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Federation University Art Collection
Sculpture, Rodney Scherer, 'Cornucopia' by Rodney Scherer, 2015
Rodney SCHERER (24/02/1951 - ) BOrn Campbelltown, NSW Rodney Scherer studied at the National Art School, East Sydney Technical College (1968 -1972); the Canberra School of Art (1973-75) Dip, Art Gippsland Institute of Advanced Education (1978); and a Grad, Dip, Art (Painting) at Gippsland Institute of Advanced Educaton (1985). He curated a number of significant exhibitions for the Gippsland region of Victoria, including the first national travelling exhibition of regional artist "Contemporary Gippsland Artists 1990-92". Rodney Scherer is a painter, printmaker, sculptor, Curator, retired Public Gallery Director, and fine art consultant. He was the founding chair of the Art Resource Colelction, arcYinnar. He was an Artist in Residence at teh Gippsland TRades and Labour Council, Yallourn Power Startion in 1991, and site manager of the Fifth Sculpture Triennial at the 1992 Melbourne International Arts Festival. In 2021 he curated "The Happy Wanderer. Victoria Cobb 1876-1945" at the Gippsland Art Gallery, Sale, Victoria.This work was purchased by the donor from Rodney Scherer's solo exhibition 'Ubiquitous Orange' at SParc Gallery, Yinnar.rodney scherer, alumni, sculpture -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; ABRAM LOUIS BUVELOT EXHIBITION
... exhibitions ...A catalogue with a brown front cover and white pages. On the front cover are the words, 'Abram Louis BUVELOT exhibition Bendigo Art Gallery' and a photo of the artist.' On the inside of the catalogue is the acknowledgement 'This exhibition forms part of 'Arts Victoria 75' Festival.' The Bendigo Art Gallery also ' gratefully acknowledges the financial assistance given by the Victorian Ministry for the Arts, which has made the mounting of the exhibition and the production of this catalogue possible. There are also photos of Buvelot's work and an article about 'A Man and his Work.' The actual catalogue of the exhibition includes information about Buvelot's 18 oil paintings, 23 watercolours and 9 pencil drawings. There are also Supplementary exhibits - an oil by J.R. Ashton, a photograph by Louis Buvelot and a pencil drawing by Madame Buvelot. Printed by Cambridge Press, Bendigo.artwork, oil painting, bendigo art gallery, lydia chancellor, collection, art, bendigo art gallery, event, exhibitions, program, programmes, catalogue, abram louis buvelot -
Ballarat Tramway Museum
Poster, Warren Doubleday, Ballarat Trammies at War, Sept. 1995
... Exhibitions ...Demonstrates an important part of Ballarat's tramway operations during the Second World War when Conductresses and many women were employed by the SEC and yields information about materials printed for the Australia Remembers exhibition in 1995 by the BTM.Seven colour printed A4 sheets used on the "Ballarat Trammies at War" exhibition at depot and CHHA fair. .1 to .7 printed on coated paper for use in bubble jet printers, .8 - A4 size white photocopy paper. 249.1 - Welcome poster - used at depot 249.2 - "How did they cope"? 249.3 - "Coping with conditions" 249.4 - "Conductresses Triumph!" 249.5 - Credits poster - used in video tape only. 249.6 - Credit poster - used in exhibition. 249.7 - Any further information 249.8 - 12 sheets - script for video tape. Paper - Ink jet paper by Gilbert Paper - "Jet-Tech" - 92 brightness, 210x 298, Made in USA - Menasha W 54952. Images of items added 29/9/2013.trams, tramways, exhibitions, ballarat, world war ii -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Noli Me Tangere, 2013
A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse -
Orbost & District Historical Society
night dress, Cowell, Alice, c. 1913
This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing -
Melbourne Tram Museum
Slide, David Verrier, 28/09/1977 12:00:00 AM
Kodak Kodachrome colour slide, white cardboard mount. Photograph by David Verrier. View of five trams, 1025, 370, 1038, 643 and 1033 outbound in Collins St at intersection with Exhibition St. Tram 1025 has destination of Northcote Via St Georges Rd, route 9 and advertisements for Robo 3 min car wash, and "1 a day man". Would appear the driver is being trained - 2nd person sitting in the cab. Photos taken 22/4/1977.In ink: "Wed 28/9/77 Collins & Exhibition St Melb 1025, 370, 1038, 643, 1033"trams, tramways, collins st, route 9, northcote, w7 class, tram 1025, tram 370, tram 1038, tram 643, tram 1033 -
Ballarat Tramway Museum
Memorabilia - Exhibition Material, Warren Doubleday, From Postcards to MMS, 24/01/2011 12:00:00 AM
... Exhibitions ...Yields information about postcards that feature trams in Ballarat.Set of 9 posters for the CHHA 2005 Exhibition, titled "From Postcards to MMS". Looks at the post card collection and history of postcards that feature Ballarat tramways. Includes title and credits sheets and explanation of the term MMS. Sheets have Velcro dots on the rear. Printed on a colour ink - jet printer. trams, tramways, btm, chha, postcards, exhibitions -
Port Melbourne Historical & Preservation Society
Poster - Port Melbourne Festival event, Pat Grainger, Feb 2001
Displayed to advertise the 1940s-1950s Postwar exhibition at the Freemasons Hall 24-25 March 2001.Poster for 2001 Port Melbourne Festival event: "Every time the Historical Society puts on a Back to Port exhibition, people complain." A3, black on pale violet, one-off only.celebrations fetes and exhibitions, port melbourne historical & preservation society, pmhps -
Glenelg Shire Council Cultural Collection
Souvenir - Plate - The 'Moliver Collection' official plate commemorating Victoria's 150th Anniversary, n.d
China plate. The 'Moliver Collection' official plate commemorating Victoria's 150th Anniversary. Gold rim, pale blue background, replica of original painting of Exhibition Building by Charles McCubbin. Reverse has information re plate being one of limited edition. Measures 23.5cm in diameterFront: 'To commemorate the 150th Anniversary' - blue script, above Exhibition Building Back: 'Plate No. 0074', 150th logo, Moliver Collection Logo Charles McCubbin Signature Westminster logo -
Federation University Art Collection
Ceramic - teapot, Dianne Peach, Slip Cast Teapot by Dianne Peach, 1983
In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition -
Robin Boyd Foundation
Book, Grazia Gunn, Arthur Boyd Seven Persistent Images, 1985
Exhibition Catalogueaustralian art, walsh st library -
Robin Boyd Foundation
Booklet, Greythorn Galleries, David Boyd, Reconciliation 'An Australian Odyssey", 2002
Exhibition catalogueLong notes from David to Trish. Also listing of the paintings for salewalsh st library -
Kew Historical Society Inc
Photograph, Robert Baker, Exhibition Series - Beyond the Gate 1840-1930, 2014
The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. From its beginnings, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.A series of born digital photographs of the framed photographs in the exhibition which explored thirteen historic houses in Kew using old and contemporary photographs. The Houses included: Turanville, D'Estaville, Ivy Grange,Tarring, Charleville, Ramornie, Dalsraith, Heald Lawn, and the James Beament House. Each house was selected as representative of a particular decade. The curators of the exhibition were Robert Baker, Kerry Fairbank and Tony Michael. New photographs of architectural features were taken with the permission of the owner of the house.heritage - kew (vic), kew historical society - exhibitions, historic houses - kew (vic) -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Jesus in the House of Martha and Mary, 2013
FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening, 'Dredging, Draining, Dipping and Shipping' exhibition, Joan Winter, Jul 1995
Members of PMH&PS worked on the exhibition (research, writing etc) and society loaned items from our collection. Curated by Joan Winter.Invitation to the opening of 'Dredging, Draining, Dipping and Shipping - A History of the foreshore and low-lying lands of the City of Port Phillip', an exhibition by the City of Port Phillip opened by Hon. Frank Crean.celebrations fetes and exhibitions, joan winter - curator -
Otway Districts Historical Society
Book, Ninth National Bottle Exhibition, Colac, Victoria
From the 18th Century museums and individuals have collected man's manufacturing work, the bottle. In Australia some collections have been in existence for over 60 years although most collections stem from the mid- to late 1960s. This national exhibition, the ninth Australian exhibition, is conducted by the Colac Bottle Collectors Club in 1980 to foster the collection, study and preservation of old bottles. The majority of bottle shows are run on competitive lines with the host club setting the categories and judged by collectors considered to have wide knowledge and experience. Ninth National Bottle Exhibition, Colac, Victoria. Your souvenir booklet. Colac Bottle Collectors Club; Colac (Vic); 1980. 36 p.; illus. Soft cover.colac; bottles; collectors; history; glass; ceramics; -
Clunes Museum
Pamphlet
PUBLIC RECORD OFFICE VICTORIA EXHIBITIONS ADVERT JUNE 2006 -JUNE 2007 ADVERTISEMENTS FOR EXHIBITIONS,local history, pamphlet, history - victorian archives centre, document -
Port Melbourne Historical & Preservation Society
Photograph - Wayne PENDLEBURY, Hall keeper, Port Melbourne Town Hall, Pat Grainger, May 1993
Photographed just prior to amalgamation; immediately upon amalgamation all items were removed from walls and stored - Exhibition item, too heavy to be 'souveniered' remained.Photo of upper hall of council chambers May, 1993, looking south. Hall keeper, Wayne PENDLEBURY adjusting plant stand. Mounted presentation from 1871 - Exhibition visible.port melbourne town hall, local government - city of port melbourne, wayne pendlebury, hall keeper -
Ballarat Tramway Museum
Memorabilia - Event Materials, Immigration Museum and Museum of Victoria, "Trammies / A ride through Victoria's tramway culture", 7/07/2003 12:00:00 AM
... Exhibitions ...Six page A4 size full colour brochure titled "Trammies / A ride through Victoria's tramway culture" published by the Immigration Museum featuring four "trammies" on the front cover, detailing the transition from Cable to Electric, the MMTB, the Birth of the W class tram, Women, Sir Robert Orison, Victoria's Provincial tramways, Calcutta and Gunzels. On the rear cover has a photo of a group of BTM workers (Reg. Item 1678), and the BTM logo. Features Don Stewart of Bendigo, Malcolm of The Connies, Darren Hutcheson of Bendigo and Roberto D'Andrea - Connies on the front cover. Two copies collected. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2454 2456, 2457 for other parts of the exhibition.trams, tramways, trammies, exhibitions, immigration museum, connies -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1941-1946
Part of the Templer Home for the Aged, Bayswater exhibition 1981.Colour photograph taken at exhibition of 4 hut, second hut has gentleman reading in half open door, whilst a lady is seated in chair on end. Bed of flowers in front. Clothes line of washing left in front of gum trees.Tatura ? bottom left and beneath photo. Gehalt Von Herr Breckwoldcamp 3, templer society, gehalt von herr breckwold -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, 1941-1946
Part of the Templer Home for the Aged, Bayswater exhibition 1981.Colour photograph taken at exhibition of a painting of 4 Army huts, with a dominant tree behind the nearest hut and a smaller tree behind the 2 huts in front. 2 fence posts left centre front and 5 posts right midway.inscription indescipherablecamp 3, templer society -
Glenelg Shire Council Cultural Collection
Document - Invitation - 150 Years of Life in Portland, c. 1984
Invitation to the opening of the '150 years of Life in Portland' poster exhibition, Friday September 9 1984. Part of the 150th celebrations. White heavy card, silk screen printed in black, cartoon of 2 boxers in ring, people sitting around at tables.Front: '150 years in Portland' Back: An exhibition by members of the Portland Community and Angela Gee, Artist-in-Residence, at the CEMA Arts Centre, Portland, open daily 1.30 - 4.30 Sept 9.30 Funded by ?R.A.P V10B PIC. VACportland 150th anniversary, poster, exhibition, portland arts centre -
Ringwood and District Historical Society
Programme, Maroondah Art Galley Exhibition brochure July-December 2006
Colour exhibition brochure Includes the following events - R & M McGivern Art Prize, Alexander McClintock Australian Watercolourist, Maroondah City Council Photo Competition, Comtemporary Wearables 06, Walala Wasala African Textiles and Srendip: tapestry and works on paper 1997 - 2006. Produced by Maroondah City Council and Maroondah Art Gallery. -
Ballarat Heritage Services
Image, Melbourne Exhibition Buildings, c1897
The Exhibition Buildings at Melbourne.royal exhibition buildings, carlton gardens, melbourne international exhibition -
Federation University Historical Collection
Magazine, Ballarat School of Mines Students' Magaizine ,1963
Orange covered exhibitionballarat school of mines, t. bruer, bob coutts, paul pasari, tony brauer, jeni milbourne, kerry penna, brian mclennan, bob grubb, john davis, netta walta, kevin brady, oscar rogers, kuo yiew see, king island, s. white, joseph heller, j. humphreys, bobby ong -
Warrnambool and District Historical Society Inc.
Poster, Poster for Robert Ulman exhibition, 1982
This is a poster advertising an art exhibition by the Warrnambool artist, Robert Ulmann. The exhibition was held in the Naringal Hall in November/December 1982. Robert Ulmann (1927-1999) was born in Zurich, Switzerland where he studied sculpture and painting. After living in Canada for some time he came to Australia in 1969. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River west of Uluru. He exhibited extensively in city and regional galleries and won numerous awards for his artistic works. His love of wildlife extended to his interest in the Southern Right Whale and he was greatly responsible for publicizing the annual appearance of the whales at Logans Beach in Warrnambool and protecting their environment. His studio in Warrnambool is still visited by many tourists. This poster is of interest as it concerns an art exhibition of the work of Robert Ulmann, a well-known Warrnambool artist of the 20th century. This is a sheet of white paper with black edging. It is an advertisement for a Robert Ulmann Art Exhibition. The page has a sketch of three birds with Robert Ulmann’s signature underneath. robert ulmann, history of warrnambool -
Federation University Art Collection
Painting - Artwork - Painting, Duncan Lannan, 'Self Portrait at Home' by Duncan Lannan, c2006
‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available -
Warrnambool and District Historical Society Inc.
Medal - Warrnambool Industrial and Art Exhibition Medallion and Box, 1897
This medallion was awarded by the Commissioners of the Warrnambool Industrial & Art Exhibition to ten boys from the Kew Asylum who sent handmade items (basketware, matwork etc ) for display at the Education Court of the Exhibition. The Warrnambool Industrial & Art Exhibition, held in Warrnambool from December 1896 to March 1897, partly to commemorate Queen Victoria's Diamond Jubilee, was a signal event in Warrnambool's history, with one report suggesting that over 70,000 people attended the various activities held over these months. These included concerts, operas, displays, business stands, sporting events and competitions. The earliest surviving voice recordings made in Australia were produced in Warrnambool at this Exhibition and there were various other 'firsts'. The medallion awarded to the boys at the Asylum for the high quality of their work, was made by the Melboune firm of Stokes and Sons who had a stall and machinery at the Exhibition and made small souvenir Exhibition coins on the spot for visitors to buy. As well as the gold medallion the boys were also given by the Commissioners some small souvenirs to the total value of 12 shillings. This medallion is of great historical value as it is a precious and rare memento of the 1896-7 Warrnambool Industrial & Art Exhibition, an important event in Warrnambool's history..1 A round gilt-bronze medallion with a bust image of Queen Victoria and lettering on one side and a laurel wreath and lettering on the other side .2 A square black box with a metal hinge and clasp. The inside is lined with dark blue satin and silk and has a sunken area to hold a medallion. The maker's name is printed in gold lettering on the inside top of the lid.Warrnambool Industrial & Art Exhibition 1896-7 Diamond Jubilee Awarded to Idiot Asylum Kew For excellence of Workmanship Basket & Matwork & Photos of Asylum Stokes & Sons Medallists Melbournewarrnambool industrial & art exhibition, kew asylum medallion, medallion, 19th c exhibition warrnambool, warrnambool, warrnambool history -
Federation University Historical Collection
Booklet - Exhibition Catalogue, University of Ballarat School of Arts [Visual Arts] Final Year Exhibition, 1996
Booklet to accompany third year student exhibition of Bachelor of Arts (Visual Arts) students. Pages include photographs of students, names and examples of work. Introduction by Associate Professor Robert L Allan, Head, School of Arts. Final page lists sponsors, award donors, exhibition committee names and layout/design names. Mt Helen CampusBooklet to accompany third year student exhibition of Bachelor of Arts (Visual Arts) students, 1996. Spiral bound landscape book. 56pp uncoated text plus card cover, printed single colour (blue) throughout.The number 50 in a circle written on cover.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, printmaking, painting, graphic design, sculpture, ceramics, drawing, mt helen campus -
City of Greater Bendigo - Civic Collection
Medal - Sandhurst Industrial Exhibition Medal, Ernest A. Altmann, 1879
The Sandhurst Industrial Exhibition was held in Sandhurst at the Market Building and Corn Exchange and was opened by the Marquis of Normandy on the 17th March 1879. Modelled on a similar event held in Ballarat the previous year which was largely aimed at displaying the work of juvenile artisans, the Sandhurst Exhibition was more general in its purpose and provided more space for the general exhibition of products, natural and manufactured from the broader surrounding district. The opening event included a procession of all the friendly societies, fire brigades and other local institutions. Obverse Description; Bendigo Coat of Arms Reverse Description; (Text only) Edge Description; PlainObverse Description: Progress Ernst A Altmann Reverse Description: Sandhurst Industrial Exhibition / 1879 / Awarded to / George R Bennett / South Yarra / Inlaid Marble / Chess Tablecity of greater bendigo medals, sandhurst industrial exhibition 1879