Showing 263 items
matching carved wood
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Tennis Australia
Racquet, Circa 1917
A wooden tennis racquet with concave throat, string whipping around shoulders, and a fine grooved handle. Inscription across throat on obverse: SHAWANO. Green and white decal of Rawlings "Manufacturers of High Grade Athletic Goods" trademark features across throat on reverse. Hand carved initials on left side of handle: J.E.S. Hand carved name on right side: JOE [E] STEMBRIDGE. Materials: Wood, Twine, String, Ink, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1920
A Tryon Eclipse tennis racquet with a concave throat, red string whipping around shoulders, and fine-grooved handle. Model name ECLIPSE features along throat on obverse. TRYON/PHILA. trademark features on throat on reverse. Initials R.R. carved into lower handle on obverse. Materials: Wood, Gut, Ink, Leather, Cloth, Glue, Lacquer, Metal, Stringtennis -
Tennis Australia
Racquet, Circa 1901
A Pastime tennis racquet, featuring: solid convex throat; gut stringing; cross-hatch carved handle; and leather end wrap and butt cover. Model name is impressed across throat, on obverse. Materials: Wood, Metal, Lacquer, Glue, Leather, Guttennis -
Tennis Australia
Racquet, Circa 1913
A Wright & Ditson 'Challenge' model tennis racquet with transitional flat-top head and laminated convex throat. String whipping around shoulders. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Fine-grooved octagonal handle with leather end wrap. Manufacturer name imprinted on right side of shaft. Inscribed on left side of shaft: PATENTED. Letters 'EWE' carved onto throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Stringtennis -
Tennis Australia
Racquet, Circa 1875
A Wright and Ditson 'Special' tilt-top tennis racquet, with: solid, concave throat; fine-grooved, angled handle; ribbon collar around shaft; and leather end wrap. Inscription across throat on obverse: WRIGHT & DITSON/BOSTON/SPECIAL. Initials C.F. carved into throat on reverse. Materials: Wood, Gut, Lacquer, Glue, Metal, Leather, Ribbontennis -
Tennis Australia
Racquet, Circa 1887
A Wright and Ditson 'The Park' flat-top tennis racquet, with: solid, convex throat; fine-grooved, rounded handle; and leather end wrap. Inscription across crown and throat on obverse: TH[E P]ARK/WRIGHT & DITSON/BOSTON. Initials WHP carved into throat on reverse. Materials: Wood, Gut, Lacquer, Glue, Metal, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1898
A Spalding transitional flat-top tennis racquet, featuring: solid convex throat; and, cross-hatched handle. Decal of A.G. Spalding & Bros. Makers logo encircling ball trademark features on throat on obverse. The initials 'G.M.D.' have been carved into shaft on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Gut, Stringtennis -
Tennis Australia
Racquet, Circa 1907
A Spalding 'Geneva' tennis racquet, featuring: laminated convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse, and impressed onto butt cover. Decal of model name feature across throat on obverse. Initials 'IM' carved across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal grooved handle. String whipping around shoulders, throat pieces and around base of throat. Leather end wrap. On obverse, model name appears as a decal atop throat on base of head. On both obverse and reverse the trademark, patent information and country of manufacture are printed on shaft. On reverse, Manufacturer name is printed as decal on base of head, above throat. Indistinct letters carved into handle,and into shaft. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:WRIGHT & DITSON/MAKERS/MADE IN U.S.A. and further down:STRUNG BY. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1892
A Wright & Ditson wood tennis racquet with solid convex throat. Rounded flat top head. Manufacturer name and country of origin printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Cross-hatched handle and leather end wrap. Owner's initials: G.P. carved into throat on reverse. Series of cuts carved into handle post-manufacture. Indecipherable model name printed on crown on obverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leathertennis -
Tennis Australia
Racquet, Circa 1950
A Wilson Famous Player Series, Jack Kramer Staff Model tennis racquet. Base of head features Wilson logo. Shaft features decal of head and neck photo image of Kramer. Throat features decal design of a gold crown within a corona. Base of shaft features 'W' trademark. Leather handle grip features quatrefoil perforations. Faint autograph by Kramer along left side of shaft. Initials carved into right side: K.W. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Ribbon, Paint, Plastictennis -
Tennis Australia
Racquet, Circa 1895
An F.H. Ayres transitional flat-top tennis racquet, with solid, convex throat, fine-grooved handle; and leather end wrap and butt cover. Hand carved monograms: on obverse, CAM; and, on reverse GHC. Manufacturer's logo impressed along sides of shaft, on obverse. Racquet is housed within a Badminton set (TA 2009.287). Materials: Wood, Metal, Lacquer, Glue, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1905
A wooden Horsman 'Model G' tennis racquet, with oriental gut (silk) strings, laminated convex throat, and, a rounded handle. Inscription across crown, on obverse: MODEL G. Horsman 'Centaur' trademark features on throat, on obverse. On throat, on reverse, is a moon-face sticker with inscr. 'THANKS' across top. Carved inscr. along shaft on obverse: ELMER. Materials: Wood, Metal, Lacquer, Ink, Glue, Silktennis -
Tennis Australia
Brush, Circa 1960
Wooden brush with carved panel depicting a tennis match Materials: Wood, Fibretennis -
Friends of Westgarthtown
Table, bedside
Bedside table with round top, made of timber. 3 legged, round pedestal. Spiral turned and carved stem. Varnished.furniture, domestic, bedside, table, wood, varnished, turned -
Friends of Westgarthtown
Corkscrew
Wooden and metal corkscrew with pick on end. Wooden handle is dark in colour and has been carved to a tusk-like shape, Corkscrew is attached to bottom while pick blade is on the front of the handle.No visible markingsdomestic items, food preparation, corkscrew, bottle opener, alcohol, wine, pick, screw, wood, bone, beverage, drink, liquid, opener. -
Surrey Hills Historical Society Collection
Photograph, John Kendrick Blogg carving, pulpit of St Stephen's Presbyterian Church, Surrey Hills
John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993.Colour photo of the central panel of the pulpit at St Stephen's Presbyterian Church in Canterbury Road, Surrey Hills. It depicts the burning bush.hogg memorial pulpit, st stephens presbyterian church, churches, woodcarving, church furniture, john kendrick blogg, john blogg -
Surrey Hills Historical Society Collection
Photograph, John Kendrick Blogg carving, pulpit of St Stephen's Presbyterian Church, Surrey Hills
John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993.Colour photo of the some of the 13 panels forming the pulpit at St Stephen's Presbyterian Church in Canterbury Road, Surrey Hills.st stephens presbyterian church, churches, hogg memorial pulpit, woodcarving, church furniture, john kendrick blogg, john blogg -
Surrey Hills Historical Society Collection
Photograph, Golden Wattle: Flower arrangement used for J K Blogg carving
John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993.Black and white photo of an urn on a pedestal contianing stems of wattle with leaves and blooms.woodcarving, surrey hills shrine, monuments and memorials, john blogg, john kendrick blogg, r falconer -
Surrey Hills Historical Society Collection
Photograph, John Kendrick Blogg, John Kendrick Blogg carving, Soldiers' Honour Board, Shrine in the Surrey Gardens
John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993. The images derives from an early brochure. The number of panels has been increased having been updated on at least 2 occasions. Whereas the date 1914 is at one end of the boomerang, the other end is not dated reflecting that the dedication of The Shrine before the war ended.Black and white photo of the Soldiers' Memorial Honour Board housed in The Shrine in the Surrey Gardens. The wooden part of the board was carved by John Kendrick Blogg. A large boomerang forms part of the apex underneath which is an emblem with the rising sun. Under this are 8 panels on which are the names of service personnel. The supporting timber is carved with designs including varied flora. At the base are 2 larger carved panels; on the LHS a sprig of eucalyptus leaves and on the RHS a sprig of wattle. surrey gardens, world war, 1914-1918, woodcarving, monuments and memorials, surrey shrine, john blogg, john kendrick blogg -
Brighton Historical Society
Accessory - Parasol, circa 1900
This parasol belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A black silk, wood and ivory handled parasol from circa 1900. The black silk of the parasol body has been treated with a decorative hemstitch towards the lower edge. The handle and frame are made of wood, metal and either ivory or an early plastic designed to mimic ivory. The ivory section is carved with a design reminiscent of a palm tree trunk and finished with a ball. The handle also features a leather looped strap that the hand would pass through to aid holding the parasol.The handle bears an engraved inscription that appears to be 'VML' in a highly florid script. The frame bears the name 'Hartnells'.clara miller, woolbrook, septimus miller, henry 'money' miller, gwendoline miller, cantala, parasols, caulfield, brighton general cemetery -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Campfire Gathering, Meeting Place Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The circle and diamond pattern are ancient symbols used by Wadawurrung people dating pre-colonisation on possum skin and kangaroo skin cloaks, other artefacts like spear heads (carved), wooden shields, stone tools and caves were painted with blood, ochre and bound with grass tree sap, black wattle tree sap and kangaroo fats. The diamond pattern was a strong design used by men on shields and women on baskets and adornments. Shields were taken from the tree in the colder months when the tree was cold as the wood came off cleaner. Ochre colours of red, white, yellow and charcoal were often used to colour in and decorate the skin side of possum skin cloaks, wooden shields, spear heads, baskets and some coolamon bowls.The design for this cloak has been simplified from the original artefact design.Cloak with black and white diamond and circle design on outer cloak and coral and white line pattern within lining. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung, first nations, cloak -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Mont De Lancey
Picture
Painted by Eliza Jane Quayle, mother of Gwen Sebire. Put back where it always was in Mind De Lancey.Oil painting of cottage on wood with gold painted frame. Hand-made frame has floral pattern carved on front edge. oil paintings -
Parks Victoria - Mount Buffalo Chalet
Chairs
"Today the Chalet lounges and hallways are stocked with a number of disparate furnishings of unknown provenance - table and chair settings... many ranging in styles from Edwardian and Art Deco periods. While they may appear to be original to the rooms, the items are not evident in any of the historic photographs surveyed in the course of this report, so their historical association with the Chalet does not appear to be strong and enduring. Some, including the Art Deco dining table and chairs in the Music Room ( MBC0038.2) ... appear to be domestic furnishings rather than those of a 'resort house'. Two blonde wood chairs with brown leather seats. Carved floral design at back, top of chairs. -
Parks Victoria - Mount Buffalo Chalet
Piano and stool
Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood. -
Mentone Grammar School
Award - Wood Carving, J.F. Scott Trophy for Inter-House Cricket
Miniature wood cricket bat and stumps, carved from an original cricket stumpJ.F. Scott Trophy for Inter-house Cricket -
Mont De Lancey
Furniture - Cocktail Cabinet, Mr Franz Striezel, Unknown
This cocktail cabinet is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A beautifully hand carved ornate wooden cocktail cabinet featuring two female carved busts, carved mythical beasts on the front, sides and two doors of the cabinet underneath the drop down mirrored shelf. The shelf is attached by two gold linked chains screwed onto the sides. Two drawers at the top are elaborately decorated. The cupboard doors at the bottom open to show a shelf inside. This cabinet is part of a special bequest to the Mont De Lancey Museum of handcarved items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection.On the top shelf, carved into the relief panels at the back is 'WELL BEFALL' and 'HEARTH HALL'bar equipment, cocktail cabinets, cabinets, furniture -
Mont De Lancey
Furniture - Card Table, Franz Streizel, Unknown
This card table is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A handmade square wooden card table featuring an ornately patterned inlaid top of lighter coloured woods. It has a beautifully carved four legged base with a shelf at the bottom above the four clawed feet. The top lifts up to reveal a storage box below which is attached with screws to the base. The lid is attached with brass hinges and screws.furnitue, tables, card tables -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects