Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

Double headed glass baby bottleThe Hygienic Feeder Measurements in Ounces and Tablespoonsdomestic items, infants

Double tiered Jabot with crochet edging

Double storey Creswick Town Hallcreswick town hall, creswick museum, creswick

Greyfriars Bobby was a Skye Terrier who became known in 19th-century Edinburgh for spending 14 years guarding thDouble storey stone pub in Scotlandgreyfriars bobby pub, edinburgh, scotland, hotels, dog

Eugene Onegin an opera in three acts was performed at the Arts centre, Melbourne, by Opera Australia singers, and chorus, sung in Russian with English surtitles. One page A5 double-sidedText on both sides. The King and I side one; Eugene Onegin side 2eugene onegin, opera, jacqueline dark, oa, arts centre, tchaikovsky, singers, nicole car, paulo szot, sian pendry, dominica matthews, kanen breen, james egglestone, jonathan mccauley, adrian tamburini, daniel sumegi, dean bassett, emily ranford, sam colbey

Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

An illustrated feature on sculptor Guy Boyd, Robin Boyd's first cousin.Double page. pp 10-11Mary in handwritingguy boyd, walsh st library

Used on horse tackle during 19th and 20th centuries and imported by Holden and FrostSold by Holden and Frost for military agricultural and civilian use C1900Nickel plated double snap clipequine, military, agriculture, c1900, double snap clip

Iron double swinging door hinge historic building, former royal mint

Iron double swinging door hinge former royal mint, architecture, historic building

"Tram & Bus Running Journal PTC" - No. 7 - dated 29/6/1992. Has items on enhanced resignation packages, conductor performance, enterprise bargaining, OH&S and Hastus - crew rostering system. Signed by Russell Nathan as General Manager.Demonstrates PTC newsletter of 1992 regarding employees.Printed A4 double sided sheet.tramways, ptc, conductors, oh&s, hastus, retrenchment

Brunswick Depot crew roster table setting out tables, days off, on/off and meal break times for Monday to Wednesday, Thursdays, Fridays, Saturdays and Sundays. Roster commenced Sunday 22/4/2012.Demonstrates a Brunswick tram depot roster used during 2012.A4 printed sheet, double sided.brunswick depot, rosters, crews, timetables

Pamphlet produced for Friends of Hawthorn Tram Depot c2004 to detail the history of the building and its conversion into a museum.Yields information about the history of the Hawthorn Tram Depot.Pamphlet A4 colour double sided.hawthorn tram depot, htt, history, tram museum

Issued by Yarra Trams/MetroLink Victoria as part of the transition from Government to private operation. Dated 20/7/1999. Notes the offers for employment will be finalised by 23/7. Provides notes on "new customer-friendly tram stops" On the second sheet provides questions and answers about the transition and in particular the MetroLink management. This name did not continue in documentation for long.Yields information about the transition from Government to private operation and in particular the name MetroLink.A4 newsletter, double sided printed.yarra trams, metrolink, privatisation, staff, tram stops

Charlton Golden Grains Museum, formerly the Mechanics Institute built in 1882.Double colour photograph with a white boarder.Mechanics Institute. 1882charlton, elliott gardens, parks, mechanics institure, golden grains museum

Displayed at History House.Black and white photo. Looking west to east, Julia Street. First 2 buildings have verandahs and 1 chimney each. Double storey, stone building, 4 upstairs windows, 2 chimneys. Small building between 2 double storey buildings. Double storey blue stone with verandah. Small building. 4 double storey buildings.Front: Portland-Julia Street, Looking west to east. Back: State Library of South Australia. Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No. A/6493.street scene, portland street scene, photography

HardcoverKnitting yarn paper wrapper insert p. 40. Villawool 'Focus' double knitting yarn.american fiction, american literature, walsh st library

This pattern book was produced by Jean Greenhowe Designs and contains patterns for knitted dolls.Jean Greenhowe's / Scarecrow Family / Seven knitted dolls and baby's pushchair / DOUBLE KNITTING YARNknitting, handicrafts history, jean greenhowe designs, handicrafts - history

Belonged to Aunt of donor. the late Mrs Myrtle Bennett 122 Thames Street Box Hill. She resided there from November, 1939, immediately after her marriage until her death on 27th February 1997.Round yellow plastic machine with white pliable tubing attached to machine at one end and at the other attached to a large yellow and white 'bonnet' with air holes. Electric plug. Contained in a yellow Vinyl case.General Electric Off --- speed dry. Model MD18 703 240 volts --- double insulated.personal effects-toilet requisites, cosmetics

The gate shown in the photograph is located on the same wall as the large double main gate of the former Ballarat Gaol. Next to the gate is a watchtower with guard walk on top of the brick wall. This corner location provided the guards with a clear view into the gaol grounds and the street outside. Most of the gaol was demolished to allow for the School of Mines to expand. This watchtower remains along with the main gate, Warden's Quarters and the Governor's residence. These buildings are now used by Federation University Ballarat.Colour photograph of the former Ballarat Gaol Gate and watchtower taken c2000. Structure built from red brick and locally quarried basalt. Guards walk on top of wall from tower to gate was corrugated iron. This smaller gate was to the right of the Warden's Quarters on the same wall as the main double gates to the gaol.ballarat gaol, ballarat gaol gates, ballarat gaol watchtower, ballarat school of mines, federation university, warden's quarters, governor's residence, guard's walk, lydiard street south

The War Medal, 1914-1918 Medal and the Victory Medal, Mothers Badge (for being the mother of a deceased soldier) with a plaque from King George honouring the Service of L/Cpl Chester George Mather on the other. L/Cpl Mather enlisted on 8th of June 1915 and embarked for France on HMAT Anchises on the 26th Augest 1915. He was killed at Polygon Wood, Zillebrook near Ypres in Belgium on 4th October 1917 aged 25.Double sided wooden and glass display caseOn one side are the Sons Medals (War Medal, 1914-1918 Medal and the Victory Medal), Mothers Badge (for being the mother of a deceased soldier) with a plaque from King Geaorge honouring the Service of "L/Cpl Chester George Mather of the 22nd Battalion AIF" on the otherworld war one, medal, military, ypres, badge, plaque, polygon wood

Photographed during the first Covid19 Lockdown.Double storey brick house with a slate roof.elders insturance, architecture, armstrong street south, ballarat