of New South Wales, the boundaries, counties, also seaport & inland townships, the gold fields with the latest discoveries, roads, tracks, &c. &c. / compiled from drawings in the Survey Office and correctly revised till 1857. Respectfully dedicated by Permission, to the Honorable Captain Andrew Clarke R.E. Surveyor General of Victoria by His Obediant Servants Tulloch & Brown, Engravers & Publishers, Melbourne". At bottom right below border : Published as the Act directs by the Proprietors, Melbourne, 1st Feb. 1856. tulloch and brown maps, rare maps victoria, victorian cartography

Page turners were used in churches and synagogues to read Holy books, to turn pages in huge manuscripts and books (and later newspapers) as well as open double pages without a sharp knife (letter openers). This was from the home of W.J. Sebire in Wandin.A highly polished cream coloured long vintage celluloid page turner used for reading. It has a curved round ended long smooth blade which is paler than the darker short round pointed handle. Both sections have small dark brown fine floral designs on one side. There is a 3mm crack all round near where the handle meets the blade. On one side only are small dark brown floral patterns on the handle and one on the blade.page turners, holy books, celluloid

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

The Ballarat School of Mines was established in 1870,. It was the first School of Mines in Australia. The Associateship was held in high regard and recognised throughout the world. Stanley Browning Vial is listed no the Ballarat School of Mines Associateship Roll for 1903. Printed certificate on vellum, with handwritten details. The certificate was made out to Stanley Browning Vial, and signed by President of Council Andrew Anderson and Vice President J.M. Bickett.All names have been crossed out, the seal has been removed and hand written in red is the word 'cancelled'.ballarat school of mines, associateship, vial, anderson, bickett, stanley browning

Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934. Bottle would hold 26 fluid ounces. Crown sealed closure of type c1950s. The Richmond Brewing Co existed from 1926 to 1962 when it was sold to Carlton & United Brewery. It used the Nathan System of brewing hence the N.S. in its name. Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934.bottles, agm, agm (australian glass manufacturers), richmond brewing co, lager bottles

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers

‘Ropy lava’ is known for its sculptural and layered qualities. It occurs in specific lava flows that are slow moving and slow cooling, allowing for unique formations to be created out of the motion. Ropy Lava is a flow that has a hardened crust with molten material underneath, the tension between these states is what creates its characteristic form. The brown/red hue of the stone is an indication of age, as it is oxidised iron deposits. This rock deposit is thought to be sourced from the area by Talbot, in western Victoria. This area has a rich mineral history and experienced the gold rush in the 1850's. The traditional owners of this area are the Dja Dja Wurrung people.This geological specimen shows the conditions in which the Australian landscape was created as well as provides an indication as to how these events occurred. It is representative of a common natural process that contextualises the formation of Australia with the formation of other landmasses. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Hand sized specimen in brown/red hues42 / victoria, talbot, lava, ropy, ropy lava, mineral, geological specimen, geological, geological heritage, natural stone, natural history

Willys M.T.S. Section car 50 with receiver only, circa 1942Photo: Clare Brownpolice vehicles; transport branch; wireless patrol; motor police branch; willys car

"Having a monthly circulation of 211,670 copies, the Victoria "School Paper" is claimed by the Education department to form the staple provision for leading matter in the elementary schools." -( December 29, 1920, The Argus). In Victoria the Education Department's School papers were compulsory reading for children until the 1930s when the Victorian readers became compulsory and the School Papers supplemented them. This one is for Grades V and VI.This item is an example of a school text book used in the very early 20th century. School textbooks reflect the development of education in Australia.From them we can understand what was taught and how children learned in Australian schools in earlier times.A collection / compilation of magazines called the "The School Paper". Binding is string and the back cover is cloth covered. on front - "William Brown"education school-reader the-school-paper-1900

Grave Marker - “Moray” Private CemeteryInscription James Brownstawell

Grave Marker - “Moray” Private CemeteryInscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 1998Inscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 2012Inscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 2012. Restored by Mr David Constable descendent of David and Catherine Constable.Inscription James Brownstawell

This brown leather school bag / satchel was used by Carol Poole (nee Smith) whilst attending Ormond State Primary School 3074 c 1952. Most school children used these bags to carry their exercise books, readers, pens and pencils and lunch to and from daily Classes The bag had 2 shoulder straps that enabled it to be carried on the child’s back Mrs Carol Poole , a member of CMHS, grew up in McKinnon and attended the Ormond State Primary School c1952.A brown leather school bag/ satchel with 2 fastening straps and metal buckles, but minus shoulder straps No 13schools, pupils, ormond state primary school, moorabbin, ormond, mckinnon, bentleigh, satchels, schoolbags

Photo of the flower covered grave of Jean Watson who died as a result of an accident in 1920 at age 14 years; daughter of Christopher Watson and Carrie Watson (nee Shillinglaw. Inscribed on reverse in pen on deteriorating brown paper: "To dear Mrs Watson as a small tribute of our love to that memory of Jean from E. Sweeney & school mates Eltham School"marg ball collection, caroline (carrie) watson (nee shillinglaw 1876-1956), ellen sweeney, eltham cemetery, eltham state school no. 209, graves, jean watson (1906-1920)

Us manufactured Browning machine guns were introduced to Australian Army in 1950s.The. 30 calibre replaced 7.92 mm Besa in Centurion tanks equipping 8/13 VMR in 1957. The. 50 calibre was mounted on some M113 carriers as Commanders MG. Representative of Training booklets issued to CMF units in the 1960sLightbrown covered booklet Browning Machine Gun Caliber .50HB, M2. Department of the Army Field Manual FM 23 - 65. December 1955

The scarf was worn by Eileen Capocchi, a member of the Eureka Youth League Choir who sang at the Youth Carnival for Peace and Friendship and donated the item. The planned event had been targeted by Prime Minister Menzies as a Communist Party activity. The Commonwealth Government pressured local Sydney Councils to deny the organisers a venue. These attempts failed. The event combined sporting, athletic and musical events at a football stadium. In later years it was the subject of two documentary films. The scarf is of historic and social significance because of its association with the Peace Carnival for Peace and Friendship of 1952 and the Eureka Youth League. The scarves were worn by all participants and by Eureka Youth League members in subsequent years. The scarf records some of the musical and sporting events organised by the Eureka Youth League in most major Australian cities.Brown and yellow square rayon machine edged scarf made for the 1952 Youth Carnival for Peace and Friendship in Sydney. Central portion shows a peace dove, pink heath, flannel flower and wattle. Perimeter shows a saxophonist, ballet dancer, high jumper, hurdler, cyclist and volleyball net. "Youth Carnival for Peace and Friendship" white script on 3cm brown banner repeated 4 times around perimeter.eileen capocchi, eureka youth league choir, youth carnival for peace and friendship, eureka youth league, 1952

A collection of silver and brass colour balance weights stamped variously in g,c,or cm (carat) units. . The smaller weights from 0.05 to 2 Carats are stored in small brown paper bags. The weights and a pair of silver colour tweezers are stored in a grey tin box Mass CARAT - Number of 0.05 - 14 0.1 - 5 0.2 - 10 0.5 - 17 1 - 8 2 - 5 100 g - 2 40 g - 4 20 g - 8 20 g - 3 10 g - 5MarkingsThe brown paper bags have marking of DISAL London stamped on frontweights, scientific instruments

CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

Diamond-shaped, cream-coloured card with gold lettering. Member's ticket for Old Lintonians' Association reunion held Saturday March 30th, 1968. Ticket has "Mr Roy Brown" handwritten in ink on name line.Text: " OLD LINTONIANS' / ASSOCIATION / 54th Re-union / Saturday, 30th March, 1968 / MEMBER'S TICKET / NAME Mr. Roy Brown.old lintonians association, reunions

Used by the former Shire of Sherbrooke Brass seal for the Shire of Sherbrooke. Seal is circular with a lyrebird at the bottom centre with "Shire of Sherbrooke" around the edge. Handle is verticle. Lacquer has been applied to it in brown shade. Brass seal for the Shire of Sherbrooke. Seal is circular with a lyrebird at the bottom centre with "Shire of Sherbrooke" around the edge. Handle is verticle. Lacquer has been applied to it in brown shade. sherbrooke

This item would have been used as a salt container and would have been part of a dinner set. This would have been used for special occasions . It is in good condition and is a good example of this type salt storage jar. As this has a brown willow pattern instead of the usual blue it makes this make this salt despenser rare item.This has social and historical significance as it shows what items families used for special dinner occasions. It is the only one our collection and therefore will have good interpretation value for exhibitions . Small Ceramic jar with brown willow Chinese pattern. Copper hinged lid with recess for spoon. The spoon is required to dispense the mustard.ceramic, copper, chinese, table items, kitchen, domestic, mustard, willow pattern

The Mowat Sensor model MS 01, is a pale green, palm-sized, plastic battery-operated device with a darker green switch on top. It is partially open at one end with two grilles. A microphone plugs into the other end with a wrist strap. It came with a brown vinyl carry case and owner's manual, which are not included. This handheld device for the visually impaired uses high frequency sound to detect objects within a narrow beam. The sensor vibrates if an object is present, responds to closest object within the beam. The vibration rate increases as user approaches object. There are two range settings: short, responds to objects less than 1 meter away (indoor use) and long, responds to objects of sufficient size up to 4 meters. The sensor can be handheld or carried in pocket or purse. As a facility intended for partially sighted people, the compass also includes an in-built color indicator (visible through the semi-transparent enclosure), which indicates the direction using a combination of three colours. Weight: 185 grams. Comes with dark brown vinyl case.1 pale green coloured plastic rectangle sensor with a brown nylon, plaited wrist strap Model MS01assistive devices, orientation and mobility

This composite collection of photos of Shire President Charles Edward "Ted" Brown (J.P.)and Councilors, W. Powell, W.A.Walton,(J.P.), D.L.White, G.A.Fraser,(J.P.), E.Edwards,(J.P.), H.A.Patterson, Mr K.S.Lane,(Shire Secretary), A.C.Martin, A.D.Moverly, Mr Rex H.Hollioake,(Shire Engineer), D.Baird (J.P.), W.G.MacTroup,(J.P.), and T.W.Ford,was presented to the Ballarat Shire Council, by the Shire President,to commemorate the opening of the Wendouree Municiple Centre on 20th November 1959. Original historical photo of all Councilors for the year 1959-60Collection of photos of Shire President Charles Edward "Ted" Brown (J.P.)and all Councilors for the year 1959-1960.The photos are sepia on white mount,set in a plain brown frame.It was presented, to council, to commemorate the opening of Wendouree Municipal Centre 2oth November 1959. Collection of council photos for the year 1959.j p, brown charles, edward, ted, shire president, 1959 60, ballarat shire council 1959 60, wendouree municipal centre opening 1959

Group photograph (c.1909) captioned "Tea Ladies, Mechanics Institute Bazaar, Ringwood" with four named as Top: Mrs. O.J. Pratt; 2nd row: Miss G. McAlpin, Miss Ethen Pithie; Front left (seated): Florence Brown.Written on back of one of the copies, "Top: Mrs. O.J. Pratt, ??, Miss G. McAlpin, Miss Ethel Pithie, ??, ??, ??, ??. Sitting: Florence Brown, ??".