Thick impasto painting depicting a landscape with three male miners. Signed (L.r) 'Eric Stewart 67'.eric stewart, painting, landscape, miner

Thick impasto painting depicting a bird's eye view of the city of Melbourne and the Yarra river.Signed and dated 'Eric Stewart 1962'. eric stewart, painting, landscape, melbourne, yarra river

Fabric hard covered with gold lettering on spine. Pages numbered to 192non-fictionchemistry, philosophy, wurtz, theories

Mr.Rex H. Hollioake was Shire Secretary for the Ballarat Shire Council from 10th August 1958 till 10th February 1993. This photo forms part of a collection taken to commemorate the opening of the Wendouree Municiple Centre on 20th November 1959.Original Historic Photo of all Councilors for the year 1959.Mr Rex H. Hollioake,Shire Engineer. Sepia photo,(rectangular),on white mount,situated right hand side of middle row of composite photo of all councilors for the year 1959.Presented to Ballarat Shire Council by C.E.Brown,President 1959-1960.To commemorate opening of Wendouree Municiple Centre 20th November 1959. wendouree municiple centre opening 1959, ballarat shire council 1959, shire secretary, hollioake rex

This medicine glass, or dose cup, was made for Mr. H. London, chemist and dentist, Warrnambool. His premises was at corner of Koroit and Liebig Streets, Warrnambool. The medicine glass has graduations on its side to measure doses of Teaspoon, Dessert Spoon and Tablespoon. It was donated by the family of Dr WR Angus of Warrnambool. The side seams and indented base of the glass, with the embossed lettering, show that it was produced in a three-piece mould, a method used in the late 19th and early 20th century. Mr H London was recorded in local newspaper articles from The Warrnambool Standard between 1885 to 1904. A further record in The Warrnambool Standard mentions Mr London, chemist, formerly of Warrnambool, as currently a chemist in Moore Street, Rochester. He was noted again in the Bendigo Advertiser in 1917. The maker, Whitall Tatum & Co, is clearly marked on the base of the bottle. The company was a well-known maker of prescription bottles. He used the brand "W. T. & Co". from Mid-1870's until the late 1880's, moulded into his glassware.This medicine glass is significant as an example of medical equipment that has a design still used today. It is also significant for its association with H London, a local Warrnambool chemist involved in the community and commerce of early 20th century in Warrnambool.Medicine glass or dose cup, c. 1916. Glass is a conical shape with inward sloping sides and a concave base. there are side seams and a concave base. Embossed inscriptions are on the glass, showing measurements in the imperial scale on one side , the owner's details are on the other side and the maker's details are on the base. Three horizontal lines are etched on the left of the measurements. The glass belonged to H. London, Chemist and Dentist, Warrnambool, and was made by Whitall Tatum & Co., U.S.A. The glass is part of the W R Angus Collection.On sides: "TABLE", "DESSERT", "TEA". "H LONDON / WARRNAMBOOL / CHEMIST AND DENTIST" On base: "W.T. & CO. / A.J. / U.S.A."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dose cup, medicine glass, chemist, mdeical equipment, medicine, h. london, chemist and dentist, liegig st warrnambool, rochester, whitall tatum & co, w. t. & co., three-piece mould, w.r. angus

Train timetable including a history of Kew and advertisements for local retailers and merchants. Given the frequency of times mentioned, Coopers Kew Flyer may have been the distributor and producer. There is no indication that it is an official tram or railway publication. During the second half of the 19th century when the booklet was produced there was only a horse tram (1887-1914) and the Kew Railway Line (1887-1952). The Kew section of the Outer Circle Line functioned until 1893.Historically significant item documenting Kew's history in the 19th century. The item is the earliest piece in the collection documenting aspects of the Kew Railway Line.Small 30-page booklet containing a train and tram timetable for public transport in Kew (Vic). The booklet also contains a brief history of Kew and advertisements for local retailers. Pages can be viewed by scrolling through the attached images."Gift of C.W. Fairhall, Box Hill, 1990"kew (vic) - history, public transport - kew (vic), train timetables, tram timetables

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H. Coleman, Mayor of Kew 1921-22 and 1929-30. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "H. Coleman, Mayor 1921-22 and 1929-30" [Photographer] "Talma & Co Melbourne"mayors of kew (vic), australian photographers - tasma & co - melbourne (vic), cr. h. coleman, kew (vic.) — municipal collection

This is a small medicine measuring glass supplied by the Warrnambool pharmacy of Harry London. Born in England, Harry London, a chemist and dentist, came to Warrnambool in 1891, occupying the Nettleton building at 95 Liebig Street. In 1896 he built new premises at the corner of Liebig and Koroit Streets and in 1905 his was the first shop in Warrnambool to have electric lighting. He was succeeded in the early 1920s by the chemists, Dougall and Easton. This glass is of considerable significance because it came from the pharmacy of Harry London, an important chemist in Warrnambool at the end of the 19th century and the beginning of the 20th century. It also shows the custom of the time of chemists supplying to customers small glasses for measuring out medicine. This is a small thick glass tumbler used for measuring medicine. It is etched with the measurements of teaspoon, dessertspoon and tablespoon and the name of the supplier, H. London, a Warrnambool chemist and dentist. It has the initials of the maker on the base. Etched on side in oval shape: ‘H. London, Chemist and Dentist, Warrnambool’ Etched on side: ……. Tea ……. Dessert ……. Table Etched on base: ‘W.T. Co., A J. U.S.A.’ harry london, warrnambool, dougall and easton, chemists

The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment

Set of letters to and from Mr Lewis Russell MMTB Publicity Officer and Mr. H. Campbell, the Editor The Age, regarding the forthcoming retirement of the MMTB Chairman, Mr. H. Bell, outlining his achievements - financial fares, work and general matters. Good spin.trams, tramways, the age, retirements, board members, chairman, finances, fares

'My first impression upon landing in Saigon was, "What have I got myself into?" ... I had left Australia where conditions were normal and suddenly, in twelve or so hours' flying time to Souty Viet Nam, there I was in a war zone - it was hard to comprehend...'vietnam war, 1961-1975- australia, australia. army, saigon, nui dat

Photograph of a Tentering machine, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany.Photograph of a Tentering machine, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany, c.1930.H. KRANTZ SOEHNE / AACHEN. 853textile machinery textile finishing, h. krantz s??, tentering, textile machinery, textile finishing

142993 H C Foster served with the RAAF during WW2 these medals are the originals that were presented to H C Foster.These medals are the originals belonging to 142993 H C Foster.The 1939-1945 Star, the Pacific Star, the Defence Medal, the 1939-1945 Medal, the 1939-1945 Australian Service Medal, the 1945-1975 Australian Service Medal.142993 H C Foster.raaf ww2, 142993 h c foster

One of earliest buildings in Cowes main street. Largely painted wares advertised on front and two sides of H Gullifer's Corner Store.Corner store, Thompson Avenue. No neighbouring shops. Neat building. Six posts front and two sides. Six windows. Door in middle of wide "V" frontage. Two chimney pots at rear. Definition on front 1906 H. Gullifer Corner Store. To left "Ropes & Boots" to right "Groceries & Cordials". Beneath window on right "Summer & Drinks" "Ice Cream"local history, photographs, buildings - historic, h gullifer's corner store 1906, black & white photograph, betty kus collection, thompson avenue cowes, phillip island, bruce bennett

Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment 2000 - 2001One of a series of paintings of Commanding Officers of the RegimentFramed oil painting of Lt-Col M H Annettportrait, annett

Postcard titled "Melbourne's City Circle Trams" with a photographic based image of a City Circle tram No 728 in Latrobe Street at the intersection with Swanston Street. On the rear lists the City Circle trams then in use, their class and construction date Possibly produced mid 2005, by Driver John Stewart of Southbank Depot.trams, tramways, city circle, latrobe st, lists, sw5 class, swanston st, tram 728

Stewart MacFARLANE (1953- ) Born Adelaide, South Australia Stewart MacFarlane entered the South Australian School of Art when 16 years of Age. He traveled to New York in 1975 to study at the School of Visual Arts for 2 years. He remained living and working in New York for several years, receiving residences and fellowships to Skowhegan School of Sculpture and Painting in Maine, the Fine Arts Work Center in Provincetown, Massachusetts and the MacDowell Colony, New Hampshire. He exhibited in group shows as well as having three solo exhibitions in New York. Firstly at Razor Gallery, SoHo in 1979, then Belanthi Gallery in 1979 and the Australian Consulate New York in 1983. MacFarlane returned to Australia in 1983, undertaking post-graduate studies at the Victorian College of the Arts in 1984. He taught at The Gippsland Institute of Advanced Education (now Federation University Gippsland Campus) in 1885, and the following year moved to Darlinghurst, Sydney to paint. Later that year, he was artist-in-residence in the Besozzo Studio, Italy. In 1987, MacFarlane lived and painted in Mornington, Victoria for several months before receiving an initial residency with the Roswell Artist-in-residence program, New Mexico, for a year. Over the next eight years he moved between Melbourne, Sydney and Roswell, producing one or more solo exhibitions each year. In 1994 he received a residency at The Bemis Center, Omaha, Nebraska, then traveled to Mexico to paint for 3 months. MacFarlane worked in Queensland upon his return, and for the next seven years. He moved to Hobart, Tasmania in 2002, returning to the mainland in 2011.(http://www.stewartmacfarlane.com/bio-cv/) A framed linocut. This linocut was one of the Patron Print Series produced as a fundraiser to assist Gippsland School of Art students.printmaking, artist, artwork, gippsland campus, stewart macfarlane

Thomas John Kent (b. 1/9/18, d. 13/3/1998) married Florence Janet Hughes (b. 5/1/1921, d. 24/3/2011) on 15/11/1941. In the 1943 Electoral Roll they were recorded living at Watson St, McLeod and in 1949 at Mt. View Road, Montmorency. (Information gathered from Ancestry.com sources). Based on this data, the date of this photograph is estimated to be c. 1941 not 1927 as originally noted, which was the date that the Montmorency Tennis Club was established.Black & white photograph of eight individuals from Montmorency Tennis Club including Jack and Florrie Kent, c.1941"Montmorency Tennis Club c.1927 Jack Kent Florrie Kenttennis club, jack kent, montmorency, florrie kent

Elizabeth Goodenough came to Australia aged 16/17 having paid 5 pounds to the government to secure a paid position in the colony of NSW. Within a year of arrival she had married Richard Phillips whose 1st wife had died in childbirth, leaving behind a 4 year old son. Richard was a coach plater by trade and was a publican in Sydney and Geelong. One of Elizabeth's daughters Emma Eliza Jane, married Thomas Watson in Ballarat.Portrait of a young woman, circa 1840's. Sepia photograph.verso - Stewart & Co. Probably Elizabeth Phillips b Goodenoughelizabeth goodenough, elizabeth anne phiilips, emma eliza jane phillips, emma eliza jane watson, richard phillips

The H. & L. Hecht Trust was established in 1970 to provide support for community development projects. One such project was the establishment of services so that people with low vision had access to the devices and equipment that could assist them. Digital image of gold coloured metal plaqueAssociation for the Blind gratefully recognises the financial contribution made by the H and L Hecht Trust to provide low vision services in the Western Metropolitan Region August 1995association for the blind, h & l hecht trust