Knitted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.knitting, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce

A copy of a speech given by President Bill Rogers to the Benalla, Euroa, Violet Town Group change over dinner in 2007. He was installing Legatee Leon Dyer as President of the Group. He mentions the 141,000 widows receiving DVA benefits. He mentions Younger Veterans Forum for veterans post 1975. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of the branches and groups at the time.Print out x 1 page of a speech given by President Bill Rogers to a Group dinner on 24 March 2007.benalla, euroa, violet town, changeover dinner

non-fictionThis record catalogue for 1958 - 1959 of L'Oiseau-Lyre, is from the company established in France by Louise Hansen Dyer one time Lady Mayoress of Melbourne. The book collection at Hymettus contains examples of her press, records and ephemera such as Christmas cards. lyrebird records, france, melbourne, hansen-dyer

Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce

Conatiner made with the 'wrapping' technique developed by Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Toy (container and pig) crocheted by Joyce Hucker.crochet, hucker, mrs joyce

Example of wrapping technique of crochet by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Example of wrapping technique of crochet by Joyce Hucker.crochet, hucker, mrs joyce

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

This book was completed with autographs from fellow students at Ballarat College during Bruce's years at the school (1946 - 1953). Includes some staff signiatures and greetings. Staff names include - George Hay, Keith Young, Hewson, Stuckey, Porter, Student surnames include - Price, McClure, Hewitt, Davidson, Dehnert, Dodd, Cameron, Fraser, Gibson, Walker, McDonald, Ronaldson, Gray, Naismith, Fyffe, Oxburn, Dyer, Cumming, Coulson, Gilbert, Gilmour, Chester, Young, Gray-McIntosh Girls names include - Barbara Day, Small autograph book with faux snake-skin cover and coloured pagesHandwritten signatures and sayings throughout book

Presented to Joyce Hucker for objects entered in the Australian Sheep Breeders' Association 1972 Show. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Presented to Joyce Hucker for objects entered in the Australian Sheep Breeders' Association 1972 Show.Australian Sheep Breeders' Assn, 1972 Show Late J Hucker 1972 1st Ribbonagricultural shows, hucker, mrs joyce

Presented to Joyce Hucker for objects entered in the Australian Sheep Breeders' Association 1972 Show. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Presented to Joyce Hucker for items entered in the Australian Sheep Breeders' Association 1975 Show.Australian Sheep Breeders' Assn, 1975 Showagricultural shows, hucker, mrs joyce

Presented to Joyce Hucker for objects entered in the Australian Sheep Breeders' Association 1972 Show. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Presented to Joyce Hucker for items entered in the Australian Sheep Breeders' Association 1975 Show.Australian Sheep Breeders' Assn, 1975 Showagricultural shows, hucker, mrs joyce

On her husband, William's, death in 1914, Violet Holmes inherited 'Sauchieburn’ property in the Ascot District of the Wider Ballarat District, Victoria. Her ownership had descended via the Holmes Family from the pioneer district settler/squatter Captain William Coghill. In turn, the property on Violet's death was left to their family: Violet Spittle (nee Holmes), Mary Holmes, William E. Holmes and Henry Smerdon Holmes. I suspect this photo was sent to Violet Holmes Jnr (m Spittle) [Jane Dyer 2024]Photographic portrait of a girlVerso: Dear Mary, I am sending one of my photos and hope you will like it. Please get your taken and send me one and ask Violet and the boys also. Mother and Daphne send their love to all. From Iris.chatham-holmes family collection, family history, women

Acquired when "Classweave Industries" closed downFramed image First Board of Directors Mr R Vincent, Director; Mr James Robertson, Director and General Manager; Mr James Dyer, Chairman of Directors; Mr J M Badger, Secretary; Mr W Stawell, Director; Mr S E Price, Director; Mr D McLennan, Director; Mr J Solomon, Director.woollen mills - history woollen mills textile mills - staff, classweave industries pty ltd federal woollen mills ltd, woollen mills - history, woollen mills, textile mills - staff

"Winding, warping and weaving: mill practice and management" - W Barker, "Textile Manufacturer" Monograph No 1"Winding, warping and weaving: mill practice and management" - W Barker, "Textile Manufacturer" Monograph No 1textile industry - education textile fibres weaving textile machinery, textile manufacturer, winding, warping, dressing, dyeing, textile industry - education, textile fibres, weaving, textile machinery

This is an exercise book, probably purchased from a local stationers, which was used at the Warrnambool Woollen Mill in the 1930s to record weekly operations in each of the Mill’s departments. The Warrnambool Woollen Mill was established in 1910 in South Warrnambool by a local company, with the building erected on a site that formerly housed another woollen mill destroyed by fire in 1882. The Warrnambool Woollen Company operated successfully for many years with over 700 employees in the 1940s and a good national reputation for quality goods. It made blankets and other woollen goods and was the first company in Australia to manufacture electric blankets. In the 1960s the mill was sold to the Dunlop Company and for the next thirty years it was bought and sold several times, finally closing in 2000 after 90 years of operation. This exercise book is of some importance as it belonged to the Warrnambool Woollen Mill, a dominant and important industry in Warrnambool for most of the 20th century. Many present and past residents of Warrnambool and district were employed at the Mill. It is one of many items in our collection that outlines the mill’s day-to-day operations and contains information that may be useful to researchers. This is an exercise book which belonged to the Warrnambool Woollen Mill and appears to be two exercise books joined together as there is a black cover in the middle of the pages. The original black covers at the front and back are missing. The pages are lined in blue and most used pages have ruled red lines. The entries are in black ink and include the date and other information on the processes of the spinning, carding, scouring etc. The page edges on the right have been serrated in an oval shape to make tabs for the various departments in the Mill – Engineers, Scouring. Dyeing, Warehouse etc. and the book contains weekly entries regarding Mill operations from 1930 to 1936.Edge of book: ‘Records’warrnambool woollen mill, history of warrnambool

Letter, on "The Myer Woollen Mills Pty Ltd" letterhead, printed black, dated 19th June, 1941 from H Lewis, Designer, to W R Lang offering to gift shade cards of yarn.wool - research textile design textile research, gordon institute of technology the myer woollen mills pty ltd, dyeing, weaving looms, hand spinning, lang, dr w. roy lewis, h - the myer woollen mills pty ltd, wool - research, textile design, textile research

"An account of research studies and mill processing trials on four apparel wools"- J H Wakelin and W von Bergen 1953 : Wool research project, summary report for the period October 1948 to October 1952.merino sheep wool - characteristics wool - chemistry textile research textile calculations textile fibres, dyeing, spinning, carding, yarn - worsted, merino sheep, wool - characteristics, wool - chemistry, textile research, textile calculations, textile fibres

Yang Deliang was from the Jinshan Peasant Painting Academy where Chinese folk art of southeastern Yangtze River area of Shanghai is undertaken. The paintings integrate the folk arts of printing and dyeing, embroidery, paper cutting, wood carving, and cook stove painting, and depict the peasant's colorful customs and daily life. This style of folk art was born in 1972, under the guidance of a professional painter Wu Tongzhang. Jinshan Peasant Painting made its international debut in the Expo 1980 in Brussels, Belgium. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed silkcreen An artist's 'chop' is evident on the lower right cornerart, artwork, yang deliang, chinese, silkscreen, jinshan peasant painting academy, j

Heathmont Primary School Softball Team - Metropolitan Premiers 1973. Framed photograph.; Coach John Deany; Names of team members on back. +Additional Keywords: Deany, JohnHEATHMONT PRIMARY SCHOOL Metropolitan Softball Premiers 1973 Coach: Mr. John Deany Back L-R: Sue Dyer, Michelle Rittinger, Linda Hearn, Wendy Crouch, Diana De Goey. Middle: Susan Deany, Jeanette Ball, Cheryl McMahon, Sandra Gilfillan, Dianne Birch. Front: Lorraine Strong (v-capt.), Joanne Crapper (capt.), Lynette Clarkson.

This box contained packets of Reckitts Blue and was probably displayed in a shop with the lid up showing the brand name and the items. Blue or laundry blue was a household product used up to about 1960 to improve the appearance of textiles during the washing process. It added a trace of blue dye which made white fabrics appear whiter and it was widely used. Reckitts was a firm established by Isaac Reckitt in Hull, England, in 1840. By 1888 it was a public company and in 1938 it merged with J.& J. Colman, a food manufacturer. Later it sold the Colman side of the business and today it trades as the Reckitt Benckiser Group. The firm established an Australian branch in the late 19th century.This box has been used to store the Charles Brittlebank birds’ eggs collection but it is of interest in its own right as a box that held Reckitts Blue packets. Most Australian households in the 19th and 20th centuries (up to about 1960) would have used blue bags or packets in the laundering process so they are part of our social history. Today a bleach is used as a replacement for a blue bag.This is a wooden box with a hinged lid (the hinges are hooks and eyes). The box once contained one gross of Reckitt’s Blue. The printing on the box is coloured but some of it is now faded. Inside the lid, pasted on, is the name of the manufacturer. The side of the box also has the name of the manufacturer pasted on but the printing has been discoloured at the edge by the application of maroon-coloured paint. On side of box: ‘Reckitt’s Round Blue, contains one gross of circular blocks’ Inside the lid: ‘Reckitt’s Round Blue’ social history, history of warrnambool, reckitt’ blue

These five photographs were most likely taken in the 1970s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Photos .1P to .3P are annotated with the name of the technicians written on the back. Although Photo .4P is not annotated the technician is positively identified. In these five photos the technician is applying a UV-sensitive pigmented dye emulating one of the print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. The coated sheet was dried before placement in a vacuum light frame beneath a stud registered map negative. They were then exposed to a carbon arc lamp. If there was more than one negative – typical for a type impression or 1st proof, the process was repeated for the other negatives of that print colour. There was a single exposure for composite negatives which was typical for the 2nd and final proof - the pre-press proof. The sheet was removed and washed with water and dried leaving the exposed colour impression. The technician repeated this process using process or spot dyes for remaining publication colours. Type impressions were a combination of the map grid and the topographic features in their correct print colours, forming a base for the cartographer to accurately position map names and symbols on a clear film overlay. The pre-press proof was a cost-effective way of producing a one-off visual copy of the map or chart product. It enabled cartographers to perform a quality inspection and correct any faults before publication. The pre-press proof was deemed authoritative before its release to Print Troop for bulk printing and distribution.This is a set of photographs of lithographic technicians preparing map proofs at the Army Survey Regiment, Bendigo c1960s c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, SGT Graham Jeffers, Lithographic Squadron .2) - Photo, black & white, c1970s, SGT Ken Slater Lithographic Squadron .3) - Photo, black & white, c1970s, Ian ‘Loft’ Turner, Lithographic Squadron .4) - Photo, black & white, c1970s, Gary Kerr, Lithographic Squadron .5) - Photo, black & white, c1960s, unidentified, Lithographic Squadron.1 to .3 – personnel names (less rank) annotated on back. .4 to .5P – no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho