'the Parthian Shot ' Newsletter for the Golden City Collectors Association Inc. July 1996 / A4 stapled paper sheets / first page shows Official Logo / 54th Edition /Po Box 66 , California Gully Bendigo /-one of the aims of the Association -To preserve and collect firearms of interest to members of both historical and antique nature. / Includes the Association's submission to the Minister of Police Emergency services regarding the proposed changes to the current Firearms legislationorganization, club/society, golden city collectors association inc, the golden city collectors association inc /

Photocopy of a letter (four A4 pages of an unknown number of pages), from the English Electric Co Ltd of Bradford dated 29/6/1938, addressed to the MMTB via Heap and Ryley London. Follows the visit of Mr Bell and Mr Spencer to the Bradford works. Has notes on Tramway Motors, controllers, notch regulators, multi-notch remote control, trolley slider heads and Bow collectors. Refers to enclosures but not found with the document.trams, tramways, english electric, motors, controllers, trolley poles, bow pantograph

Plant specimens collected and pressed by Mary Connors (née Lee) who graduated in 1953 with Certificate of Competency. Her daughter has rearranged the pages into 2 A4 lever arch ring binders. Collection depicting 13 families. 2 A4 Lever arch files with 25.5 x 20.5 cm plain paper sheets 1 pressed plant to a page arranged by families. Title page for each family with hand drawn and coloured examples. Specimens (faded) attached with cellotape. Some photocopied information sheets about certain families added after 1950's. Latin identification and Labels for 13 Plant families, Genus, Species, Common Name, Locality, Collector and Remarks. Some photocopied information sheets of plant families. A Proteaceae, Compositae, Leguminosae, Myrtaceae and B Orchidaceae, Graminaeae, Liliaceae, Amaryllidaceae, Iridaceae, Cruciferae, Rosaceae, Solanaceae, Scrophulariaceae plant specimen, mary connors (née lee), 1953, student assignments, burnley college, certificate of comptency

William Curtis, known as "Wheels", was a swagman and a local eccentric. He was an obsessive collector of wheels and towed them round the country-side, living from his cart and adding to his collection as he went.swagman, curtis, wheels

The book was given to an individual who was an accredited Collector of Subscriptions for carrying on the Missions of the Wesleyan Methodist Missionary Society. It contains an introductory letter from The Committee with instructions for the role and examples of how the book should be used.wesleyan methodist missionary society, wesleyan missions

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Thirteen typed pages dated 7 June 1951. In the format he used for his weekly talk on 3BO 'The Mayor Speaks'. Topics include : taxis, Golden Square Bowling Club, the Garbage collector, the Showgrounds conveniences, the Bendigo Centenary, the Mayor's Blanket Appeal, the Mayoral Ball, the King's Birthday Honour List, Lands Reclamation.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. 3bo ' the mayor speaks'. bendigo centenary 1951.

Grey / green Document, Form 19 re the Distillation Act 1901-1925 dated 30.9.1938 W.D.Mason Collection, an Acknowledgement of Notice to use a Still other than for Distilling Spirits. The Commonwealth of Australia, State of Victoria. The Still was intended for distilling Water at Queen Street Bendigo. The Still must not be removed, sold, altered, dismantled, or disposed of without permission (Distillation Act 1901-34, Section 10). Signed J.J.Kennedy; Collector of Customs for the State of Victoria.Customs House, Melbourne.business, retail, w d mason

Newspaper Cutting with picture of male band members. Caption reads: ABOVE: The Bendigo Lyric Orchestra, photographed in 1901, with its conductor Mr E.R.Andrews, who was a prominent musician in Bendigo at that time. The orchestra had no connected with the Lyric Theatre. The photograph is the property of a Bendigo collector of sheet music and musical memorabilia, who is anxious to list the names of the musicians pictured. Any reader with information and names should contact Bendigo Historian, Frank Cusack, at the Bendigo Advertiser.Bendigo Advertiserentertainment, music, bendigo lyric orchestra

Collector says "I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Please refer to the following worksheet for a full breakdown of the collection." Checked blanket, pink, blue and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Black leather soft binding with stipple pattern; capped leather edges to cover sides of book. Red and gilt edges on pages. Gold lettering on cover and spine with publishers crest on tail of spine. Black end papers.

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills

The album is a collection of items of interest, mainly newspaper cuttings, from 1982, 1983 and 1984. The folder contains information and records relating to the Warrnambool Bird Observers' Group and includes records relating to Lake Pertobe, Tower Hill, The Maam, Kelly's Swamp, Nirranda, Allansford, Timboon, and Port Fairy. They were collected by Jill Heathcote (1927-2011), a Dennington resident who was for many years a member of the Warrnambool and District Historical Society, the Warrnambool Bird Observers' Group and the Warrnambool Field Naturalists Group. The cuttings and bird records reflect her interest in both local history and natural history. These two items are of considerable interest, particularly to those interested in local natural history. The scanning of the items has been completed.1. One brown plastic folder sold commercially for the storage of photographs and documents. The cover has an ornamental gilt border. The folder contains 24 cardboard pages and plastic sheets. The pages are bound with two metal screws. There are 77 items stored in this folder, most of them being newspaper cuttings dealing with natural history from 1982-3-4. The collector of the items in the folders was Jill Heathcote. 2. Black folder containing handwritten notes, articles, charts and typed listsjill heathcote, natural history, warrnambool

Prepared by Talma & Co, Melbourne. Hung in council chambersFramed picture of members of the Ringwood Borough Councillors 1928-1929 +Additional Keywords: Cr. A. Blood / Cr. Wm. Mackindlay J.P. / Cr. A.T. Miles J.P. / Cr. R.G. Wilkins / Cr. J.B. McAlpin J.P. Mayor / Cr. J.K. McCaskill / Mr. W.T. Jenkin - Rate Collector & Valuer / Mr. A.F.B. Long - Town Clerk / Mr. A.H. McKibbin - Health Inspector / Dr. A.T. Langley - Health Officer / Mr. F.R. Lucas - Borough EngineerPresented by Cr. J.B. McAlpin, JP to the Ringwood Borough Council.

Children's story book "How Peter's Pound became a Penny", 64 pages. Bound with tape over maroon coloured cardboard. black and white illustrations writtenby Mrs C. E. bowen. Published by Seeley, Jackson, and Halliday, 54 Fleet Street; S. W. Partridge, 9, Paternoster Row. this book has a handwritten entry by Matthew Arkle, Mifionary Collector, Eaglehawk 1871.to Elizabeth June Hall for her birthday by Uncle Matthew 12 of May 1886.books, children's, how peter's pound became a penny.

Coloured photo of the Nunawading Council cricket team for a match against Box Hill Council in March 1968 Back row, L-R: Peate, Roger, Cr; Goldsborough, Owen, Cr; Jane, Ted, town clerk; McCall, C.R. Cr; Willis, Jim, Cr; Phillips, Ritchie, Cr Front row, L-R: Yates, Don; Bade, Stan; Sewart, Bill, city engineer; Deacon, Kevin, building surveyor; Nelson, Gerry, rate collector; Cartwright, Des.cricket, city of nunawading, peate, roger, goldsborough, owen, jane, ted, mccall, c.r., willis, jim, willis charles l, phillips, ritchie, yates, don, bade, stan, sewart, bill, deacon, kevin, nelson, gerry, cartwright, des

Significant in being a receipt issued by the Union to a driver showing that he paid his union dues for the following four weeks. Printed specifically for a defined period. Shows the importance attached to being a union member and the method of collecting dues, especially printing receipts for a specific date.Pink colour receipt from the Australian Tramway and Motor Omnibus Employee's Association Ballarat Branch dated 11 Jan 1968 written by R. Courtney as Collector giving membership to 8th Feb. 1968. The 8th Feb. 1968 date printed onto the receipt. The receipt date "11 Jan" and. " R. Courtney" stamped on red ink. Name of member "J. Everett" hand written on in blue ink. Office given as Tramway Office, Sturt St. Amount was 60cents.trams, tramways, receipts, atmoea, unions

Kerosene lamps were used as a main source of lighting throughout Australia prior to the supply of domestic electrical services. This was obviously later in many rural areas. This lamp was used in the home of Mrs. Gina Elizabeth Harris of Bethanga in Northeast Victoria where electricity was connected on 23 March 1959.This lamp is representative of the lamps used throughout Australia prior to the introduction of domestic electricity supplies. This vintage kerosene lamp is model No. 21 which was manufactured by Aladdin Industries in Greenford, Middlesex, England in the 1950s. Base stems were mostly made from wood, turned into several different patterns. More expensive table lamp stems were of metal. Bases were mostly steel filled with sand as a weight. When Bakelite became available it was used extensively in three different colours, although collectors say that white bases were used primarily in hospitals and churches and are more rare. On wick knob: "21/Aladdin Industries Ltd/GREENFORD" Inscribed around burner: "GB Patent No 9. 69-4273-4"kerosene lamp, bakelite, domestic appliances

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong

Queen Alexandra and Queen Mary were photographed holding these fans.|In 'Feather Fans - Collectors Guide to Fans' by Susan Nayer - 'In1880 feather fans returned to fashion -- remained in use until 1930s at court presentations. Also known as Japanese Fans.`Women's fan. Blue and green peacock feathers in circle. Handle wrapped in blue ribbon. Used indoors beside the fire to protect a ladies complexions against the heat.costume accessories, female

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa

Stapled folder containing handwritten inventory of historic items collected for school fund-raising exhibition.Column headings include name of collector, type of item, and record of payment of 3d/per item entry fee. Sample of exhibit items include personal and household items, geological specimens, weaponry, and taxidermry. (Prizes for oldest exhibit and most unusual or most original exhibit categories advertised but results not recorded.)

[E.J. Semmens experimented with Eucalyptus distilling during his time as principal of the VSF, this piece of equipment would have been used for teaching and research at the School and maybe linked to Semmens' research.] Detailed description of item supplied by from the International Wood Collectors Society.Steam distillation box for extraction of essential oils from wood or sawdust and leaves. Copper box and stand, bakelite fittings, cork and glass tubing. The box has a vent for releasing steam pressure and bottom drain hole to collect oils. It is raised to allow a burner to fit underneath it. forestry, forest products, semmens, edwin james

Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston

This note book records the collection and the names of the collectors from the services held at the Church of England in the small town of Mepunga, east of Warrnambool. The services were held fortnightly or monthly. The dates are 1915 to 1918 and 1926 to 1935. The latter date may be when the church was closed.This note book is of considerable interest , particularly because of the entry names of Mepunga residents in the early part of the 20th century. Of special interest is the signature of "T.P. Bennett", Archdeacon Bennett, the fifth Vicar of Christ Church, Warrnambool, 1912 to 1937. He is especially remembered as a respected and loved Padre in World War 1. A Marker Flag he brought back from the Great War is displayed in Christ Church bell tower.This is a note book with a black cover and pages ruled with red lines. Most of the pages are blank. The handwritten entries are in pencil and black and blue ink.The cover is somewhat stained.church of england mepunga, mepunga church history, mepunga church of england 1920

City of Bendigo receipt No.7821 issued June 10, 1910. Acknowledging receipt from Mr Every the sum of 2 pounds - 5 shillings amount of Local Government Act Rate made 10th December 1909 on the property situated in Napier Street and numbered above in the City Rate book and 14 shillings amount of Health Act Rate made 10th December, 1909 on the property situated in Napier Street and numbered above in the City Rate book . Signed by K Brown Acting Rate Collector.government, local, city of bendigo

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Davidson Jas, Office of Collector of Imposts, Melbourne re Transfer Larkin to Larkin. 2 - 1896 - Letter from Ferguson D, Distilleries and Excise Office, Custom House, Melbourne re O'Connell? V Frizzell 3 - 1896 - Letter from Jones Thos, Oak Vale. 4 - 1896 - Letter from Holding T, Clairmont Crescent, Canterbury. 5 - 1896 - Letter from Campbell Colin H re Miller Louis Loan.cottage, miners, connelly, tatchell & dunlop, davidson jas, office of collector of imposts, larkin, ferguson d, distilleries & excise office, o'connell?, frizzell?, jones thos, holding t, campbell colin h, miller louis