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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Dive Boat Vendetta, n.d
Port of Portland Authority ArchivesBack: '18' - blue textaport of portland archives, vendetta -
Bendigo Historical Society Inc.
Leisure object - TOYS AND GAMES COLLECTION: CHILD'S PRINTING SET AND STORAGE, 1915
Object. (a) The Fulton Printing Outfit No 35, (Boxed). Containing stamps and interchangeable letters. Pictured on front a group of 4 children around a table. (b) Plus a handmade chest of drawers, made from matchboxes and labelled , Alpha betically. Some contain letters from painting set.Alex. H. Stone from Auntie Ina. Christmas 1915.toys, general, child's printing set and storage. -
Nillumbik Shire Council
Sculpture: Matcham SKIPPER, George Dreyfus Composer, 1987
Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush -
Flagstaff Hill Maritime Museum and Village
Chest of drawers, early 20th century
This medical bureau / cabinet shows several signs of being used for a different purpose before being a medical bureau. It once had the words "GENUINE PURE QUALITY" lettered across the top of the front, as can been still seen from the impression left behind in the stained timber. On each drawer above the handle is a faint impression of something long and rectangular, as though there had been a label attached. The front panel of the drawers is made of the same wood as the rest of the outer cabinet, most probably blackwood. The handles on the drawers are not the original handles either. There are 3 filled-in holes that would form the corners of a triangle, apex at the top, around the perimeter of the current handles. The sides of the drawers are made from plywood and the base made from alternating lengthwise strips of oak and beech wood pressed together, rounded corners at the back and joined to the front panel with metal brackets. The backs of the base of the drawers have four round impressions in them. Along the back edge of the base, in the centre, is a rectangular hole. Between the front pair of round holes is a faint black rounded marking, like the impression made by rubber. The cabinet may have once been a filing cabinet, with the drawers used as document drawers, each with a spring-loaded clamp attached to the back of them to secure documents within. The original handles could have been the half-cup type used for filing cabinets. The construction and use of plywood could place this cabinet in about 1950's.Chest of drawers (or Medical Bureau, or Apothecary Chest, or Filing Cabinet) wooden, dark stained, with 30 small drawers (10 rows, 3 columns). The outer wood of cabinet is possibly blackwood and the edges of top and sides have carved wood decoration. Drawer fronts have bevelled edges and round silver-coloured metal knobs. Drawers have plywood sides, and oak and beech wood bases/, Each drawer has four round depressions (in a square-shaped arrangement) at the back plus a small rectangular hole cut in the centre back of base. A faint impression from previous lettering is evident in the wood stain across top front of cabinet.Impression of previous lettering across top front of cabinet "GENUINE PURE QUALITY". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, drawers, bureau, cabinet, chest of drawers, furniture, bedroom furniture, household storage, medical bureau, apothecary cabinet, document drawers, filing cabinet -
Supreme Court of Victoria Library
Plaster Portrait Bust, Justice Thomas Fellows, 1884
This portrait bust, along with that of Redmond Barry, was purchased in May 1884, The library still holds the receipt, but there is very little other information. It was probably a part of the program of outfitting the library interiors. Justice Fellows (1822-1878) was only a judge of the Supreme Court for six years (1872-1878), he had a long career in colonial politics. James Scurry (1826-1894) worked in architectural sculpture after migrating from England.The bust of Justice Fellows is of some interest as part of the original furnishings of the library. The bust is also of interest of as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Thomas Fellows. The bust itself is painted white in a neo-classical manner. The pedestal has been painted for a marble effect. Fellows' name appears in gold lettering. The bust is larger than life size. The head is finely detailed, with the chest swathed in classical drapery.Justice Thomas Fellows in gold lettering on pedestal. -
Walhalla Museum
'NATIONAL' Cash Register, National Cash Register (NCR), 1903
This cash register was made in 1903 at Dayton, Ohio (USA) by the National Cash Register (NCR) company, which still operates today manufacturing commercial equipment, including Automatic Teller Machines. Mr. Thomas Watson, the founder of International Business Machines (IBM), started as a traveling salesman for NCR.This register came from a shop owned by Mrs. Dulcie Anderson near the Star Hotel in Walhalla. This cash register consists a brass register that is now heavenly tarnished. The register has two mechanical displays on the back and fore on the front. The register is siting on a wooden chest with a dark varnish and cash draws ladled A,B,D,E,H,K, with draw E missing the metal letter.'NATIONAL' on the back.money, shop, shops, 1903, cash, cash register -
Bendigo Military Museum
Uniform - BODY ARMOUR - FRAGMENTATION, US Govt et al, c.1962-75
This is a vietnam war era, jungle warfare flak jacket.Vest shaped with raised thick collar. It has a green vinyl outer layer. It has two chest pockets, it has a central vertical metal zip. Both sides have a webbing strap with eyelet holes, They have an elastic nylon cord joining the two sides. Size is medium.vietnam war, uniform, body armour -
Tennis Australia
Badminton set, Circa 1900
A wooden chest (.1) containing badminton equipment, specifically: four badminton racquets (.2 - .5); guy ropes (.6 - .7); a net (.8); and net posts (.9 - .10, 6 parts each.) Materials: Wood, Metal, Lacquer, Rope, Cloth, Gut, Leather, Glue, Stringtennis -
City of Greater Bendigo - Civic Collection
Painting - Portrait of William Abendigo Thompson, c 1890
William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport -
Vision Australia
Clothing - Object, SEDA coat
Blue synthetic puppy coat with the words 'SEEING EYE DOG', 'Sponsor a Puppy call 1800 787 797' and '1800 Puppys' in white on both sides of the coat. An L plate, also in white, is located above the words 'Seeing Eye Dog'. Velcro straps secure the coat to the puppy across the stomach and chest. 1 blue and white puppy coat"L" SEEING EYE DOG Sponsor a Puppy call 1800 787 797 1800 Puppysseeing eye dogs australia, fundraising -
Warrnambool RSL Sub Branch
Great Coat, Kindred Manufacturing
Long khaki coloured heavy coat. Thick, sharp angled collars. Each collar has a split half way down and a small metallic hoop attached to the lower middle section of the high parts of the collars. Each shoulder has a lapel that is fastened with a plastic button. The coat is double breasted. There are three grey buttons for use on the right and three grey buttons for show on the left. There is also a spare button on the inside left front section near the breast area. There are two pockets on the front that are angled with the highest point near the centre and the lowest point near the hips. There is a small section of spare fabric attached with two small plastic buttons to the inner left of the jacket near the breast. The arms, underarm and upper back section contains an inside khaki coloured lining of thinner, most likely cotton fabric. Attached to this at the base of the neck is a satin or synthetic fabric label with inscriptions in black ink. Above this there is a thin strip of fabric attached at either short end to use for hanging the coat on a hook. At the back of the coat there is a single pleat stretching from the base of the neck to the base of the coat. Approximately half way down the pleat there is a split in the fabric that is fastened with two plastic buttons. At the waist there are two fabric flaps that fasten together at the back with three buttons.The label attached on the inside at the base of the neck reads: “KINDRED MANUFACTURING / PTY LTD. / QLD / 1083” There is then a broad arrow followed by: “B406-66-093-1812 / SIZE 109 / TO FIT CHEST 100cm / NAME.................../ SERVICE No......................” -
Shepparton RSL Sub Branch
Uniform, Shirt, Australian Defence Industries, 1989
This shirt is part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, explosive disposal and laundy operations.Short sleeved khaki shirt in light polyester material. Fastened by seven plastic buttons along centre. Two chest pockets fastene with externa flap and button. Fabric shoulder epaulettes on left and right side held in place with a plastic button. Label on interior back of neck and stamp on collar.Printed in black inscriptions on the white label: “ADI P/L/VIC 1989/[broad arrow]/SIZE. 40/8405-66-093-8319/SERVICE NO/NAME/DO NOT BOIL OR WRING/MACHINE WASHABLE/DRIP DRY, IRON LIGHTLY/WITH WARM IRON”. “SIZE 40” is stamped in black into on interior collar. Inscription handwritten on interior lower back panel “4800045/MARTINS.”military, army, raaoc, royal australian army ordnance corps, uniform, parachuting, marksman, warrant officer -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: MALE PORTRAIT OF SOLDIER WW1
Photograph: black and white photo enclosed in buff coloured folder with Vincent Kelly, Bendigo embossed on bottom Rh corner. Photo is mounted on tan card with Bartlett Bros Bendigo imprinted on bottom. Man is posed standing with hand on hip, wearing jodhpurs and gaiters with spurs, bandolier across chest.organization, military, male portrait, army, ww1 -
National Vietnam Veterans Museum (NVVM)
Uniform - Tiger Suit
Belonged to Leon, translator Vietnamese translator, who gave it to Australian soldier Michael Hagan on his last day in-country as it was his most prized possession.A two piece uniform, shirt and pants in cotton tiger stripe camouflage fabric tailor made in Vietnam for owner. The shirt has buttons down chest and pockets (left button missing). Four button on fly, one button on waist, one button on each side pockets and drawstrings at hem.tiger suit, vietnam, leon, michael hagan, hagan, translator, vietnamese uniform -
Plutarch Project
Men's Soccer Jersey, circa 1990's
Full uniform used by Thessaloniki Association's soccer team in a tournament organised as part of "Dimitria" celebrations in soccer matches, outdoor and indoor.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in indoor and outdoor soccer matches Men's navy blue and white soccer jersey, with white collar and inscriptions. Has Thessaloniki logo across the chest and in white writing, S.S.I. logo, and Pronto Refrigeration logo of same name sponsor. S.S.I. manufacturer logo also on white collar. Polyester material and part "A" of a two piece uniform.Thessaloniki, S.S.I., Pronto Refrigerationjersey, soccer, blue, greek, φανελάκι, dimitria, thessaloniki, plutarch, στολή -
Tennis Australia
Badminton set, Circa 1895
A wooden chest (.1) containing badminton equipment, specifically: four badminton racquets (.2 - .5); a guy rope (.6); a net (.7); and a rope (.8). On the inside of the lid is a tennis themed lithographic print, by Marcel Moisand. Materials: Wood, Metal, Lacquer, Rope, Cloth, Cord, Gut, Leathertennis -
Woodend RSL
Uniform - Shirt, 1981
This shirt was owned by Matthew Calvitto. Matthew moved to Woodend with his family at the age of one. He commenced his career in the 56th Battalion Army Reserve unit. In 1999 or early 2000 he volunteered to join the regular Army. He was posted to the 6th Royal Australian Army Regiment, D company. His initial training was at either Shaulwater Bay or Conundra. After his training he served for 6 months in Timor, in either the second or third rotation. Matthew and the other members of the D Company received battle honours. Matthew was their forward scout, as well as a marksman, which you need to qualify for every year.As an item that belonged to Matthew Calvitto, a local Woodend veteran who received battle honour for his service in Timor, this shirt has social and historic significance. The provenance of the item is know as it was donated by family members. The item is also represenantive of a type of military shirt that was issued to Army personnel during the late 20th century. The item is also in very good condition. Khaki short sleeved shirt with a short pointed collar and two front chest pockets. Each pocket is fastened with one semi opaque beige plastic button. There are seven identical buttons that fasten the front of the shirt. Each shoulder has an epoulette that fastens with one of these plastic buttons near the neck. yellow D company 6th royal australian regiment. red a collectors item infantry or military police or 4th battalion, blue 1 royal victorian regiment.matthew calvitto, calvitto, woodend, 56th battalion, 6th royal australian army regiment, d company, timor, marksman -
Woodend RSL
Shirt, 1982
This shirt was owned by Matthew Calvitto. Matthew moved to Woodend with his family at the age of one. He commenced his career in the 56th Battalion Army Reserve unit. In 1999 or early 2000 he volunteered to join the regular Army. He was posted to the 6th Royal Australian Army Regiment, D company. His initial training was at either Shaulwater Bay or Conundra. After his training he served for 6 months in Timor, in either the second or third rotation. Matthew and the other members of the D Company received battle honours. Matthew was their forward scout, as well as a marksman, which you need to qualify for every year.As an item that belonged to Matthew Calvitto, a local Woodend veteran who received battle honour for his service in Timor, this shirt has social and historic significance. The provenance of the item is know as it was donated by family members. The item is also represenantive of a type of military shirt that was issued to Army personnel during the late 20th century. The item is also in very good condition. Khaki short sleeved shirt with a short pointed collar and two front chest pockets. Each pocket is fastened with one semi opaque beige plastic button. There are seven identical buttons that fasten the front of the shirt. Each shoulder has an epoulette that fastens with one of these plastic buttons near the neck. yellow D company 6th royal australian regiment. red a collectors item infantry or military police or 4th battalion, blue 1 royal victorian regiment.matthew calvitto, calvitto, woodend, 56th battalion, 6th royal australian army regiment, d company, timor, marksman -
Bendigo Military Museum
Certificate - CERTIFICATE WW1, FRAMED, 30/5/1919
Edgar James Koch No 2096 enlisted in the 3rd reinforcements 37th Batt AIF on 18.3.16. Embarked for overseas 25.9.16. WIA 4.10.17 GSW's left arm and chest wall. Transfers to the 38th Batt 12.10.18. Hospital 22.10.18 with Influenza. Hospital again 12.12.18 with Debility. Discharged from the AIF 25.9.10 medically unfit. Refer 933P, 1257P.Framed copy, Certificate of Discharge from the AIF re Edgar James Koch No 2096 37th Battalion AIF. Details enlistment date, age, unit, Regt No, days of service home and abroad and discharge date.documents-certificates, military history-service records, frame accessories, koch -
Vision Australia
Clothing - Object, SEDA Dog Coat
Blue synthetic dog coat with red tartan brushed cotton lining. The words ' SEDA' and 'SEEING EYE DOGS australia' are writtin in white on both sides of the coat, with the SEDA logo located above the words. On one side, a set of four paw prints are adjacent to the writing. Velcro straps secure the coat to the dog across the stomach and chest. 1 blue and white dog coat with red tartan lining SEDA SEEING EYE DOGS australiaseeing eye dogs australia, fundraising -
Vision Australia
Clothing - Object, SEDA Puppy Coat
Blue synthetic puppy coat with red tartan brushed cotton lining. The words ' SEDA' and 'SEEING EYE DOGS australia' are writtin in white on both sides of the coat, with the SEDA logo located above the words. On one side, a set of four paw prints are adjacent to the writing. Velcro straps secure the coat to the puppy across the stomach and chest. 1 blue and white puppy coat with red tartan lining SEDA SEEING EYE DOGS australiaseeing eye dogs australia, fundraising -
Kew Historical Society Inc
Clothing - Pink silk evening dress, c.1842
This dress is believed to have belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A one-piece, lustrous silk taffeta evening dress, lined with polished cotton, probably owned by Mary Ann Henty, and later by her daughter, Alice. The V-waist line of the dress and the dimensions of the skirt are comparable to Mary Ann’s wedding dress. The bodice in contrast is less structured. At a later stage, the sleeves were removed. Measurements (mm): BODICE: Girth - Neck 914.4, Chest 863.6, Waist 685.8, Hip 863.6, Hem circumference 3302. Vertical - Front neck to hem 1371.6, Front waist to hem 1092.2, Back neck to hem 1384.3, Back waist to hem 1079.5 Horizontal - Neck to sleeve head 44.45, Chest back 431.8, Underarm to underarm 431.8.mary ann lawrence, francis henty, evening dresses, henty collection, fashion -- 1840s -
Melbourne Legacy
Document, Medical Officers Report, 1927
A chart for taking measurements of the Legacy boys. This was a copy of the form that was kept as an example. The data was of measurements of junior legatee W. Gallagher. The form was signed J. Teirney, which was Jim Teirney who was the first paid employee of Melbourne Legacy, he was the fitness instructor for many years. The date was 1927 so very early in the history of Legacy working with children of deceased servicemen. Shows Legacy was active in record keeping with proper medical supervision for physical activities of the children, in 1927.The method of record keeping was all done by hand, time consuming and the storage of records took up a lot of space.Diagram of a measurement chart with sketch of a male body. Printed in black and white.Medical Officers Report. Junior Legacy Club. Name: Gallagher. W., age 10, Group Junior, section Lone Pine. Measurements of the neck, chest, thigh, calf, arm, height and weight. Signed by J.E. Tierneyjunior legatee, exercise classes -
Mont De Lancey
Container - Raffia Basket, Unknown
The handmade basket has a variety of pieces of War Memorabilia as listed in the description.A large lidded firm natural, green and tan raffia woven basket with a looped handle on the lid which is attached to the base by rusted twisted pieces of wire. It closes with a brown strip of leather onto a metal clip at the side. Inside are pieces of War Memorabilia - an instruction card for Knitters Get Busy!, one tortoiseshell knitting needle, a pair of large olive green woollen mittens, two strips of paper with instructions and illustrations for sewing Red Cross Pyjamas for the Soldiers and a small grey folded card - 'The Grey Sock' which has directions for knitting good socks with finer wool and needles. This is incomplete.'Knitters Get Busy! War Chest Wants Socks Appeal for 150,000 Pairs'. There is an acrostic poem for the word KNITTERS, describing the word. 'The Grey Sock' - instructions for knitting fine and coarse wool. Suitable pyjama pattern with instructions.war, containers, knitting, sewing, baskets -
Bendigo Military Museum
Uniform - COAT, RAAF, 1943
Uniform issued to Arthur Thomas MANLY No 431130 RAAF. Arthur enlisted on 21.5.1943 age 18 years. He trained at various places, some including Narrandera, East and West Sale and Rathmines. On 8.6.1944 he was posted as an Air Gunner and on 8.12.1944 he reached the rank of Flt Sgt. He flew his first Operational flight at sea with No 2 Sqd RAAF on 21.12.1944. He embarked for Balikpapan on 12.6.1945 with 2 Sqd Mitchell Bombers. He flew 19 Operational sorties which included 5 strikes and attacks. He was discharged on 22.1.1946 with the rank of WO11.RAAF Staff Sgt, service jacket, blue. Chest (L) has 2 x WWII ribbons & Air Gunner's Badge buttons are darkened brass. Light blue cloth eagles sewn on each shoulder. It has 4 pockets & the waist belt is stored on rear of jacket in loops. Trousers not included.uniiform, raaf, ww2 -
Tatura Irrigation & Wartime Camps Museum
Woodcut, 1940(Approx.)
Made by Internee at Camp 3 TaturaPlywood, painted cut-out of girl dressed in blue skirt cream sleeves green apron brown spotted headscarf and tan shoes.Has three brown spotted toadstools on spotted green background at base.Girl's arm is encircling the neck and chest of a deer which has spots on its rump.Crayon markings on back.CHR WELMANN YOUGOSLAV| 1941| 5 (and Sterling pound sign)camp 3, plywood, deer, girl, lockwood, wood cut, tatura, internees, handcrafts, woodcarving -
The Beechworth Burke Museum
Animal specimen - Crimson Rosella
The Crimson Rosella is native to Australia and located in Queensland and South Australia. Australia has a diverse range of rosellas, but the crimson rosella is easily recognised by the red body and blue cheeks. These birds are friendly to humans and consume seeds, insects and some blossoms. They nest in high trees, preferably eucalyptus. Typically, a crimson rosella should have far brighter colours than the specimen collected. This specimen has also been documented as having a light blue or black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Crimson Rosella has a red feathered chest and cape across the head and blue cheeks besides the bill. The tail and wing feathers are mostly black with blue around the edges. The head is angled slightly to the specimen's left. This specimen stands upon a wooden platform and has an identification tag tied around its leg.78a. / Rennauts Parakeet / See Catalogue, page 22 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, california, australian native bird, crimson rosella, rosella, reynell eveleigh johns, platycercus elegans -
Montmorency/Eltham RSL Sub Branch
Uniform - Shirt, Green, Field Dress, Green Field Dress Shirt, 1980
Green field shirt with two chest pockets. It has three cloth badges of rank. Two badges sewn on the right sleeve and one badge on the left sleeve. The Australian Military Badge is at the top of the L sleeve. Warrant Officer Class II badges (L/R sleeves). Each shoulder has a strap.Manufacturers Badge sewn inside shirt. Australian Government Clothing Factory, Victoria, 1980 SIZE 38/81 B405.66.093.2430 SERVICE NO. NAMEgreen shirt,, 1980,, australian armed forces -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed photograph, Warrant Officer Class 1 Francis Martin Daly MC
Photo, sepia, head and chest view of WO1 F Daly, Regimental Sergeant Major of 4th Australian Light Horse Regiment. He is wearing battle dress with AMF rising sun collar badge, 4 L.H badge with "A". Military Cross, Sam Brown belt, slouch hat (without chin strap)wo1 frank daly, 4th light horse -
National Vietnam Veterans Museum (NVVM)
Photograph, Just Another Perfect Day At Work!
In a black frame a coloured photograph taken from the stern of ship showing several sailors most bare chested enjoying the sunshine. Another ship can be seen in the background. At the bottom left hand side of the photograph reads Voyages to Vietnam Collection. Bottom right hand side reads Copyright Brenton TancockVoyages to Vietnam Collection. Copyright Brenton Tancockphotograph, ran, cerberus collection