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Kew Historical Society Inc
Photograph - Daguerreotype of a gentleman, 1855-65
One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait -
Kew Historical Society Inc
Photograph - Family Portrait, Captain John Marshall and Family, Mayor of Kew 1872-73, 1890s
... A, Boroondara General Cemetery. Family portrait of an important civic ...Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen Silver photograph on card of Captain John Marshall and family, Mayor of Kew 1872-73.The inscription was added by the family and at one stage modified. In addition to the title, the sitters' names are inscribed beneath the photograph on the mountCaptain John Marshall and family / Mayor of Kew 1872-73 Webster - Maud - Austin - Mary Marshall - John Marshall - May - Andrew - Polly / Residence “Maryvale” 197 Cotham Road. john marshall, maryvale (cotham road, kew), maryfield (cotham road, kew), webster marshall, maud marshall, austin marshall, mary marshall, may marshall, andrew marshall, polly marshall -
Kew Historical Society Inc
Photograph - Family portrait, The Marshall Family, 1903-1914
Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of the relatives of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen silver photograph on card of the Marshall family grouped in three rows in a garden setting. The twenty-three members of the extended family do not include John Marshall so the photograph presumably dates from after his death in 1903. His wife, Mary Marshall, is in the middle row, five from left. marshall family, john marshall -- mayor of kew -
Kew Historical Society Inc
Book, Georgiana’s Journal: Melbourne 1841-1865, 1966
This diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.[Sydney] Angus and Robertson [1966] xxi, 262 p. illus., maps, ports. (part col.) 24 cm. non-fictionThis diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.mcrae, georgiana, georgiana mccrae, woman on victorian goldfields -
Kew Historical Society Inc
Document, Cluny (Formerly Fairview) 34 Wrixon Street, Kew 3101: A cultural and architectural history and assessment of cultural heritage significance / Allan Willingham, 2006
Research Report on Fairview, Cluny, held in the KHS Reference Files. Research report, prepared by Allan Willingham for Carey Baptist Grammar School in 2006, into Cluny (formerly Fairview) 34 Wrixon Street, Kew 3101. The cultural and architectural history and assessment of cultural heritage includes a summary of the building's current heritage status, a history of the property, biographical portraits of the principal owners, an architectural history, an assessment of its cultural heritage significance, a statement of conservation policy and appendices.fairview -- wrixon avenue -- kew (vic.) -
Kew Historical Society Inc
Photograph, Kew Bowling Club, Runners up for Pennant and for Championship Rink; Office Bearers of Club and Members of Pennant and Champion Rink Teams, 1908-9
The Kew Bowling Club was formed in 1880 and merged with Auburn Heights Recreation Club in 1998. In addition to the unnamed members of the teams, the following individuals are profiled on the item. The background of these men has been identified by John Torpey as follows: BRADSHAW William Henry, grocer, 6 Cotham Road, Kew & 33 Prospect Hill Road, Camberwell - CARNEGIE J Lewis, merchant, Studley Avenue, Kew [Carnegie & Sons, piano & organ importers 106 Elizabeth Street, Melbourne] - CLARKE Charles, warehouseman, 35 Queen Street, Kew - EDGAR Robert McCutcheon, 215 High Street, Kew - FINLAYSON John Marshall, solicitor, 178 Cotham Road, Kew - GREEN Charles Henry, clerk, 81 Wellington Street, Kew - GREENHILL F snr [not found] - GREENHILL Thomas jnr, traveller, High Street south, Kew - HAMBLETON Lincoln, civil servant, 32 Coleridge Street, Kew - HANDBURY John, manufacturer, 55 Walpole street, Kew - JELLIS Thomas G, baker, Princess Street, Kew - LILBURN William Hugh solicitor, Denmark Street, Kew - MANSFIELD Allan, plumber, 150 Cotham Road, Kew [S&McD] or 21 Belmont Avenue, Kew [Electoral Roll 1909] - NATHAN Simeon, warehouseman, 59 Sackville Street, Kew - NIVEN Henry N, 192 Barkers Road, Kew [FW Niven & Co 40-42 Flinders Street, Melbourne, printers & lithographers] - SIMONTON Alan Thompson, dairyman, Belmont Avenue, Kew - SINUCH WC [not known – bottom right of frame] - SWINBURNE George [see Australian Dictionary of Biography] - TREDENNICK William, civil servant 285 Tennyson Street, Kew - WENTWORTH William Dalton, painter, 5 Derrick Street, Kew - WOOLLARD Thomas, civil servant, Hildebrand Crescent, Hawthorn - WOOLLARD Walter Herbert, builder, 35 Disraeli Street, Kew [Sources: Sands & McDougall directories, Electoral Roll 1909]The photographic collage is historically important as it includes rare photographs of local identities, many of whom were significant civic actors statewide.Large photo collage created by Barroni & Co (Melb) of team, player and official portraits of members of the Kew Bowling Club. At one stage the item was in a drawer in a map cupboard, fractured into multiple pieces. The items were later assembled some years ago Graham Lindsay and framed in 2021 for exhibition by John Torpey. "Kew Bowling Club / Season 1908-9 / Runners up for pennant and for Championship Rink / Office bearers of Club and Members of Pennant and Champion Rink Teams".kew bowling club -
Kew Historical Society Inc
Sculpture - Plaster Relief of King George V, J.S.D, c.1936
While its provenance is unclear, it is probable that this framed plaster relief was once hung in the Kew Town Hall. While the artist has not yet been identified, it is assumed that the work may be mass-produced from an original copy.Gilded and framed plaster-relief of King George V.Artist initials "J S D" lower rightgeorge v, plaster relief, royal portraits -
Kew Historical Society Inc
Photograph, Kew Becomes a City, 1921, 1921
This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard -
Kew Historical Society Inc
Photograph, Bridal Portrait, circa 1910, c.1910
The photograph was donated by Rosemary Vaughan-Smith, a member of the Society. It is believed to be a photograph of the donor's mother.Oval studio photograph, artfully mounted on a rectangular board, of a woman in a bridal gown, surrounded by flowers. The bride is dressed in a layered tulle gown with an white overjacket. c. 1910.wedding photographs, rosemary vaughan-smith -
Kew Historical Society Inc
Photograph, Bathers, c.1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Bathers, ca. 1920. A group of nine young people pose for a group portrait at the beach. The bathing costumes worn by the group are in a number of styles. The photograph represents the stages of transition towards a briefer swimsuit typified by that worn by the man second from left at rear. bathers, glass negatives -
Kew Historical Society Inc
Photograph, Verandah Portrait, c.1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Verandah portrait, ca. 1900-ca. 1920. An elderly man and woman pose for a portrait outside the front door on the verandah of their weatherboard home. .glass negatives -
Kew Historical Society Inc
Photograph, Wedding Party, 1900-1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Wedding party, ca. 1900-ca. 1920. A bride and groom pose for a family portrait in the garden of a family home. The bride in the photo can also be seen in 1995.0038. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.weddings, glass negatives -
Kew Historical Society Inc
Photograph, An Outing to the Beach, 1900-1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. An outing to the beach, ca. 1900-ca. 1920. A group portrait of six adults and two children, taken at the beach. Given that the negative, of unknown provenance was in a collection that included a photograph of the grave of Violet Steel, the photo may be of her brothers and sisters, whose family home was in Elsternwick. The woman third from the right is the bride in 1995.0037. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.beaches, bathers, glass negatives -
Kew Historical Society Inc
Photograph, Three generations, 1900-1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives -
Kew Historical Society Inc
Photograph, Family Group, c.1910
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Portrait of a family. Thirteen members of what is perhaps a family group comprised of multiple generations pose at the front of a house for a group portrait. The clothing worn by individuals in the photo range from the late Victorian period to that current when the photograph was taken. family portraits, glass negatives -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.119, June 2017
Conservation & Restoration {Halfey portraits, Kew Where We Live) / Robert Baker p1.Scouts & Guides in Kew; Donations to the collection p2. The Collection: Is it nationally significant? / Robert Baker p4. The Kew Steamroller / David White p6. Exhibitions July to September 2017 / Judith Scurfield p7. Kew Voluntary Aid Detachment / Robert Baker p.8. The Small Homes Service / Felicity Renowden p10.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionConservation & Restoration {Halfey portraits, Kew Where We Live) / Robert Baker p1.Scouts & Guides in Kew; Donations to the collection p2. The Collection: Is it nationally significant? / Robert Baker p4. The Kew Steamroller / David White p6. Exhibitions July to September 2017 / Judith Scurfield p7. Kew Voluntary Aid Detachment / Robert Baker p.8. The Small Homes Service / Felicity Renowden p10.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Kew Historical Society Inc
Photograph - Inlaid Tortoiseshell Locket, Pair of Henty Family Portraits, 19th century
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the sitters in this mid 19th century pair of portraits is as yet unidentified. The locket was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small hinged locket made of tortoiseshell inlaid with mother-of-pearl, silver and gold. The locket is designed to be worn as a pendant. The two hand-tinted encased oval portraits are of an elderly woman on the left and an elderly bearded man on the right. The inlaid locket is probably Indian given the style of the floral inlay on the front and reverse. The portraits do not appear to be daguerreotypes, ambrotypes or tintypes and require further technical investigation.henty family, australia - early settlers -
Kew Historical Society Inc
Photograph - Daguerreotype, Henty Family Portrait, 19th century
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length studio portrait of a female member of the Henty family, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. The woman is dressed in a silk dress, typical of the 1860s, with a lace collar and bonnet. She appears to be holding a locket in her right hand.henty family, australia - early settlers -
Kew Historical Society Inc
Photograph - Daguerreotype : Eliza Margaret (Milligan) Gaunt (1844-91), 1860s
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length seated studio portrait of Elizabeth Margaret (Milligan) Gaunt, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. Margaret Gaunt is dressed in a pale silk dress, typical of the 1860s, with a buttoned bodice and wide sleeves. She appears to be holding a book in her right hand. The sitter was the half sister of Mary Ann Lawrence (1821-81), the wife of Francis Henty of 'Merino Downs' and 'Field Place', Kew. She married Charles Gaunt (1842-1916) at St John's Church of England, Launceston in 1868. Following her marriage, she was to have 11 children.henty family, eliza margaret milligan, eliza margaret gaunt, launceston - 19th century, mary ann lawrence, mary ann henty, francis henty -
Kew Historical Society Inc
Photograph, Alice (Henty) Hindson (1852-1932), 1906-1930
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The portrait was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Alice (Henty) Hindson, born in Portland in 1852, died at 'Field Place' in Kew in 1932. She was the daughter of Francis Henty. The portrait has added artistic and aesthetic significance as a signed photographic portrait by Lafayette Photographic Studios, Collins Street, Melbourne. The studio flourished from 1906-1930. Photographic portrait of Alice (Henty) Hindson (1852-1932), one of the daughters of Francis Henty and Mary Ann Lawrence, taken and signed by the internationally renowned London photographer 'Lafayette'. The oval photograph is encased in a brown calf skin case. The portrait represents the sitter in middle age, wearing a black dress and a white lace collar. Alice Henty had married John Hindson in 1875 at Trinity Church, East Melbourne. The couple were to live at 'Shrublands' in Canterbury from 1883. Her husband died in 1919 and it is likely that the portrait was taken after that date. She was to donate 'Shrublands' to the Anglican Church in 1923, after which it became St John's Home for Boys (and girls). Alice Henty's sister Louisa Henty died at her home 'Field Place in 1924. Alice was also to die at Field Place in 1932. Signed: "Lafayette / Melb."henty family, alice henty, alice hindson, shrublands, field place, john hindson, francis henty, louisa henty, mary ann lawrence, mary ann henty, lafayette photographic studio -- mebourne (vic.) -
Kew Historical Society Inc
Photograph - Tintype, Henty Family Portrait, 19th century
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The tintype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small tintype of a female member of the Henty family. The hand-tinted close-up studio image is of an unidentified member of the family. The sitter's hair is parted in the middle as was typical of the period. She wears a dark dress with a white collar and a cameo at the throat.henty family, australia - early settlers, tintypes -
Kew Historical Society Inc
Photograph, Henty Family Portrait, 1920s
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.134, March 2021
Family portraits [Henty family] / Robert Baker p1. History & Heritage: Kew Heritage Centre; Kew Court House; Sponsors / p3. Major Events: 2021 McIntyre Lecture; 2021 Australian Heritage Festival / p4. Artists at Home in Kew / Judith Scurfield p5. The Centennial Choir: The artistry of the 19th century lithographer / Robert Baker p7. Public and private murals: Street art emerges in Brougham Street / Suzanne McWha p9. The Collection: Significant recent donations; Preservation Needs Assessment / Robert Baker p11. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionFamily portraits [Henty family] / Robert Baker p1. History & Heritage: Kew Heritage Centre; Kew Court House; Sponsors / p3. Major Events: 2021 McIntyre Lecture; 2021 Australian Heritage Festival / p4. Artists at Home in Kew / Judith Scurfield p5. The Centennial Choir: The artistry of the 19th century lithographer / Robert Baker p7. Public and private murals: Street art emerges in Brougham Street / Suzanne McWha p9. The Collection: Significant recent donations; Preservation Needs Assessment / Robert Baker p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Kew Historical Society Inc
Container - Presentation Jewellery Box, 1948
... collection of civic portraits in the collection. The box ...In 1948, the citizens of Kew presented this jewellery box to the outgoing Mayor and Mayoress of Kew, Cr & Mrs W D Vaughan. In 2021, it returned to Kew, thanks to the generous donations of our Friends of the Collection. William David Vaughan to whom the jewel box was presented in 1948 was a publisher, politician and historian, born in 1897 at Heathcote. By 1922, he had become a publisher and Secretary of Victorian Newspapers Ltd. In October 1922, he married Muriel Gladys Frazer in Bendigo. He purchased 'Elsfield' in Cotham Road, renamed it 'Carramar', and resided there for almost fifty years. His wife, the Mayoress, was an accomplished pianist and entertained the wives of councillors and supported many charitable works from her home. In 1926, Vaughan founded a local newspaper, the Kew Advertiser. During his second term as Mayor, he was elected president of Melbourne Suburban Newspapers’ Association, In April 1947, he was appointed to and later became chairman of the Free Library Services Board. In 1960, he published his history of Kew - 'Kew's Civic Century'. Vaughan’s third term as Mayor in 1962-63 saw the erection of the pavilion at Victoria Park and the final clean-up of the Outer Circle Railway. He died in September 1976. This inlaid and engraved jewellery box was part of a larger donation made to the Mayor and Mayoress of Kew in 1948 by the citizens of the municipality. It is the only 'civic award' in the collection given to a former civic leader and complements the large collection of civic portraits in the collection. The box is additionally significant because of its association with William David Vaughan - newspaper proprietor, local politician, and local historian. A presentation jewellery box, she-oak with barber pole inlay adorned with an Australian silver plaque.Engraved inscription on silver plaque - "Presented to Cr & Mrs W.D. Vaughan With The Esteem And Appreciation Of The Citizens Of Kew And In Recognition Of their Services As Mayor And Mayoress 1947-48. 28th July 1948"w d vaughan, mayors of kew, kew advertiser, kew (vic.) -- history -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Oval portrait of Orlando Henry Beater Christian. Younger than in photo 35. Wearing shirt and tie, waistcoat and jacket.orlando henry beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Three quarter length sepia studio portrait of Orlando Henry Beater Christian in uniform holding a cornet. He wears a cap and is posed with the cornet in his left hand, leaning on a cushion atop a fake rock.hawthorn band, orlando henry beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Oval sepia studio portrait of Orlando Henry Beater Christian, dressed in uniform holding a cornet in his right hand. He has centre part, moustache and is seated on an elaborately carved chair. Uniform has epaulettes. orlando henry beater christian, hawthorn band, christian-washfold collection -
Kew Historical Society Inc
Book, Friends of Boroondara (Kew) Cemetery, Leaving their mark : a tribute to some of those who are memorialised in the Boroondara (Kew) Cemetery, est 1958, 2020
xii, 108 pages : illustrations, portraits ; 21 x 30 cmnon-fictionburials -- boroondara general cemetery, funerary monuments -- kew (vic), cemeteries -- victoria -- kew -- history, kew (vic.) -- biography -
Kew Historical Society Inc
Photograph - Bruce Pitcairn Hedderwick, c.1920
Bruce P. Hedderwick was the son of the Kew lawyer and politician Henry Hedderwick and lived with his family at 'Garoopna' on the corner of A'Beckett and Barry Streets, Kew. This photograph is part of a larger donation of items relating to the Hedderwick family of Kew.Monochrome, sepia print copy of an original photographic portrait of Bruce Pitcairn Hedderwick (1881-1925) hedderwick, garooopna, bruce pitcairn hedderwick -
Kew Historical Society Inc
Book, Enter the Colonies Dancing: A history of dance in Australia 1835-1940, 1979
x, 188 pages : illustrations, portraits, facsimilies ; 26 cm non-fictiondance -- australia -- history, ballet -- australia -- history