Paper program for scheduled performances at the Russell St Theatre Season 10 1972; coloured cover - 16 p. includes articles about the plays, the actors, the playwrights and the Melbourne Theatre Company, plus booking formmelbourne theatre company, season ten 1072, russell street theatre, an ideal husband, oscar wilde, comedy theatre, sticks and bones, david rabe, a touch of the poet, eugene o'neill, tom, alexander buzo, the tavern, george m cohan, jugglers three, david williamson, the chocolate frog with old familiar juice, jim mcneill, "father dear, come over here", ron harrison

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from commercial rug wool, the plate by an unknown member.agricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., macrame, embroidery, ingeme, mrs val, agricultural shows, textile art, handicrafts

Rectangular shaped tin, gold edges with Military Tatto Photo on lid. Used to hold biscuitsGold markings around edge, Edinburgh Festival Tattoo, photo of Military Tattoo on lid.

Colour photograph of Gus Gervasoni wearing his World War Two Service medals. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, service medals

Old Tick was the neighbour of Gus, Bess and Jack Gervasoni in Stanley St, Daylesford. As a toddler Jack Gervasoni would sit on his knee for hours watching his pocket watch - leading to the name 'Tick', and later 'Old Tick'. Annie Wheldon was Tick's daughter and gave many items currently on display at the Daylesford Museum.Black and white photograp of the photograph on the occassion of Gus Gervasoni being shipped out for compulsory service during World War two. He is the one in uniform, with furrowed brow. Left to right: Gus Gervasoni, his father George Gervasoni, ? , (Possibly Old Tick [Wheldon]. Front row left to right: Kevin or Roger Lock, Jack Gervasoni (son of Gus), Ken Lock. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, george gervasoni, john hogan gervasoni, ken lock

Gis Gervasono served in Northern Australia and was in Darwin for the bombing.Black and white photograph of Gus Gervasoni in AIF Uniform. This photograph was taken before his World War 2 departure. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript

1996, 291, richard george, youth production

This telegram was sent from the Royal Netherlands Airways, Sydney, to the manager of ABC Radio Station 2CO, Corowa, New South Wales. This telegram relates to the 1934 London to Melbourne Air Race. The telegram records the Royal Netherlands Airways' thanks to ABC Radio 2CO radio staff for their efforts in broadcasting an emergency message to the residents of Albury after the Dutch airliner ‘Uiver’ became lost at night in bad weather. As requested local radio listeners drove their cars to the Albury racecourse and illuminated an emergency landing ground using their vehicle headlights. This allowed the lost airliner to land safely.This item relates to the London to Melbourne Air Race of 1934, a significant event that shaped Australia's history as it proved travelling to and from Australia could be done within a reasonable time by air, thereby making the country less isolated. Up to that time Australia was three weeks away from Europe by steam ship. The Air Race was dreamt up by the Lord Mayor of Melbourne, Harold Smith, to commemorate the centenary of Victoria's statehood and was sponsored by the Melbourne chocolate manufacturer Sir MacPherson Robertson. The Royal Netherlands Airways entered a Douglas DC2 plane 'Uiver' - the largest aircraft in the race, and the only one to carry passengers as well as crew, to show that a commercial passenger service to Australia was possible. But in the last leg of the race, the Uiver lost its way in an electrical storm over the Riverina town of Albury. Several communication methods were used to land the plane safely, including the signalling of the word "Albury" in Morse code using the town's street lights. Local ABC Radio station 2CO also made a call for locals to light up a makeshift landing strip for the plane at the town's racecourse. The plane landed safely and the next morning with the help of the townspeople who pulled it out of the mud, took off and finished the race in second place. The story of the Uiver points to the importance of communication in its various forms: two-way and broadcast radio, Morse, and light signals. The survival of the Uiver is a reflection of the ingenuity of Australian communications and the solutions that can be found through the sharing of ideas of information. The landing of the Uiver was an important moment in Albury's social history, as residents participated in the rescue of the plane and its passengers, helping the Uiver to continue on its journey and finish second in the Race. When the Uiver crashed in the Syrian Desert in December 1934, Albury residents contributed to a memorial which honoured those who were killed. Beige paper telegram printed with black ink and overwritten with typewriter. Telegram split into sections designating details of the telegram, details of the recipient and a space for the transmitted message. A small section of paper is missing from bottom left corner."Extend to you my warmest appreciation for your most valuable / assistance rendered to Netherlands machine by continuously keeping your / wireless organisation available during a period of extremely difficult / air navigation stop I assure you that in Holland and in Java your action / is most deeply appreciated Bakker chief representative in Australia for / Royal Netherlands airways. / 6 18pm"telegrams, telegraphic messages, communications, radio, uiver, royal netherlands airways, albury, london to melbourne air race, morse code

A faded green and brown painted metal tin with a picture of two dogs on the lift up lid.containers, food storage containers, chocolate tins

Cliff Beauglehole was an orchardist at Portland, Victoria, who throughout hislife took an intense interest in the plants of Victoria. Over his lifetime he collected 90,000 plant specimens as part of a comprehensive study of Victoria's plants and wrote thirteen books under the heading The Distribution and Conservation of Vascular Plants in Victoria, each written to cover the 13 study areas of the Victorian and Conservation Council.A mounted botanical specimen.beauglehole herbarium, herbarium specimen, botany, herbarium, plant science, plant specimen, field naturalists' club ballarat, federation university herbarium, arthropodium strictum, chocolate lily, asparagaceae

Round Hoadley's Barrackville soluble cocoa tin.containers

Bertie Beetle first made his appearance at a Show in 1963 when he was included in in the Hoadley's showbag. By 1972 he had his own showbag.Bertie Beetle Blue Showbag, no content: blue plastic bag with Bertie Beetle character, and logo in a red bubble[On both sides] Bertie / Beetle / Warning: not suitable for children under 3 years of age. This showbag may contain items that are sharp, or inhalation or chocking or strangulation hazards. PARENTAL SUPERVISION ADVISED / Chicane Marketing Pty Ltd, Unit C, 76 Wilford Street, Newtown NSW 2042. Phone (03) 9519 1966 Email: [email protected] / Confectionery in this bag is manufactured by Nestle Confectionery Ltd 1 Homebush Bay Drive, Rhodes NSW 2138. Trademark of Societe' [sic] des Produits Nestlé SA", "THIS BAG IS MADE OF RECYCLABLE MATERIAL / Ingredients for products that may appear in this showbag: Wonka Redskin stick (...) Milko stick (..) Allens lollipops (...)".nestle, bertie beetle, showbag, commercial, confectionary, chocolate

39 pagesnon-fictionA booklet of random articles that have been printed in WHS newsletters over the years.nunawading, smith l l dr, hall's timber mill, barelli family, watt's dairy, pettigrove, harrington's bakery, orchards, blackburn post office, rob's cycle and sports, mcglones, mitcham brick and pottery co ltd, builders trading and roofing co ltd, fitzmaurice a y, warren frances, vermont, glasson bill, gardiner barbara, slater william henry, elmore algernon john, hoadleys chocolates

Gis Gervasono served in Northern Australia and was in Darwin for the bombing.Black and white photograph of Gus Gervasoni in AIF Uniform, and his son and wife. This photograph was taken before his World War 2 departure. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, john hogan gervasoni, elizabeth gervasoni, george gervasoni, elizabeth hogan

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Vietnamese Children at Xuyen Moc look apprehensively towards some of their friends who began to cry when Diggers attempt to give them flavoured milk to drink. The departing VietCong had told the children that they would be poisoned by the Australians from 5 RARphotograph, vietnamese children, 5 rar, xuyen moc, gibbons collection catalogue, diggers, flavoured milk, viet cong, denis gibbons

“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Artist Bio Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting